How Was Your Day? - Chapter 28.2

by Que

Note: There's some depression and suicide mentioned and hinted at in here, so this is just a little heads up if that bothers you. 

Finnley had no idea where he was running to, nor did he have the legs to go any great distance. Mia was the athletic one. Still, he ran on through the neighborhood, cars and houses passing in a blur of meaningless color. He couldn’t believe that his mother had sent for Dr. Lark to get him to talk about his sister’s death a year earlier.

It hurt him to have the memories rousted from their safe slumber in the back of his mind. He hadn’t thought the word ‘suicide’ since the day they told him that’s what it had been. Now it was the only word he could think. It rang in his mind and in his heart, striking dischord wherever it went.

Though his lungs were heaving for the chill November air, Finnley was afraid to stop. He was afraid of what might happen when he did. Still, when he came up to a public park, his legs wobbled beneath him and he sank down onto the stiff ground, cradling his head in his hands.

The memories came at him in an unstoppable rush.

Allie had been his protector. Finnley was too young remember his father’s death, but he did remember moving to a new school. None of the other kids would play imagination games with him, they called him a weirdo and a dweeb, they teased him for not being able to pass a soccer ball or throw a baseball. Once or twice they even asked where his dad was, and he could only tearfully reply that he didn’t know.

His sister was older and had her own group of friends, but when she found out that Finnley was constantly being bullied, she broke away from them one day at recess to confront the boys. He never found out what she said to those boys, but they left him alone after that. Every time they would open their mouths to say something to Finnley, they would stop and glance over their shoulders, as if the threat of Allie was lurking right behind them.

Although the bullying stopped, school was a constant, eternal struggle for Finnley. He felt like he was drowning. The schools were big in California, and he was just one of many his age, all alike in the eyes of the teachers. His grades were fine but they did little to comfort him because he was alone alone alone.

The days were an endless slew of homework and helping his mom out and writing poetry alone in his room. He slogged through the days, but he didn’t want to. Oftentimes he couldn’t see a point to life, but something always told him to put on a smile for his mother. She needed him happy, and just like a game of pretend, he could try to be happy for her. It was a game he still played.

Allie would talk to him about it. She was the only one. It wasn’t a big sit-down talk like adults always thought was the best way to go about it. She would pass him in the hall, touch him on the shoulder, and murmur that the district was hosting a poetry contest, that she thought he had a poem which would be a good contender for it. It was what Finnley needed to get through another day, to make him smile, if only for the next class period.

Finnley and Allie hadn’t been best friends, like some siblings; they both had their own ways of life. Her friends were classy and sarcastic and full of endless mall trips, and Finnley had none. But Allie was a constant uplifting presence. It had crossed his mind a few times that the constant stream of sadness might be bordering on depression, but it was Allie that kept him from that edge. She kept him from the self-pity, the self-hate that threatened to consume him. It was why he had never expected her to kill herself.

She was in college when it happened, and Finnley was a junior in high school. Allie’s weekly phone calls kept him grounded. She always sounded fine. He never would have suspected anything. When the school had called to tell him and his mother, it had been like the world was ending. It was ending. What would his world be like without Allie in it?

It was hardly a world at all. His days, which had been hard to get through before, were now turned bleak with carelessness. They were easier because he only felt nothing, numb. His head felt full of cotton balls, and there was always a dull roar in his ears. If he paid any attention to it, it sounded like “allieallieallieallie” echoing off the narrow confines of his head. It had taken forever to get it to disappear.

The screaming thoughts crowding out his mind subsided to pale whispers at the sound of his name from the outside world. As he came to himself, he was startled to find that his cheeks were wet with tears, that his knees were tucked up and he was entirely curled into himself. He lifted his head at a touch on his shoulder only to see his mother. She was looking down at him with such sympathy. Sympathy. As if the incident had been something he alone had gone through. In a way, it was.

“I’m so sorry for startling you with Dr. Lark,” she was saying, but though Finnley heard the words, they passed through his mind without sticking. “I didn’t think she would be here this early and I didn’t get a chance to tell you. I’m so sorry that she brought things up so suddenly, I’m sure it’s really hard for you…”

His mom helped him to his feet and they began to walk home. The tears dried up on his cheeks, his feet walked forwards, and his right hand was held in his mom’s left, but he didn’t feel it. He was numb, numb again.

