12+

The Pink Portrait, Ch. Seven

Seven

I sit on the dock, letting my bare toes brush the chilled surface of the water. I hear the boards thump a little, but I don’t turn around to see who might be approaching. I safely assume that it is Chad.

The person stops and I hear shoes fall. No shoes, but I can still feel the approach. As the person enters my peripheral vision, I see that it is indeed Chad.

“Did Halli ask you to come and talk to me?” I ask, not taking my eyes off the distant tree-covered horizon.

“Uh, no, actually I volunteered,” my brother-in-law replies. “Do you wanna talk about what happened in there?”

“Not particularly.”

“Fine, then I guess you are going to have to endure my guesswork.”

Oh, crap, I say to myself as Chad sits down beside me. He summarizes everything that happened from when I walked into the restaurant with Ales right up to the moment that I saw Pauline. “Brunette, long legs, big brown doe eyes, Moonspell T-shirt, right? You see this girl and either you found her very beautiful or very terrifying. Either way, it made you want to burst out of the building as quickly as you could without looking back. Am I on the right track?”

“Impeccably,” I mutter. I think I can hear Chad’s excitement.

“So, was she terrifying or beautiful?”

“Am I allowed to say both?”

“How do you mean?”

I take a deep breath. “I find her extremely beautiful…and that is exactly what scares me.”

“Why?” asks Chad, dumbfounded. “You’re sister never gave me a real reason why you are so afraid of letting a little bit of romance into your life.”

“Well, that is something that you are not going to hear from her; it’s not her story to tell. Plus I am not ready to share my woes.” As I speak, I feel the chills of anxiety creeping through my skin like a nasty burn. Taking another deep, steady breath, I try to change the subject. “Now, talking about this girl, I don’t know how to approach her.”

“How come?” it’s really making nervous how conversational Chad is being. Not to mention the vote of encouragement that I hear under his tone. I answer in the only way I could,

“I did not exactly meet her in the most ideal of circumstances.”

“Hmm, a lot of big words there,” Chad teases. “Why wasn’t it the ‘most ideal of circumstances’?”

I think I feel my cheeks beginning to flush. “I saved her from getting raped. For crying out loud, I saw her without her clothes on before we even exchanged so much as names or handshakes!” I bury my face in my hands.

Chad just whistles. “Wow, that’s—that’s something. For how long?”

I moan as I lay down. “Long enough to know that she has very faint scar on the inside of her upper left thigh; my guess it was from a bicycle accident. I don’t know.”

“Be careful what you wish for, buddy,” Chad pats my knee affectionately.

I laugh in spite of myself. “Tell that to my fourteen-year-old self.”

“Mm, okay, do you have a time machine I can borrow?”

I lift my hands from my face and stare at my brother-in-law with a parted-lip frown. Sometimes I really want to punch that goofy grin right off of his face—even at the risk of Halli’s wrath.

“I’ll make you a deal.”

I prop myself up on my elbows. “Go on.”

“How about you go back in there and at least exchange names with this girl and I will let this conversation stay between us,” Chad says it so sinuously and so plainly that I want to smack him.

“Are you sure that is not an ultimatum?” I spit.

Chad shrugs. “It doesn’t have to be; then again your sister might be a little more forceful about getting you to interact with this girl.”

“Before or after she castrates me for touching a naked girl?”

“Well, assuming she hears the part where you saved her from a rapist, you wouldn’t even have to worry about losing your balls.”

How can he be so placid about this? I’m having a teenage crisis and I’m wishing that I would at least have been wearing a wedding ring when I saw a girl—preferably the woman I was wedded to—without so much as fancy lingerie on. Talk about life not going according to plan.

Wait. It’s all Ales’ fault! She made me go to that stupid end-of-summer party. I don’t have to be angry at fate; Ales is the one who should be feeling my infuriation.

I smile. “Okay, let’s go inside.”

“Good, I hope my chocolate cheesecake hasn’t gone to waste.” I watch half-amused as Chad hops to his feet and trots back inside.

“Does your appetite ever cease, brother-in-law?” I ask aloud but not loud enough for him to hear. I get up and I follow him. I step inside and my eyes immediately find my family’s table. I stop in mid-stride as I see that—to my discontentment—Pauline Marek has joined them. I turn around again, hoping to storm out for good. I yelp as I see the imposing figure of Ales’ mother, Cristina blocking the doorway.

Dove pensi tu sei andando?” she asks her hands on her hips.

“Anywhere but here,” I answer. I try to go around her, only to have her block my path again.

Non hai nemmeno prendere dessert,” she continues.

