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Hey there! An interesting piece you have here, I love the title and the initial concept and I don't have many comments really. There's a few rough edges that can be shaved off but in general it's a pretty powerful poem.
One morning I woke up and decided
that I'd warn them about the monsters
waiting in hell; they looked at me
with curious eyes, wondering if maybe
I could be on the borderline of insanity
and ignored me as they walked away. [Hmmm. I find this a little contradictory. They're not ignoring, not if they've already given the persona strange looks and are wondering these things. It would be more apt for them to edge away. I know I always feel nervous when my religious friend is in one of her preaching moves so I always slowly slide away or move the subject along.]
My words bond together, line
by telephone line, wrapping tightly [Love the imagery of line, by telephone line. Very good.]
around the poles and into the clouds,
desperately reaching out to grasp
loose strands of hair being tossed [The hair is a good metaphor but what for? Evidence? People's souls? I think that needs to be clearer.]
by the wind; immaculate snowflakes
carelessly tossed by the wind; [I didn't like the repetition of tossed by the wind; it doesn't add anything to the piece.]
they all run, arms flailing in the air
introducing their fractured souls
to a tainted belief in God; they're willing [Nice line.]
to pray when the storm rolls in, when time calls
from the earth: the ground begins to boil
as more trees are fed, as more ankles,
more knees, more legs are fed; I knew
someday they'd wish they had listened. [I like this line. I love how the 'I told you so' is quite in your face and it doesn't exactly make you hate the persona but shows the flaws and, personally, it made me sympathise with those who didn't listen.]
There's no use for broken wings, but
all they have are these broken wings when [Mmm. Don't like the repetition of broken wings here. Maybe 'shredded feathers' or 'heavy aeroplane arms' could replace one?]
line by telephone line, my words fall apart [Now this is a good use of repetition. You've left it long enough that the line has faded in the reader's mind and now you re-affirm it, good work!]
like a tightrope and its walker, hanging
in the sky like an eagle without his talons,
so all he can do is fly until the candle
in his heart has lost
it'sits flame, fallingfrom the sky like a suicide-bound plane, so
all it can do is...
Interesting way to end. I'm not sure how much I like having the last word left off, though I do think it suggests a slight touch of uncertainty which certainly fits the subject at hand. Is it real, is it not? Who knows! If that was intended then nicely done ^^
Thanks for the read and I hope you'll find my comments of use,
Heather xxx
This is a very interesting poem. However, I think you should separate your sentences. Your last stanza looks like a giant run-on. It reads fine, but it looks sort-of choppy. Otherwise, this was a very good poem and I really liked your word choices.
I apologize for my recent laziness. I'm workin' on it.
Okay. On to the actual review. Let's see if I can say anything coherent.
This felt extraordinarily blunt to me: too blunt. I would ease into this. As you have it now, it kind of feels like your character gets out of bed in the morning, grinning, saying in a sing-song voice, "Hey, maybe I'll warn the world about their impending doom today! That might be a good Monday thing to do." It feels really casual.
Okay, having said that (rather harshly too, sorry 'bout that) I did like this opening. The time you open it at, and the word choice you have in the second and third lines is really nice. Capitalize "Hell" though, if you're referencing the place.
Okay: that was the main point I had to make in context. The rest is going to be a pretty big overall.
This had a lot of imagery in it-- I kind of got lost in the second stanza. Reading the words, they're really beautiful though; they're all really unique ways of expressing what you're expressing, which is what you're excellent at, but you really need to connect the images into one main point or emotion. They kind of flow from one thing to another to another and then you snap back to the story. Put some more tangible, concrete substance into it. Most of this is great idea with a lot of imagery surrounding it; the imagery just needs to transition the emotions more. You kind of have a concrete statement, lots of imagery, and then a switch in tone without much transition. Use that imagery to make that transition, and it will be much better. But, like I said, your words are beautiful (as always *jealouss*)
Here are some parts that I loved:
Okay. Sorry for the useless review. Awesome job though- just work on keeping on subject and whatnot.
-Coral-
I thought this was a really good poem. You used great description and it was very thorough. Reading it made me think of all different types of circumstances like that that have happened to me.. I especially loved the end. It was sort of simple and to the point.