[1]One
[2]Two
[3]Three
[4]Four
Black and White [2]
The bags under her eyes told of sleepless nights gone by. She’d lie there, until it was too late for sleep and too early to get out of bed, counting her mistakes. And she’d counted four of them. Four moments in the last six months that should have happened differently.
-----
Two.
“A wiring cabinet?”
“Yeah. A telephone and networking closet,” Aaron said, a hint of pride in his voice. He had his hands burrowed into the pouch of his hoodie as he gazed blankly out the window through his thin, rounded glasses. The clouds were streaks of white chalk against the pale blue slate of the sky, swirling away as the minivan cruised down the city streets. “Controlled by MIT’s Information Services and Tech department.”
This had been the first time in months that Quinn had heard anything about the matter. She was the nosy reporter, persistently trying to get things out of Aaron, but he wouldn’t talk. He had never even told her how much he made with the success of Reddit, and he hadn’t said a word about his arrest until this. There were things that he’d keep to himself, and his reticence had slowly become something of a joke. Quinn would pry and Aaron would never give in, that was just how it was.
Quinn looked over, and then back at the road, both hands firmly on the wheel as she steered. “And you figured that you’d just waltz in there?”
“Well, there were a lot of loopholes in their security system.”
JSTOR was an online repository of archived journals, licensed mainly to public libraries, or academic institutions like MIT. And MIT prided itself on operating as an “open campus,” Aaron explained, authorizing access to JSTOR through its computer network. He told her that he had written a script to relentlessly download journals from the database, which apparently crossed a line.
What troubled Quinn was that a large number of these online journals were publicly funded work. You would think that the taxpayers themselves had a right to access the academic research that their money went into, but that wasn’t how it worked. If the information was free, she imagined, it would facilitate the advancement of technology and scientific undertakings.
“How many papers are we talking?” she asked, “A thousand? Two thousand.”
“Four million.”
Four million papers. Quinn could see their issue with Aaron, now. The journals were all made available online by independent publishers for purchase through JSTOR. And at the prices they charged, Aaron had technically stolen millions of dollars worth of material.
“Why did you do it?”
Her question went unanswered.
She caught a glimpse of herself in the rear view mirror as she brushed her ash blonde hair out of her face and over her shoulders. In the backseat was Ada, staring into the display of Quinn’s camera as she sifted through all the photos. White earphones hung loosely from her ears, and her frizzy pigtails bounced as the minivan rolled down the street.
“It’s impossible to be completely moral,” Aaron said, finally. “But you can do the best you can.”
“You didn’t kill anyone.”
“Not yet,” he quipped, a smirk flickering across his face.
“You’re not a bad person, Aaron,” Quinn assured him.
“Animals are conscious and eating them leads to them being killed,” he said to her, something she’d heard from him before. He’d read her books about animal rights, theories in animal liberation, moral philosophy. He’d written about it in his public blog, too. “It’s not all that different from killing people, really.”
“You’re vegetarian.” Quinn wasn’t exactly sure where he was going with this.
The Harvard campus was a short drive from the playgrounds at Cambridge Commons. She would have stayed at the park all day if she could, but Ada had tired herself out, and Aaron needed to catch up on some important work. Even with the investigation overshadowing his every move, he still found time to work on his projects.
“And I suppose you don’t drive for ethical reasons?”
“By driving a car, I’m pouring toxic fumes into the air and sending money to foreign dictatorships.” Aaron preferred to bike and walk.
“Well, your bike seat is sewn by children in foreign sweatshops,” Quinn countered. “And the tubing is derived from metals that are mined by tearing up the Earth.”
“See, it’s impossible.” Everything you do, and everything you don't, had the potential to cause harm, he said. Anything can be justified or unjustified. “It’s not easy to see what’s right and wrong.”
Quinn stopped along the curb just outside the Edmond J. Safra Centre for Ethics at Harvard, where Aaron’s office was located. She kissed him briefly before he reached for his messenger bag in the back seat.
“Ew,” Ada squealed, “Bye, Aaron!”
