Chapter I

by Werthan

Published December 13, 2016

12+

In On the Edge of the World

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As Gyelthan was sitting behind the balcony, he saw a messenger running in the street below like a leaf blowing on the wind: one of the messengers that always summons people to the court. He always wondered who these messengers summoned and what for, but for that, he could always look in the city archives the next day, so it never bothered him. Today, however, he felt some implacable sense of dread overwhelm him.

They're not coming for you, he thought, you've done nothing wrong. Some other senator’s son is in hot water though, I wonder who it'll be. But it always seems that the all-seeing eye’s gaze is always fixed on me, for no reason I can place. The messenger stopped at the bottom floor of the apartments and a slave answered the door. And it certainly seems like today I'm being much more than just watched…

The sound of horns could be heard coming from the distance. Oh, how those lower men love those circuses! It's the same thing over and over, they say it's not scripted, but it really is. It's better to go to the theatre, the theatre is where you really learn all you need to learn, what a citizen really needs. What you watch becomes the script of your life. It's a shame that those plebs are corrupting the language, though, the classics don't work in their bastardized ‘attempt’ at our noble tongue. In their slang, tragedy becomes farce, rhyme and reason are thrown to the wind! When we lose our tongue, I say, we’ll lose our noble spirit! Spirit, breath, tongue… The tongue shapes the breath, and the breath is the spirit flowing in and out and in and out of the body. The gods have made us uniquely noble animals, capable of reason. Thus, they reward us for our piety, when other animals must rely only on instincts. Although, as we seem to be turning our gods into mere figureheads for the state, they seem to be taking all we have, nigh all we are, away, our noble tongue most of all!

I always hear that the barbarians in the north, those pathetic Tz’reikh, always say, ‘we were once a great civilization, but our people lost their way and turned their back on the gods. We wrote that the gods came above all, but also contradicted that in the same breath, like a knife cutting with both edges, so for that, our gods took our writing away. Our civilization fell apart, and we were exiled to the White Mountains, where we became nothing but a band of roving savages. We’d be surprised if you'd not next do the same!’ He could almost believe that as well, as now Gaaleym seemed to be following the same course. Almost: no outlandish myth told by outlanders who merely wanted to justify their own inferiority could be close to true. He looked down at the purple goat-wool rug on the floor. Even if they're quite good for a couple of things, he thought.

On the streets below, young military men were practicing their marches, drilling various formations with their spears, shields, and broadswords. On the opposite street, a policeman was patrolling in his chariot, cracking his whip again and again, the blue-dyed horsehair crest on his silver-plated helmet blowing in the wind of the chariot’s motion behind him on an otherwise still day.

Gyelthan turned around swiftly as he heard a rapping in the wall outside his room behind him, softly, softly, but with a certain sharpness.

“You may come in now!” he answered.

It was the messenger he saw on the street below, who has been guided to his room by a young female slave.

The messenger pulled a book made of several bound wax tablets from his tunic.

“You have been summoned to the court on today, the Semi-Larternie of Shiothla. Please arrive at the courthouse at three-quarters on the dial.”

They left like they came, with barely a sound, barely a scene.

What have I done, what could I have done? he thought, I am only a senator’s son, I've never broken a law I can think of, and I can't think of a law that I’d want to! His gaze returned to the soldiers and policemen in the streets below. I did an extra year of military service myself. I even went to strange, distant lands across the southern sea, and unlike some of my fellow troopers, I didn't fall into the ways of the barbarians in those lands for a moment! I heard they eat people, but never saw it myself, anyhow, but barbarian-lovers say that that's of course not true. The barbarian-lovers smothered themselves in stinking barbarian war-paint under their uniforms, then only pretended that they were trying to kill the barbarians. They denied all of this, but I see right through it! We fall into degeneracy moment by moment, even if the process itself takes centuries. What is a moment compared to a century? And you wonder why no one else can see!

He went to his desk and pulled out scrolls to study the great orators. He wondered if great orators really had to study each other and decided this was probably the wrong way to go about practicing, but he loved his fatherland like his father and always wanted to revisit these speeches. However, he could not keep his mind there, and it was as if he could not read today. He got up and began to pace around the room.

What could I have done? Aren't they supposed to tell me? I believe I've done nothing wrong, but if I have, I'll own it! A good man has nothing to fear from the law. The law was made to protect the people, and for that I’ll protect the law!

