Tw: animal death, child death (metaphorical)
When I was ten years old my cat was run over by a car.
It was one of those perfect summer days where it’s hot enough to swim, but not hot enough to be overpowering. I had invited a couple of friends over for a small pool party, and we were trying to capsize the float my friend Cady was holding onto for dear life. We had just successfully dumped her into the water when my mother came into the backyard to tell me my cat was dead.
When I learned the news, my first reaction was to burst into tears. But the truth was, on some level, I was almost glad she had died, the prospect of adopting a new pet was too enticing. Sure enough, my mother took me to Pet Smart a few days later.
My cat was immediately replaced, and after a few years she was nothing but a distant memory. All the little details about her, the black spot on her nose, the five toes instead of four on her right paw, were nearly lost to time. They only came back to me when I looked through the photo albums that lined the shelves in my mother’s bedroom.
Even when she was alive, I thought my cat was too skittish, too distrustful of humans, too prone to hiss at our guests. However, every now and then I feel a pang of sadness when I remember how little time she was given.
***
In September of the ninth grade, a dead cat was the least of my concerns. I was struggling with a problem that had become hard to ignore. Puberty had brought already existing thoughts from the back of my mind to the front and center. As a child, I considered myself a tomboy, but I was coming to the realization that it was much more than that.
My feminine features were painfully apparent to me and tormented me whenever I looked in the mirror. My name made me cringe whenever I heard it, my voice seemed whiny and childish, my shoulders were too small, my hips too big- I felt like I was trapped in someone else’s body- as cliche as that sounds.
These feelings certainly weren’t something I wanted to focus on when I was going into my first year of high school. I was more concerned about the amount of homework I was going to get and the prospect of auditioning for the school musical during the second week of school. I hoped the week of theater camp I attended would pay off.
The school had decided to perform ‘Annie’, which had been one of my favorite childhood movies. When I was a little girl, I wanted to be just like the title character, and even dressed as her for Halloween one year. In fact, ‘Annie Jr’ was the first musical I had ever participated in, back when I was in the fourth grade, and I was devastated to be cast as an ensemble member.
I could reasonably be typecast as Annie, I was fairly youthful looking, as well as embarrassingly short. I had even played a few minor leads at the middle school, and had proven myself to be a good actor and cast member. The problem was, in my current state, I was not about to play a girl in front of a live audience.
The role I really had my eye on was Rooster, one of the show’s few important male roles, Miss Hannigan’s brother. I flipped between the audition tracks of Tomorrow and Easy Street, knowing which song would get me the lead and which I was inevitably going to sing.
I talked to some fellow actors, a girl named Emma who was enthusiastic about all forms of drama, my friend Isabella who I met in the 8th grade play, and both suggested I go with the song I’d rather sing.
I appreciated the feedback, even if it wasn’t the reality check I needed, even if I knew they were wrong. Deep down, I felt I was betraying my younger self, my inner theater kid. A few years ago I wouldn’t even have considered such idiotic self-sabotage.
***
In the end, I auditioned for Rooster, like I knew I would, got a minor male role, like I knew I would. Only one or two lines, certainly a demotion from my previous thirty-one. I knew the song was too low for me, I knew I didn’t fit the part at all, and yet I did it anyway. It was one of those decisions you knew you were going to make, no matter how doomed it was.
***
This wasn’t the first stupid decision caused by the uninvited thoughts that inhabited my brain. I was no stranger to decisions you knew were dumb all along but wanted to work out so badly you didn’t care. The spring of eighth grade was the time of the most impulsive decision of my life.
Nick Briggs was a lanky ninth grader- I guess he’d be in the tenth grade now- with shaggy brown hair, tinted faintly green from being dyed previously. We became friends around the same time I was Matilda Cartwright in Guys and Dolls, and I was delighted when he showed up to the final performance on Sunday. As with many of my male friends throughout the years, I idolized him to the point that I was completely infatuated.
Nick told me during math class he was going to the show, and on that very same day at 3 AM I decided to ask him out. I texted my friend Isabella to make it official, and when I woke up in the morning I knew I’d have to go through with it.
I deluded myself over those next few days into believing my feelings were reciprocated. Every conversation during class, every text about our favorite shows, was re-read and re-remembered until it became solid evidence of the feeling being mutual. Despite this, I wasn’t at all surprised when he turned me down and never spoke to me again.
***
In reality, I have no idea if I would have gotten Annie or not, even if I had decided to audition with ‘Tomorrow.’ The girl who got the role wasn’t extraordinary, so the casting panel could have chosen me over her. Maybe at the beginning of the show, I thought about these might-have-beens, but by the end, I was preparing to audition for another male role in my next play.
***
The night after the cast list came out, I had a strange dream. I was sitting on a bench at the edge of a wide ravine surrounded by a brick wall. There was a young girl standing precariously at the wall’s edge, throwing rocks, foolishly hoping to see a splash in the river far below.
She looked so familiar that I climbed onto the wall next to her and asked her for her name. As soon as she looked back at me I knew the question was unnecessary. Hazel eyes, black hair in pigtails, flower print dress, she was undoubtedly my younger self.
A mixture of disgust and anger filled my dream self, and without thinking, I pushed her off the wall, into the deep ravine, undoubtedly to her death. I turned away before she hit the ground.
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mirrors the details pointed out in the cat, which honestly brings the story full circle at the conclusion of death and change.Hey Milesperhour! Here is the
long awaitedreview of your work The Murder of Josie Abbot in honor of Review Month!The first segment of the story is almost reminiscent of Edgar Allen Poe's story The Black Cat where the narrator's cat gets killed and it kind of acts as the first domino to fall in a grand scheme of things that are haunting. I love the short details of the cat, because it shows that even though the narrator didn't truly have a connection with the pet, there is still sympathy and sadness there, even as they recall the events.
The story beginning with the death of an animal is soon followed up, and perhaps even overshadowed, by a character struggling with their identity and makes these decisions that lead to the "death" of an old identity. I really like these parallels, but that you chose for that cat story to be the first sign of change and death in this characters life. I think this motif is very well written in this story and acts as a foundation for the rest of it. It's a powerful beginning that follows up with a powerful story.
The pacing and wording of this story was easy to digest, but not at all simple, as it feels very personal to the narrator as the reader is allowed in to their thoughts and decisions. It felt very personal, which made the emotion of this story all the more impactful. The finishing details of the girl
Overall, this was a wonderful story using powerful metaphors, nice imagery, and such personal, raw, narration throughout the work. I would love to see more of the emotional narration throughout this piece! I look forward to reading more work from you. Keep writing and God bless.
tysm for your review!!
Hey there again MPH!! I noticed this has been in the Green Room for a while, so I’m going to get it out of there for you today :D
This is AMAZING, by the way. I have no idea if it’s completely, partially, or not at all fictional, but whatever you’ve done has made it so incredibly powerful to me!!
The beginning seemed like a distraction at first--fluff, with little meaning. But as I journeyed through, I noticed the little bits that connected to the dramatic ending. And on a second read, it’s even more poignant. You’ve connected all these little pieces to the remaking of a person, to discovery and this eventual “murder” of a past self. It’s so poetic, and the way you’ve executed it leaves nothing to be desired. It’s simply amazing.
The way you’ve written this (the tone or voice) makes it seem like a snapshot into a teenager’s life. The narrator lives a normal life, with friends and hobbies that come and go--they’re not extraordinary or magical. This kind of fiction is always really interesting to me, how people’s stories can be told even if they’re not “exceptional” by normal standards.
The only small critique I had was that the section about Nick seemed like a digression. Although it was interesting to see how the narrator reacted to that situation, it took away from the main story a little bit. I’d probably cut that out to make it more streamlined and get your amazing ending to pack even more of a punch.
You’ve explored the narrator’s sense of self so deeply and poignantly that I feel like I’m going through this with them. After I finished my first read, I found myself simply thinking “Wow. Wow, that was…just wow.” Yup, no-thoughts-head-empty for chem over here.
Overall, I truly enjoyed reading this, MPH!! Please keep writing, because I will keep reading.
<3, chem
Thank you so much for your review!!!
I really appreciate you reading so much of my work!
I probably should cut the Nick Briggs thing, but I'm sort of attached to it lol.
This is a good story. I like your usage of a specific incident in this characters life as a vehicle to discuss a larger theme (in this case the character discovering that they're trans). This story feels like it could be a chapter in a memoir or part of a larger work like a novel. Specifically, you use of descriptions is nice. You convey your point and enought imagery that I can form a mental picture without bogging down the story. "It was one of those perfect summer days where it’s hot enough to swim, but not hot enough to be overpowering," you wrote. I can instantly picture the day you're describing, but still have enough leeway to fill in details on my own.

