Chasing Somewhere 2

by Twit

Published June 28, 2013

12+

For some reason, they don’t wake me when we get back to Broadstairs, and when I do wake up, it’s the next morning and I’m in my bed at Harbour House. Someone must have carried me up here. I hate the thought of it, of someone touching me while I’m still asleep, but at least I’m still in my clothes of the day before. They’re dirty and smelly and it feels strange to wear them in bed, but it’s better than waking up in pyjamas someone else put me in.

I stretch up and down, then bend over the edge of the bed. The Pack are all piled together on the lower bunk, and I see that Jones has snuggled up against Ginger just as he did when we were on the road. Ginger is awake, and she raises her head and thumps her tail in greeting. Dara.

Hello pretty girl. How’s Jones?

Still sleeping. She looks down at him and smiles. Puppy.

The clock on the wall says it’s almost nine, which explains why the house is so quiet. Everyone else must be on the way to school. I can hear Neil downstairs in the kitchen, though, which is maybe why no one’s come to get me up. Neil is a big believer in the power of a good lie-in. I smell toast and Marmite and the lemony smell of washing-up liquid.

The sun is shining through the curtains, strips of golden light falling on the floorboards, on the blue bookcase, on the music posters on the wall. My rucksack is on the chair by the wardrobe, empty and unpacked, and the gaps have been filled up on the bookcase showing where my books have been put back. I wonder who went through my bag and put everything back, so easily, as though my running away meant nothing. It certainly hasn’t achieved anything.

I would cry about it, but I never cry, so I sit up and swing myself out of bed. The floor creaks, and Mick and Merry both startle awake. I stroke them, then pad out of the room onto the landing. Ginger gently displaces Jones and follows me, looking over the top of the stairs. Only Neil’s coat is on the rack, so Emma must have taken Lewis, Alex and Harry to school.

Merry is still curled up on the bed with Jones, but Mick comes clattering out of the bedroom and follows Ginger and me downstairs. Where? he demands.

Mick is always worrying about getting left behind, so I pause for a second and stroke his silky ears. Nowhere, I say soothingly. It’s ok.

He nudges my hand, not entirely convinced, but doesn’t fuss anymore, and he snaps to attention when he hears plates clattering. Neil pokes his head out of the kitchen, his gingery hair gelled up like a hedgehog. ‘Good morning,’ he says. ‘Toast?’

I go into the kitchen, which is wiped clean and empty. The dishwasher’s stacked, the cereals are back on top of the fridge, but the bread and margarine are still out, and there’s a new pot of jam by a clean plate.

Neil pops two pieces of bread into the toaster. I fill up the dog bowls with clean water and get out the dog food. There’s a clatter of paws and Merry and Jones come downstairs.

‘Who’s the new fellow?’ Neil says.

‘Jones,’ I say. ‘I’m keeping him.’

‘I didn’t say anything.’ Neil gives half a grin. ‘Trust you to come back with another dog. You know Elise is going to kill you.’

‘Fat lot of good you are,’ I say. ‘Aren’t I meant to be in your careful and qualified protection?’

He snorts. ‘Yeah, right.’ Then he grows serious, which is rare for Neil. ‘Why did you do it, Dara?’

I put down the dog bowls. It gives me a tiny warm glow inside to see them all eating together, tails wagging, jaws crunching; and Jones at the end, new, but already a permanent part of the Pack. My Pack.

‘I just had a mad urge,’ I say. ‘You know how deeply I adore Chatham. Sailing’s in my blood. I couldn’t wait another second to steal a ship and sail up the Thames.’

‘Dara.’

‘Seriously. I’m thinking of getting a Mum tattoo and growing stubble.’

‘Dara.’

‘It’s not my fault if you don’t believe me. The Thames calls to me like a bee to a candle flame.’

‘It’s a moth,’ Neil says. ‘Bees go to flowers. Moths go to candle flames.’

‘And I go to Chatham.’ I shrug, smile at him. My toast pops up and I spread it with margarine and the new jam, which is red and runny and very pippy. Merry looks up from her bowl and wags her tail at me. The sun through the window browns the curve of her back and the fringes of her long ears, and makes her eyes shine like new chestnuts. Love you, I tell her, and all the Pack’s tails wave like signalling flags.

‘We had the police out looking for you,’ Neil says. He’s not really cross, because Neil never gets really cross, but he’s not skipping through a field of daisies either. ‘It was in the newspapers.’

‘I know,’ I say, not looking at him. ‘Elise said I was vulnerable and highly-strung.’

‘That’s code for a right pain in the neck.’

I bite into my toast. The new jam is surprisingly delicious, sticky and full of syrupy sweetness.

‘Where were you trying to get to?’ Neil says. He leans against the sink, his hands tucked under his elbows. I know he wants me to look at him, to give him a proper answer, but I look at the golden specks of dust swirling in the sunlight. ‘Or were you just going to wander the length and breadth of England for the rest of your life?’

