Warning: This work has been rated 18+ for language.
Shirt, collar up, tie… Cornflower blue or yellow? What shade of yellow, I’m not sure, but it’s nice. Dandelion, that’s what I’ll call it, dandelion yellow. Last time I saw one was in a painting in the kitchenette. It was a painting of wildflowers in a field, no specific focus, just a snapshot of life. Why do I have my coffee black? I like it sweet, I like everything sweet, but I guess, in an odd way it makes me feel more professional, more mature. Am I so unsure of my own maturity I need bitter coffee to reassure myself that yes, my life really is as unsweet as I’d like people to perceive it to be? Or maybe I should just shut-up and put on my damn tie.
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It’s rainy. I’ve always loved the rain, it makes me feel very introspective. Nothing nicer than a menacing overcast sky to dramatise my inner-monologue, nothing nicer than the sound of water flowing in the gutter before me, and the soft crackle of my cigarette’s paper as I take a long draw, blowing out a cloud of smoke into the rain and watching as it shoots holes through its wispy body. Cupping my palm I hold it out to the rain, I rub my fingertips clean, there’s nothing worse than going back inside and seeing that little glance people give you, as if to say: “You stink, you bum.”, Yes Karen, I stink, and that side-eye was very smooth, you–
“Elliott!” God, he always shows up when I’m deep in thought. Not really thought, more like a dream, daydream.
“Hey, Irving.”
“You really should give up smoking, y’know, best thing I ever did.” Is it, you old fart? Is it the best thing you ever did? I’m glad. You've got such willpower, I’m sure you’d love to hear that. But of course I don’t say this. I chuckle.
“Yeah, just helps me clear the mind, y’know?” That “y’know” was rhetorical, Irving, please don’t say you do.
“Oh yes, I know, but I found that once I had quit my mind didn’t need ‘clearing’ quite as much.” Yes, chuckle, chuckle Irving, you’re so clever, and hey, I will too, because I’m only an asshole on the inside, or so I hope.
“You may have a point, Irving. Anyways, I’ve got to call my mother, she’s coming down to visit tomorrow.” Don’t ask about this, Irving, it’s a lie to get you off my ass and it’s probably counterintuitive, why do I ever pique your curiosity.
“Oh, well tell her I said hello. Okay, Elliott, I’m off to get coffee, see you later.”
“See-ya, Irv’.” Phew. Now gum, cologne, wonderful, back inside.
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I write little poems on Word, sometimes I email them to people, using my personal email of course. I feel it’d be a bit weird if Sandra from HR received some haiku about birds from Elliott Blair who she’s never once interacted with other than in some awkward elevator run-in, probably stuck in there with me and the smell of cigarettes, too shy to do even the side-eye. She’d probably spend an hour trying to decode the romantic meaning she assumes it holds, because for what reason would this creepy guy send her a poem other than to expect some strange romantic fairytale to follow? I sent you the poem, Sandra, because I’m bored and it makes me feel mysterious. But it doesn’t matter, this is all bypassed because HungyDoggy9923@gmail.com sent it to her, and I’m pretty sure she doesn’t know who Hungry Doggy is.
“Elliott?” God. Can you knock or something? I was writing.
“Huh, yes?” You’re kidding. Sandra from HR. My life is one big coincidence.
“Why the fuck did you send me a poem about birds?” Oh my god. I’m red. Kill me now, lord.
“Uh–,” I chuckle, yes, you can do this, play it off. “You received that, Sandra?”
“Yes, I’m SandraBullockHR@gmail.com, Elliott, but tell me it’s a typo.” I was so wrong, Sandra from HR is not shy at all. But hey, fuck you, Sandra, don’t sass me.
“Do you know the contacts tab, Sandra? How you search for someone, Sandra? And how you then click on them, Sandra? It’s possible you were above or below uh, Irving, who was my intended recipient, Sandra.” I overdid it. Lord, why didn’t you kill me just then. Sandra laughs. Not yet, lord, sorry, I’m so indecisive.