His mom was still chattering on, in a sort of low, nervous way. “You know, you never talked about it, so I thought with friends you might finally be getting back to normal, but I was worried that you ignored it so much, didn’t mention it at all…”

“You never talked with me about it, any of it,” Finnley replied shortly, not in the mood to be gentle. “Maybe you should be seeing a therapist.” His mother stiffened beside him, and didn’t say anything the rest of the walk home.  

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BluesClues
Review

“You never talked with me about it, any of it,” Finnley replied shortly, not in the mood to be gentle. “Maybe you should be seeing a therapist.” His mother stiffened beside him, and didn’t say anything the rest of the walk home.


brb crying omg

srsly what are you doing to me

poor mrs bale

she lost a CHILD young man how dare you

Okay, that's done.

Wait, no, not cry.

brb still crying omg

Okay, done for real.

I have to say, although this chapter was a lot of telling, I liked it. I agree with Pan that I'd want it to be less straightforward - but this is a first draft, and I think you, like me, are sort of exploring your story with chapters like this. This chapter definitely gives me the feeling that I know some of my chapters have, where it's me figuring out the characters as I tell the readers about them, so there's probably way more information than there needs to be and also it's not terribly specific because I'm just trying to ground my thoughts.

So in revision you can play around with sort of breaking up Finn's thoughts more, especially at the beginning where he's supposed to be so scattered and disoriented - more like the "alone alone alone" which I liked a lot, it just didn't fit because the rest was so straightforward - and picking out specific moments to flash at us. So like this part, right?

She would pass him in the hall, touch him on the shoulder, and murmur that the district was hosting a poetry contest, that she thought he had a poem which would be a good contender for it.


Because I think you do have some specifics waiting to break through, they're just not as specific as they could be. Like instead of Finn thinking in general about how Allie would touch his shoulder in the hall and tell him about some poetry contest, he would remember a specific instance of it happening.

Which honestly would probably shorten this chapter considerably, because you'd select a few moments to show us (or tell us about), just brief glimpses into Finnley's relationship with Allie like it's lit up by a flash of lightning. Just the most important ones, you know?

I disagree with Pan about needing to show us more of Allie throughout the story, however - like sure, she could come up more, but honestly I could see Finn shutting down any thought of her the moment it comes up. Like, you know, "the way Allie used to do x y z. Finn put the thought from his mind. He didn't like thinking about Allie." Because honestly I am the most repressed mofo you will ever meet (working on it) so I have been at points in my life where I would 100% avoid thinking about things or people that were bad or who I missed or that upset me in anyway, because otherwise it hurt too much/I'd go into panic-attack mode. So it doesn't feel unrealistic to me at all that he'd barely think about her - like I said, maybe she comes up more but he shuts it down right away - and then if he's put so much energy into avoiding thinking about her then it makes perfect sense that he'd flip out when his crappy therapist casually mentions her suicide, months after he's seen the therapist, not even at her office.

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Panikos
Review
Panikos wrote a review · Tue Apr 10, 2018 7:36 pm

Hiya, Querencia! Pan dropping in to review.

Still, he ran on through the neighborhood, cars and houses passing in a blur of meaningless color. He couldn’t believe that his mother had sent for Dr. Lark to get him to talk about his sister’s death a year earlier.


1) The sentence in bold seems a bit tell-y. It feels like you're deliberately reminding us what happened in 28.1 even though this is only supposed to be the second half of the chapter - we don't need this kind of recap.

2) I'd like more description both of Finnley's surroundings and his internal feelings. His thoughts don't feel scattered or disordered enough to me at the minute. 'Blur of meaningless color' is a good start, but I think you can extend the imagery further - talk about sounds blending together, the ground slipping under him, his memories unstringing like tape; give me a sense of how chaotic his head is right now.

striking dischord wherever it went.


It's spelt 'discord', I think.

His grades were fine but they did little to comfort him because he was alone alone alone.


Because the rest of the passage is written in quite a clinical way, this burst of repetition for effect feels...I don't know, somehow jarring? I'll talk more about the tone of this chapter later.