He got completely lost in thoughts that overcame him like some storm cloud from behind, and when he next looked over the edge of the balcony, he saw that the sundial was at about three-quarters.

Well, I've got to go now! He put his dark blue tunic on over his white shirt and dashed through the curtains covering his door. He whistled to his young, fair female slave, who carried a stylus and tablets under her arm, and two hulking, swarthy male slaves who had nearly sword-length knives in their belts and small hatchets on their backs and whose hair was growing back in as jagged stubble.

“We’ve got to get going to the courthouse now, understand? Let's go!” They went at a steady and entirely unrelated pace down a couple of flights of stairs and walked down the street, past apartment and store, administrative building and guard tower, until they came to the courthouse. He pointed and the male slave on his left grabbed the door knocker and tapped it three times. Nothing. The slave turned around and Gyelthan glared at him as if to shoot beams from his eyes at him. The slave knocked again, this time much louder. Courthouse guards in pointed helmets with pikes in their hands opened the gates for them and they trod in softly and with yielding firmness.

It was as if no one could see them, they slinked down the hall. Down, down, until a guard pointed them to the room in which they would stand trial. As if not everyone knew. A trial could be real entertainment, everyone tended to come. Especially when someone of renown was on trial, because why would they commit a crime? The common folk always wanted to believe that their leaders had gotten where they were through corruption and the court was a neutral institution there to sort it all out. Thus they always gathered in the courthouse as if it were a circus but at a slower pace and with a stone-like wall of business stopping so much overt revelry.

As Gyelthan entered the room, it seemed not an eye was on him. People murmered to one another in barely-concealed excitement. The judge behind his table struck a hollow iron bell with a ritual mace four times, then waited a couple of moments, then struck it again four times.

“Attention, attention! We now begin the trial of Citizen Gyelthan Rreirdelaipsho! Gyelthan, please present your defense.”

“Defense?” he said softly, but firmly enough it pierced the quiet. “I have no defense. I don't know the nature of my accusation.” He paused. “Where would my accuser be, anyhow?”

In the left corner the court clerk was looking quickly through scrolls, which were so extended they rolled right off his desk.

“Your accused has left the Empire for the time being and is in the region of Balbona,” the clerk said in a raspy voice that could barely be heard.

“What is the nature of my accusation?”

The clerk went back to looking through scrolls panickedly.

The judge struck the bell twice more.

“Do you have anything else to say?” he said.

“Well, whatever my accusation, a good man has nothing to fear from the law. If I need be punished, then I'll take it gladly. But as I don't know of any wrong I’ve committed and still don’t know my accusation nor accuser, I see no reason I need to be punished by the law at all.”

The people collectively let out an inaudible gasp that nevertheless he felt overpower him.

“So you don't even consider your actions a crime?” the judge said.

“Well,” he knew he had to bluff now, “if my actions were a crime, then I'll gladly confess!”

“So yo do confess?”

“Yes, yes. I confess to it all!”

There was another suffocating, silent gasp from the audience.

“He didn't think you had committed it all though. Your sentence shall be…” the judge struck the bell four times, in alternating high and low spots, so it made a ding dong, ding dong pattern, and then the clerk looked through the scrolls like a rodent looking for burried seeds in the ground after the winter.

“Yes?” the judge said softly.

The clerk responded with words that it seemed not even the judge heard.

“Yes, well, get on with it!”

The clerk looked back down, his cross-eyed gaze driving like a wedge into the heart of the scrolls.

“Well, report back here tomorrow!” shouted the judge.

“So, what is my sentence?” asked Gyelthan as if his voice weren't quivering.

“Well, report back here tomorrow!” the judge repeated.

You already said that, Gyelthan thought. He and his slaves scampered out, and it was as if they were shadows, because no one even seemed to notice.