“Really, Elliott? Well, thank you then, Elliott, for clearing the air, Elliott, I thought you were crazy, Elliott,” she begins to walk off. “I still do, Elliott.” And she’s gone. Sandra, you don’t have to have an attitude and be attractive at the same time. You could’ve just been attractive, you would get much further that way. Okay, Sandra, bye, I love you too.
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It is now tomorrow. When did that happen? Sometime during the night, I’m guessing. Shirt on, collar up, lipstick red tie, or the good old black tie? Red, I need a splash of colour, that’s what they say, isn’t it? Anyways, now bus, and then off the bus, and then police tape, and then:
“What the fuck?”
“Please step back, Sir.” Gladly. The windows on the exact floor I work on are now, well they’re not there anymore. In fact, they’re in a lot of very small pieces all over the street. Is that? That’s my desk, my desk, or at least one part of it. I know because there’s at least thirty pieces of shrivelled up gum stuck to the underside, which would have never been seen by anyone if my desk hadn’t come sailing from above, shot out into the dark early morning sky along with all my possessions. The gawking crowd around me is a sea of suits and briefcases, held behind the line by the many cops spread out from here to there and everywhere, inspecting the debris littered across the street and conversing with the firemen that sit perched on their trucks, looking out themselves to the crowd that’s gathered. Irving’s bound to be here somewhere, blending in, camouflaged within all the other old businessmen.
“Elliott!” Speak of the devil. “A bomb! Can you believe it? Someone blew up our floor! God, I wonder why…” Y’know what, Irv’, so do I.
“A bomb? Jesus… Who the hell would want to destroy our work? I mean, I didn’t think my spreadsheets would anger anyone enough to, well y’know.” I say, gesturing to the wreck that was our workplace, up there in the sky. There goes Sandra… No, this is good! There goes Sandra!
“Sandra!” She turns around and rolls her eyes, a little too genuinely to be considered endearing, damn it. “They blew it all up, hey, some prayers are answered.” I say, doing an embarrassing little jog to catch up to her.
“That’s funny, Elliott.” Ouch.
“I can tell because you’re laughing so much.” I say, deadpan. I can play this game too, Sandra.
“There goes my Wednesday. They’ll have something sorted for us by tomorrow, I’m sure.”
“Y’reckon? Damn. The real question is who blew it up, and why? I mean, it can’t be terrorism because y’know, the place was empty… Were they trying to take the whole building down or something? Every other floor is in working order.”
“Strange, isn’t it, Elliott? Well, get back to me when you’ve figured it out.” And off she goes. She seems unfazed by this whole thing, although she probably didn’t have it listed on her nice little schedule, it’s just the type of woman she is. I hate you too, Sandra. And I will figure it out. I’m not brave, but I am an idiot, there’s a thin line between these two things.
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I look down to the street from the opening that was once where the windows were—say that quickly five times—and I see the crowd on the street, the police officers, their cars, the firetrucks… God, I'm in a bit over my head, I’m lucky to have even slipped past, but I’m not sure lucky’s the word for it anymore. The burnt remnants of paperwork crunch under my every step, the cream-white carpet is now charred and curled up in some places, its plastic fibers shrunken and wilted. It’s surreal to recognise things in their destroyed form, to walk from room to room, the walls having been either burnt to the ground or ejected out the side of the building alongside my desk. There’s the printer that never worked, there’s my boss’s office, there’s the shattered, burnt up family photo he had on his desk. The floor of the janitor’s closet has a big gaping hole in it, the roof in the janitor's closet also has a big gaping hole in it. There’s the serveroom. The remnants of the serveroom, and the fried, melted remnants of all those servers. Come to think of it, I had never seen this room, nor stepped foot in it, nor seen a door that led to it. I inspect the floor, following my way along the line in the carpet where the wall once was. There is no door, and the room itself is pushed up right against the back of the elevator columns, with vents going right into the elevator shafts. One of my steps is followed by an echo, a hollow footstep, I stomp the ground and accidentally kick in a trapdoor, a trapdoor?
“Sir! Please, come with me! It’s not worth it!” Huh? I turn around, a fireman. Oh no.
