After an especially lengthy lapsation of time digging in those tight corridors, the labourers had finally reached what I expected they would. I spent my time down there with them and watched them, observing with overbearing torchlight and a gathering impatience. The duration of the labour felt incalculable, any amount of days or weeks could have been spent down there without any mnemonic of the when. But finally, the dirt and stone was parted to reveal exactly what that man had prognosticated, a sodden and stygian tunnel created of heavy grey bricks and slabs boasting all sorts of cracks and leaks. With the labourers sent out of dig, beaten and battered by my palpable impatience per my curses and abuses and the unremorseful giving of permission to the overseers’ liberal use of the whip after so long, only silence sat beside me and a few accomplices who’s names I care not to recall. Devoid of the whimpering and the complaints of the foul vapour, not reserved to just the labourers, that erupted from the tunnel once pried open, I myself approached the mephitic avenue hesitantly.
With slow progress I arrived at the caved hole and observed the opening. The damp air and the unilluminated abyss accommodated kindly for all sorts of strange fungi, arrays of moss-riddled surfaces, and coatings of slime, and supplemented by sundry things that crawl. The space was small, but generous; a man of larger statue could surely fit within if but slightly curled. Oscillating my head once inside to grapple with the claustrophobic walls either side of me, I found turning my body would prove difficult with larger overcoats and other trinkets attached. Scanning the alternative, a wide turn was made apparent with liberal use of firelight. The darkness suffocatingly choked the burning vitality of the torch, the flames stifled dim by the cistern’s corrupting atmosphere of a quantity of moisture inordinate for an ostensibly forsaken network of aqueducts.
Gazing into the narrow corridor to the left, the wide turn just beckoned me. So removing my coat and shuffling awkwardly into the opening, my body was pact tightly between the adjacent walls and my arms forced to my sides as my shoulders scraped the boundaries. The large, rounded and weathered stone bricks seemed to reflect and reverberate all manner of senses, the torch in my forward-forced hand having its essence reflected off the horrible coatings of slime and the noises of cascading drips reverberating of the queer chunks of stone. After traversing the wide turn a peculiar deviation in the waterway presented itself, a left way and a right variation. Both boasted the familiar dank environment present for the last thirty metres, but each was characterised by subtle nuances.
The way to the left boasted much heavier dripping, the sounds of water seeming so near credent to the reverberation. Although, peering right I could illuminate only a continuation of the cold stone and yawning darkness that preceded every step and lick of the flame. After a short period of indecisiveness, an icy zephyr pelted me from the right, and I bore the brunt of the gale without my much more insulating overcoats and fabrics. As the wind dimmed by torch before the latter reclaimed its purchase, I was reminded of the brevity of my stay, dictated by the dwindling fuel I had on me.
So, after more justification, I made progress down the right, intrigued as to what caused the brisk winnow in such a tenebrous place, yet my imagination frightened me in equal measure. The aqueduct, as I noticed only due to the lessening of reflected light, became more arid, the ostensibly salty atmosphere purging all kinds of moisture. The dankness in the air receded as I continued through that liminal darkness, applying all senses to navigate the seemingly single-pathed corridor. I was eventually relieved as the way began to widen, my shoulders loosening as the compression ceased. Although, I was furtive still by the fickle torchlight, which provided barely more information than my eyes would render in the dark. I wasn’t sure what I was looking for down there, but I could sense something elude my presence, always crawling away every instance of a corner or turn. But, with enough time and the expenditure of my torchlight, I came to an incredible expanse.
Depositing the final scraps of tuft and kindling into my shoddy candelabrum and igniting it, the magnitude of what preceded me was both confounding and magnificent. A great cavern with smooth, pale walls and a flattened ceiling. The locale was devoid of any of the aspects a cavern like this would regularly feature. It was lacking a familiar sodden nature, the stone creating the boundaries were dry as dirt, and completely smooth. The absence of any geological normality was profound. No stalactites, no sharp juts or extruding fragments of rock, not a single stone littered the floor either. Ostensibly, I was not in a cavern, but a room. The edges, I observed, curved up before creating a perpendicular conjunction, giving the space a rounded feel. My fickle guide did not erase the entirety of the darkness, only equivocating just a few feet in front of my being, the smouldering candlestick only showing a pitiful distance with its petals aglow wilting. So, practically hugging the bizarrely smooth walls, I shuffled around the room, the measurements confusing me as the seemingly cubical space introduced walls and boundaries once inconceivable. I traced the room again, and again, the square nature being hinted at – teased – but never confirmed, my idea of the boundaries growing familiar but always blurring. My hands ran along the walls, the texture was rough as stone intrinsically is, yet the smoothness of the walls was not just appearance. I could press my hands against the wall, running them along the material to feel they would glide, but applying sufficient pressure would grind my hands as if on sandpaper. They were grey in colour, but with a dull exactitude that deflected the torchlight, refusing its radiating colour and denying all impurities on its uniform of sullen grey and aberrant nothingness. My attempts at mathematical intimacy with the space never manifested, and I feared I had to stop circumnavigating the enclosed space and chart the centre of the room, which cloaked itself in the amorphous darkness.
