And the Light Fades (chapter 3 part 1)

Spoiler! :
Before you read this, I just want to thank all of y'all who have been following this since the first chapter. I know this is sorta long-ish but nit-picks are insanely appreciated. You are all really helping me with this project that I've worked so hard to edit. Y'all are making that happen. Thanks again!

~peanut~

“Not one for funerals, are you?” A boy's voice rumbles out of the shadows as he looks at my sad and frightened expression. I shake my head. He is sitting on the railing on the side of the front of the church, where the stars end and there is a concrete walkway up to the door.

When I get closer to him, I can tell that he is sixteen or seventeen—about Sophia’s age. I think I’ve seen him before but I can’t decide where.

“I’m Toby Blackship,” the boy says. His name is familiar too. Sophia! Toby is Sophia’s boyfriend. No wonder he’s here.

“I’m Alyce Averyson, Sophia’s cousin,” I tell him. I watch his face as it lights up at the mention of her name.

“Then I guess I don’t have to explain to you who I am,” he says. I shake my head and sit down on the frozen railing beside him. “I’m sorry about your mom,” he says sincerely. I stay quiet. It is really cold out here, an unusual temperature for mid-October. I can’t help but shiver when the wind slices through my dress, freezing the tears on my cheek that haven’t yet dried.

“Are you cold?” Toby asks, I don’t say anything, I hope he thinks I’m not but another spasm shakes my body. “Here,” he says, shaking off his green jacket. I look at him; he is wearing a long sleeved white t-shirt. I can smell him as he drapes the jacket over my shoulders. I shrug and slide my arms into the sleeves. He laughs at the sight of me in my black dress and his big green jacket, if I zipped it up you wouldn’t be able to see the dress that came down to my knees.

“Thanks,” I tell him. I am warm now and don’t even flinch as the wind hits me again. I watch him afraid that he’ll be cold but he’s not. “So why are you here?” I ask, I’m not trying to be rude, but most guys—even if it was their girlfriend’s aunt—wouldn’t hang around outside funerals.

“I wasn’t invited to the funeral,” he says like it’s the best excuse in the world. I give him a look somewhere between shock and confusion. He laughs at me again. “I’m here for you and Sophia, okay,” he says seriously. “I want you both to be okay.” I can’t help but like this guy. I’ve only known him for about three minutes and he’s acting like a brother to me.

I don’t know what to say, so I stay quiet. I watch the trees move and the grass sway in the wind.

“Alyce, are you okay?” he asks, apparently looking blankly off into space is a bad idea. I blink and look at him; his eyes are brown like melted chocolate with flecks of gold swimming in them. This is not a good idea; the idea of it will never be forgotten or forgiven, the wind whispers into my ears. I try to shake it off again but something in those ghostly words rings true. I don’t know how Sophia will act if she knows I’m talking to her boyfriend, or wearing his jacket.

I shrug off his jacket and hand it to him. It takes a moment for him to grab a hold of it, I took him by surprise. He grabs it before it can fall onto the concrete. I stand up and run down the stairs, Sophia’s shoes rubbing blisters on to my heels. I wince and falter when one burst open but I don’t stop until I reach the car.

It is unlocked because Sophia didn’t think to lock it before she dragged me into the church so the door opens easily and I slid in without a problem. The seat is cold without heat circulating in the small space. I pull my hand back when it hits the seat belt buckle that is as cold as icy.

“Alyce!” Toby calls, he is running across the parking lot. When he gets to the car I jump. He bangs his hand against the window. “You’re going to freeze, come back up to the church; it’ll be over in a few minutes.” It. He said it, not the funeral, it. The tears come back. I want it to be over now. I just want everything to be over now.

I reach down between the seat and the door to locate the crank. Thank God Aunt Jessa’s car is so old fashioned; I can roll down the window manually instead of having to turn on the car.

“What?” I ask, my voice is steady but my insides are shaking. I can see the surprise in his eyes when I snap at him. I get quiet and hope he answers me.

“You’re going to freeze,” he tells me, like I don’t know that. He tries hard to be emotionless but I can tell he is concerned.

“I know; I don’t care.” I tell him. His brown eyes are swimming with tears caused by the cold wind.

