I stared at the door, apprehensive. Pop music, lined with crackles from a volume knob cranked too loud, pulsed from the wooden barrier. I preferred instrumentals, especially ones filled with violins.
Oh, that boy…?
My hand moved without my permission and the doorbell rang. There was no immediate swinging of the door, no smile to usher me in. Thoughts of rejection dripped into my mind and I cleansed that immediately with a frown that splintered my icy skin. The music was loud. It must have been lost in that snare drum roll.
A young couple stumble onto the porch and their laughter dies away as they see me. It is out of courtesy, but my heart hangs low. I know I am not weirdly dressed, for I made sure to keep my color pallet blue and black, and I only wear a heavy coat for the night temperature. I try to smile. The two glance at each other. Perhaps the corners of my mouth extended instead of curling up.
No, he’s not rude nor impolite; quite the opposite really… but…
The lady digs through her purse for something. As one hand keeps the bag open, I see that her nails are pink and long. I struggle to keep the disapproval off my face, instead focusing on her features. They are free of makeup. Good.
A jingle brings back my attention and I see that she has pulled out a lanyard, illuminated by the porch light. Little sleigh bells clink together and a key juts out. She mutters an apology and steps forwards. I move aside and watch her click the door open. They are not related to me and my family, as I would have seen them before if they were, but she has the key. I do not.
Really out of place, right? Wonder why he still comes.
A wave of heat and noise roll over me as I walk in behind them and my fist, still in my coat pocket, clenches around the paper. It contains elegant cursive script, hand-written with care. My palm feels sweaty and I convince myself it’s from the cramped room. I recount the first sentence of the letter. “We extend our invitation to you in hopes that you will join us in celebrating the Christmas spirit.” It is polite and effective. It is simple yet thought out. It is clean and robotic. It is the writing of a stranger to a stranger. Is that who I am?
A woman, middle-aged but with the exuberant demeanor of a teenager, strolls over. Her attitude is too bright, even for this living room turned dance floor. She grins at me, patting my cheek and saying how I’ve grown.
That is a lie. I have not gotten any taller since summer break, but I thank her anyways. Either her mouth, slathered with too much lipstick, speaks with the same level of artificiality as its cover, or she does not remember how I was before. I let her take my hand and lead me through the crowd while strangers wave at her. She responds with great vigor, but I stare at the wooden floor, wondering what is buried underneath; what would it be like to melt and seep through those cracks into the earth, to bury myself in solitude and darkness. Suffocating was a small price to pay for silence. Not only was there too much music, whoever chose the playlist was either deaf or had just chosen the first songs they saw on YouTube’s recommended.
I don’t know why we still try. He clearly doesn’t care.
The woman –my aunt, I realize a little late with guilt—stops. She talks to two young men a bit older than me, but having infinitely times more fun, if their flushed cheeks and lopsided grins are anything to go by. She gestures to me and says my name. I put on a smile and brush some hair aside in a rare act of self-consciousness. I hate that part of me, the longing to be accepted, because that is what pulls me here. The men are confused for a bit, having never seen me at any recent gatherings, but my name is only one syllable and generic. They remember it easily enough and file it away where it will surely be confused with the dozens of others with the same name.
My aunt must have realized something, because she walks to a table. It is covered with writing supplies and subsequently marker strokes. She slides a rectangle and a pen towards me with an expectant curve of the brow. Guests need to know your name, she explains, and taps the name sticker with the end of the pen.
I take it and obey, but my smile has fallen. I press the five blocky letters onto the paper, ignoring the slight slant, and stick it onto my chest. My layers of clothing feel useless as what the identification means shoots straight to my heart; no one else in the party has a name tag.
He stands out.
She leaves me and I am alone, like I always have been. Family acquaintances and distant relatives litter the floor, but I walk to a corner, next to the stairs, determined on staying there for the rest of the party. They have never been a part of my life, because I have never been a part of theirs. The out-of-place grandfather clock marks each passing second, and although the soft clucks are drowned out by the noise, a bridge of memories let the sound leap over the partygoers and safely tick in my mind. Five minutes have passed since I came here, and impatience is already making my teeth grit and fingers curl.
He’s not quite right, eh?
