Warning: This work has been rated 16+ for language.
I find the chore of having to describe myself, to myself, very laborious. I’m concerned I have been, or always will, get it wrong. Some nights I go to bed with angsty, pseudo-suicidal thoughts, the result of some melodramatic mental tantrum. But then again, some nights I go to bed laughing, having spent too much of the night on my phone, smiling at assorted bullshit. Tonight I go to bed, with that sense of dread. I’ve always had negative feelings and thoughts, just as anyone else does, but to identify what these feelings are and to slap a title onto them, proves difficult. After some convoluted pondering, I figured that often I feel a sense of dread. A dread to start tomorrow, a dread to have to trudge through school, a dread to service my very few and very simple responsibilities, so on and so forth. What reason have I got, to feel that sense of dread? Under the guise of arrogance and ignorance I freely judge others for their dramatics, yet I hypocritically go to bed with the same feelings. I’m just as bad as every other over-the-top, sack of teenage angst and edge and whatever the Hell else. We are all undeserving of these feelings. In the grand scheme of things, I’ve never felt pain, I’ve never suffered. I’ve experienced a lovely little slice on the grand spectrum of human emotion. So I figured that to put my slice into real perspective, I’ve got to hit the top and fall to the bottom. This is impossible and unrealistic. At least, the knowledge that I, truly am, comfortable in my cushy slice of emotion, allowed to feel exhilarating, depressive lows, and dopamine milking highs, gives me the narcissistic sense that everybody else is unaware of this. They really aren’t, everybody’s seen someone else's Hell, the internet broadcasts videos of women and children slaughtered in the face of conflict, people speak about their experiences having survived the worst degree of burns in a house fire, they talk about having to say goodbye to their ill children, wasting away on their deathbed; having seen that, I will never throw around the word ‘agony’ or ‘grief’ to describe my life. These things are foreign to me. Anyways, this is all available, all this horror, and ultimately it all works to show me, day after day, that I’m exactly what I am. I’m the naive teen, amongst many others, going to bed with an unwarranted, undeserved feeling of dread. Tonight, I feel an especially undeserved, irritating, groping, invasive sense of dread.
Today is another morning in which I don’t see anyone but the dog before I shower. This isn’t unusual. My parents have left for work already, my brother is still asleep in his room, or at least I suppose this is the case. We never know these things, we just make our inferences; they work, most of the time. What if the sun were to give up, and decide not to rise today. Our inference, our assumption, our estimation, would be wrong. We’d all be fucked. How dare the sun defy us like that, all our rules and our time and our astrophysics and, whatever else is related to the sun. How dare it. I shower, I return to my room, I dress myself, I check my phone, I waste my minimal time until I have to walk to school. The cars are still in the driveway, funnily enough. My parents must be… Elsewhere. Regardless, I’ve got to walk. There are no cars in the parking lot, except one, that’s been sitting there for months. This is a big sign that today isn't a school day. How could I have been so stupid as not to realize that it’s testing week, or that it’s a pupil-free day? The gates are locked, too. Don’t mistake me, this is a pleasant surprise, I’m just frustrated that I’ve had to reach school to learn this. I knock on my brother’s door, no response, as per usual. I knock again, this is the point at which I’d hear a groan, or some mumbling, or a confused ‘what?’ from the other side; I don’t hear anything. I open the door slowly, and he’s not there. I check the rest of the house, the dog follows along, trailing me as I check my parent’s bedroom, the back bathroom, the backyard, the garage, the lounge room. Seems I’m home alone. The cars are still in the driveway. There’s not been any leaving of notes, or at least I haven’t checked in the right places. No missed phone calls. No text messages. So I reach out, and no one answers. I go to voicemail.
“Good morning, mum, have you gone somewhere with James and dad? And if so, thank you for letting me know. Bye.”
