Warning: This work has been rated 16+ for mature content.
He hated himself. He was a wiry creature of self loathing, of hollow cheeks, arched feet, sharp fingernails, pouty lips and thick breath. He would smile, but even that curve was made from the same hot wire. He had taken sandpaper to his skin, rubbing until his soul was scarred and raw.
We all experience heartburn, moments when our bodies are revealed to us with blinding clarity. But I have never meant anyone who could endure beauty like he could, who could withstand the dull ache. He was nothing but a model for hungry pencils: lines and sinew and thirds. When we lay together, I could trace his shape and his contours would linger, occupying space, but not consuming it.
It was early spring when I found him on a park bench, gazing at his reflection in the muddy pond. I liked his shape, his Narcissus facade. He had a book in his lap, small, with thick, dog-eared pages. Beat poetry? French Existentialism? I crept a little closer, squinting as I tried to make out the title. Howl. I smiled, a holy narcissus boy. I watched him for a while, caught on the sand-paper sidewalk. It was hard to tell in the watery late afternoon light, but I think I fell a little bit in love with the idea of him, with his reflection.
A swan glided by, a park swan. The boy stretched his neck; eyes to the sky, eyes to his book.I had gotten a fringe the week before. It was the required uniform of coffee shop lackeys, but it always seemed to tickle my forehead when I tried to concentrate. It’s hard being a woman, having to reconcile cold-marble expectations with your own breath. I wished I could be like him. A creature of sky and books and reflections, a single hot wire, a conduit.
Loving him was nothing like loving myself, nothing like I expected it to be. He was feminine in many ways, delicate, burning. I expected to own him. But he owned himself. He had distilled his soul into a body.
We rode city buses, trespassed through secret gardens, got drunk in underground jazz bars, pressed ourselves against brick walls. I was finishing up a thesis on something. He was modeling, I think. We were a fashionable couple, straight out of the 60s, selling our bodies, revolting against... revolting against the lines between blasphemy and prayer, between blood and bones, between love and hatred; becoming lines ourselves.
~~~
Three weeks after I had spied on him in the park, three weeks after I had desired his reflection, two weeks after I had discovered that a reflection was all he was, we took a train out of the city. The buildings got shorter and the sky larger as we flew over the tracks. I leaned back against the plush cobalt-blue seat, watching him study himself, deciding whether to disturb his reverie. I tossed a book into his lap. “Have you read this?”
“Yes.”
“You’ve read everything, haven't you?”
He smiled, “And nothing. I read for the aesthetic of it.” Rain began to fall, streaming across the windows and blurring the industrial suburbs beyond. He looked down, examining his graceful hands.
With sudden relief, I objectively analyzed my fatigue. I was tired of always speaking, of always being. It was exhausting to fill the space around his thrumming stasis. The city was gone now, wiped clean by the rain, replaced by vague verdant fields. Under the clouds, the green was surreal, like it emanated from the mouth of some strong-lunged goddess. The green embodied all her unsung words.
I could feel the train moving beneath me, the train and the tracks. I grabbed my phone, reflexively scrolling through Spotify. I settled on something complex, putting on my headphones. I focused on the melody. It was intricate and ephemeral. It hovered above us, the train and the tracks.
We chugged along; hands on the chrome table-top, eyes between us, eyes and hands open to ourselves. My music hit an uncomfortable crescendo. I glanced out the window. We were rolling through the forgotten backside of a small village. From our untouched angle, the whitewashed cottages were dirty and the ground was littered with garbage.
I grabbed his hand “Let’s get out at this next stop.” He nodded, picking up the book that was still resting on his lap as he rose to his feet. I pulled him down the aisle. “Come on, the train is slowing.”
We hopped off, onto the raggedy gravel. The brick train station was still stained black from when the train had run on coal smoke. I walked over to a vending machine pushed into a filthy corner. “Want some chips?”
He inspected our lackluster surroundings, then shrugged. “I’d take some Fritos”
I stuffed a couple dollar bills into the machine. Fidgeting, I waited for the dull, red and yellow bag to fall over the edge. With an odd urgency, I pushed back the flap and snatched the chips, looking around for a bench. After we were comfortably seated again, this time facing the tracks, I pulled open the bag. The chips had mostly disintegrated, but they were still salty.
We stared at each other as we snacked. And I realized, in the utter banality of the moment, that I was still infatuated with him. Even though we were going nowhere.
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Hi YellowSweater,

Mailice here with a short review!
I found the title decisive to take a closer look at the story.
So let's get started. I really like the way you present the story in the first person perspective. It has a positive effect on the story because it gives you an insight into the narrator's head and how she thinks about the boy.
I also like the way you describe emotions and the environment in your own way. Your style is very striking there and crystallises clearly.
I think this sentence describes very well what I meant above with your descriptions. You have to imagine things internally to have them more clearly in front of you, but the sentence alone is enough to kick-start that imagination as it comes from a brief beginning on the bus to a climax at the end of the sentence. It also beautifully describes the bridging of an interval of time.
I see in this short sentence an attempt to interpret the boy. If you replace swan with boy, you might be able to interpret what the narrator thinks of him and how she subconsciously imagines him. Free and yet not free, caught in invisible chains, like the swan that lives in the park.
What I missed a little in the second part was the description of the boy. It wasn't as if the second part was bad, - I especially liked the dialogue and his answer to the narrator's question. But you notice that the point of view turns from the inner world to the outer world.
Maybe it's also a literary attempt on your part, the narrator's attempt to point the boy to something new - not focused on himself - free him from his chains.
At least that's what I would read from the last paragraph, where you realise once again how cold the boy actually is and how self-centred he seems.
I liked the short story very much. It was a nice text with a certain depth that you could read out between the lines. I also liked it because it reminded me of the coming spring and summer, to finally go outside again and enjoy the awakened nature.
Enjoy the writing!
Mailice.
@MailicedeNamedy Thank you so much for the review! it is very much appreciated!
Hey YellowSweater! Elinor here again.
I was excited to see that you'd posted something else in the green room so I thought that I would drop by to give it a review.
As mentioned before, I love your writing, and I think that you have a real strength for visual imagery and really bringing your reader into a time and place. Also, I'm a huge fan of the 1960s and 70s and the counterculture of that time period, so I appreciate how you seem to be inspired by it as well.
I understand this is an experimental piece, and I think, for what it is, it works well. However, to me this feels like a fragment of a piece rather something whole. Not much happens. The couple is together, and their relationship stalls. I don't know anything about the narrator, only that she's infatuated with her new boyfriend. I think there's a real potential here to expand this and deconstruct ideas of romance and love at first sight and how women do objectify men, it just happens in different ways.
Anyway, keep up the great work, and I'd love to see how you develop and shape this if that's the direction you want to go in.
Hope this helps! Feel free to reach out if you have any questions. Keep writing!
Elinor
Thank you so much for your review! I agree it definitely feels like a fragment. I really like the way it's written, so I want to continue, but I get stuck every time I try to advance the plot. Plot is definitely one of my biggest weak points as a writer lol!