Jousting my blazing instrument inwardly, the darkness retreated, unearthing more of that perfectly cut stone; and most horrifyingly of all: the pit. The pit was something almost splendorous, a mechanically perfect, square shaft that extended downwards much further than the lambency would deliberate. Approximately four feet wide by four feet long, I peered down into the chasm, a shoot so lavishly denying all geological precedent. The conclusion of a structure carved and shaped intellectually over geographical errancy was becoming all too clear, the blooming channel of thought twisting amongst my psyche, searching for recognition and consolidation, but being inanely rebuffed and rejected with confusion, madness, and fear; all in approximate measure.
With truly thinking of the nature of that place, I descended downward into the column of prodigious depth. First leaning over the edge, peering down; then crouching and dangling my legs, letting them drift in the place below; then, in finality, I pushed myself over and into the pit. Each second I spent falling down that verticality was spent lamenting my decision, my mistake. After a second of falling, my legs didn’t hit the ground. After another second, they still didn’t hit the ground. Every singular second spent after that were seconds spent in hours. My brain surged with every thought it could, every question it could. The breathing from my chest accelerated, and unbridled fright followed the realisation that any impact onward was surely to be lethal. But the most frightening facet of the fall was the time it took; hours, it felt like,
falling and
falling and
falling and
falling and
falling
A loud
crack, my scream, and the extinguishment of the torch followed all that. The
impact shot through the entirety of my body. First breaking the legs, then the cascading
shock bolted up my vertebrae and ricocheted through every bone, muscle, and
ligament. That ungodly force made my arms and finger jolt and snap and whipped
back my head the second I had hit the floor, and made ample space for an
echoing, shrill scream that pierced the silence of the cavern and reverberated
for a long while so intensely as if I hadn’t stopped at all. As my body fell
to the ground, limp and numb, the shock still bounced and reverberated though
all the mediums it could; vessels, bones, muscles and organs, shaking and
vibrating. My chest landed and the floor battered the little air from my lungs,
and as I fell my jaw crashed into the rest of my skull, chattering
voluminously with the impact. Then the rest of my being shook and tingled and
writhed thereafter, lying in stillness, slumped and washed in pain, if not
graced by numbness.
Silence, a loud whimper and a sob followed all that. Tears streamed down my
countenance, realising that opening my eyes was the same as having them closed,
realising that I could not stand, realising that I wasn’t dead. Perhaps that
was my punishment for all my misdeeds. Yet as only my own foolishness? Willed by
something maybe. My own curiosity: what was that otherworldly gale in that
tenebrous crypt?
As if acknowledging my call, I felt it once more. A cold, icy gale wailed through that cavernous room, its proportions revealed as it fled with its mangled and seemingly inane pathways. The torrent of ethereal force filled every darkly void that area had granted, and hit my flattened being considerably in multiple waves, before fleeting and surging upwards. But the source was now unmistakable, forthright and proceeding me. The origin of my quest was now mere footfalls away, and yet footfalls were not a luxury I had access to anymore. But I had to know; know the nature of the phenomena as much as understanding what cause I had contributed by foolishness to. So, limb by limb I dug my nails into the cold, hard floor and expended what little strength I yet beheld. Voluminous, shrill screeches of a serrated manner bounded across the room as my fingers dragged along the sullen flooring and making little headway. After an awful lapsation of time in that void, I managed to push again a wall and lean upon it, kneeling with my chest flat against it and feeling around with my hands. Despite the unholy night of that crypt, my bloodied nails and ground finger tips turned up peculiar depressions, rivets seething across the stone wall to form a face of a certain elegance. The depressions undoubtedly constituted a larger design, the mode of carving applied skilfully and with certain artistic intention; or perhaps the denotation of was the greater purpose present. Soon, truth would be brought to the latter.
