12+ Violence

Sands of Silk

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Finally, he was awake. Now he was going to die. Die in the sand, maybe a thousand miles away from his home. The sun pulsed down in waves like the beat of a drum, while all he could see was sand for miles. A few pieces of his camp remained, along with lots of dark masses sitting gently in the sand. Bodies. Bodies of colleagues, of travellers, and bodies of the few animals they had. Only Jiang Heng was left to crawl and die. But, he would die in peace with with actions.

Six months earlier; Jiang Heng was nothing like his family. His family was great, wealthy, and powerful in the Han government. They were also deceitful, prejudiced, and rooted in old ways. He was to finally start a career as a political power of some sort, whatever his family believed was right, and whatever would benefit them the most. Jiang Heng never wanted any of it.

Although he spent most of his life learning from the best teachers to reach his full potential in preparation for a job like this, he still had no say in the matter. The turning point was when Jiang Heng learned he was to be married to a woman he never met, in a land he would never go to. So, he left a day before his 18th birthday. After much thinking and planning, Jiang Heng took only bare necessities and left in shame.

Jiang Heng would then spend the next few weeks travelling along, doing odd jobs, until he reached the city of Dunhuang. Dunhuang was a major stop along the trade routes, a city on the outside of a desert. Every night he would go to sleep and have nightmares and see his mother’s worried face distorted with sorrow, and his father’s face filled with disappointment. He didn’t sleep much, to say the least. Two days before getting to Dunhuang, Jiang Heng heard whispers at a stop along the road. A few men, intoxicated from too much millet wine, were talking about a caravan going to Karakorum that paid well. Jiang Heng knew what he was going to do.

A few days later Jiang Heng arrived in Dunhuang. He set out to find the caravan owner, Tong Zhi Han, which was surprisingly difficult in such a bustling city. It wasn’t until Jiang Heng was told by a merchant that a man in many robes came by to barter, and told him he was going to see Zhi Han. As Jiang Heng started down the street to find the man in robes through the dusty market place, he realized what he was doing and what he did. At this moment, Jiang Heng realized that he had left his past behind and was now in a foreign place looking for a man he had never met before to go on a insane voyage. What was he doing?

“You look like a man who has much conflict with yourself,” said the man in many robes. Jiang Heng now remembered.

The man only said his name was Ji Hui, and that he was a buddhist monk going to meet Zhi Han for the trip to Karakorum . The two began to talk about what Ji Hui said in the marketplace and soon Jiang told him his whole story. They walked in silence for a while until the monk said in a calm gravely voice,

“That is quite a story. A story about a man full of sorrow who wants more out of life, but doesn’t know what, it seems. That reminds me of another story. A story about another young man with the same ideals, but eventually through much work he did find himself.”

They walked in silence once again until Jiang Heng broke the silence,

“You were the young man weren’t you.”

“Hahah!” exclaimed the monk.

After meeting the fat, wealthy caravan owner, they would both finally get a place on the large caravan going out into the arid landscape. After a few days Jiang Heng would buy any supplies needed, gather his few belongings, and get on a camel to go out into the desert along with all the others. He thought he would have been scared, or worried, but he felt strangely calm and…. free. But one thing still tugged at him from inside. His family.

Even though he felt bad about what he had done, he still had the distraction of the task at hand. Jiang Heng would spend the next few months doing hard labor and having to endure endless travel all to transport porcelain, paper, and tea. Many times Jiang would ask himself whether or not he should have done this journey, or if he could go any longer. Whether it was grief-stricken sleepless nights, or many days of heatstroke or sickness, he would still persevere. Also, during this time, he would become great friends with Ji Hui, with the old monk teaching Jiang Heng many Buddhist teachings.

Less than a week from their destination, the caravan stopped to camp for the night. They quickly made a fire as the once arid and scorching hot environment would soon become very cold. They had been slowly running out of water and they were eating nothing more than a handful of rice and and a small amount of soy beans every day. So when they found an oasis with water they thought they were very lucky. A third of the people there were befallen with stomach sickness, including Jiang Heng. Most would not be okay and many would die. They had decided to send two groups to look for more water and anything else useful.

The next day only one group came back. It was decided that if they did not return by nightfall a small band of men would go find them.The only good thing was that the group that came back also brought back water from an old well, that might have saved the lives of many there. But by nightfall they did not return and a group of men including Ji Hui went to look for them. This was a mistake that could not be taken back.

Jiang Heng rolled around on the ground of his tent, occasionally vomiting into a basin container. This was hell. He was dehydrated and exhausted. Every few minutes (or hours in Jiang’s mind) his caretaker, one of the men’s wives, would check on him and give him water. He could see the vibrant night sky through the slit in his tent, and then the face of his caretaker. She was saying something, something he couldn’t make out. He could see people running, screaming, but he couldn’t hear it. Jiang Heng slowly fell into his exhaustion and passed out.