I don’t receive a call back, not in ten minutes, not in half an hour, not in an hour, not in two hours. The dog has been strolling around my legs, as I sit at my computer and waste my time. I feel suspicious of something, I’m not sure what yet. I message my friends, they do not respond. And finally, I decided to take the dog out. I inflate the chewed-up basketball he likes to chase around the field, the basketball that slowly hisses out air if you put your ear close enough to hear. I change into some clothes that I don’t mind becoming grass-stained. There are no cars on the road. The roundabout that I cross, with a collective ten lanes converging to spin around this circle, is empty. Not a car passes me by. Not a car is heard somewhere in the distance. I’m growing increasingly suspicious of something. My dog hasn’t a care in the world, he’s just tugging me along to the field. The field is empty, which isn’t uncommon. Everything is empty, and I hate absolutes. Have you ever found a conspiracy that slowly begins to reveal its coherency to you? One that you resist submitting to, in the name of your empiricism, or skepticism, or the powerful resistance one feels when facing a belief that that’s enticing, but just not… Real. I surrender to the fact that everything is empty. Nobody is here. I climb up the overgrown retaining wall, the sloped wall that separates a freeway from the field that my dog and I are enjoying, to varying degrees. I step out onto the road. Every traffic light I see in the distance is red. That’s how everything feels right now, halted. Absolutely nobody is here. All I need is a sound, or a glimpse of something or someone, a plane overhead, the sound of someone’s lawnmower… Alongside dread is an impending sense of doom. I’ve never thought about defining ‘doom’. What is doom? Have I ever, truly felt doom? I told myself I would never use the word ‘agony’ to describe my life. It’d be almost unjust. Am I right to feel doom?
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Hello!!!
There's some compelling stuff here! The narrator has a very distinctive voice, and it lends the piece a memorable style. I do think it could do with some editing - and some expanding, as it seems to end very abruptly. There's the germ of a fantastic short story in here, though, so I hope you do give it that extra love and care!
As a general note, your paragraphs are quite wall-of-text-y; you could possibly stand to chunk them down a bit.
This is nice first line! My interest is hooked, and I already have a sense of who the narrator is. The tenses in that second sentence need fixing, though - if you take out the central clause, you get 'I'm concerned I have been get it wrong'.
Unfortunately, though: this first paragraph is the weakest part of the piece. It felt like a bit of a slog to read - which is a real pity, because the second and third paragraphs are so engaging! I really perked up when I hit that part of the story! The problem, in my opinion, is that you're throwing us a lot of very abstract, philosophical stuff - and that's great and all, but it's a lot easier to care about when you can attach it to the speaker's actual life. The second paragraph was an immediate improvement because it introduced some concrete details. You might want to splice the two paragraphs together, maybe such that the narrator is thinking about all this while going through their morning routine?
You don't reeeally need a comma here. Also, while I do enjoy the rule-of-three and the build-up from the last two sentences, the rhyme punctures the mood a bit. It doesn't help that 'tonight I go to bed' and 'with that sense of dread' have the same number of syllables; it all feels a tiny bit Dr Seuss.
I would cut this - it's very redundant. You have some variation on 'I feel a sense of dread' no fewer than 5 times in this paragraph, I counted. Show me, don't tell me! And have faith that your writing will show me! (I feel like when I encounter this issue it's often stemming from insecurity that you're not adequately getting the feeling across.)
I really like this segment - because you're zeroing in concrete details! I could nitpick it ('third degree burns' feels more natural than 'the worst degree of burns'; it should be 'deathbeds' since it's multiple children) but the overall effect is great. I love how the narrator - in the middle of complaining about not having a valid reason to feel dread - has stumbled backwards into an INCREDIBLY valid reason to feel dread! Getting exposed to all of this day in day out would give anybody a sense of dread!
I really enjoy that the dog is the only other being still around - it makes for a very grounding and yet disquieting presence, this animal who doesn't understand what is happening. I think that's part of the story that could be drawn out and given more detail!
I also like the observation that we take all these things for granted, although I'm not sure if it's in the right place currently. The meat of this story is that rug-pull feeling of things not just carrying on as we assume they will - and I think that airing this idea so early undercuts that. I think it would be more engaging if the narrator does expect things to keep going, is genuinely shocked when they don't, and then reflects on this afterwards.
Wait, so is the narrator at school or at home? Did they go back? This is quite confusing.
