Warning: This work has been rated 18+ for language.
(Author's Note: Easily the least original thing I've done. But I hope, at the very least, it was touchingly unoriginal.)
It was his fault he was there.
It was his fault he was in that camp, listening to a preacher cite passages from an old book he had never read. Perhaps he should've--perhaps it was more than just a yellowed tome on his father's bookshelf, growing a beard of dust and looming over him. Watching. Waiting.
"Or do you not know that the unrighteous shall not inherit the kingdom of God? Do not be deceived; neither fornicators, nor idolaters, nor adulterers, nor effeminate, nor homosexuals, 10 nor thieves, nor the covetous, nor drunkards, nor revilers, nor swindlers, shall inherit the kingdom of God." The preacher was fifty, perhaps older, and spoke like he was about to collapse at any moment. He clutched onto the podium, and in that moment, Adam saw himself thirty years later, clutching onto the same podium. Quoting the same verse. Lying, just as he did in the first eight years of his life. "I believe, wholly in my heart, that none of the young people in this room are any of those things. We are children of the Lord, and we shall return to the Lord. Each and every one of us has our spot in heaven." The shuddering preacher rotated around the room, constantly, eyeing the teenagers. "Each and every one of us has a home."
Lying was always the easiest choice.
"Lying only makes more problems, my ass," Vanessa told him when they were sent back to their tents. Adam was, of course, coupled with the girls. He had wished he told his parents about his sexual preferences, as well--being in a tent with three girls is one thing, being in a tent with three good-looking girls who like other girls is another entirely. "I swear, I should've shut the fuck up when I had the chance. You know what my mother said, right after shuttlecocking me into hell?" She tossed her black hair past her shoulders, rolling her eyes up. "You can trust me, sweetheart. Just be yourself!"
The other girls laughed. Adam wasn't bitter enough for it.
He had cried when they tried to get him to dance with one of the boys in a dress. They could've bought a prettier dress, of course, but apparently femininity was inhumanly ugly--who in the right mind would turn the color of vomit into a dress? Torturous. Somebody call the human rights activists.
"You have to, Anne," the counselor told him, "This is all for your own good. You know you can't keep doing this to yourself."
Adam wrapped his blanket desperately over the tumors on his chest, biting his lip until it bled. "I want to go home," he sobbed. His father stood there, in his mind, snickering. Look there. You really are a girl, he knelt down to his ear, then, whispering hoarsely. No boy would ever cry. "Let me go home."
The girls stood in the distance, watching. The counselor kneeled down on the forest dirt, tugging at his blanket. In the corner of his eye, he saw boys flooding from their side of the forest, being pushed away by the other counselors. There was no longing in their gaze, no infatuation hotter than the pale sun streaming through the canopy. None of them liked girls, anyway. Even if they dressed up like boys. "You will be home, Anne," the counselor told him. "You'll be home with God, up in heaven, Anne. Just put on the dress, Anne."
Anne, Anne, Anne, Anne. Anne could go fuck herself, the harlot couldn't keep a secret if she tried.
What was an identity? It wasn't like it actually mattered to anybody. Sure, it hurt whenever he was called a 'she', and it was like he was a witch during the Salem Witch Trials whenever he was sent to a separate class during sex ed to be taught about the body parts he wanted to eat out, but they were just acrid sentiments. It could've been much worse. He could've just stayed quiet, couldn't he? He could've been his parents' perfect little girl, marry some bum, pop out three kids, go out on midnight trips in a suit and sweep a couple of whores off their feet. It would've been a good life. It would've been a better life, at the very least.
The dress was tight-fitting. The boy who stood in front of him was bald and lanky, wearing a suit and tie that didn't quite fit him, either. He was too pretty to be suicidal. "Evans," he said, not even faking a smile. Adam didn't mind. He didn't want to smile either.
"Anne." He wanted to rip his hair out. "Nice to meet you."
The impromptu ballroom felt like a funeral. The fairy tale marble floors sprouted grass, the chandelier was a crescent moon constantly blocked by black clouds, and the music was the soft pattering of raindrops, not hard enough for the counselors to be worried about the children getting a cold. Adam laid his head against his partners' shoulder, and it felt like some broken form of salvation. "What kind of sinner are you?" he whispered, listlessly.
Evans moved forward, then he moved back. He was the better dancer of the two, but he wasn't feeling in the mood to do anything spectacular. From the look of the scene, nobody was. "I'm an abomination," he said. "I'm a naysayer."
Adam panned up. "What did you do?"
The look in his eyes said it all. No, not his eyes. Hers. "What's the name of your demon," he said, quietly, "Anne?"
That night, Adam kissed his first girl.
It was a desperate, hasty attempt at love, and he knew it would never last. But there was nothing stopping him. He was a girl, and she was a boy in the eyes of the counselors--they called it a success. Some of them cheered, others patted the two in the back. The others only stared at him, and he knew deep in his heart that he was a traitor to their kind.
