I See You Invisible Man [Flash Fiction]

by LMJRayner

Published March 30, 2017

In Shorts

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The wine was rich and sharp to Doctor Zurlo’s palette, he wet his lips with the blood red drink and licked about his pointed moustache. He was sat in his study, a melancholy place despite the room’s attempts to feel warm and homely. It was in the ebbing of the architecture, that feeling of strangeness unfounded but still palpable. Doctor Zurlo liked it, he felt as if he was in a place of historical value, even though nothing remotely memorable ever happened in the study of Maras Manor.

“Heavenly,” he said, taking another sip of his mulberry wine. He savoured the taste and then went about his work. The typewriter in front of him was brand new, the lettered keytops were shined silver and even the platen knob had this dark sparkle to it. He enjoyed fiddling with it, making sure the paper sat nicely and that the knobs clicked with the right amount of pressure. It wasn’t until a few hours into the early morning that he started his work.

Chapter One:

A day to remember…

That’s how it started and by Doctor Zurlo’s standards it seemed rather fitting. After writing such a perfect beginning he felt the need for a break, his back had become rather stiff from the first few hours and it seemed beneficial to stand up and stretch it out.

He pondered through his library of books, most of which were medical journals, thousands of pages on the human anatomy and the various methods of healing the body. He picked up a small dust covered book, he blew away the cobwebs and flicked through the pages. It was a step by step guide on the importance of cleanliness when undergoing surgery, Doctor Zurlo had always felt it fascinating to read, the concept of microorganisms causing infection and the unproven fact that hospitals were more dangerous because of this, always made him chuckle. He would always harken back to his days in Africa, sewing up wounds with his bare hands, cauterising amputated limbs with the hot stove they had used the night before to cook their sausages.

But he could never linger long on those far past memories, although there were times of great triumph. Times when he looked across the endless desert and found himself looking back. These weren’t the moments that sizzled on the top of his hob of memories. He had seen something in that arid place, something that his scientific mind rejected as delusion. But he knew it was true. There was a figure, a figure without form or substance and yet it stood in the same searing sand as he. The Invisible Man.

As Doctor Zurlo closed the book resting in his palms, a pulse of air brushed past his shoulder. He turned towards the window expecting the curtains to be fluttering as they were one to do but they were still and the window was shut. He rubbed his forearms and sat back down at his desk. He poured a second glass of wine and swilled it as he surveyed the room.

“You didn’t follow me, did you?” he said, idle of expression. He sipped the mulberry and then continued on with his novel. His plan was to capture his glorious successes in wistful prose, to freeze in bountiful words that distant continent. He rested his fingertips on the keytops and closed his eyes. He had written many books before, scientific essays for the most part, but they were published just the same. That wasn’t what troubled his aging fingers, it was having to remember it all, to rip back the curtain that he had hung and look boldly at those darkened nights. Those nights that are better left forgot.

A book fell off the shelf and shattered his concentration. He huffed and checked the window once more before picking up the stubborn wrapping. It had a hard blue jacket, stained leather with a string of red silk to guide the pages. He didn’t need to read the title to understand the message that hid inside its pages. The corners were worn and several of the pages had been thumbed down at the top edge. The Mind and Morality. He squeezed it shut until his knuckles simmered white.

“I see you, I know what you’re trying to do and it’s not going to work,” Doctor Zurlo said, his moustache seemed to straighten and he furled his eyebrows. By the feel of his bare arms you would have been right to think that the room was suddenly drenched in a wave of cold. But it wasn’t, in fact, it was far warmer than it should have been. Doctor Zurlo looked between each corner of the room and looked for him. That figure he saw so many years ago in the sand. That wandering man that walked alongside him, lurked in the bright light of the sun and left open his soul for that soldier to look upon.

He sat, slumped, back into his desk chair. He pulled it so his knees were tightly wedged beneath the flat of the counter. He, regretfully, cracked his knuckles and then wiggled the tips of his fingers.

