Black and White [1]

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Aaron Swartz was a computer programmer, writer, political organizer, and Internet activist. This story is based on real events and characters involved in the case that ultimately led him to take his own life earlier this year

[1]One

[2]Two

[3]Three

[4]Four

Black and White [1]

Quinn’s arms prickled with a cold numbness as they pressed limply onto the hard mahogany surface of the table in front of her. The document she held curled into itself like a withering leaf, almost slipping through the feeble grip of her fingers. She felt her contrite heart wilting away with it. Her eyelids drooped with the weight of her grief as she tried to mentally undo every little mistake that had dumped her where she was now.

 

“Mrs. Norton...” An older man’s stern, monotonous voice reached out at her from somewhere just ahead, trying to pull her back to reality. The dull clunk of thick leather shoes on marble tiling echoed distantly, and the dark haze of the man’s slender figure swelled in the periphery of Quinn’s vision. She remained motionless, with her lips pursed shut and her eyes fixated blankly on the papers in her hands.

 

Mrs. Norton,” the man repeated, tersely.

 

Quinn twitched at the sound. She fidgeted in her sticky leather seat behind the witness stand as the room around her came sharply into focus. For a moment, she had forgotten where she was. Her eyes flitted around the room, meeting the enquiring glances of the grand jury. Some of them were young, they might have been college undergraduates, eagerly keying in on every word that had been uttered. Some of them were middle-aged men and women; they might have been fathers, mothers. There might have been a few grandparents there, too, with their wrinkled faces stretched into skeptical frowns. The jurors were seated in two rows behind two long, wooden desks that extended from one side of the room to the other.  Eyes narrowed and leaning forward, they waited intently for Quinn to speak.

 

“Shall we continue, then?” A man stood directly in front of her table, arms tightly folded into the vest of his indigo suit. He looked down at her, forcing a half-smile that went hidden under the bristles of his thick beard. He couldn’t hold it for very long.

 

Quinn looked back at him defiantly. He was a different man in front of these people, disguised with a fake rigid posture and a slow, enunciating voice. But she knew he couldn’t hold his composure forever. She knew that his temper was shorter than the thinning gray hairs on his head. She glared back at him, hoping that she might ignite his furrowed eyebrows with her intensity. But he turned away, marching back toward the prosecution’s table, and Quinn was left again to her despair.

 

She turned back to the papers that trembled in her hands. How could she have let it come to this? She had been so hopelessly naive, so convinced that she could protect the one she loved from the investigation. But she had done worse than simply fail him. She had betrayed him.

 

The bags under her eyes told of sleepless nights gone by. She’d lie there, until it was too late for sleep and too early to get out of bed, counting her mistakes. And she’d counted four of them. Four moments in the last six months that should have happened differently.

 

“Now I’ll ask you again, Mrs. Norton,” the bearded man pronounced, finally. His tone was tinged with irritation. “Is it true that the defendant, Mr. Aaron Hillel Swartz, is the author of that document?”

 

-----

 

One.

 

It was the phone call. That was the first.

 

The rousing smell of French vanilla drifted into the air as Quinn slipped into her seat. Cafe Luna was hidden away from the busier streets of the Cambridge core, but homely enough for her to actually work. When she wasn’t playing with her daughter at the park, or spending the afternoon with Aaron, she’d be sitting at the cafe, editing her unfinished articles for Wired magazine. Setting her coffee down on the table, she looked into her laptop screen, mesmerized by the ticking text cursor as it counted down to the call.

 

Her cell phone, tucked between her laptop and camera on the table, startled her as it slowly crawled towards the edge of the patio table, vibrating with a hollow buzz. The face of the device was damaged, but she could still discern the text on the screen: Unknown Caller. Quinn usually ignored calls from unidentified numbers, but she decided to answer this one, for whatever reason.

 

“Hello?”

 

“Hey... it’s me.” The sound of the connection was scratchy, distant, and barely audible. But she easily recognized the deep, dulcet tone of the voice at the other end.

 

“Aaron?”

 

“I might have a bit of a problem,” he said. In a surprisingly relaxed tone and with careful brevity, he explained to her that he’d been arrested. "They're holding me at the Cambridge Police Department. Just off the MIT campus."

He wouldn’t go into any further detail, neglecting to even explain why he was there, or how it had happened.

 

Apprehensively, Quinn stopped herself from asking questions. If the call was being recorded, she didn’t want him to say anything incriminating. And she certainly didn’t want to end up being dragged into the matter.

 

It wasn't even important, really. She’d do anything to help. “Just tell me what to do.”

 

“I need to post bail,” he said. She became a little more worried when Aaron brought up the name of his criminal defense attorney. 

 

“I’ll get the money. I’ll contact your lawyer,” she said in a hushed voice, but she knew it would be difficult. Being broke was not at all unfamiliar to her. She’d grown up that way, in an economically disadvantaged family with a dysfunctional, drug-using father. Still, not having money had never really been an issue for her before.

 

“We’ll get through this,” she promised, shrinking in her armless chair at the thought of having to borrow the money from a friend.

 

The conversation barely lasted a minute. It seemed harmless enough at the time, but she would regret it in three months.