“So you need to get out of the car,” he orders. “You don’t have to go back into the church but you just need to get out.”

“Wouldn’t I be warmer in the car, out of the wind?” I argue, he looks back at me pleading.

“Here,” he says taking off his jacket and handing it through the window. I reach up to take it from him and drape it across the front of my body.

Something rings inside of the church, music flares through as the open doors. The people who had gathered for the funeral stream out in groups and flow down the steps like a stream. I can see my aunt and uncle’s red heads in the crowd bobbing up and down as they follow Sophia out through the sea. They push through, trying to get away from everyone who insists on trying to comfort them.

I watch out the window, Toby walks away slowly leaving his jacket with me. He disappears behind a car as soon as Sophia gets close enough for me to hear her. He can probably hear her too, but he must be used to it.

“Why did you do that?” she says, her voice is loud because the glass isn’t there to muffle the sound. I look up at her through the window. I stay quiet wrapping Toby’s jacket around me. She’s going to notice I know she is, but I have another small moment of warmth before she gets in the car her voice ice tearing through the material. “I mean what were you thinking? She was your mother for God’s sake.” Was. That word is enough to bring the tears that were frozen in my eyes back. They flow swiftly down my cheeks, leaving a clear crystal line on my red cheeks.

“Do you not think I know that?” I ask, memories of the strange dream I had before the funeral flash angrily in my eyes. Something flashes in Sophia’s eyes too, hurt. I have hurt her, but not as much as she has hurt me. My small remark is nothing compared to what she has made me feel in the last two minutes.

I get quiet, sure that Aunt Jessa or Uncle Collin will come into the car and ask what’s going on. But someone stopped them on their way to the car I can see them talking to a man across the asphalt. I think Sophia is watching them too, she hasn’t said anything to me.

“I loved her too,” she whispers. I look at her, her strawberry hair is windblown from the weather outside and there is a tear falling on her left cheek. My eyes follow it as it dips inward and touches her nose before falling across her lips.

“Not as much as I did,” I tell her sadly I watch as she moves her lip to rid it of the tear. She doesn’t have to say anything I don’t want to know what she would say if she did. The door opens and I hurry to roll up the window.

“Honey, are you okay?” Aunt Jessa asks as she settles down in the passenger’s seat. I nod, unsure if she is talking to me or her own daughter. She strokes the blue bible that she had placed on the seat before getting out earlier. Sophia doesn’t say anything so Aunt Jessa doesn’t ask anymore.

Comments & reviews · 7
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User avatar
StellaThomas
Review

Sarah! I'm here, finally. I'm so sorry for taking so long but now I promise you have my full and undivided attention... until something distracts me again.

I. NITPICKS

A boy's voice rumbles out of the shadows as he looks at my sad and frightened expression.


Something about this sentence just bothers me. I think it's the "sad and frightened expression." Expression by itself would almost be okay. From what we've already heard of her current mindset and the boy's reaction, we should be able to gauge what emotions are present.

“Then I guess I don’t have to explain to you who I am,” he says.


I feel like the "then" would be better at the end of the sentence.

“I’m sorry about your mom,” he says sincerely.


The problem is, nobody ever says this entirely sincerely, do they? It's something to fill in the gap of oh-crap-her-mum's-dead-what-do-I-do-awkward-silence. The words are a formality.

“Here,” he says, shaking off his green jacket. I look at him; he is wearing a long sleeved white t-shirt.


The second sentence is clunky there by itself. Obviously she'd be looking at him to see what he's wearing.

if I zipped it up you wouldn’t be able to see the dress that came down to my knees.


This is a little awkward as well. Change it around.

“I wasn’t invited to the funeral,” he says like it’s the best excuse in the world.


... You get invited to funerals?

It is unlocked because Sophia didn’t think to lock it before she dragged me into the church so the door opens easily and I slid in without a problem.


Again, the detail's a bit awkward here. Obviously she can open the door if it's unlocked. Also, "slide" not "slid."

as cold as icy.


ice.

“Here,” he says taking off his jacket and handing it through the window. I reach up to take it from him and drape it across the front of my body.


I'm just imagining passing a big bulky jacket through a car window. It's not going to be exactly easy, is it?

music flares through as the open doors.


Um.