“Oh shit, I’m sorry. Coming.” He grabs me with that big gloved hand, dragging me down the stairs and back down to the ground floor. He walks me into the crowd and looks at me pleadingly.
“Sir, please reach out if you feel this way again, is there anything I can do to help you?” Oh my god, he must’ve seen me peering down from all the way up there, did he really think I was gonna jump? Do I pass for suicidal? I’m not suicidal, I’m just– curious.
“Oh, thank you so much, no, I just thought about my wife and kids and I can’t do it… I’m going to go home and tell her how I feel.”
“You’re a brave man, Sir. Go get it.”
“You’re a hero, a real hero.” I jog off in the hopes a nearby cop realises I’m not actually a suicidal whack-job, just a normal one.
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Hey Raf99! Here to review your piece! I found it very charming, definitely a well-written stream of consciousness work. You use 1st person in the way that I think it should be, infusing every part of the story with your character's personality. I found it a little hard to follow at some-points, and in a few moments, hard to believe. But I'll cover that in specifics.
Onto Specifics
Good first paragraph. Introduces us to the internal flow style. Very fun. Something I think is really important in writing is to have a 'save the cat' moment (Save the Cat is the screenwriting rule that says: “The hero has to do something when we meet him so that we like him and want him to win.”) Now, I think people misunderstand what is means to 'save the cat,' I think they think it means proving they are a "good person," but thats not true, it is making us like the main charecter and resonate with them. Characters who are supposedly "good" are not always likable, and characters who are likable are not always "good." Take, for example, Phil from Groundhog Day, he's kinda a jerk, arguably not a good guy, but undoubtedly he wins us over, he's likable and fun, and we are rooting for him. You have done a wonderful job at this. Our character is not really a "good" person from what I gather, but he is genuinely likable in his deadpan style from the beginning. Now, will he be a hero? That is what remains to be seen. The story is well written enough I'd be willing to stick around to see.
I found this switch kinda confusing. I felt like we were at his house before work in the first paragraph, and now we are on his smoke break? I would advise clarifying the timeline.
I never quite figured out how she figured out where the poem was coming from. Am I just an idiot? If not, I would advise clarifying how, or just explaining that we don't know, because I just felt like I was missing something.
TBH I completely missed this transition on the first read through, (I'm beginning to wonder if this is a me problem), and then I was completely lost. I would advise doing some more structurally to signal the change - a classic is the *** and paragraph breaks.
One of the few things that took me out of the story was everyone's reaction - I would expect them to be a little more concerned than just a 'ruined Wednesday.' I get our main character is kinda whack and might not, but everyone else at least.
The suicide thing also threw me off. It seemed strangely placed. I am also still totally lost on how he got into the building in the first place. *shrug*
Overall
Overall, I really enjoyed the style; it was funny and interesting. A bit confusing at places here and there, but could be patched up easily. I would be willing to read a whole story in this style, though I might want the attitude to calm down as things went along if it was a full novel.
But that's just my two cents. I hope it helps.
Thanks and keep writing,
Andrew
Thanks for the review, Andrew. I definitely need to go over my transitions between scenes. In my head I've got it all thought out, of course, but reading over it I can understand how people would be confused as I jump from place to place, forwards through time. The poem you mentioned came from how Elliott writes poems in his spare time, and then sends them to coworkers, in this instance he sent Sandra a poem about birds, which he accidentally sent with his identifying work email. I strongly agree with your last comments, the suicide bit was a bit unnecessary. I need to strengthen my description of the whole office blown-up thing, in my head I imagined a massive gawking crowd, plenty of response vehicles, etc. This also applies for when he gets inside, needs much more detail. Thanks again for writing a review, I do really appreciate your feedback and I'll work to make things flow smoother, and to clear up any points of confusion.
Hi hi! Hop here with a review!! Please give me some grace, as I am not so good at reviewing... Thank you for understanding! Now, onto my review ~~~~~
Okay so this piece was absolutely bananas (excuse my language) in the best possible way. It was chaotic and introspective and hilarious and kind of sad and weirdly poetic and I was just hanging on for dear life the whole time. The voice was so strong and consistent and Elliott is such a mess but in a way that feels so real and human and oddly lovable. Like I want to follow him around with a notebook and just document his spirals.