“I’ll show you,” he said, tapping furiously without thought on his typewriter. The ink whipped onto the page and words begot sentences begot paragraphs. His mind was freed and shackled at the same time, he had been overwhelmed by the opening of his thoughts. They unfurled onto the parchment, raw and unedited. He typed into the night and then into the second. His fingers were strained but he typed through the pain. His eyes were reddened and his lips dried and scabbed. No one disturbed him. No one dared to.

It wasn’t until the third night that he sat back from his tirade of jumbled words and gave a moment to reading them properly. He twisted the parchment free and held it beneath the long necked lamp on his desk.

I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man, I see you invisible man…

Each ream of paper he had set to the side of his typewriter had been marked the same. The same phrase repeated over and over. He rubbed his thumb against his forefinger and noticed he had worked them bloody. The edges of the parchment printed with his mottled fingertips.

“Have I gone mad?” he whispered, his trance broken and now he sat slouched, dazed and exhausted.

“What has brought me so close to this absurdity? My folly is not my own, it can’t be, I’m…I’m not that man. That is not who I am.”

“Are you sure?”

Comments & reviews · 3
User avatar
LilyRose Review
LilyRose wrote a review Review · May 4, 2017

I am reviewing this more as someone who is well read as opposed to someone who is well practised at writing. This is beautiful, I found it generally very easy to read and picture the setting in my head. You very successfully created a flash fiction peice, a feet that can be very hard when attempting to tell a story. If anything I would've enjoyed a bit more imagery and a bit more insite into the Doctors characater.
I thought the room could've been descibed in more depth, setting the scene, possibly using the Doctors surrounding to create the mood though I did scence that a bit from your description. Bear in mind that this is just my opinion, ther is not hard and fast rule about description as it really depends on the style of the writing I just find readers find peices more appealing and charming if there is more desciption, they will look back on a peice and think, "How beautiful." But again this entirely my opinion and don't feel as though I feel you have to do this, your peice is beautiful anyway.
As I also mentioned, the doctors character, I had no opinion of or attachment to him until the very end but even then I was still confused as to where he was coming from. Possibly some thoughts to follow actions just to show how he thinks so we can understand him more clearly, as the peice is mainly about him.
Finally, my flow of reading was caught at the following, 'He was sat in his study, a melancholy place despite the room’s attempts to feel warm and homely.' This could've just been lack of imagination, but I couldn't really use this towards my picturing the room as I did'nt understand what attempts were their to feel warm and homely. Possibly here you could've told us what attempts scattered around the room, possibly because the doctor wanted comfort, giving us more on his character.
But, as I said at the beggining, this peice is beautiful and don't take this literally, just keep my comments in mind when revising it, if you do, and writing other peices.
Lily Rose x

Thanks for reviewing, you've got some really good point about description, especially regarding the warm and homely feel section. It's hard to keep the piece under 1,500 words and also provide as much detail as I want. That's the trick I guess. I'll definitely work on finding that perfect balance between plot, character and description.

Thanks!

Liam

Yea I totally understand, I had to write a piece under 1000 words and the reviews I got were so hard to follow to keep in the word count, it is a great peice though so maybe just carry it foward into future peice's you write.

User avatar
Sujana
Review
Sujana wrote a review Review · Apr 1, 2017

LMJ summed up a good part of my problems with this work, but I will say that it's not that bad of a problem. While I did enjoy it for the most part, without much of the context that a story like this needs, it feels a little hollow and uses the 'oh boy the main character is crazy' line to an absurd degree. Prose-wise, everything's alright, but it's the fundamentals that's lacking.

Some points:

What's up with the opening lines?

Alright, I think I need to explain.

The wine was rich and sharp to Doctor Zurlo’s palette, he wet his lips with the blood red drink and licked about his pointed moustache. He was sat in his study, a melancholy place despite the room’s attempts to feel warm and homely. It was in the ebbing of the architecture, that feeling of strangeness unfounded but still palpable. Doctor Zurlo liked it, he felt as if he was in a place of historical value, even though nothing remotely memorable ever happened in the study of Maras Manor.


