The pack cost no small fortune, but I didn’t mind. Death is pricey. And Annie would’ve paid for it, anyhow. Annie always does.
The broad behind the counter rang the register, handing me a nickel. She said, “Thanks for stoppin' by,” and I couldn’t stop from staring at the kaleidoscope streaking down her head. She must’ve thought I was looking down her shirt, because the smile on her face begun to fade.
“Can I get a lighter?” I asked, hoping to apologize for misinterpreted behavior. The silver lighter I’d stolen from Annie’s drawer burned in my coat pockets. “Sorry. I threw mine out a while ago.”
The Rainbow softened slightly, looking more understanding. “Stressful times?” She reached down to the section below the counter, pulling out a plastic lighter.
I nodded. Smiled. “Yeah,” I took out Annie’s wallet again.
“You know, my brother’s trying to quit, too,” she said, casually, sounding at the very least concerned. “He could recommend you to a Nicotine Anonymous meeting, if you’d like.”
“How nice,” I laid down a couple dollar bills. “But I think I’ll do fine on my own.”
The Rainbow nodded, cashing it in again and handing scrap paper. “Suit yourself, bud,” she said, and I had to stop myself from smiling when she said ‘bud’ to a man at least two decades older than her. “But in case you’re tempted, just remember: There’s no such thing as a cheap cigarette.”
“No,” I said. “Not with these tax rates.”
The fluorescent lights shone out from the 7-Eleven and into the parking lot, a bell ringing above my head. My car was the only one in the lot. It was a classic model of Mercedes Benz, one of our father’s many material obsessions before he inevitably quacked. Annie was supposed to take it, of course. It didn’t matter if she wanted it or not, Annie was supposed to take everything. Annie always did.
I opened the door to the car, dangling a cigarette between my lips. Dropping into the drivers’ seat, I lit it with Annie’s cigarette, somewhat wary of the gasoline tanks in the passenger seat. Annie lay against the back seat, her white suit torn at the collar. It was probably dad's favorite designer. I don’t remember my father’s favorite designers, of course, only alcoholic beverages he’d call ‘uncultured’. I have no doubt Annie remembered them, but I can’t quiz her on that. Not now.
“Hope I didn’t make you wait too long,” I chuckled, looking through the rearview mirror. If I squinted, maybe I could pretend the red rolling down her chin was smeared lipstick. “I know you’re not used to waiting. That’s my thing, isn’t it?”
Quiet.
“You always come first, after all.” I considered my cigarette, talking to the cloud of smoke slipping from my mouth. “First to be birthed. First to be hugged by daddy. First on the roller coasters. First in school ranking. First to get a car. First to take control of the company and the money after dad goes.” I rolled down the window. “First to die.”
Crickets. Humming neon.
“The only first I get to be is the first to get a kid,” I laughed, bitterly. “And even then, my family comes second to you. Always you.”
You could almost mistake her paleness for guilt. Shame. I wished she was ashamed. I wished she had the right to be ashamed. In that brief moment, I wished, with all the power my poisoned lungs could give me, that she was wrong.
Just that once. Just that once, I didn’t want to be the bad guy. Just that once, I didn’t want to be the black sheep of the family, the legendary kid who crashed his dad’s Lamborghini while high on crack, the boy who impregnated a girl at 16. Just that once, I wanted the full Law & Order drama treatment; I wanted to be the heroic suspect who killed his evil sister for wrongly draining their father of their money. I wanted to be the sympathetic suspect who killed his sister for refusing to give him the money necessary to cure his kid of cancer. I wanted to be gray. I wanted to be understood. I didn’t want to be the asshole.
But my kid doesn’t have cancer. I could’ve gotten the fair share of my dad’s dough, if I wasn’t such an idiot and practically wrote myself out of the will. And my sister, my sister kept my dad’s company alive. She was an angel. She always was.
I started the engine, cigarette between my index and middle finger.
I drove. I drove and drove, until the asphalt melted into sand dunes and I was immersed into the Nevada night. The desert was vast, endless. Desperate. Cold, but I can’t imagine for long.
I dragged Annie out of the backseat, dumping her onto the sand. It almost hurt me, watching as the gasoline wetted her dark hair—it reminded me of our mom. Of all the broken promises she’d made, all the things I was supposed to have that eventually went to Annie. And then her suit came into sight, and I imagined I was soaking my dad instead, his judging and pretentious complexion wincing in pain.
I flicked on the plastic lighter, tossing it onto the Frankenstein monster of everything I loved and despised. Watching, as all of my childhood went up in flames. Imagining. Fantasizing. The money I would inherit, if I got away with it. The fortunes and opportunities I would acquire. The future I would grant Jimmy. The disappointment I won’t be to my wife—
And then, I remembered Annie.