The opening was already a whole mood. The tie, the coffee, the dandelion ellow everything felt like a slow unraveling of someone trying to hold it together while also overthinking every single detail of their existence. The line about bitter coffee being a performance of maturity? That was so sharp and funny and kind of heartbreaking. It’s like Elliott is trying to convince himself he’s grown up while also knowing deep down he’s just wingng it.
And then the rain scene? Gorgeous. The cigarette, the gutter water, the dramatic inner monologue it was like noir meets office burnout and it worked so well. The Karen side-eye moment was peak petty and I loved it. It was bananas (again sorry for my language) level petty and I was here for every second of it.
Irving was such a good contrast. His cheerful meddling and Elliott’s internal sass made their interactions feel so alive. And then Sandra? Sandra was iconic. The poem email mix-up was hilarious and the way she handled it was so sharp and chaotic and perfect. I loved her energy and how Elliott just spiraled harder every time she spoke. The whole “SandraBullockHR@gmail.com” thing was so random and funny and weirdly believable.
Then the bomb scene. What. The. Hell. It was so unexpected and wild and somehow still funny? The way Elliott reacts is so him;confused, sarcastic, slightly panicked but still trying to flirt with Sandra. And the whole thing with the trapdoor and the secret server room? That ws such a bananas (Ik such a potty mouth) twist and I’m so intrigued. Like what is going on in this building and why is Elliott the one stumbling into it?
Also the fireman thinking Elliott was suicidal and Elliott just rolling with it? That was such a weirdly tender moment in the middle of all the chaos. It made me laugh but also made me feel kind of protective of him. Like he’s not okay but he’s also not not okay and that’s somehow worse.
The writing style was so strong. It felt like stream of consciousness but with just enough structure to keep it from falling apart. The humor was sharp and self deprecating and the emotional moments snuck up on me in between all the sarcasm. It was like watching someone try to laugh through a breakdown and it was weirdly beautiful.
I really loved this. It was messy and chaotic and full of personality and I couldn’t stop reading. I can't wait to see more and stay amazing!!!!
Love,
Hop
ok i just reread this and we are going it ignore some of my spelling errors ToT
Thank you so much for the review. It's very encouraging to hear how much someone likes it. I think you've read it exactly how I intended it to be read. I'll try to continue this as best I can, and I'm glad you found it so full of personality.
Hey there, Raf99! This is Alex, here to drop a review on the first work you published. I see you've only recently joined, so welcome to YWS! We're so very glad to have you here. If you need any help navigating the site, feel free to reach out to me on my wall, PMs (click on my profile and you'll find a 'send PM' option) or any tag me by making a post (just type @AlexWrites in a update you post on the people's tab) whatever way you feel most comfortable. I'm sure any other user would be more than happy to clarify any questions you have as well. I'm comparatively new here myself, so I completely understand how confusing YWS can seem at first. But you'll get a hang of it, I promise! Now let's get into the review.
Kicking things off, I found the title quite apt. It mentions an event around which the chapter revolves, good job not overcomplicating things. I do think you could do away with the full stop you put in there though. Also, I noticed that you've got this tagged as a short story? From how the story was framed, I thought this was the first chapter of a novel as none of the mystery has yet been answered. If it was mistake, you can correct it from 'editing options' under the publishing center. And if you did indeed write this as an individual project, I genuinely urge you to reconsider as this story had so much potential!