 

She should never have answered; she should have let it go to voicemail. Or better yet, she should have rejected it altogether. Maybe Aaron would have called someone else. Maybe he would have tried to reach his lawyer directly, and she’d be safe from the investigation. Everything would have been better off that way.

 

She didn’t get any work done that night.

Continued -->

Comments & reviews · 3
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User avatar
Sins
Review
Sins wrote a review · Tue Jun 11, 2013 3:45 pm

Hey there, I am here to review as requested! I'm going to try and review all three parts and it hopefully shouldn't take me too long. If you have any questions or comments and the end of my reviews, please don't hesitate to talk to me about them :)


“Mrs. Norton,” The man repeated, tersely.

The the here doesn't need to be capitalised

Quinn usually ignored calls from unidentified numbers, but she decided to answer this one, for whatever reason.

This is incredibly picky, but I don't really like the reason of for whatever reason. You've made the point that Quinn very often ignores unidentified numbers, so what made this one so special? I've not read on but I'm going to assume it's a life changing, important call and what not, and it seems a bit unrealistic that this particular unidentified call would happen to be the one Quinn does pick up. Again, I know this is really picky, but it's something to think about!

“Hey... it’s me.” The sound of the connection was scratchy, distant, and barely audible. But she easily recognized the deep, dulcet tone of the voice at the other end.

Again, this is picky, but the construction of the dialogue tags you have here seems a little disjointed to me. I don't really like how the second sentence begins with but, not because I'm a "don't start a sentence with a conjunction!" Nazi, but because I just don't think it really works that well here. It's up to you if you do anything with that though, of course.

Overall


Right then! Generally speaking, I was actually very impressed with this. The technical side of your writing is pretty awesome and I love how much mystery you have in this. The whole piece has a very professional kind of feel and I can tell that you've taken a lot of care whilst writing it, which I always appreciate in a piece of writing. After reading this first part, I am definitely now intrigued and want to know what happens next, what Aaron has been arrested for, how it will effect Quinn e.t.c. so really well done for making me feel like that. A great job overall, in my opinion :)

Obviously as this is a review, I am going to try and conjure up some critiques that can hopefully help you make this even better. One thing I want to mention is that while I think the amount of detail and imagery you use here is great, I can't help feeling that you overdo it at times, primarily with your use of adjectives. Adjectives are great and they can spice up a story brilliantly, but they can end up drowning the reader a little if they're splashed around everywhere. Take these examples:

Quinn’s arms prickled with a cold numbness as they pressed limply onto the hard mahogany...


An older man’s stern, monotonous voice...


...their wrinkled faces stretched into skeptical frowns.


There are eight adjectives in these extracts, and neither of them are even full sentences. In fact, they're really quite short extracts of sentences. The second quote is also something I noticed quite often throughout this piece: you tend to list two or three adjectives straight after another to describe one thing and while that's okay to do occasionally, when you do it a lot it can end up becoming a bit too much. I suppose this is partly personal taste, but I think that all these extracts are weighed down by the amount of adjectives in them. I've no idea if I'm making much sense here to be honest, but just remember that sometimes, simplicity can be far more effective than the more complicated way of doing things

Moving on, I also want to briefly mention characterisation. I don't want to press on this too much because this is only the first part so it's impossible for you to have created much character development, but I can't help feeling that right now, your characters are a little one dimensional. There's nothing that makes them especially stand out and pop, and I don't know if this is just me, but Aaron and Quinn's relationship comes across as quite cold during the phone call. They're obviously not going to be lovey dovey when discussing something so serious, but it almost feels as if Quinn is planning to bail him out because she feels she has to rather than it being a choice because she loves him and what not. I guess what I'm saying is that I just want to see more of your characters' personalities so that they appear more human, but like I said before, this is only the first part so there is room for you to work on that.

Something else I want to mention is that I don't know if it's just me, but Quinn seems to accept Aaron's situation weirdly easily. He tells her he's been arrested and needs her help, but doesn't explain much at all about the situation, and Quinn seems strangely accepting of it. It makes it almost seem like she was expecting it to happen or something. Even when she worries about getting money for him and what not, her worry only seems to extend to being a bit bummed that she'll have to borrow money from a friend. It's just all very calm and controlled, I guess. Maybe this is the action lover inside of me, but I kind of want her to freak out a bit.

Negatives aside, I did honestly really enjoy this read. It's certainly one of the better pieces I've read on this site and I'm really glad you asked me to review it because I'm eager to read the rest now. I think that with a few tweaks here and there, this piece could not only be great but completely kick-ass! Let me know if you have any questions, and I'll try and get to the next part ASAP :)

Keep writing,

xoxo Skins

Great critiques! I didn't notice that I do that with the adjectives, and I see now that they can make the piece a little less easier to get through. Will try to tone it down when I edit.

And you're right about that phone conversation, definitely should clarify/convey Quinn's emotional reaction a bit more.

User avatar
StoneHeart
Review

Hey Shindigg, Black here for a quick Review!