So the narrator describes the entire place, which is a good start, but at the same time it's written like it's partly from Zurlo's perspective (the narrator is sharing Zurlo's thoughts). That in itself isn't wrong, but the problem comes when Maras Manor sounds...off. Like Zurlo doesn't really live in Maras Manor, he just rented it for the weekend or something. This is clearly not the case, unless it is, but it still feels like we're reading from the perspective of someone who just killed a millionaire and stole his house. What was the point of this line? To weird us out for the upcoming story? To give a sense of exoticism throughout the whole story? Well, it succeeds a bit on the former, I'm not sure about the latter. However, it's not scary as much as it's just questionable. If you wanted to press that Zurlo feels paranoid, you shouldn't have him sipping mulberry and acting all calm--if you're going to write about someone whose gradually going crazy, go all out. He's hearing voices behind his walls. His hands are trembling and the mulberry isn't calming him down. He's wasted his whole cabinet of liquor. I understand you want to keep it short, but it feels sudden; one minute this man is just writing the beginning of his novel, the next all because a book fell from his shelf he goes crazy for three straight nights.

Who even is Doctor Zurlo?

So this was briefly touched upon in the other review, but I'd still like expansion of it. We can tell that he's a doctor turned writer of some sort, and he once had visited Africa, which is very interesting. I would've preferred, however, if you elaborated a bit on how he even got to Africa, what he was doing there, how'd he get to the mansion, what he specializes in, etc.. I have this feeling that he retired from the medical world into the authorship world because he wanted to avoid the stress, but I'm only going by small details. It would really help to see the big picture.

Who exactly does the Invisible Man do?

Okay, so I know that less is more when it comes to horror, and it's scarier to have something looming in the distance instead of describing him in clear detail, but this guy only appears for like a quarter of the story and then is just there. I would've liked for his presence to be more overwhelming and a little more effective than just "oh the book dropped spoopy," I would've like to see him truly driving this person insane, messing with him, making other people think he's crazy, whispering things into his ear at night, that sort of thing. But that's just me.

Anyway. Hope this helped, at least a bit.

--Elliot.

User avatar
Atticus
Review
Atticus wrote a review Review · Mar 31, 2017

Hey there LMJ,

This was a beautifully written piece of flash fiction. It was a little on the longer side for Flash Fiction, though, because it totalled about 1100 words. There was a lot of beautifully written sentences, especially your description of when Zurlo was beginning to type his story. The emotions were very believable, even though some of the circumstances were unclear. The beginning paragraphs had a lot of little grammar nitpicks I noticed, mostly incorrect usage of commas and run-on sentences. Looking through the story again, I think you'd notice the problem areas I saw.

A couple of things I would suggest would be a little more description of the circumstances. We know very little about where Zurlo is, and why he is there. Some of that info would help us to understand a little more why Zurlo is going mad. It's implied that he's alone there, and that he has been alone for quite some time.

Great job with the struggle between Zurlo- the 'invisible man' inside of him who is fighting against his sanity, in a way. One thing that remains unclear in that conflict is a real sense of the 'invisible man' as the antagonist- he lacks that feeling of dark, eerie evil fighting against Zurlo's good intention. Zurlo is clearly the protagonist, but he too lacks some qualities that make him the protagonist- we never really get a clear reading of his motives or what he intends to do with his research.

Continuing with the issue of unclear protagonists/antagonists, those aren't necessarily completely required, especially with flash fiction. It's just helpful for the reader to feel compelled to root for one side. It draws the reader into the story more when there is a clear force of good combatting a clear force of evil. Describing the evilness of one character and the goodness of another character can also be a good window for solid descriptive writing, which also pulls readers into the story. One struggle of writers is keeping the reader engaged, and I'll admit I struggle with that too. It's so important because not only do you want the reader to be engaged so they'll read the whole way through, but you will need to feel like you want to continue this story, especially with novels. It's easy to give up on a good idea because your characters didn't compel you enough. You didn't feel motivated enough to help these characters continue the story. That's just a little tidbit in case you ever wanted to write a novel, and kinda a tangent off of my original point.

Anyways, great job with this! Hope my suggestions helped in at least one way or another!

Best wishes,
MJ



It takes as much imagination to create debt as to create income.
— Leandro Orr