Always Annie. Always the girl who taught me how to play strip poker when we were ten. Always the girl who sneaked out of her bedroom to mine, just so she could repeat bedtime stories dad couldn’t bother telling me. Always the girl who told me she knows she’ll see my name on newspapers, someday. Always the girl who burned all the newspapers after I crashed the Lamborghini, telling me journalism sucks anyway. Always the girl who taught me how to change Jimmy’s diapers whenever my wife wasn’t around. Always the girl who told me, years after we both knew I had no chance, that I was still something to her. Always the girl who tossed me Camels when my wife wasn’t looking.
Only once, the woman who refused to pay my debts while we smoked cheap cigarettes, screaming about the failure she’d lied that I wasn't.
She couldn’t wait for me to think of Jimmy. She couldn’t wait for me to think of my new future. She’s still the first thing on my mind. Even in death, she’s still the only reason why I clutched my head and screamed to the smoke floating up into the heavens, fading into the dark.
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I actually really enjoyed this piece! very evocative and dark, it kept me captivated until the very end, great writing goo job.
Hey, Ellstar! NerdGeek, here.

First, I'd like to say that this was AMAZING!
Everything is great--from the title, to the imagery, to the character development and plot; I absolutely love this short story. I don't really have any critiques that have not been addressed by previous reviews, although I think the "visible light spectrum" description could be rethought. The flow of this story is nice, and that part seems a little chunky, in my opinion.
One thing I especially appreciated was how you used the very first lines of the story to tell us about both your main and supporting (sort of) characters.
"The pack cost no small fortune, but I didn’t mind. Death is pricey. And Annie would’ve paid for it, anyhow. Annie always does."
This is such a great way to begin. It tells the reader that the narrator most likely smokes, someone is dead or will die, and that the narrator harbors some negative feelings (resentment) towards Annie (who is most likely rich).
Also, when you write, "she must've thought I was looking down her shirt," the reader finds out that the narrator is most likely a man.
We know all of this and the story just started!
You weave little details like those that help readers to create an accurate picture of the MC in a way that is subtle and doesn't feel forced. Even if readers don't consciously pick up on those details, it helps form their impression of the protagonist (err, anti-hero). That is a great skill to have, and I admire how well-rounded and three-dimensional your characters are, even though this is a short story and one of the characters is dead!
Thanks for writing this! Keep at it.
Wow, that was overwhelmingly positive and very constructive. Not that the rest of them weren't like that, but now I know the storys' strengths specifically, which is surprisingly rare--it's great to know where the readers might've liked the work the most so that I may repeat those strengths in the next story. Thanks for that!
As for the "visible light spectrum", I do agree that's a bit chunky, and the character wouldn't really say something like that. I replaced it with "kaleidoscope", which I think will work a bit better.
Thanks for the review!
No problem; I enjoyed writing it!
Hiya, Ellstar. Pan here to review!
I really, really like this piece. It's dark, interesting, mysterious, and I think it tells the reader just enough without being overbearing - you handle exposition brilliantly, quite frankly. Writers usually focus so much on the showing side of the show v.s. tell debate that they forget how crucial it is to tell in a way that is concise and effective. Even when you're filling the reader in on a lot of retrospective information, you never ramble or info-dump, and I must applaud you for that.
I've got a few criticisms, as no piece of work is ever perfect. For one, I think you could neaten up the exchange at the beginning. Some of the dialogue was a bit confusing, and I wasn't really sure what you were getting at when you talked about the visible light spectrum streaking down her head. I also think you could lose the 'her eyebrows twitching in annoyance' clause, because I don't think it adds anything. Saying that her smile has faded indicates enough.
There's also this bit:
This bit of dialogue feels out of place. I get that you wanted to shift the conversation towards smoking and stress, but I think you could do this in a subtler way. Maybe by just having him say 'I threw mine out a while ago' and nothing else. Play about with it, read it aloud, do a bit of trial and error. It's not a big issue.
I'd also suggest that you revise the ending, just a little. I think the very last paragraph is over-explicit, and it's definitely overshadowed by the wonderful crescendo of the 'always the girl' section. Part of me thinks that it might be better if you just cut that last paragraph altogether and ended the story with 'only once, the woman who refused to pay my debts while we smoked cheap cigarettes, screaming about the failure she’d lied that I wasn't', because that's a powerful sentence in its own right and a great resolution to the previous paragraph. But it's up to you.
Again, I really liked this piece. Sure, keep reading it through with fresh eyes to iron out the occasional bits of awkward phrasing or grammar, but the skeleton is there. You've nailed the most important thing, which is writing something satisfying and interesting to read.
And also:
I absolutely love this line. It's probably the best in the whole piece.
Keep writing!