“See ya, monkey,” he said, pinching Ada’s foot as he grabbed his bag. She snapped a picture of him as they stuck their tongues out at each other, playfully.
“Hey,” Quinn whispered. She caressed his forearm with her fingertips, and he turned to face her. “Don’t stay too late.”
His stubbly cheeks stretched as he grinned his usual I’ll-think-about-it-but-not-really grin. Quinn looked at him seriously, trying to penetrate deeply into the black voids of his eyes. She couldn’t always see through them, she couldn’t say for sure what was going on in his head. But she didn’t believe that he was as laid-back as he made himself out to be, not with all his projects and research work, and especially not with the investigation at his back.
“It’s not healthy.”
Before she could say another word, he pecked her on the lips again and pulled away, pushing open the passenger-side door. He climbed out of the minivan with a laugh, and hurried across the street with his bag slung over his shoulder.
The drive back to the apartment was a short one.
“How come Aaron didn’t go home?” Ada asked when they had arrived in the basement parking lot.
“Maybe he really likes working in his office,” Quinn lied. She’d rather not give Ada any reason to be afraid, if even the slightest.
When January had gone by, neither she nor Aaron seemed to believe that any of this – the arrest, and the slowly proceeding investigation – was serious. But they soon began to expect raids, surveillance, and threats from powerful men who couldn’t tell the good from the bad.
And then February came, along with the inevitable. The Secret Service forced their way into Aaron’s home, waving warrants at him as they seized his phone, his computers, and his external hard drives. He’d found it difficult to work at his own place after the raid, suspicious that his apartment had been wire-tapped, that he was being watched, or that another raid was coming. He was lucky to have an office where he could work. Of course, he'd be working in a jail cell if they hadn't managed to post bail.
Quinn and Ada shortly found the basement elevators and headed up to their level. The doors chimed upon arrival. One, two, three, four, fifth level.
They weren’t expecting to see anyone when they turned the corridor. The dark figure of a man and a woman emerged ahead of them, surrounding the apartment door under the dim lighting of the hallway. The two of them wore chalked-lined blazers with unmatched trousers, and they turned to face Quinn and Ada as they approached.
The man had broad, flat shoulders, and a young, tanned face, but his short hair was speckled with grey. The woman must have been a couple of heads shorter than him, and her shoulder-length hair fell about her in dark brown waves. They had the dowdy cleanliness of law enforcement.
“Mrs. Norton,” the woman greeted, sullenly. She introduced herself as Michelle Pickett, and her partner, Carmello Ortega. The two of them produced their badges, Secret Service. “We just have a few questions we’d like to ask.”
Quinn was in shock, and unsure of herself. She could feel Ada’s grip tighten around her arm as she cowered behind.
And then she made her second mistake.
“We’d prefer to talk to you inside,” Agent Ortega added.
She let them in.
Ada hid away in her bedroom, cautiously poking her head out of her door, trying to catch fragments of the dialogue. Quinn invited the agents into the living room, uneasily huddling herself into the corner of the couch on the opposite side. The room was heavy with an unsettling silence, save for the rustling of thick paper as Agent Pickett produced an unmarked file from the leather briefcase that she had with her.
“We understand that you’re close with Aaron Swartz,” Ortega stated, which did little to dispel the lingering discomfort.
“We’ve been seeing each other for over a year, so yes.”
"Then you're aware of the investigation surrounding his arrest at MIT?" The subtle severity of their tone didn’t go unnoticed as they asked her to shed any light on Aaron's personal projects.
“I don’t know anything,” Quinn asserted.
“Well, we’re here because our records indicate that Aaron called you soon after he was apprehended,” Pickett pointed out, “And you’re saying that he didn’t tell you anything about his arrest?”
“Nothing.”
There was a pause.
“And you weren’t curious at all?” Ortega questioned, “You must have asked him.”
“I didn’t.” Not during that phone call, at least.
Incredulous, they pressed on, trying to get Quinn to divulge any details that Aaron may have revealed about his motivation. But the truth was, Quinn knew nothing other than exactly what was stated in his arrest record. Aaron had kept her in the dark about it for months.