I shrug.

‘London?’ he prods. ‘Edinburgh? Where?’

Edinburgh might be nice, actually. It’s far enough away so they might forget about me. Or Wales. They have hills in Wales, brown hills and wide grey skies.

Neil says, ‘Is it really so terrible for you here? I thought things were getting better. Are the girls at school still giving you trouble?’

‘It’s not them,’ I say.

‘Then what?’

I gnaw on my toast. ‘I just don’t like it.’ It’s too cramped and no one likes me and I don’t like anyone, but I don’t say that out loud.

‘Why, though? Come on, Dara. How can we make things better for you if you won’t tell us what’s wrong?’

Maybe if I offer up a real reason, he’ll stop bothering. ‘I don’t like going to Court.’ That is true. I might like going to Court if I didn’t have to go there; but I do have to, so I don’t like it.

‘Is it so bad going to Court? All you have to do is dance, and you love dancing.’

‘It’s different,’ I say.

Neil sighs. ‘I don’t understand. How can we help you if we don’t understand the problem?’

‘Then you can’t,’ I say. I finish my toast and reach past him to dump the plate in the sink. ‘That’s great jam. Can you get it again?’

‘Yeah, I guess so.’ He puts a clip on the bread bag. ‘If you’ve finished eating, then go and have a bath. You smell.’

‘No I don’t,’ I say, actually offended.

‘Yeah you do,’ he says. ‘And Emma said you’re to wash the new dog. The others could do with a good brushing as well.’

‘All right.’

‘And Elise is coming round later.’

My heart sinks. ‘I might be dead later.’

‘Then she’ll find a way to reanimate you and yell at your zombified body,’ Neil says unsympathetically. ‘Go on. Shoo.’

Comments & reviews · 4
User avatar
Sins
Review
Sins wrote a review Review · Jul 21, 2013

iya sxc, me again

I'm fairly sure this review will be more lame than the last one because not that much happens in this, plus I think it's a really neat chapter overall, so I apologise in advance for that. I especially like your characterisation in this because I feel like not only am I getting to know Dara better, but Nigel seems like a cool guy too. I have an uncle called Nigel (which is completely irrelevant to this, but oh well). I'm actually tempted to say that I prefer this chapter to the last one, but then that could be to do with my biases. I love characterish based chapters because I find characters and characterisation really interesting. But yus, GO TWIT, I really like this chapter.

Also,

Or Wales. They have hills in Wales, brown hills and wide grey skies.

And rain, and sheep, and absolutely nothing interesting to do for miles and miles, and one of the highest teen pregnancy rates in Europe. We have lots of castles though. Castles are cool.

As for critiques, ummmm... Give me time.... Okay, well the only thing I can really come up with is regarding Dara and her character. At the moment, I am sort of struggling to feel connected to her. I like her character so that's not the problem, but I think it's because I don't feel like I actually know her. I don't expect to know everything from her date of birth to how many freckles she has, but I want to have something about her to sort of grasp onto. She lives in a children's home, right? Something like that anyways. How come she's there? Are her parents dead? Did they mistreat her? How long has she been there for? Does she remember her parents? Is she an only child? What does she like besides her dogs? What does she hate besides where she lives?

I will admit that I don't think this is a massive issue, but I feel that if things continue like this and it's a while until we get the answers to these kinds of questions, it is going to become more of an issue. The last thing you want is to reach the middle of the novel and have us readers still feel disconnected to Dara. Now I don't want her life story, don't get me wrong here, but I would like to get more of an incline into who she is and where she comes from. Obviously don't tell us all this in one massive chunk or anything, but sprinkle the information throughout the chapters. As it stands, I do think you should consider revealing more about Dara and her background.

I think that's it, to be honest. I feel immensely useless here because I can't really come up with another critique. I think this was a really great chapter, and I don't think there's an awful lot you can do to improve it. Not in my eyes, anyways. Part of me is tempted to say that it seemed quite short and lacked a bit of action, but in all honesty, I actually rather like chapters with little action and more character-based attributes such as dialogue and general character building. So hey ho, I have no more complaints!

I see that you haven't posted this since June, so please make sure you post more soon because I'd like to read more. Otherwise I'll hire rabbits and armadillos to come and murder you while you sleep, I swear I will. Sorry again for this review being absolutely poo, you have permission to bite my ankles off for its lack of quality.

Keep writing,

xoxo Skins

P.S. the shetland pony you questioned me about in your last review to me is on its way. Keep an eye out for him in the post. His name is Alejandro, but you can just call him Allie.

User avatar
Rydia
Review
Rydia wrote a review Review · Jun 30, 2013

Hello Darling!