~Pan
Thanks for the review! I thought the "I didn't think I'd need it" line would've suggested more strongly about the main characters' past attempts at abstinence, but then again the fact that he's buying cigarettes already shows that's he off the wagon so I'll probably trim that off. And I do agree it's clunky at some places, I'll give it a good read through once I've taken a distance from it.
also im glad you liked that line because it took me ten minutes to perfect that line and omg i hate my life why couldnt i just say blood and get it over with
Also, I'm not sure if I should cut off the ending, but now that I think about it I may. It all depends on if the sentiment is strong enough to leave the reader with a clear image of what's going on, without the narrator telling the reader. Thanks for that suggestion.
Spoiler
Well, this story is interesting, and I have several questions.
For one, I can't understand the psychology of the protagonist, it myself be jealousy, but I'm not good at understanding humans.
For two, the pace is far to fast to understand what is actually happening, sure you get the gist of it but nothing is explained.
For three, you don't indent your dialogue.
And for four, how the story is written is very confusing, I could only understand the surface of the story, and I could not understand any deeper meaning.
In all, this is a good story, but slow down a bit and it would be much more understandable.
Thanks for the review. I think it might be a good idea to fill in some of the blanks (such as how did he murder his sister specifically, the nature of his kid could be kicked out as well), but at the same time I don't personally think everything has to be explained, especially in a very familiar story such as this one (most of the audience should be familiar with that one shame of the family).
As for the pacing, I think I'd agree on some points. For one, I dump information suddenly in the ending, so obviously that wasn't fun, but it was meant to be one-two lengthened scenes. I'd probably prefer the slow build to the daddy issues, so I'll consider that, but I'm afraid if I lengthened the scene any further the story will feel less novel and more dragging.
One last thing, and please notice this if you understandably didn't read through most of my rambling. What do you mean by 'indent your dialogue'? Do you mean giving a space in the beginning of a new paragraph? Because, if so, I'll note that if I'm planning to send it to a publication agency of some sort (ha as if), but as far as I've looked up indentation is only necessary to tell the difference between the beginning and end of a paragraph. That job has already been taken by the space between paragraphs, in this case, but as far as I'm aware indentation does make a text look more professional. However, as far as I'm aware (I can definitely be wrong, I have been multiple times), indentation isn't necessary, especially on an online medium such as this one.
Okay, I apologize if I offended you when I said to indent, I was just taught that and I thought that you could use them.
Oh no no its fine. I've been told to do this a couple of times by teachers too, but apparently its not required in certain cases. Thanks for the review!
Hello!
This has a freakishly awesome amount of depth and I love it. You managed to dodge so many potential cliches and the MC was horrible (I mean 'cause he's a bad guy) but yet you could feel sorry for him too. Which means you have successfully made me empathise with a jerk! And that my friend, is what writing is all about. I applaud you, Sir.
I thought this was a bit of an odd thing to say. Yes, cashiers tend to say the exact same thing and so it doesn't really feel like realistic dialogue I'm sure, but this bit of dialogue wasn't that, it just didn't seem like something a cashier would say. Cashiers say things like "have a nice day!" or "thanks for stopping by" or "come back soon!" Your bit of dialogue has the ring of something that's been drilled into everyone's head, but it still doesn't feel like something a cashier would say; it feels like something a bag would say. Or a receipt. Or a sign on the way out of a grocery store. The rest of your dialogue was splendid, as far as I'm concerned- it all seemed natural and realistic.
He kind of contradicts himself here. First he notices that his sister is wearing his dad's favourite designer, and then he states that he can't remember them. Unless you're saying that Annie is wearing one of her dad's suits, like his actual suit-? But that doesn't really make sense because if they're a wealthy family, somehow I doubt a woman would be wearing a man's clothes.
I'm not sure what you were trying to say here. Maybe you can find a way to say it that's a little more clear? It could be just that I haven't caught on yet, but I don't know.
Overall, I loved it- like I said. You Sir are very talented, and I'm going to push the envy down and simply be super happy for you, because it's awesome. Keep it up, bro! I wish I could have been more helpful.
-Socks
Thanks for the review! I agree, I should probably change the cashier's line. Also, I really didn't notice how contradictory the second sentence is, so thanks for that. The last line is just an allusion that he's going to burn his sister's body in the desert.
Thanks for the review!
Heyo! Your friendly neighborhood ladcat, here for a review!
That. Was. HAUNTING. I mean seriously that hit me so hard! It was amazing! Not a single grammatical mistake, great descriptions, great plot, fascinating premise, fantastic character development within such a short amount of time! I was riveted, I wished there was more! You managed to get all that backstory in without an info dump, it just blended seamlessly into the story! Your sensory detail was impeccable! I could feel all the pain in that. It was so raw and beautifully depicted I could feel it.
I have no critiques. At all. And let me tell you, THAT IS RARE.
So great job, and as usual, Keep Writing!
-ladcat13
Thanks!