He returned to his apartment, and was glad his father was not home. He confessed to a crime he didn't know the nature of and still didn't know his sentence! Reporting back would mean he had to accept it, whatever it could be, but not reporting back made him a traitor to his land. I can't do either of these, he thought, maybe I could just leave town a while and reflect. The Sun lay on the western horizon and couldn't help sinking slowly into it. I'll try to earnestly forget all this business, then the guilt will be off me again. He sank so deep into thought there were no words, then snapped out. Or would it? It seems like there is nothing you can do. You knew there was nothing you could do in the first place though. If the gods favor you, then just take whatever comes, nothing can hurt you! He sank into thought again. But they're the gods of Gaaleym, the city who has accused you. How could they be on your side? He let out a heaving breath like some sort of silent roar. Yes, it is better to leave town a while, that is all. Wear old clothes, take no slaves and only a mule, maybe a wagon. Come back when you're ready, that's no crime, perhaps a misdemeanor at most. He drew the curtains on the cold night and walked over restlessly to lie down on his stone bed.  

Comments & reviews · 3
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LerajeAnguis Comment
LerajeAnguis commented Comment · Dec 18, 2016

I found this story because it was in the 'recommended for me' tab. I've just got to say - thanks. Thanks for this story, it's nice.

(Here's my thoughts that aren't a review)

Gyelthan seems almost insanely overconfident of himself. He's calm enough to think in situations where most people would crumble. He's going to leave town for a bit. I'm not even sure he is the protagonist. We'll see. Or, I will. You'll write, and I hope that it continues to awe me.

Now, I can see you using this opportunity to your advantage.

(Here's my personal take on the situation) Maybe he'll be sentenced unjustly and realize the system is corrupt - he'll make a daring escape and then rally the mistreated people of the city, maybe even the world. Now that's a protagonist that people would love reading about. Who will he be?

Thanks! I already have it all planned out, just the intro is a bit rough and probably needs re-working.

Just gotta say. That is amazing. (that you have it all planned out). Seriously, though, (and you've probably heard this before) you are ahead of the game.

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LerajeAnguis Review
LerajeAnguis wrote a review Review · Dec 18, 2016

From the very beginning, I was thinking that the main character sounded highly intelligent. My next thought was about his age. You answered both of those thoughts pretty quickly by saying that he is the son of a senator - that's all I need and care to know right know. Specific age, physical description, we can get into that later. Right now, I'm just enjoying the way the story is going.

One of my complaints, though, is about the judge. He talks like a scholar or educated person for his first few lines, then his speech goes down in complexity. As does Gyelthan's. Here's another complaint - his last name is almost unpronounceable. Rreirdelaipsho. Do you want us to roll the double r? Is there some sort of social hierarchy in which the noblemen and upper class have long last names? Are you going to explain that in later chapters, when the story gets there? Probably. So for now, I'll wait. It's like people say - infodumps are terrible. Not to say this story didn't include infodumps - it did - but you already know that and I'm sure have already worked on it.

Gyelthan seems almost insanely overconfident of himself. He's calm enough to think in situations where most people would crumble. He's going to leave town for a bit. I'm not even sure he is the protagonist. We'll see. Or, I will. You'll write, and I hope that it continues to awe me.

Thanks! Yeah, I need to rework the names as well. The double r *is* rolled (the single one is tapped, there are also a whole bunch of other rules on how to pronounce everything but the romanization should probably be re-worked) and the names are just patronymic and vaguely modeled on Russian names (which was so smart of me :p).

EvangelineFire wrote a review Review · Dec 14, 2016

Hello, there! :D


A lot of your sentences are sounding really awkward and forced. One of the main reasons for this is that they are too complicated and long. To make your writing flow and be as comprehensible as possible, switch between long, medium, and short sentences. Honestly, the shorter and more to the point a sentence is the better, but you don't want all of them to be short. Make one long, then do a short one, then maybe a couple medium ones, another short one, then a long one again. There isn't any set formula, but just keep this in mind while writing.

But let's get to the real review. I like to take it paragraph by paragraph. :)


1st Paragraph: "one of the messengers that always summons people to the court." This sense is really awkward. Maybe change it so something like, "a court summoner." That flows much better and is to the point.

2nd Paragraph: For the sake of comprehension, any time that you're character is thinking, always put it in Italics. I mean these. This flows so much better and your reader can automatically tell when you switch from thoughts to prose.

3rd Paragraph: This is all over the place and it's pure info-dump. You just told us your character felt an implacable sense of dread, which I'm guessing thus far comes from the messenger. I'm not saying you should completely focus on the dread and why he feels dread, I'm saying you just can't switch immediately like that. A simple mention of the circus after he hears the horns in plenty. You don't need to go into the scripted stuff, the gods, and "the noble tongue". All of this information can be easily slipped in somewhere else when it becomes relevant--if it even does.