The people who had gathered for the funeral stream out in groups and flow down the steps like a stream. I can see my aunt and uncle’s red heads in the crowd bobbing up and down as they follow Sophia out through the sea.


Stream flow stream sea. See my problem?

II. THE RANDOM GUY OUTSIDE YOUR MOTHER'S FUNERAL

It seems to me more likely that if Toby wanted to be there for Sophia then he would, you know, be inside. I don't know anybody who would wait outside a funeral, it's just plain weird. But I guess this is fiction, so I'll suspend my disbelief. But I think a little more reasoning is needed.

Secondly, remember: this is her mother's funeral. Of course she's going to be thinking of her mother and on top of that, I'd be stressing about the fact I had just left. As far as I can see, Alyce has no qualms about it. She's good with it. I guess she's stubborn, but even so. It's like she's having a fit of temper but she doesn't know why.

Thirdly, Toby himself. While we get that he's a genuinely nice guy, it's also a strange little scene. Why would she be colder inside the car? Why does he care so much? She'll be cold, but it's not like she's going to die. Her mother just died. It wouldn't shock me if she wanted to sit alone in a freezing car for a while. It's a bit strange.

III. PLOT

Maybe it's just because I've been reading it over such a long period of time, but it's beginning to feel like there's no real plot. I know there is, but we're three chapters in and I can't recall seeing a glimpse of anything other than a girl mourning her mother's death. Maybe you should try and give us a little more indication.

IV. OVERALL

I think you need a little more direction with this part. You need to work out where it's going and what you need it to do. Other than that, lovely job.

Hope I helped, drop me a note if you need anything!

-Stella x

User avatar
Galerius
Review

Hi peanut19,

I haven't read the previous chapters (and I hope I wasn't expected to) but will make do with the failings and shortcomings I can spot from reading this one as a standalone. And believe me, your story is breeding them like maggots in a mango skin.

Your imagery needs reconciliation with itself. I'm seeing a lot of descriptions that just don't make sense. For example, "... my sad and frightened expression" is giving the reader absolutely nothing. So she's sad, implying resignation, weariness, a sort of realization of a personal doom and paucity of hope. But... she's also frightened, a much more active and superficially passionate emotion. So which is it? Another region in which this problems roams is "I give him a look somewhere between shock and confusion". How is this a sliding scale at all? One can be both shocked and confused, or just one, or neither. What you're doing is saying "the apple is somewhere between red and sweet". Ditch those quasi-extended imagery you have laced within the sheets of these words and opt for a simpler approach until you can clearly outlay a stream of description that doesn't trip over itself every second sentence.

A more intrinsic issue - and honestly, a more pressing one - is that you seem to be confining your story strictly in a first-person, two-dimensional world. What that means is everything that's said in this chapter is an action or event (not considering the shallow little attempts at intuitive synthesis like "I could tell that he was sad"). When I take a walk through a chilled morning by the sea town, I don't think about myself when observing what goes on around me. So you need to do the same; cut out the middleman and start talking about objects, people, places, and phenomena as if the narrator is thinking about them to herself. Do you usually preface your thoughts with "I / I'm / I'll / I'd / etc" ? I highly doubt it. Clear up the way this story is written by running to the events and describing them as they are; instead of "I saw that he was sad", say "he was sad". This will amplify the believability of your writing tenfold.

As far as the story goes, I don't have much of a critique for that. It looks like, boring as this chapter may have been (all they do is stand around a church and talk and "look sad") I'm assuming that more exciting or interesting events have come to pass in previous chapters. So I won't go into the content of this writing itself.

In general, it's hard to see a future for this story if it had been a standalone, but since it isn't, take this review and run with it for the rest of the novel.

Hope that helped,
Galerius

User avatar
peanut19
Comment

I hope not, Gale(:

~peanut~

User avatar
Demeter
Review

Hey Sarah!

Here are some nitpicks/other stuff:

I shake my head and walk toward him.


Huh. I don't know what it is that makes this sound a little awkward. I think it's the "walk toward him" -- I mean, it's correct and all, but you should maybe phrase it differently. Actually! Just skip "and walk toward him" altogether, because you don't necessarily need it, especially when a sentence later you say "When I get closer"


When I get closer I can tell that he is sixteen or seventeen, to old for me, but about Sophia’s age.