I am here to review your satiric writings once again ;)

Specifics

1. I love that you've set this in Broadstairs is my first thought! <3

2.

I hate the thought of it, of someone touching me while I'm still asleep, but at least I’m still in my clothes of the day before.
I thought you could have done more with this sentence! There was such a good scope for delving into the psyche of this character and really showing us their horror. Here's a quick example of what adding some extra description here would do:

'I hate the thought of it, of someone touching me while I am sleeping, their hands thumbing over my flesh to leave opaque fingerprints; like prints on doors, like prints on glass. For a moment, I hyperventilate over the possibilities, and I can only breathe again when the smell of yesterday's clothes is clogging my nostrils. They're dirty and smelly and it feels strange to wear them in bed, but it’s better than waking up in pyjamas someone else put me in.'

3.
The Pack are all piled together on the lower bunk, and I see that Jones has snuggled up against Ginger just as he did when we were on the road.


4. I found it a little confusing to follow who is a fog and a person. I'm not sure if that's intentional, or if it's already outlined in part one, but I just thought I'd point it out.

5.
Everyone else must be on the way to school. I can hear Neil downstairs in the kitchen, though, which is maybe why no one’s come to get me up.
I think your though in this sentence is breaking the flow and it would be much smoother without it.

6. As always your dialogue is fun and punchy. Beautiful work.

7.
‘Yeah you do,’ he says. ‘And Emma said you’re to wash the new dog as well. The others could do with a good brushing as well.’
This line is a little off, it's the repeated 'as well'. That doesn't sound natural - maybe 'wash the new dog as well. And the others could do with a brushing.'

Overall

Your dialogue really carried this piece and that's great, but I would have liked to see just a little more description here or there. Not in a big way, just- the odd mention of how Neil looks, or if she's not one to pay attention to that, then the dogs. I want to see more of where her attention is going. I like the descriptions of the jam and that gives us one place to direct ourselves, but after that it's a little hard to be sure if she's looking more at Neil or the dogs. It's a little hard to imagine the scene - we have this very outspoken girl, but is she staring Neil down? Is she distracting herself by looking at the dogs? What's the tone to her voice?

She's an unusual character and that's great but it's also hard to get a hold on her. It's hard to know whether she's speaking with a slight mumble to her voice or out loud and clear and bustling about the room? I don't know where the eggshells are or who's treading on them because there's so much tension in this conversation, but so much casual content as well.

Well, I'll see you around!

Heather xx

User avatar
Holysocks
Review
Holysocks wrote a review Review · Jun 30, 2013

Hello Twit!... I mean your name! Anyway, I'm going to try my hand at reviewing this work of yours. I haven't read the first chapter, so this should be interesting, and I also don't know if your main character is a woman, or a man :-D.

I like the way you describe the first bit, where she/he wakes up. The thoughts of Dara, are really quite realistic... and sticky feeling! But that's good, I like it.

You mention twice though, in the first paragraph, that she/he is glad that she/he is in there own clothes, and that no one dressed her/him. In my opinion, you don't need that, and probably don't want that, because your reader wonders why they are seeing it.

"The pack are all piled together on the lower bunk, and I see that Jones has snuggled up against Ginger just as he did when we on the road."

Just wanted to point it out for you ( you might already know, but anyway ) that, in between the "we" and the "on" there should be a "were".

Now, I'm a little confused about the lack of quotation marks, and then those other things... I can't say I've ever seen them before. But I guess it doesn't really matter.

Anyways, the only thing left to say, is that I quite enjoyed it and you're a awesome writer... so, like... keep writing!!! :-D

Noooooooooooo!!! This was suppose to be a review! my life is over!!!!!!!!!!!!!!! Oh well. :-P

Nate replied · Jun 30, 2013

Not to worry, I marked it as a review!

Thank you sooo much! It kept me up last night thinking about it!!! :-D

Well... it didn't keep me up that long, hardly at all. It just was depressing. :)

User avatar
Iggy
Review
Iggy wrote a review Review · Jun 30, 2013

Hey! Here as promised.

Where? he demands.


Capitalize that H.

Hey, was that the only nitpick? Awesome! This is flowing great so far, I especially love Dara's love for her Pack, even the newest one. Clearly, there are the only family she really has.

One thing that keeps popping up in my brain is: why is she there? Is that place similar to an orphanage? What happened in her past? I do hope that you'll give us some more background history in the next chapter, even if it's just a little.

And Elise is a dragon?! Oh my, I cannot wait to see how you'll describe her! And I'm also curious to know how she'll discipline Dara. I'm also curious to know why Dara wants to leave that place; it doesn't even sound that bad!

Let me know when chapter three is up! Keep writing.

~ Iggy.



We are not to simply bandage the wounds of victims beneath the wheels of injustice, we are to drive a spoke into the wheel itself.
— Dietrich Bonhoeffer