Thank you so much for using active instead of passive voice! You won't believe how many younger writers are fans of bogging down the story with passive voice and an onslaught of adverbs, both of which you have successfully avoided. It's a relief to not have to read about your character gracefully auditioning followed by quickly exiting the stage to rush exicitedly to the cast list (do you see my point about adverbs?). Please continue avoiding both these things in all future writing endevors.
I also think your choice of subject matter is good for this story. This will be very subjective depending on who reads it, but it's nice to read a story with a trans character that focuses on other aspects of their life beyound just being trans while still addressing how being trans intersect and influences other aspects of their life (does that make sense?). There's a need for more diverse stories that reflect the wide range of experiences Queer individuals have, and I hope you keep writing stories like this. Maybe consider turing this into a novel or a larger body of work. You're talented and I could easliy see the right magazine publishing this piece.
As for some things to improve on, the ending section feels a bit abrupt and disconnected from the rest of the story. Carrying this thread through and hinting at the ending sooner, would help remendy this. A bit more description, particularly about the main character's emotions would help this piece. You briefly hint at the character's disappointment and delight, but expanding on how the character felt beyound typical emotion descriptors would add more tension to the story and strengthen your writing overall ("she felt like she swallowed the sun", instead of "she was overjoyed," for example).
I'm excited to read more of your work in the future and good luck with your writing!
Thank you so much for your review and feedback!

I%u2019m actually planning to make a short story collection with a bunch of stories like this
Thank you so much for your review and feedback!

I%u2019m actually planning to make a short story collection with a bunch of stories like this