First off: IMPRESSIVE work! No, really, I am truly impressed. Your grammar is EXQUISITE, your detail is UNHEARD OF, your idea is ORIGINAL, your prospective action is MASSIVE, and this piece is overall GREAT! I can see this type of writing under the a cover with 'New York Times Bestseller' written across the top. Yes, you style is THAT good. It's definitely some of the best writing I've run into on this site!

However much I'd like to tell you that this piece is truly perfect, I can't. Your problems, quite surprisingly, are in pace and spelling. The last one really caught me by surprise. With writing this good I couldn't believe you'd have a SPELLING problem. But you do. Okay, look, spelling problems are the easiest things to fix in all of your writing. But you have to remember, the problem's in your style, not your fingers. To fix much of your spelling problem I would simply advise you to get a spell checker . . . a spell checker would completely eliminate the problem.

Let me prove to you that you actually DO have a problem in this area! (Remember to fix this, if you'd done better in spelling then I'd have virtually nothing to say here).

Quinn’s arms prickled with a cold numbness as they pressed limply onto the hard mahogany surface of the table in front of her.


Okay, so you would use 'Quinn's' in a sentence like '”Quinn's gonna take care of it,” Joe called down the hall”' using 'Quinn's' as 'Quinn is'. You need to get rid of that annoying little apostrophe and make it 'Quinns'. You do this mistake a couple times!

There might have been a few grandparents there, too, with their wrinkled faces stretched into skeptical frowns. The jurors were seated in two rows behind two long, wooden desks that extended from one side of the room to the other.


Okay, as you probably see 'skeptical' isn't a word at all! But 'sceptical' is. ;)

She became a little more worried when Aaron brought up the name of his criminal defense attorney.


'Defence' uses a 'c', not an 's'. ^^

There we go! You have a number of other mistakes which (Seeing as this is going to be a QUICK review) I won't go into. Now I'm going to move on to a bit more opinionated problems. Problems that I alone may find wrong! This type of feedback should not be tossed aside lightly, mind you, but don't take it as universal critique.

All-right. I really DO love how much information you put into your writing, it truly is great. But you have a problem with it in some places. Look at this.

Aaron, in a surprisingly relaxed tone and with careful brevity, explained to her that he’d been arrested, and was being held at the Cambridge Police Department just off the MIT campus. He wouldn’t go into any further detail, neglecting to even explain why he was there, or how it had happened.


Okay, now you're taking an entire thirty, or so, seconds of talking and condensing it into a single paragraph of narrative summary. Now mind you that this does work, however I think it would be SO, SO, SO much better if you wrote it somewhere along these lines.

“I might have a bit of a problem,” Aaron began in a relaxed tone, wreathed with careful brevity,” I've been arrested and am being held at the Cambridge Police Department, just off the MIT campus.”


Readers want action! Present action! Don't say that it's easier to write what's said here in narrative summary! The dialogue is SHORTER than the summary, and it's more interesting! Put yourself as me, the reader, reading this book, and as you if you'd skip this part (Or pass over it) because it sounded so boring? Compare. Mind you this is a personal preference.

Also, the amounts of information that you heap onto this story is really cool and all, it's easy to follow and well written, but it gets really old . . . read it for yourself. You may see what I mean.

You also have a thing with putting a one minute phone call and thirty seconds of a court hearing into a thousand words. I'd advise you to cut down on the detail and condense a bit. Readers have a hard time enjoying themselves when time moves THIS slowly. There's no need to be this careful with detail. ;) At all.

Anyway, as I said, this would be a short review (You'll have to get another nit-picker to fix the rest of your detailed problems ;) )! I still do hope it helped! Make sure you get a spell checker! GREAT work, still! Keep up this style! And remember! KEEP WRITING – That's how writers advance their craft. ^^


~Black~

I am humbled by your generous words, kind YWS-er. Glad you liked this!
I must argue with a couple of your points, however :)

- When I write Quinn's, I'm using 's in the possessive case*. As in, Quinn's arms. Quinn's cell phone. Quinn's laptop. "Quinns" is just plural and would work in: "My name is Quinn and my friend's name is Quinn. We are both Quinns."

- This is probably different in certain countries, but "skeptical" and "defense" are actually acceptable variants of those words where I'm from**. My spell-checker agrees :p

Totally get the pacing thing! Looking over the other parts/chapters, I realize this is one of the slower stories I've written when it comes to pace. I'll see if I can change it up a bit. But most of the meaning/important points are in the details.

Thanks for the feedback!

* Possessive: http://www.englishclub.com/grammar/nouns-possessive.htm
** Skeptical: http://www.thefreedictionary.com/skeptical
** Defence: http://www.thefreedictionary.com/defence

>> This has gotta be the best review reply ever <<

User avatar
OliveDreams
Review

Hi.
I didn't see the court room coming at all and I was pleasantly surprised! I've never read a book with this type of setting before so I'm definitely interested.
I also love the name Quinn.

Favourite line: She’d lie there, until it was too late for sleep and too early to get out of bed, counting her mistakes.

Good Luck. :)

Posted the 3rd chapter, if you're interested :)



If it looks like a duck, and it quacks like a duck…you should not be so quick to jump to conclusions.
— Cecil Gershwin Palmer