“You never talked with me about it, any of it,” Finnley replied shortly, not in the mood to be gentle. “Maybe you should be seeing a therapist.”

[Paragraph break, maybe?] His mother stiffened beside him. She didn’t say anything the rest of the walk home.


Absolutely love this end. I've made a few tiny edits that you can ignore if you wish - they're just suggestions, matters of personal preference. However, I do want this ending to shine through as clearly as it can, because it really is good. It's shocking to see Finnley snap at his mother like this, but it's kind of painful and cathartic all at once. Because he's not wrong. She really shouldn't be ignoring Allie's death like this.

So, that's it for specifics. Let's return to the backstory passage, where you (finally!) shed some light on Allie's relationship with Finnley. How do I feel about it? If I'm being honest with you, I think it's okay. Just okay. I quite like that Finnley and Allie were neither enemies nor really close - the temptation is to polarise sibling relationships in fiction, so I'm glad you took a more realistic approach. Aside from that, however, there's nothing about the relationship that feels that unique. She was a big sister who looked out for him. He relied on her. That's about all we know. It's sort of lacking in the specifics. If you lose a family member, it's not just the broad things you miss about them - their support and love and wisdom. It's the way they always ticked you off for biting your nails, how they hummed, the way they could eat an entire meal without even paying attention to what it was. Specific details will turn Allie from a plot device to a real person. I want more of that.

I think part of the issue is that Allie has remained a mystery for too long. We should've been learning details about her - via Finnley's memories and such - throughout the story, rather than just as a big block passage late in the novel. I've mentioned before that I thought her death needed to be a more prominent part of the narrative, and I still stand by that.

There's also the fact that the backstory is delivered in a rather structured and clinical way. I don't mind passages of telling, but it has to be good telling. Detail is key. The experiences you're summarising should be embodied in specific actions. Rather than saying that school was an endless struggle and Finnley was alone, give us actual snapshots of that loneliness - trailing around the playground, seeing other kids whisper together, watching the clock inch closer and closer to home time. You do it sometimes, but I still think you're a bit on the vague side.

This article is the best guide I've found to good telling. It covers a multitude of topics, but there's a bit towards the end that talks specifically about what makes good telling good. It explains it much better than I can, so I'd definitely recommend giving it a glance.

So, overall thoughts about the chapter. It kept me interested. I'm really glad to see the cracks emerging in Finnley and his mother's relationship, because it was at the risk of being too perfect. It adds much more depth to Mrs Bale, as well - she's not just the supportive, responsible mother, but a person in her own right with flaws and weaknesses. Parents as people is a trope I'm 100% here for.

The backstory with Allie has potential, but I want a better sense of her as a person. Her quirks, her flaws, and all of the tiny gaps that her death has left in Finnley's life. It's something you'll need to incorporate into the whole novel in future drafts, but I have faith in you. If Allie feels like a person rather than just an aspect of Finnley's backstory, the reveal about her suicide will hit much harder when it comes.

Keep writing! :D
~Pan

Thank you for the review! To be honest, I didn't spend as much time writing this as I had wanted to, so I was totally hoping to fix it up a little before you got here to review. XD When starting out, I really couldn%u2019t see how the monsters/magic/Finnley's sister would all play out together. It's still a little hard to see, but looking back I can tell that I need to mix it all in better. Mm I also wanted Mrs. Bale to be the supportive mother because a lot of novels just have parents who aren't in the picture as much? But yeah I like putting a little bit of an edge in there as well. I'll for sure check out that article when I have some time on my hands! Thanks again. :)

You're welcome! I do love that Mrs Bale is supportive, but I think it's great that you're showing she's human too. That's even less common in YA novels, I think. :)

Yeah, I feel like in YA novels parents are either 100% supportive perfect angels or else they're like 100% clueless and not very good parents. Whereas Mrs. Bale is a supportive parent, clearly a good mom - especially considering she's a single mom who's had to raise and support two kids entirely on her own - but we see flaws like in her instinct to pick up and move and run away whenever there's trouble and her avoidance of Bad Things (like honestly Finnley where do you think you get it).



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