1) should be "too old"
2) Why does she say the "too old" thing anyway? Is she really thinking about dating at a funeral?
3) Considering point 2), I would edit this as follows: "When I get closer to him, I can tell that he is sixteen or seventeen – about Sophia's age."
3.1) OR if you really want that "too old" thing in, you could also have: "When I get closer, I can tell that he is sixteen or seventeen – too old for me, but about Sophia’s age."


“I’m Alyce Averyson, Sophia’s cousin,” I tell him I watch his face as it lights up at the mention of her name.


I would divide the speech tag in two sentences. "I tell him. His face lights up at the mention of her name."


I shrug off his jacket and hand it too him.


"To" him. "To" is the preposition expressing direction, "too" is the pre-signifier to words like "much", "slowly", and "late". I know it's difficult, but try not to get them mixed!


“I know, so what?” I tell him, his brown eyes swimming with tears caused by the cold wind.


1) I think you should have either "I know" or "So what", not both.
2) I think you should divide this speech tag into two as well.

“Why did you do that?” She says,


No capital S!

She’s going to notice I know she is, but I have another small moment of warmth before she gets in the car her voice ice tearing through the material.


She's going to notice I know she is… what?


“I mean what were you thinking she was you’re mother for God’s sake.”


I have no idea what she's saying here...


This part still wasn't the most action-y, but I actually really hope something would happen between Alyce and Toby. xD (wait, how old is Alyce again? Would that be creepy?) It seems funny how Alyce is thinking almost anything but the fact that it's her mother's funeral. Granted, indifference might be her way of dealing with the shock/grief, but if there's a reason why she maybe didn't like her mother or something, you need to start showing it with little stuff: "His jacket was exactly the same shade blue than the ugly cross-stitch work my mother made me on my last birthday." or something like that, haha. Or if it's not about that, then give us a reason for her to be that indifferent. Okay, you kind of do it with "I wanted it all to be over already", but give us more.

I'll be reading!


Demeter
x

User avatar
Lava
Review
Lava wrote a review · Sun May 29, 2011 6:55 am

Hey Pea

Sorry it took me a little while. The network here is slow. Well, I would've loved to have a summary to get me up to who's who and what's what in this; since it seems interesting. Since, I'm reviewing only this chapter, some points may not be valid, ja? And I'm not covering any nitpickies. Try to include a line summary for each chapter as you go on. It'll help bring in reviewers.

Now, as a standalone chapter, I'm intrigued.

What's the relation between Alyce and Toby? As in try to show us Alyce's feeling/emotions, since this is in first person. Show us, not just that bit of disgust, but maybe more.
And more of her grief? It's her mom, no? She obviously loves her, but I don't understand what she's doing right now.
So, you need to focus on Alyce. Like Pinky said, try to avoid too much 'I's. And give her more personality, maybe? Because even in just a standalone chapter, I need to feel the MC. As a reader we want a good solid picture about your MC in our head. We need to understand what she's feeling; not just what she's seeing. Use the first person narrative to your advantage.

I can’t help but shiver when the wind slices through my dress and thin cardigan, freezing the tears on my cheek that haven’t yet dried.
I can see you're working hard to get the description right. A very positive start. But the bolded part sounds off in my head. It's like you're saying that only so that the readers know what she was wearing. Nothing a little reworking shouldn't fix!

the icy concrete.
I don't think it's necessary to further fix the fact that it is cold. See, we know it's cold since the beginning. So instead, work on showing us your characters more.

They push through, trying to get away from everyone who insists on trying to comfort them.
How do yu know that? Are those adults both like that? (These are just questions for you to work on.)

In all, my main quip is why is Toby determined to help out Alyce? Is he dating Sophie to get closer to her? Or do they have a long winded history of their own?

Well, in all, an interesting chapter, and I don't know anything about the plot, but interesting nevertheless.
PM me if you have questions!
Cheers.
~Lava

User avatar
Shearwater
Review

Hi there, Peanut!

I'm sorry for not getting to this review as early as I could. I kind of had a back order of reviews that I had to finish before I could get this far. After you, I still have a novel and another story, xD. However, enough complaining! I shall give you my word of advice for this and hopefully whatever I say can at least help you somewhere with the writing and...that good stuff. M'kay - here we go!