I know I haven’t had any dessert yet,” now we’re both communicating her native tongue.

So just stay and I’ll bring you your favorite,” Cristina raises an eyebrow temptingly. Peanut butter cream pie with a chocolate layer between the peanut butter and crust topped with ground peanuts and whipped cream. Yes, very tempting.

I rub small circles in my eyes as I try to bury my building frustration. “I love your dessert menu as well as all of your other menus that don’t involve alcoholic beverages.” It’s no use trying to hide anything from this woman, so I opt for the truth. “I just need to distance myself from that brunette that joined my table.

Cristina gazes over my shoulder for moment. She blinks. I know that blink. Crap, now I have sparked her interest. “How come?” she questions, still observing Pauline.

I…” I have lost. “I don’t know.”

“Well in that case, if you uomo sù and at least sit down with them, I will bring you dessert—on the house?” she tries, returning to English. She and my mother are the only people that manage to succeed in bribing me with food. Plus she walks off before I can protest, but not before she gives me an encouraging pat on the shoulder. I might as well seize the opportunity before another person offers me a deal.

I inhale and exhale slowly. Instinctively, I think to pop an Altoid in my mouth but they are in my satchel which is draped over the chair that I was sitting in. I count at least twenty seconds in between each time that Ales briefly glances at it. We have always been able to trust each other with our possessions.

I make one last decision to turn away, but before I do, my name is called.

“Kieran, so happy you could join us again!” sometimes I really want to punch my best friend.

I smile brightly. I hope she doesn’t see the annoyance I feel. I take a seat, even though it puts me next to Pauline, placing her in between Ales and I. Why am I so nervous? I’m not afraid of the opposite sex. I never was. Why am I so fearful of this girl?

“So, Pauline, this is my best friend, Kieran,” Ales introduces. If she didn’t make the introductions, they might never have happened.

“Kieran, this is Pauline.”

I try to speak, but my words stumble over each other. “I-I-I—nice to m-meet you.” Again. Officially. Oh, dear God, I thought my stammering days were behind me. I briefly glance at Ales and she furtively makes an inhale-exhale gesture, reminding me to just breathe and take my time.

I take comfort seeing that she is having as much difficult time finding words as I am. “I never had a chance to thank you for what happened last night,” her voice is as breathtaking as the rest of her.

I cock my head. “That’s all you had to intrude upon my family for? To thank me?” Ales’ eyes widen with anger. Pauline simply looks aghast.

“That and to give you this,” she reaches into her large purse and pulls something out, plopping it in my hands. It’s my sketchbook. “I didn’t steal it if that is what you are about to ask. After you stormed out of the room, I saw this fall out of your satchel. You can understand why I didn’t immediately run to give it back to you.” I think the silence that passes between us takes a turn for the awkward—for her perhaps, but my hands shake with anger.

I do my best to not let what I have to say come out as a shout. “Well, you gave me my sketchbook, now you can leave.”

She scoffs and hastily gathers hers things and storms out the door.

“Ow!” I grab my ankle. Ales must have kicked me from under the table. She inclines her head. Before I can comment, my name is called.

“Kieran Telemachus Swann, what was that?” my mother demands.

I roll my eyes. “That was my sketchbook; she probably would have felt the same if I had her diary overnight.”

“Don’t make me come over there and slap you,” my mother hisses. “Walk away from this table. Right now.” I glower. “And don’t come back until you have spoken to that girl.”

“How will you know if we exchange kind words?” I ask rationally.

“Hug her, shake her hand, kiss her, smile…use your imagination.” She motions me to leave the table. The way she says “use your imagination” suggests to me that she might as well have added “that shouldn’t be so hard for you”.

I decide to get up before she, Ales, or Halli physically prompt me. I walk briskly out the door, hoping to catch Pauline before she left. I quickly scan the area and I see, to my horror that she is already leaving in some light tan Toyota Highlander. I hastily make a decision and I do not like what I come to. I firmly plant myself in the middle of the parking lot and try to look brave as Pauline comes towards me.

She comes to an abrupt stop less that a car-length away from me. I gaze into her brown eyes that are slightly shadowed by the windshield. She lifts her hands from the wheel and gestures to the side, prompting me to get out of the way. I stand firm. Glaring at me, she backs up and finds herself an empty parking space. A minute later she reappears and walks up to me.

Arms crossed and graceful as ever, she studies me.

“You’re crazy, you know that?” she says, not losing an ounce of the hardness in her face. “You threaten and beat the hell out of a quarterback twice your size with nothing but blackmail and a baton, you basically treat me like dirt when I try to thank you, you risk getting clobbered by an SUV—even if we are only in a parking lot—what next?”