Continuing to feel around in that inane space, still trembling with pain and almost numb with the searing cold gnawing at my skin, I managed a quite firm grapple in a certain channel, unprecedently large in magnitude of width and depth. With incredible difficulty and effort in establishing hearty prehensility in what seemed to be some queer form of handle, I hauled my weight unto an ostensibly upstanding stance with buckled knees and limp legs. After a great bout of effort and strain, I collapsed by being onto the sophisticated engravings, pushing it with my cascading weight. To both my surprise and my expectation, the depressions in the smooth, stone wall revealed itself to be a portal, and the door caved inwards with my collapsing being with a horrible scraping sound. The alien space I had fallen into was cold, much colder than mere seconds ago. The regions of my body still retaining feeling were glacially encapsulated; in not numbed by pain, the piercing cold would have identical efficacy within minutes. My skin began to pale and rime, the cold siphoning all warmth and sapping all heat everywhere, consuming my lifeblood. The floor was still that same smooth stone, mathematically exact in its attempt of perfection, no area could have been different under scrutiny, less so with muted vision and writhing, hating limbs that failed by in that moment; conscious would doubtless soon follow.
But once again, in that unknown time and illogical space, I felt it. The gelid wind, now forthright only metres away. My body was far too cold to have been affected by the gale, moving on its own accord but thankfully towards the source of that divine force. Closer, and closer, and closer. I was now inches away from what drew me down into those inane depths of some antediluvian underworld. That thing, it continued as I neared, the torrent passing through that space and wrapping around me continuously, embracing me, welcoming me. I was at the source, inside of it, but I felt not the cold anymore. It sung to me, whispering its sentiments and thoughts, echoing ideals and opinions of past, present, and future. The wind was truly no phenomena of weather, it was a voice, a mind. It had spoken to me, and it had spoken to me only. It words beautiful, warm. Its thoughts insightful, and promising. In that moment there was no need for The Lord God, only the abundance and grace of the divination before me. Perfect, eternal, pure. This being was paramount, it grasped me and hugged me and warmed me, even when pitiful things like waking awareness failed me. The shameful stupor of unconsciousness halted me not in my worship, nor its love. Perfect, eternal, pure. In that moment in that underworld, I felt warm and delighted. Although everything gradually faded. My body had lost all sensory input; I could see nothing, hear nothing, smell nothing, taste nothing and feel nothing. Truly the only reminder of vitality was my thoughts, completely washed in grace and virtue, although maybe in those moments I was not awake, and was not alive. Yet, to my dismay, it faded with the littlest haste, the essence of boundless holiness slowly fading and seething away from me.
And so I was left there, in silence and nothing, sitting on that icy pavement, dying.
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Hello, My Friend!
First, I notice you're new, so welcome to YWS!
Second, it's a pleasure to meet you! I am Raven, and I’d like to review this short story using my Familiar method today! ...This pretty much just means I use a fancy format covering first impressions, corrections and recommendations, and highlights and reactions. So, let’s dive in, shall we? Heh heh heh…
What The Black Eyes See...
Ah, a grim yet explorative story. A callous and abusive narrator discovers a mysterious system of channels deep underground, exploring eagerly only to sink into fathomless depths with a tortured conscious, a broken body, and a glorious find just out of his reach. Let's get into the details though.
Where The Dagger Points...
I don't have much to put here! There are just a few things that I wanted to mention in good faith, absolutely free to take or leave.
As Keeper also mentioned, I think your paragraphs do run a bit long. Now there's nothing inherently wrong with that at all, but generally speaking, readers do get intimidated by huge chunks of text and it can be hard to pick out details when a lot is going on in one body. So for example, perhaps where the paragraph in the beginning starts talking about the change in the tunnel, then again where it talks about the effort that's gone into digging it, these could become separate paragraphs. That way it's set up in a way that will have your reader going "and then what? and then what? and then what?" with each break, constantly drawing curiosity and excitement about what happens next, rather than forming one big picture from a big chunk.
You do certainly use an expansive vocabulary with rare words. Honestly, you won't find me complaining; I love works where words like this are still used, like older literature. I think it gave the narrator a noble tone, which was very fitting, and it also gave the whole piece a very classy feeling, like a piece from Poe or Lovecraft. I would just say that you should be aware of your audience, especially on a platform for predominantly young writers. These terms may not be quite as engaging to people who are 13 to 25 (there are outliers on either end but that is the generalized average as far as I know). So if you're aiming to entertain a younger fanbase, you may want to use more casual speech, something that fits the character while still being easier to understand. But if you're looking for readers who like things old-school, then I don't see a problem with that at all ~
The second is a little more technical:
Possibly a typo, I feel like "pact" was an odd word here. Maybe you meant "packed" by chance?