Beautiful image - it's so sensory, and I love how it reflects the wider plot of the piece. It does kind of feel like a leak has opened up in the world and taken all the people with it, which is a deliciously terrifying thought.
Another banger image!!! There's something so eerie about it (in the Mark Fisher sense)!
Great work!
Thankyou for such a great review. I have gone overboard on my commas, and I'm not sure I've even edited this once. This is my verbal vomit, and reviews like yours really help me to mull it over and make improvements. I understand the repetitive nature of the initial dialogue, and I need to cut it down so I can keep the punchiest, most relatable or revealing lines, without the filler fat. And I'm now laughing as you point out "tonight I go to bed, with a sense of dread" rhymes, I hadn't noticed that at all. I will take all your advice to heart, because I agree with all of it. You've helped me filter my thoughts down into something more polished.
Hi Dragonight here. I was curious about this one since I love psychology stuff. I also haven't reviewed one of your works so I wanted to give it a look.
Here you are making a comparison between the lows and highs, so you only need one comma separating the two, unless you were going for something else.That was straight dragon FIRE(the parts I loved)
The start here is very self-reflective and relatable. Most North-American (upper-middle class) teens don't experience what most would describe as a truly terrible event. However, that doesn't mean we don't have our highs and lows. Our own pain and agony.
You describe that well here.
As you describe the walk to school and realization that this is a no-school day, I am once again struck by how relatable this is. The frustration of realizing you went all that way for nothing.
This was then turned to an ominous feeling as you proceeded to find no one around. The world seeming too quiet and empty. What happened to everyone?
The conclusion to this was very interesting to me. Rather than turning into a story about how the world came to be empty, you reflect on the feeling of unease and 'doom' that one would feel in such a scenario. This is a very unique and interesting change from what I'd expect.
Some loose scales(critiques and suggestions)
Your use of commas could use some work. For example,
You don't need the comma after 'and' in this sentence. You could turn the list of things before into a list using commas then have the final comma before the 'and' which would work.
'Elsewhere' doesn't need to be capitalized since it is technically part of the same sentence, just... delayed.
I felt a bit nitpicky with all the grammar corrections but your story overall was well put together and since it was more philosophical in nature I didn't feel it needed more description than what you gave.
Some of the bigger paragraphs could have been split up for ease of reading but this story was well put together overall.
As mighty wing soar overall
The story as a whole is a fascinating look into how someone (a teenager specifically) looks at themselves. Especially when going through the social, hormonal, and physical catastrophe being a teenager can be. It is often a time of self discovery and trying to fit in unlike any other in our lives. This story captured that well in my opinion. Even the impending sense of doom and wondering if your feelings are justified.
Final wisdom of the dragon friend
In our connected world where we hear about disasters and terrible injustice happening all over, we tend to compare our own circumstances to the best and worst we hear about. But in my opinion this is an unfair comparison that can be harmful. Your life can have you feeling awful for seemingly minor things because they are big in the sphere of your own life, even if they are small in the sphere of the world at large.
I think that we all judge ourselves way too harshly (we often degrade ourselves in ways we would never do to someone else). Saying that it is unjust for you to feel agony for something just because others are going through worse is wrong. You can feel pain for small things too (they can feel a lot bigger to us because we simply haven't experienced worse ourselves and I would never wish that on anyone). It is how we work through that pain, by supporting ourselves and being willing to ask for (and receive) support from others that allows us to move through pain both big and small.
May blazing dragon-fire light your path and ignite the flames of your inspiration.
Thankyou for your review, it's very satisfying to see you pick up on the same themes and thoughts that I was having, in respect to the protagonist. I do now realize that I went overboard with the commas, it's quite funny reading it over. Don't stress about being the grammar police, I appreciate correct grammar (although it may not appear so) and the corrections are much needed; this is likely the result of just writing continuously without review. I often explore emotion and first person monologue, because I felt I was really horrible at writing it, now I thoroughly enjoy it. My ideas can be very out-there, and a lot of the time even I don't know what exactly I'm trying to get across. This is just one interpretation of the scenario I've imagined, in which everyone seems to be gone. Exploring how that would affect someone, what they would do, is challenging for me. Once again, thanks for such a great review.