Nitpicks & Comments

When I get closer I can tell that he is sixteen or seventeen, to old for me, but about Sophia’s age.

The to should actually be *too. Remember to make sure that you're using the right ones, I know I sometimes miss them too(haha) which is why I try to proof-read my writing before I post it. Sometimes you miss things though, no biggie. ^^
“Then I guess I don’t have to explain to you who I am,” he says, I shake my head and sit down on the cold railing beside him.

For some reason I don't like the comma next to 'he says' and the following sentences that explains what she's doing. I think you should've put that as a period instead, although it's grammatically correct I feel like the two parts don't connect with one another since they're from different characters. Um, do you know what I mean? Let me know if otherwise. Or you can try writing it in third person if it's confusing - such as... "he says, she shakes her head and sits down..." It's awkward and I actually have a feeling that it should be two separate sentences but I don't know the rule for it exactly, hmm...

. “So why are you here?” I ask I’m not trying to be rude, but most guys—even if it was their girlfriend’s aunt—wouldn’t hang around outside funerals.

There should be a comma after 'I ask'. Actually, you seem to be missing some commas here and there. You should go back and browse through them to double check. I'm not really much of a nitpicker with missing commas and such so I don't do that. However if you want a nitpicky reviewer that I would recommend asking Rascalover, I think she's good with that stuff.
I shrug off his jacket and hand it too him.

*to him. Another one of those 'to/too' mistakes.
I wince and falter when one bursts open but I don’t stop until I reach the car.

*burst ;)
He bangs hit hand against the window

*bangs his hand?
You have quite a few typos in here so I would seriously recommend you going back to proof read this or allowing someone else to take a quick skim over it for these little errors before posting it. ^^

Overall


Okay, overall this chapter is a bit confusing for me. Maybe it's because it's been a long time since I read anything from your novel. I tend to forget things easily too. xD Anyway, it's still a decent chapter but there are a few things you might want to put some more concentration on when you go back to edit or write the next part of this.

The first thing I noticed while reading was your narration. It needs some work, right now it's still more on the weak side and your character is kind of monotone. She lacks much of any personality, right now she's just bleh. Try to give her some life and since it's first person, don't be afraid to add in her thoughts and what she's thinking - in fact you should totally do that a lot more! You gave us a few glimpses into her head but it wasn't much to really know what she was doing and the reason behind it.

Another thing to tie in to what I said would be your constant use of "I". When writing first person this can actually be a bit daunting - the use of I, that is. You're limited to sentence structures in here and the writing will come off as repetitive and uncreative such as:

I woke up and brushed my teeth then I went down stairs and I ate my cereal. I walked outside to the bus stop and even though I was waiting for the bus, my friends came instead. I contemplated if I should sit in the front or the back seat. I chose the back. I sang to Rebecca Black's song "Friday" with my friends afterward. I was happy.

See all those I's? Okay, I know that was long and stupid - also unnecessary but what the hey, we could all use a laugh. Anyway, try flipping your sentences around here and there. If you have something like,
-I watched the birds outside my window. I didn't know that birds flew by our house this time of year.
Try something like...
-Watching the birds outside my window made me question if birds really flew by our house during this time of the year.

It's not the best example but hopefully it helps mix some of those creative juices in your head. ^^
Another tip, don't tell us what she's feeling, show us through actions and body language/thoughts. It's better than saying, "I was happy." xD

As for your plot, I don't really see much of it so I can't really critique on that part. I am kind of wondering why in the world her friend's boyfriend is so concerned over her. Sure you can help a girl out but to follow her and be that concerned seems a little weird and scary actually. I'd actually run away from him...lol.

The main things your going to have to work on this is your grammar and punctuation. I noticed one or two misspelled or misused words and comma errors here and there. Brush up on those rules and apply that to your writing. Work on your sentence structure and kick out those repetitive sentences. Use some nice metaphors and similes to add color to your descriptions and lastly but not least, let your character's mind speak as well.

Overall, you have an idea but your writing is still going to need some work in those little corners. Keep working on it and if you have any questions or concerns, I'm only but a quick PM away.

Keep it up,
-Shear



A ruler leads by example, not force.
— Sun Tzu