The conversation became repetitive, and Quinn began to run out of things to say.
Pickett had finally heard enough, and handed over the file that she had been holding. It became clear that this was the real reason that they’d showed up at her doorstep.
“I suggest you review this document carefully with your attorney,” Pickett advised as she and Ortega heaved themselves from their seats.
Quinn remained on the couch, her lungs deflating as she looked over the pages in the file. It was a federal court-ordered subpoena. The prosecution wanted all records of her communications with Aaron, everything that they shared in their private life, especially anything related to JSTOR or MIT. They wanted all her equipment – hard drives, USBs, DVDs, CDs. They’d take her camera, they’d search through all their personal photos. They wanted every important electrical or optical storage device that Aaron may have had contact with, including all the files and documents stored on them.
“We’ll be in touch,” Ortega assured her, as he and Pickett saw themselves out.
Quinn’s head throbbed as she feebly lifted herself from the couch, several long minutes after they had left. She ambled over to her desk where she had left her handbag, pulling out her phone from its outer pocket.
She stared blankly at the damaged black screen of the device as she considered who to call. Hiring a powerful lawyer was out of the question; she didn’t have the money for that.
The lock-screen flashed on at the touch of a button, and Aaron smiled back at her, his sepia brown hair gleaming in the daylight. And she was there too, with her chin rested on his shoulder and arms thrown around him, embracing him from behind. A thin, jagged bolt of fractured glass sliced the image into several pieces.
She’d have to call in another favour.
End of chapter
Continue to next chapter Black and White [3]Points:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Hey again Shindigg! Black here for a quick Review!
Okay, again my congratulations! This piece was far more impressive than the previous one in my opinion, far better pacing and suspense! I'm afraid that this review will not be quite so . . . large and explained as the previous one, and most of what I have to say is going to be VERY, VERY opinionated! But again, I must emphasize what great writing skills you have here! I'm very, very, very impressed, once again.
Here's a couple of opinionated nit-pickings. Mind you that again I'm probably just making a fool of myself, but you could still use to check them.
I think you should use 'led' instead of 'lead' in here. Read it out loud to yourself and tell me what you think. 'Led' would make more sense. I'm terrible at explaining this type of thing.
I think that 'nosy' should be 'nosey'. Think about how you say the word 'nosey'. As in, likes to stick their nose into things. 'nosy' would be said 'no (As in the word 'knot') – see (As in the word 'see')'. . . . You might want to look into it.
Okay, the way you jumped from a conversation to February, to the examination, to how Aaron felt about his work, to Quinn going up the elevator in just two small paragraphs is REALLY confusing. You could use to A: Smooth the conversation out a bit B: Extend the details of the examination/search C: work in the next scene a bit more smoothly.
Okay, you need some emotion here. Imagine how you would feel in her place. How you would respond to these questions. You have to show her emotion here. Think about how hard it would be to concentrate and keep your voice surprised/shocked. It's usually best not to leave your readers to assume too much. Putting this conversation in more detail would be really good too. As of right now her actions are not convincing to me.
You have a way of merging telling and dialogue in one sentence that is, for me, VERY confusing. It would be SOOOOOO easy to just use one or the other (I'd use dialogue).
I think I might add that I find Swartz to be an extremely unrealistic character. My dad went to MIT, he was a member of the hacker community, and he loved to talk about it: So I know what I'm talking about. Right now all I see in Aaron is a powerful person, powerful inside. And this introduction of yours . . . suicide . . . he's going to have to change a full one hundred percent for him to go from a confident, powerful hacker to a suicido. You might want to give him some kind of hint toward just an ability to do something like that.
Anyway! That's gonna be enough for now! Impressive, double impressive work! I really enjoyed this piece. A whole whole whole LOT! You did a mega-great job! Remember the most important thing: KEEP WRITING! Do this and you will improve more. Yes, you can improve more.
(Might I also add that I'm curious to read more?)
~Black~
You're right about "lead", meant to write that in the past tense!