But of course, this is just my opinion and I am not a professional, so please always take my advice with a grain of salt. Your story was lovely regardless!
Why The Grin Widened...
I like how right off the bat, with that opening scene, you are able to give us a clear and vivid idea of what our cast of characters will be like, particularly the narrator/main character:
Standing there while others work, especially with details like how long and hard these people are working, and he can only be impatient about it. It's clear that greed is going to be a prominent and consistent trait for him. Especially when you read on and he goes into detail about the abuses he's resorted to.
I loved your descriptions! Not only do these lines create a rich and finely detailed visual, but sensory notes like "damp air" and the prior mention of vapor in the tunnels also give it an immersive feeling. I would even say, for a place like this, you could have probably amplified the sensory notes with mentions like bringing up the smell of moss, damp stone, and leaf mold (fungus), maybe earthy minerals so dense that you can taste them in the air. It's something that I think would be nice, but not necessary enough to put in the recommendations section, haha. You did a great job already.
As you narrate this man navigating his way through these complex tunnels, I find myself absolutely engrossed; each new detail around every corner. Some ways looking more dilapidated than others, some more inviting than others, some threatening his torchlight or pinching him with their small space; it constantly leaves you wondering what's next and if he'll find himself stuck (oof, claustrophobia-inducing!)
Ooo, I loved this moment! The manifestation of a deep pit usually doesn't end well in these eerie stories already, but the way you describe it so finely here, like just looking at it seems to warp his senses and instill those sense of confusion and madness. Again, a very Poe-esque or Lovecraftian element that I really enjoyed!
I liked you repeated use of "falling" when he inevitably goes down, I felt like it put a lot of emphasis on that feeling and raised the tensions.
Incredible job describing what that would feel like! Ouch!
I loved this character moment, like this near-death experience forced him to reflect, and he knows his actions have been terrible but a mixture of greed and overzealousness just took control and couldn't let him stop. It's a very interesting point to think about.
The way you narrate him crawling in the dark with broken bones and bloody fingernails -oof! Brutal! (but I freaking love "brutal" in these stories! >:D ) And the mysterious pull of a "divine force" gives such a sense of hope and mystery, like an angel in the dark -or a trick of this place and the narrator's fading strength and consciousness. And of course...
The sense of hopelessness in that ending is glorious, a brutal yet poetic sense of justice. He abused his power and influence to find something amazing, and just as he found it, it fades away, leaving him to contemplate his mistakes as he suffers a slow and miserable demise.
Our
MadThoughts...Overall, that story was absolutely AWESOME! I loved the genre and the themes you chose, and you nailed every moment just beautifully. I would love to read more from you! Nicely done!
Oops I think I stole your extra points and Green Room review. I think we were reading this at the same time xP But your review looks wayyy more thorough.
LOL no worries! Yours is good too!
the gramatical error with pact instead of packed is true and VERY embarassing. Thanks for the review!
No need to be embarrassed, it happens to everybody! And no problem!
Hmmm what a piece I appear to have stumbled upon! Let's get right into it!

So the very first thing that really popped out to me is the writing style. You use a lot of really lengthy, sophisticated words such as "lapsation" which honestly I have never heard used before and othet lofty words. I find that it goes well with the short story as I will explain in a moment.
Your character...my how subtle is his development yet so glaringly apparent! I admire that. Here's what I think of him. First this man is intelligent. He strikes me as being educated, able to approximate the amount of space around him as a four by four foot space. (Although side note, I think you switched between the metric system and the American system) Now the language you choose gives this man a sense of arrogance. The lofty language that I was speaking of earlier really brought that out. That and then these very specific details that you included. That implies the man is very observational and I would say cautious but the move with the pit was a bit questionable if that were the case. The arrogance I was mentioning previously is also brought out in the fact that the man continues to bring up the point that his flame is very dim and he almost seems to be complaining right through the way you write him. Intriguing way of developing that. And of course his job and the way you described his work backs up my thoughts about the man that I concluded from reading the narration.