What I loved the most in this piece of yours would have to be our eccentric protagonist. It's rare to see things being written in first person narrative these days, so I found this story particularly refreshing. It gives the reader an intuitive glimpse on how the lead views the world and his thought process. In a way, it really helps us know the protagonist as a character at a deeper level much more effortlessly. It's sad that isn't used by writers more often. The narrative is so engaging and hilarious, I enjoyed reading it throughout. From what we know, the protagonist is a unfiltered guy with an innate sense of humor. He seems to not be fond of much company as most of them side eye him over his regular smoking. We see HR Sandra from his workplace, with whom he has a love-hate relationship. While she is just as frustrating as everyone else, her attractive looks have clearly got our protagonist smitten. The fact that he had thought of her as sweet and shy before their encounter tells us how he associates her with peak feminine attributes, particularly appealing to guys. But he's far too comical to admit to all these real feelings genuinely. He's got these peculiar habits like he emails people haikus, uses his mother just as an excuse to get out of conversations he doesn't want to have and sticks gum under his desk- this all makes his character very believable and original. The guy orders black coffee just to be perceived as mature, he's so silly but it makes him all the more special. He isn't the noble heroic male lead, but an insufferable chatterbox who's too full of himself - but that's what makes reading about him so much more interesting. He's not flawless though, as we see him stumble upon his words when he Sandra confronts him. I'm a huge fan of his funny wit and instant reactions to odd situations. I'm really impressed with how thorough of a job you've done on his character development!
You're such a cunning writer, you've just earned yourself a follower XD
If I get into the plot, I found it really intriguing. It's such a unique concept, bombing just one floor of a large office building. It has got me thinking if it had something to do with the mystery room, the reveal of which by our protagonist was so naturally written I must point out. It strikes interest, without giving away too much and has a lot of doors open for the plot to choose its course from. The question of who'd do such a thing is curious indeed- could it be Sara or Irving?! I find it highly unlikely for now, but we'll see when the time comes.
One part that confused me a little was the protagonist putting on lipstick. Do they have an inclination towards fashion or cosmetics to use it despite being a regular straight guy or am I missing something? I don't mean to offend but I just found the portrayal unconventional and not explained herein. I'd appreciate it if you could shed some light on this, please.
My favourite scene goes here! This work is such well written that it's a tie between two. The first one being Elliott justifying the email to Sara by awkwardly repeating her name after every sentence he said. Also him saying 'I love you' to her in his thoughts so casually got me laughing hard. It was so insane and wild, even for him. The second one is when the fireman escorts him outside thinking he's suicidal and he plays the part. My guy's got some instant humor!
Overall, impeccable writing with an engrossing and hilarious protagonist. The first person narrative was really well executed, I could read more great works like this all day! This read was so worth my time. I had a great time reviewing it. Eager to read the further chapters into this story once you publish them, hopefully very soon.
Lol, Elliott was deciding whether to wear a "lipstick-red" tie (the colour), or a black one. I should've made that more clear. But thank you so much for doing such an extensive review, I was sort of giddy when I saw it at first. It's nice to have people comment on my stuff, especially having just written all these little stories as a solo hobby, and pitching them to my mum. Your encouragement has made me eager to continue this, I'm just not sure where I'll take it. I'm glad you found it funny. Elliott, to me, is like a much less crazy version of Jack/The Narrator from Fight Club, the book and the movie are both great, check them out if you like that inner monologue kind of thing. Anyways, thank you again, I'm very happy to have you be my first real review.
Now I'm embarassed ahhh. It does make a lot more sense though, thanks that you took the time out to clarify! And YWS fully encourages you on this journey, you should definitely turn it into a big project, people will love it here!
I really loved this. You've used the first person language really well by making it so genuine and the character so well done. I really liked the style and the pacing of it but at the end it kind of got a bit fast and more undescribing as the rest of it. This sounds like a really cool story to go forward with with excellent characters and a really cool style that captivates the reader just by how entertaining it is.
I totally agree. Sometimes I add so much detail to small little scenes, and just start whizzing through descriptions for scenes that really should be the ones that are described in more detail. I'm glad you found it funny, that's definitely been the major point of feedback for this one. Thanks for the comment.
I really loved this. You've used the first person language really well by making it so genuine and the character so well done. I really liked the style and the pacing of it but at the end it kind of got a bit fast and more undescribing as the rest of it. This sounds like a really cool story to go forward with with excellent characters and a really cool style that captivates the reader just by how entertaining it is.