Cover art for Silent Moment In A Theater

Silent Moment In A Theater

by Milesperhour133

Published June 2, 2025

E - Everyone

In I don't like these anymore

Opening night- I walk into the theater, hair kept out of my eyes with excessive product. I’m wearing dramatic stage makeup- rosy cheeks and thick eyebrows- is it too much? I carry a black backpack with jazz shoes, snacks, undergarments, costume pieces from home, and a script. The script has meticulous notes- enter stage right, cross stage left, say this line just like how the broadway actor said it, or maybe a fresh new delivery to surprise those familiar with the show.

I grab my mic, number three, and a roll of mic tape. Mic check is in thirty, I have plenty of time- I walk down the aisle past the empty seats. I stand at the stairs that lead up to the stage, and suddenly it’s like I am in a trance.

I look up the stairs to the center of the stage, the neon yellow markers seem to guide my eye to the very middle. The set is arranged in its beginning formation: the two elevated half-circles are pushed up against each other, forming a circle shaped platform. On it sits a smaller set piece of the same shape and color- simplistic but effective. The whole stage is illuminated from above with blue and purple lights.

Soon the audience will bustle in, a herd of children waiting to see me and my castmates. Actors will be dancing around the stage, not so much expertly as earnestly, forgetting a move or two. There will be frantic reading of lines backstage, and certainly some muddling of lines onstage. There will be drama and heartbreak, retold one hundred times over by gossip-loving theater kids.

But right now, there is nothing to break the refreshing silence that fills the theater. I walk up the stairs, and look out at the empty audience. It feels like something out of a movie musical, like everyone else is frozen in time and I’m about to break into song.

I indulge this odd notion. I walk backstage, slowly and contemplatively, my hand skimming across the prop table. It’s lined with a motley assortment of props, anything the show might need- ribbons and magic wands, baskets of plastic fish, bread rolls made of foam, brochures for imaginary places, beach balls, bags of styrofoam ice. Some of these props are brand new, some have been in so many shows with me they may as well be old friends.

My eye darts to the corner of the table. A glass paperweight. I pick it up, it’s heavy considering its small size. Inside is a piece of coral, almost perfectly preserved. Definitely the same prop from a few shows back. A relic from the past.

I remember forgetting to bring the paperweight onstage during a vital scene, and feeling very silly up on the stage talking about a non-existent object that I pretended to hold in my hand. I remember apologizing profusely to the other actors in a whisper backstage, but laughing despite my embarrassment because it was closing night and there was nothing to be done.

Then I remember someone tossing the paperweight up in the air and catching it and throwing it back up again. She grins with dumb confidence as she throws the fragile object into the air over and over again and catches it every time. She wears a red sash to differentiate her from the ensemble members, it seems to glow faintly in the dim lights.

I slam the paperweight forcefully on the table, and the visions subside. Small cracks begin to form in the glass, and I run downstairs before anyone notices.

Down the stairs is the dressing room area, I step around the piles of clothing set aside for quick changes. Each pile suggests a hurried frenzy as friends help the quick changer, usually a very young ensemble member, switch shoes and hats and dresses in only a couple minutes. As they panic, the actors who put those same costume pieces under their clothes will step around them with quiet disdain. The kinder ones will suggest this option to the quick changers after the show.

There’s a mirror in the dressing room hallway for actors to look over the costume they’ve been given. Often they complain about the uncomfortable tights, or the ugly hat that won’t stop falling off. But when they get to see photos of themselves after the show or watch the recording of the performance, they often realize what an amazing job the costume crew really did.

It’s almost astonishing no friendly castmate has come to break me out of the trance. I start to half believe that maybe they actually are frozen or conveniently disappeared for my cinematic contemplations. I run my hand over the mirror. It’s so hot downstairs I’m almost tempted to press my face against the cold glass.

I look myself over in the mirror. My light brown, almost blonde hair is gelled back- pushing back my hairline by a mile. My hair’s a little bit too long, almost mullet-like, it’s probably about time to cut it. Too much blush, my eyebrows exaggerated, but it should look okay from the stage. Black t-shirt with some sort of ironic phrase on it, gray sweatpants, red and white shoes. I’m dressed informally, in traditional tech week fashion, but I don’t look half bad. It’s one of those rare moments where I feel as if I really look like a guy. I smile. The mirror smiles back at me.

“Justin? Mic check’s in like ten minutes! What the hell are you doing?”

It’s my friend Ava, her blonde hair tied back neatly in a ponytail. She is fully dressed in her townsperson costume, the skirt of her next outfit barely visible underneath- she’s one of the smart ones.

I keep staring at my reflection, not ready to let go of this moment just yet.

“Ava,” I say, “Be honest, do I look like a guy right now?” I point at the mirror, a nonsensical gesture- clearly she can see me without it.

Ava looks at my reflection in the mirror, “Yeah, I think so,” she says, “But to be honest, Justin, you always look like a guy.”

“Thank you,” I smile, and we walk towards the dressing room. The fact that I’m still using the girl’s one may suggest that Ava’s compliment may be dishonest.

“Hey, Ava?”

“Yeah?”

“You remember that girl I liked, a few shows back?”

“Oh yeah, your ‘good friend’ Riya?”

“You know I looked up what her name meant in that baby names book I have for naming characters?”

“Creep behavior.”

“Shut up. Anyway, turns out it means ‘singer.’ Isn’t that interesting?”

“Yeah, I guess that’s fitting. She had a decent voice, I’ll give you that.”

“Hey, Ava?”

“Yeah?”

“Do you ever feel like you’re in one of those movie musical scenes, you know where you’re walking around and singing dramatically and everyone’s in slow motion? And the lighting’s all dark like it is on the stage right now?”