As I mentioned before, your descriptions are amazingly precise. I can easily picture the maze of tunnels, the blackness, and the mold. Wonderful little details that together brings an image of a rather creepy place. You certainly did not forget to add the little details that bring the story together! Wonderful job!! Also, that description of his shoulders rubbing against walls really helped me picture JUST how tiny that space was! Your description and phrasing is just stellar!!
Now some recommendations. While I thought that your description of the fall was really good, I have some thoughts to share about perhaps improving it. The first thing is that I felt him sudden choosing to go down into the unknown pit was rather odd. Also, I'm not sure what the interest was in this tunnel to begin with that made him work the laborers so hard. I felt like clearing that up would help a lot...but back to the character. I was under the impression that he was a quiet and careful thinker. It felt out of character for him to suddenly jump to going down the pit like that. It felt very sudden and unexpected.
Now the fall itself. While the repetition of the phrase "falling and falling" does signify the length of the drop, I felt that you already made that point by adding the seconds that he was falling. Also, the use of that phrase felt very forced and out of style as it is a rather casual expression.
Now the description of him landing after the fall was well done. The details were expertly crafted but I felt that they got a little long. It felt almost like reading the same scene over and over again first emphasizing the impact on the bones and then all over again with the jaw. Perhaps try to condense that down? But don't cut all the details because they were very good at getting across the severity of the crash landing so to speak.
Okay, lastly the end. I felt a bit lost. The character fell and then appears to have this sort of weird connection to spirituality that never got explained in depth. And I wasn't even sure if the breeze was real or not. Perhaps that was intended to confuse and intrgue-I'm not sure. Did the character make a conversion in his last moments? I felt like yes but then no. That also confused mead again as before I felt it was a little out of character. The man seemed to be very hard hearted and cruel before. Now after he takes an impulsive fall, he suddenly appears to have feelings and thoughts of great intensity. Perhaps I'm missing something, but I feel like from beginning to end the man made some significant character changes that felt a bit abrupt.
Lastly, the "who's" should be "whose." Aside from that, your grammer and sentence structures were quite on point!!
And that's already it! I hope you find this review helpful. Keep in mind that what I said are just suggestions. Only use what helps and inspires your writing.
Keep at it!
-Kaia
Oops this was an accident. Please ignore.
For your first one, it was an interesting story, you show potential.
When I smiled:
From the get-go the depiction of the main character as sort of greedy, selfish and even cruel. It is rather interesting, given that in most stories, the main character is kind and compassionate, at least for someone but this character only cares for himself and his own knowledge even to his own detriments or even death. This differentiation from most characters makes him seem unique and makes the reader quite interested in to the story.
The detail at which the workers worked and how the mind felt was also very good. There were a lot of descriptors. Perhaps too many, but it still showed a very clear image of what was happening in the text and also gave seat to just how cruel the main character was and how much the workers had to work.
I also like the description of how much the main character had to wander down the hole and also how it posited him as intelligent with all of his descriptions of certain things and how he seemed to be wandering through an ancient cever, showing his determination and his want for everything. His wonderful intelligence seemed to be his downfall.
And I also liked how he sort of forewent everything else that was important to him in his greed, basically, stating that this new good thing was all he needed and that led to his ultimate demise on the icy ground, showing just how much greed will hurt people and how much it hurt him.
A Line to Remember:
It seems as though he has found a demon. Pardon me, I'm going to go incredibly theological here.
His journey looking for something that was beyond him had resulted in a success. He did find the ultimate object. But instead he found something that made him see God as a side, see everything as a weak and insignificant portion. He had found a demon, a tempter, a being that wanted his soul and wanted to simply embrace him and steal him.
He found evil. But it felt so nice.
A New Lesson:
It was a very good well written story. But there were far too many details. And many of the words such as, antediluvian, mnemonic, and prognosticated are not common words that people will know.
And on the too many details route "Approximately four feet wide by four feet long," that is too detailed. I get that we are supposed to see that the main character is intelligent, but noone is going to look at a hole and think, "this is this big... approximately..."
One last thing, split up the paragraph, this isn't a biography or a history book. It's a story. People reading stories don't typically like walls of text, so try splitting them up. A few walls for heavy detail makes sense, but a wall for everything just seems overwhelming and will scare away many readers.
The Catalyst's Growth:
I covered most of it in the when I smiled section. But I will still give a few details here.
His greed resulted in him, reaching a statement of alternate. Want and his want for knowledge at whatever else he wished for and then he found it in the form of a strange relic which led to his death.
His greed led to, ultimately, his demise.
Overall:
Well done, but fix a few things.
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