The night sky dominated all he could see in his vision, as all Jiang Heng’s buddhist teachings came flooding back. His vision backed out of the sky and he could see himself lying in his tent, and his camp filled with demons extinguishing all life. As the demons carried his body outside, he saw so much suffering. All life was suffering caused by each person’s desire, people’s desire for the caravan, and the demon’s desire to take each life and all things. Jiang Heng was miserable because of him wanting more, by leaving his family, and causing him and his family grief. Only by accepting what he had done and trying to perfect his life would he be happy. And that meant letting go of what he had done in the past with his family and moving on.

When Jiang Heng awoke after the demon attack, or really bandit attack, he had his realization. He was blinded by the sun as he crawled out of the massive pit where the bandits lazily threw all of their victims. Hoping to find a tent for shelter or other supplies, when he finally got out, there was nothing. So he walked towards where he thought the other group went. He walked until he could not walk anymore, and then he crawled. He finally reached a point where he could accept his past, although it took longer than he expected. And as Jiang Heng took what would seem his last few breaths of consciousness, he saw something. Something on the horizon. A man on a camel, an old monk in many robes. 

Comments & reviews · 3
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LoganH Comment

I liked how you put in a lot of historical details. I wonder if you could have gave more sensory details. Also I wonder if you could have had more Characterization on the main character. I also like how you gave a historically accurate conflict

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Snazzy
Review
Snazzy wrote a review · Wed Mar 02, 2016 3:00 pm

Hi!
Like Rosey said, this story does have potential. It just needs a little work.

Okay, so one of the main things I saw was the problem with transitions. They are clear, but they aren't smooth. Example:

Finally, he was awake. Now he was going to die.

The first sentence could go either way (calm, or deadly), but I always find it leaning towards the calmer way. What I'm trying to say, is you have 2 extremes. One, you wake up - finally... Then, all of a sudden, you're going to die. One way to make this transition smoother, is to make the first sentence more extreme, or more like the following sentence. Example: Finally, he awoke from the dark depths of

Here's another example that has to do with transitions, except this time, it's with choice of words.
His family was great, wealthy, and powerful in the Han government. They were also deceitful, prejudiced, and rooted in old ways.

Using a better word to start the second sentence, such as but, although, etc., would help it flow better. These are called transition words, and although there are many others, those were the first that popped into my head.

Also, a thing with the pace of this story. It is extremely fast. I know it's supposed to be a short one anyway, but I feel like you put in too much, so you took it really fast. Maybe slow it down a little. For example, when you talked about him about to travel with the caravan, you don't include anything about the travel. You skip from "him knowing what he was going to do", to "he arrived in...". Just a thought. It may make it longer, but I think it would be worth it in the long run.

They walked in silence once again until Jiang Heng broke the silence,


This is really nitpicky, but you really should try and avoid using the same word in one sentence. It gets repetitive, and makes it sound like you're saying the same thing over and over again (even if you're not).

The main thing that I saw repeating through your entire work was the pace. Slow it down a bit - it seemed like everything was really rushed. If you add more to explain more, I think it would help tremendously. Keep writing!

~Snazzy

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Rosendorn
Review

Hello.

This short story has a lot of potential. I was really excited to see a Chinese based story, and the concept is fairly interesting. However, you have two main issues is:

One, you start too late. You have dedicated about half of this to exposition backstory, which is too much for a short story. It's just fine to start with the hook of where the character ended up, then backtracking to explain how they got there, but usually this type of beginning is actual prose.

You spend your time summarizing some really, really critical actions here— his reactions to odd jobs, adjusting to a life lacking privilege, the trials of finding the caravan that brought him to the desert, his guilt at nightmares— when instead, they could've become an actual narrative that gave me a connection to the character. The way you have it now, I'm reading exposition that doesn't really have any action or tension, wondering when the story is going to start. In a short story, you just can't afford to let tension lapse that long.

Two, this doesn't really feel cultural. You have some trappings— the expectations of marriage, the locations— but none of it really feels like this is set in China. It could be set anywhere with political families and arranged marriages to people you've never met... which is fairly literally anywhere in the world, but especially Europe. There's nothing here past the names that really makes me think 'this is set in China'. This is especially glaring because it's a historical fiction piece, which should be absolutely steeped in its location to the point it can't happen anywhere else.

Overall, I really want to like this. I love Asian settings no matter where they are in Asia, but this really does not feel like Asia. It also doesn't have much of a story to it, with how much you dedicate to backstory. I would do more research on how to make the culture shine through, and I would also set this up as microscenes, so you get snippets here and there of him making critical choices (or even expanding this into a novella, with full scenes), just to keep the pace moving along.

Hope this helps! Let me know if you have any questions or comments.

~Rosey



Too bad all the people who know how to run this country are busy running taxicabs or cutting hair.
— George Burns