“No. Not really.”

Comments & reviews · 3
User avatar
AntonioVidalZ
Review
AntonioVidalZ wrote a review Review · Jun 26, 2025

Hello Miles,
I love the cinematic feel to this read. The inner feeling of an actor. It makes me think of how we are always acting to an extent. Makes me feel like there is always a degree to self centered behavior to all of us. As if everyone is the main protagonist of the universe. The story itself seems to revolve inside the character's head, evident by the ending. As if the world centers around the protagonist. In a way it actually does and it brings a major theme on how we are all our own main character. I like this theme, intentional or not, because it shows how stories revolve every human experience. Without story, our worldviews would be stagnant, without purpose or meaning. As said before, our importance comes from within and without our own psyche, we are nothing. Maybe it's a further reading to a piece about stagefright but I feel like the theme is there nevertheless. Good read miles. I liked it.

tysm for your thoughts! i do think thats a very interesting interpretation!

User avatar
Messenger
Review
Messenger wrote a review Review · Jun 3, 2025

Hi there :) I know you've been around about a month, but welcome to YWS! When I review, I tend to just go in a chronological order and leave a few notes at the end about my overall thoughts.

Opening night- I walk into the theater, hair kept out of my eyes with excessive product. I’m wearing dramatic stage makeup- rosy cheeks and thick eyebrows- is it too much? I carry a black backpack with jazz shoes, snacks, undergarments, costume pieces from home, and a script. The script has meticulous notes- enter stage right, cross stage left, say this line just like how the broadway actor said it, or maybe a fresh new delivery to surprise those familiar with the show.


A few thoughts about this opening paragraph. The description of our main character felt a bit too tell-y, like we didn't need every detail told so straightforward. I feel that when Justin looks in the mirror it's a better avenue to show much of his appearance, and also would make that segment less redundant.
On the second half of this, I'm not sure if you mean that some lines have a note to say it exactly like Broadway, and other, different notes, say to make it his own, but it read like those notes were on the same lines, which is just confusing. That might be on me misreading it, but I'll note it anyway in case it's mentioned by others.

I look up the stairs to the center of the stage, the neon yellow markers seem to guide my eye to the very middle.

This comes up a few times, but I'll just use this sentence as an example. You use "eye" half a dozen times, but unless Justin is secretly missing an eye, I think using eyeline or eyes would read better. It seems odd to specify a singular eye.

walk up the stairs, and look out at the empty audience.

I think using empty auditorium would sound better than "empty audience", even if it's supposed to be more speculative.

I remember forgetting to bring the paperweight onstage during a vital scene, and feeling very silly up on the stage talking about a non-existent object

Being carefree about forgetting the prop feels like what an experienced theater kid would do, so I don't have a problem with that, but the "vital" then comes across as a bit heavy-handed since it doesn't seem to have actually caused a problem.

It’s so hot downstairs I’m almost tempted to press my face against the cold glass.

Seems like if there is a drastic temperature change from upstairs to downstairs, he would've noted it sooner. Coming at the tail end I think it loses some of the atmospheric tension it could create if we know this sooner.

Those were all my technical and personal thoughts. Take them with a grain of salt! Overall, I think you really hit the atmosphere well. It did feel like we were almost in an abandoned place, where once great things took place, and now the nostalgic atmosphere put Justin into an emotional trance. Even though I'm not a theater kid, I think the through-line works across way more than just the stage. It's like the feeling when you come back to your high school, or a childhood place and feel that heavy emotion.
I can't say that I really understood the point of the conversation at the end. Maybe that's the point, that it's just random musings of an off-kilter actor. But I suppose it did fit in with the rest of the story with Justin seeming to feel a bit distanced from the actual performing, and more enamored by everything surrounding it.
Hope this helps,
~Messy

Thank you sm for your feedback! I do think this story needed some serious editing lol

romanticchemist wrote a review Review · Jun 3, 2025

Image


Hey MPH!! Here to give you a review on this intriguing short story.
As a theatre kid, I definitely enjoyed this. Are you in theatre, or perhaps know someone who is? Because this is scarily accurate, XD Every bit of it feels like something I or one of my theatre friends have experienced in the past.
Plus, I love the look into a production--especially for those who might not be as familiar with the inner workings of theatre! Even the beliefs of the actors (costumes suck, but not when watching the recording! lol) are spot-on.
I will say, I wish you’d used some more varied sentence starters. At the moment, we’ve got a lot of sentences starting with “I”, and while that’s fine a few times, after a while it gets tiring to the reader. Especially in the first few paragraphs, where you’re describing what the narrator is wearing and carrying. That information could definitely be spread out across the piece, to make it feel a little less like info-dumping onto the reader.
However, I ADORE your depiction of the passion that goes into theatre!! You describe it so well that I can imagine actors dancing passionately while still missing a few steps.
I also think your characterization of Ava is amazing for the little time that we’ve known her! Right off the bat, you’ve given us a little bit of insight into how she prepares for a show, and maybe even that she’s a bit of a rule-follower. Good job on that!! The indirect characterization of Justin and Ava's friendship also stood out to me--I can tell they're good friends for sure :D
You could have used some more dialogue tags (she said, she whispered, she shouted, etc.) to help the reader picture Justin and Ava’s conversation a little better.
Overall, I definitely loved reading this!! As a theatre kid, it was reeeaaalllyyy accurate.
Keep writing!
<3, chem

Thank you so much for your review! I am a theater kid lol, and this was sort of meant to be a love letter to community theater!



You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose. You're on your own. And you know what you know. And YOU are the one who'll decide where to go...
— Dr. Seuss