There was a window, half as tall as me and placed high enough to account for that, and the glowing moon amidst the landscape of blue and black would have been more beautiful if not for the overload of lights in this room. A pickup truck rolls down the empty street of bars and the small trinket shops that never seemed to be there for any reason except to complete the picture. I couldn’t make out the passengers of the vehicle, but I liked to think that it was one man on a late night drive and I wished that I could take his place. Hands on the driving wheel, at rest down the linear street, the only other forms of life being the rustling pine trees and ambitious caches of moss. The radio turned off and the speed slow to minimize the grumbling engine, with shoddy (and most importantly, empty,) restaurants all around. Crude and old-fashioned, but desirable.
Always left behind, that one.
I let my world become the one outside.
That’s where I am.
It’s where I am.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
The words are woven well, and there are a few sections that really made me nod in appreciation at how well they were written -- and how well they fit ("No one else had a name tag", relatives and acquaintances littering the floor). This is good, craftsmanship is important in any piece. What I cannot find a trace of, however, is the plot.
It does set the mood, the mood of The Depressed Teenager, quite well. After doing so, it rests on its laurels and goes nowhere. Mood alone makes not a reader turn the page, something has to be done with it. As ellmist mentioned, the piece is relatable -- I imagine it is relatable to anyone who has been a teenager (or, really, human) at some point in their lives. The stage is set, the lights prepared, the actors in high spirits... and right after the opening notes from the orchestra, the curtains are drawn. The show is ended before it even began. I am left to wonder what the point was.
There wasn't a whole lot wrong with this otherwise. The fact is, there are a million pieces out there chronicling the misadventures of The Depressed Teenager. It tends to take a little work to make one piece in a million stand out. This piece, like many of its kin (and its beleaguered protagonist), is not only too shy and introspective to take that first step to making something of itself, but it doesn't even seem to be aware that it's not one of a kind.
I write these words in hopes that the author reconsiders leaving the story at such a bland note, and the main character does something with themselves. Reads a book? Meets a girl? Meets a boy? Something, anything to shift it from its comfortable pool of sadness. I feel this undertaking would be worth it, because the lights really are mesmerizing, and the actors really are eager -- there is definite talent in these words. It just needs a few more steps to come into its own.
Your servant,
cC
Yoohoo, here for a reply. Reading your review, I might develop this narrator further- he was created for a tournament piece and I never expected to make him anything more, but if I can stop trying and getting my butt kicked on Shovel Knight then I'll definitely write some companion pieces to this. Thanks!
First, the compliments:
For one, I can relate with the protagonist. I like how you don't directly state his name, setting him as a 'stranger' to the audience as well as the people around him, distancing himself from the story. To me, this is a story of the longing to be alone and yet the need to be with others who aren't your own, the longing to be understood as an individual and yet the need to fit in with people who just aren't of the same feather. It's a fight between being a person and being a face in the crowd, and I can get down with that, that's a great message.
And I do like how the italicized words seem to mirror both the audience and the people's reactions towards the boy. How peculiar. How strange. A sore thumb, that one. And, as tempting as I know it is, the story doesn't stray from that topic. It stays where it is, and its great for that.
Now, the bad part:
I could not root for the protagonist one bit.
This is my problem with watching people in fiction getting bullied and abused in general; you don't make the protagonist any more interesting or special, you just make the people around him seem like jerks. At worst, you can do the exact opposite--you can make it seem the protagonist deserves to be treated the way he is and the people to rightly shun him.
This is a personal problem, but the sticking point for me came very early in the story. "As one hand keeps the bag open, I see that her nails are pink and long. I struggle to keep the disapproval off my face, instead focusing on her features. They are free of makeup. Good." Okay, I might've read that line wrong, but from what I've read the protagonist is silently disapproving a woman for wearing pink nails. And is glad that she does not wear makeup. Because natural beauty. Question, if that was the intent: what's the difference between him and the others? I mean, he's certainly not vocal about it, he can have his own opinions, but he's still judging the woman by her appearances and first impressions like most of the others. Sure, they could be different, but are they really?
Even if I do assume that that wasn't your intent, the protagonist just sort of had no flavor for me. He's just your average outcast, and let's be clear, unless you show that your outcast doesn't deserve to be one that does not automatically mean we should feel sorry for him.
So, overall; liked the idea, felt the protagonist could do a little bit more etching out. It's alright--it's an ordinary mistake in first person perspectives, even I do it at times. This is good, though if it can be better, why miss the opportunity?
Thanks for this review
I usually don't write first person, since I find it really hard to express a personality that way without making myself cringe, and it's good to know what I need to improve on. I'm also really bad at writing things with a word limit, since my ideas tend to stretch on until infinity (or something of the like) >_>
Anyways, yeah, thanks again. This is why I love this site so much.