And yeah I wasn't sure how the Jan-Feb paragraphs would sound. I just wanted to explain why Aaron preferred to work at his office, and then move on. Needs to be smoother.
Working on the emotion thing :p Will be editing the earlier chapters in a future revision. And I see what you mean about Aaron, note to self...
Thanks again!
ps. nosy ~ nosey apparently
It's me again!
Technically, this should be that was how it was because that's (that is) how it was is present tense while the rest of this story is in past tense. That is a bit picky of me to point out though.
This should be to cycle and walk
You don't need to capitalise this the
Before I begin, I want to warn you that this review is going to be quite a bit shorter than the last because some of the stuff I covered in that review still apply for this part, and you hardly want me to drone on about the same stuff all over again! Plus I also actually think there are less things to critique in this part anyways because I think you've done a really great job here. I noticed that the prose felt a lot lighter, primarily due to a lower use of adjectives. They certainly didn't stand out as much this time round anyways, which is a good thing in my eyes. I like that you're progressing the story forward and at the end of this part, I'm even more intrigued to see what all this is going to lead to.
Now in terms of critiques, one thing that bugged me a little was sort of similar to something I mentioned in my last review. It's just that your characters still seem a bit oddly calm about their situation. I know you wanted to present Aaron as someone who was hiding his concerns and what not, so I suppose his calmness is a bit more understandable, but I would have quite liked it if you mentioned Quinn noticing the briefest of glints in his eyes that implied some form of worry/concern, simply to make him seem a bit more human.
As for Quinn, I really do want her to branch out a bit and show a bit more concern. By now, she must surely understand that everything is pretty serious. Don't get me wrong, I can tell that you are trying to portray her as a bit worried and I think you do it better in this part than the last, but I don't think it would do any harm if you maybe emphasise that worry more clearly. Like with Aaron, this will be able to make her seem less human, and by making her seem more human, your readers will be more likely to empathise with your characters.
On a sort of related note, I think the main reason I don't feel that your characters are coming across as concerned as they should is because as of now, they are seeming a little blank and a little cold. What I'm basically trying to say is that I'd like more descriptions and expressions of their emotions. You actually did this very well with Quinn's daughter in this chapter because you made it clear that she was scared, and you did that effectively. With Quinn though, it seems a bit more strained. You're great at describing the way things look, for example, but I think you really could strengthen your portrayal of emotions. I know that's hard when writing a third person story because you can't get directly into the characters' heads, but it is certainly possible.
And that's all I have to say! Again, any questions or comments regarding this review will be greatly welcomed by me with open arms, so don't be afraid to interrogate me about anything. Now onto the third part!
Keep writing,
xoxo Skins
Nice catch with the "that%u2019s how it was" line. The tense change was kind of hidden in the contraction, and I didn't even notice :p
I do want readers to empathize with them; I'll see what I can do when I edit to change that one-dimensionality.
And good to know how you feel about the characters right now. Conveying and writing with emotion has always been a challenge for me, so nice work pointing that out, very observant
For the first time in a long time, I don't know what I could possibly say about this piece other than it's amazing. You have wonderful word choice and syntax, and the content is just as great too. There were a few grammatical errors, I could spot--you write "But he turning away" in the beginning when it should be "But he turned away"--but nothing major. You jump around a bit between chapters--are they chapters or parts?--but in a way that's less confusing and more intriguing. It forces the reader to pay attention and draws them to keep reading.
I really enjoyed this and I hope you continue. Please let me know when you post the next part.
Keep writing!
~Rocky
Thanks for catching that, I should triple-check this.
These are really smaller parts of a short story, and not chapters. Actually, it's supposed to be the main character vividly recalling her 'four mistakes' a little of my omniscient perspective. Didn't want to post the whole story at once, thought no one would read. On the other hand, I knew conveying this with 'chapters' might be difficult.
Thanks for the feedback!
This is fantastic! I love it! Your use of diction and vocabulary is incredible! Each word is a color, and you have completed a masterpiece! Well done!