4th Paragraph: Now you're just giving us useless information. Something about people in the north, more stuff about the gods, a civilization falling apart, yada-yada-yada. Frankly, your reader isn't going to care about any of this at all. You're four paragraphs in and you're already throwing pointless information at them that you can easily add later--when it becomes relevant!

5th Paragraph: This is probably the most interesting thing you've written thus far. I honestly don't have anything to critique about this, but, surprisingly enough, I think this should have been your first paragraph, or at least combined with the one you already have. This paragraph add so much to the story, such as the atmosphere, the scene, and an idea of how things work in this city. The sooner you give this bit of information, the better.

Skipping ahead.

12th Paragraph: First off, I don't feel the shock and fear the character is feeling at being summoned to the court. You're telling us he's never broken a law, you're telling us how shocked he is at being summoned, but that's all you're doing. You're just telling. Show us what he's feeling. Is his heart pounding? Probably. Did he break into a sweat? He could have. So show us that! There's more to it that just telling us that he can't believe he was summoned to the court.

And here we go again with the barbarians. Apparently, your character is this pure, strong-willed god who can resist the temptation unlike anyone else. He's been to this land, he's seen the people, and he had absolutely no trouble not joining them. Also, why is that even a temptation? Surely no one would want to start being a cannibal. But that's not the point, the point is so far, your character is completely unrelateable. Him being to resist joining the barbarians where so many others couldn't does not more him cool, impressive, or anything of the like. It's unrealistic and unbelievable.

The Rest: Okay, now this is the most unbelievable of all. Your character is SO law abiding and has so much faith in the system that he would just confess without even knowing what he was being charging for? Look, making your character all cool and impressive is one thing, but having him act completely idiotic is another. NO ONE would ever do this. Ever. If really you don't want the charges to be known, you could just have the judge refuse to tell him. The judge could be apart of an unfair system, he could have been payed off by an unknown power not to reveal why your main character is being charged. There are so many ways that you could have done this to make more sense. Don't sacrifice the believability of your character for the sake of your plot.


Overall this was a decent chapter and I hope you found my review beneficial. I have a tendency to come across as harsh, especially when I critique things, so I apologize if you felt hurt or thought I was being too hard on you at any point in this review. That wasn't my intention, I just wanted to help you out.

If you have any questions about anything I've said above or need clarification, feel free to ask. If you disagree with anything I've said, I'd love to discuss it with you as well.

Have a nice day. :)

- EvangelineFire <3

Thanks. I'll try to fix up the style a bit more but you need to keep in mind that this guy's thoughts are deliberately <i>rather unreliable</i>, which doesn't come through very well probably, combined with some legitimately weird and basically surreal events, which I did a bad job framing. I did write this pretty fast so yeah, it's extremely, extremely unpolished. All his thoughts are there for characterization and/or exposition of things in the world that aren't currently happening but will be relevant later, and they're going to tie into things that happen later, which is when the plot <i>really</i> picks up.

I feel like I've leveled up in my writing since I have this kind of critique now, so thank you very much.

All right, then. You're welcome. :)

Also, to do the Italics it's [b.]something[/b.] without the periods.

I mean [i.]something[/i] not b, haha.

@EvangelineFire Yeah, there were italics originally but they got taken out when I published it here :p

@EvangelineFire Anyways, do you have any ideas for how to tweak what the character said? I think the best solution is to just make it sarcastic but then the court takes it as not. That part still needs to be more surreal-seeming.

Hmm, I don't think sarcasm is the way to do it.

You could have him get angry and demand to know his charges. This could cause an uproar in the entire court and only make his situation more dire than it already is. I think this would make for a much more impactful ending. But this probably isn't the surreal feel that you're going for.

Maybe he could be so shocked and nervous about being accused of something he didn't even know about that it could easily have a very dream-like feel to it. Have everything happen fast, make him have a hard time understanding some of it, make him confused. Make him nothing more than a deer in headlights.

That's really all I can think of. Best of luck to you! :)

@EvangelineFire Thank you! As I said, this is basically just a set-up for everything else that happens, hence alll his wandering thoughts being used as exposition (probably poorly, but I don't think the technique itself is bad as much as my execution).



Half goat, half fish, all goatfish.
— OSP Red