Perhaps he didn't care. Perhaps he stood there, taking the praise his counselors were giving him, because he wanted to. "You're a good little girl now, Anne," the one who had ripped away his blanket told him, "You're God's little girl, now."
He was tempted to give God the middle finger, but it wouldn't matter then. It would never matter.
They stood at the podium, the next day, Adam in a skirt and Eve in jeans, side by side with a microphone to their lips. Vanessa glared into him, as if she could melt him if she wanted to. He wasn't sure if Eve had a Vanessa in his life--most of the boys looked too frail to be a Vanessa. "Last night, we were honored with a breakthrough," the old preacher said, his voice withering, "We have our golden couple, here and now. In love, thanks to the grace of God."
Eve crushed his hand in hers. "I don't love you," she whispered.
Adam chuckled.
The preacher turned to them, curiously, before his trembling frame turned to Adam. "Tell us, Anne," he said, "Do you have any words of inspiration to share with us?"
Go to hell. Nice people, warm and cozy. Burritos to die for. Greatest place in the cosmos. "It was tough," he admitted, dominating the stage, "It was excruciating, relatively painful. I was confused. I didn't know who I was. But you know," he looked to Eve, knowingly. "God works in mysterious ways."
The counselors clapped. Some of the boys chipped in. The girls all glared, menacingly, unwilling to shake off the sense of betrayal.
When the session was done and the sermon delivered, Eve grabbed his shoulder, pulling him away to the silence of the woods. They sat against a bark, then, stiller than the trees. "I'm surprised," Eve laughed. "You didn't lie at all in that speech."
"Well, you know," Adam laid back, crossing his feet together. "The truth is always the easiest thing to say."
There was no heaven that would make them any more content than they were then.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
This was a great read. I agree with most of the points given in the previous review, about the addition of the lines on truth and lies, as well as the timeline that seems to be missing. That didn't much take away from the experience for me, however; I still saw this as pretty poignant. You have a nice style that flows well, too. All in all, a good short piece.
Hey there!
) I really adore your writing, you know that, especially for your characters and your combination of irony with religious backdrops. Still, there were some issues I spotted in this piece, but as always, feel free to pick and choose what applies to your editing process.
So, I'm sorry if this review seems a little disjointed, my head is all out of sorts but I had stuff to say about this piece. First off, that I think it's rather sweet, for all that I'm going to have a lot to say in the critique section; second off, that my issues with it don't stem so much from the idea that it's "unoriginal" as the fact that it's...kind of out of context, I feel.
This short story feels like a piece of a larger whole. And I'm not saying that to guilt you into making it longer, but to let you know that we kind of just jump into it and then at the end we kind of just jump out -- it doesn't feel like it's complete.
Part of this is because of the characters. You introduce us to a variety of characters that seem to have a lot of weight on the narrative and on Adam, but that weight isn't illustrated so much as implied. We don't really see how Vanessa influences Adam, and we don't really see how the preacher and Adam's father influence him, either -- they get one- or two-line mentions, and it's not obvious how they affect Adam as a person or a character. As a result, the narrative feels like it was just plucked out of the life of Adam, and there's still a thousand more things that remain to be seen -- that we'll never see.
Another character issue: We don't get in-depth characterization for anyone except for Adam. This can be a stylistic choice, of course, but it contributes to the above issue of the work feeling like it was clumsily cut out of a larger whole. As a reader, I'd like to see more of who and why Vanessa and Eve and the preacher are, rather than what they are. What's their point in this story?
Moving onto something else -- on the whole, I had a difficult time following the sequence of events in this story. Is it all progressing forward, or are parts of it a flashback, or...? There isn't really a clear timeline, and while scene breaks aren't necessary because this is so short, it would be nice to get an idea of things when we're jumping around like this.
In addition, I had a hard time with the setting, because I'm not familiar with this kind of thing -- this religious reformation normalization camp thing you're working with. I really have no clue. (I mean, I've never really been camping before at all, much less in this setting, so.) That wouldn't normally be an issue, but I get hardly any description of your setting, so for all I know most of this story takes place in a Featureless Plane of Dialogue.
I think my biggest issue with this work is that it was written to make statements about "lying" and "the truth" without either of those being a big theme in the work itself. It feels like the lines about that were tacked on, more than written in, at the beginning and end to tie it up nicely with a bow. That's not to say the work itself doesn't deal with the conflict between lies and truth, but it didn't feel like that was the point.
In fact, I don't really know what the point is. When I strip away the lines about lying and the truth, it reads like it's supposed to be about survival and adaptation, but that doesn't get enough emphasis for that to be a real theme. When I strip away survival and adaptation, I get...what? A story about defying religious expectations? A story about...? I really don't know. Aside from things that aren't really emphasized enough to be important, I can't find anything.
On the whole, I did enjoy this, don't get me wrong! (I torture things because I love them.
Keep writing!
...DID I JUST GET A REVIEW FROM LAREINE.
*breathes* *screams internally*
*subsequently dies*