“I-I-I’m sorry,” I say. “I—it’s just I saw you with my sketchbook and—” Pauline holds up her hand, which I take as a sign to quit talking.

“Save it,” she snaps placing her hand in front of her. “I just thought that I could do something nice for someone who did me, but I guess not.” She begins to return to her car, causing me to panic.

“Wait!” I shout after her. She doesn’t do anything. Oh, God, oh God, oh God, what am I supposed to say? “Um, how did you get that scar on your thigh?” please don’t let that be a lousy attempt. She stops. Does that mean it worked?

“Car accident,” she responds softly without turning around. “They had to take a huge shard of glass out of my thigh. I was nine.”

I would ask if anyone else was hurt, but I don’t think that it would be the best idea at the moment. “My dad was in a car accident before I was born,” I wonder if this means we have some sort of connection. “He died before he made it to the hospital.”

“How are you coping?” she asks, still not facing me.

“I don’t know; I never knew him,” I answer. “Though, I do think that my mom and sister still miss him sometimes.”

She turns around, slowly. “I’m sorry.”

I shrug. I try moving on to a different topic. “How are you coping? With what happened last night?”

If the question caught her off-guard, she tries not to show it. “I’d be lying if I didn’t say that I was torn up about it. I guess I have you to thank for not letting things get any worse.”

I smile. “In case you were wondering, the fact that you had no clothes on had very little to do with my running off so quickly.”

Pauline raises an eyebrow. “No?”

I blush. Why didn’t I know that she was going to ask something somewhere along those lines? I stammer. “It’s personal; but don’t worry you’re not a bore to the eye.”

Pauline laughs, making me feel worse. “Do you know how to talk to girls?”

My face hardens and I roll my eyes. “I hate questions like that; it’s generalization at its most hideous. It’s like me asking you if you know how to talk to boys. I know how to talk to women, that doesn’t mean that I know how to talk to you.”

“That last sentence doesn’t make any sense,” Pauline frowns.

We start walking and I try to clarify. “What I mean is that I generally know how to speak to women. I can speak to a woman who wants a wedding dress or some other kind of formal dress made for her. I can even socialize with women without struggle. I know how to speak to my mother, my sister, Ales Neri and her mother. But for some reason, with you my mind goes blank in terms of finding the right words.”

To my surprise, Pauline smiles. Oh God, why does that smile have to be so captivating? “If it helps, I think that it is a stupid assumption too.” I cock my head at her as we walk. “Some girls like a softer approach, some like an aggressive approach, some crave being swept off their feet right on the spot…all girls are different.”

It’s my turn to smile. “Guys are the same way; though at our age I think it is safe to say that a number of them prefer sexual intimacy before conversations or introductions.” We laugh. “Out of curiosity, what kind of approach do you like?”

Pauline’s eyes wander as she considers her answer. “I like an honest approach.” When she sees my face, she continues. “I like a guy to be himself when he approaches me.”

“Was I too elaborate?” I ask, raising an eyebrow.

“No, but you don’t have to be so overly formal,” she reassures. “But you don’t have to feel bad about it,” she adds quickly, seeing a flash of guilt pass my face. “Just sounds like it’s something that you struggle with.”

I smile. “You are literally the eleventh person in my entire life who has noticed that without making it something to tease me about.”

Pauline shrugs. “Hey, we all have challenges, don’t we?” I see a brief look of pain.

Tentatively, I place a hand on her shoulder. “You’re still pretty torn up about this, aren’t you?”

She nods slightly, then, to my surprise, she chuckles. “You know when I dreamed of losing my virginity, there was no duct tape, rape, or guys coming to my rescue with a baton.”

I let out an amused sigh, more out of my own embarrassment than anything else. “When I pictured meeting a gorgeous young woman, there was no nudity involved.”

Pauline whips around, knocking my hand off of her shoulder. “‘Gorgeous’?”

Great, now I am truly embarrassed. She laughs and starts walking again. I feel so pathetic as I hurry up to walk alongside her. “Why is it so much easier to compliment people when you actually know them?” I ask more to myself than to her.

“That’s a very good question,” answers Pauline. “Maybe it’s just that with a person you know, you know how they will react, or maybe you’re just subconsciously more comfortable saying what you want to say to that person.”

This girl continues to astonish me. Obviously, she is just as clueless as me regarding certain matters, but she does make an effort to use her head. Like me.

For the first time in a while, I actually feel that I am having a nice conversation with someone outside of my tight-knit circle of who I hang out with. Since coming home from Norway, it has been Ales, my mother, her mother and father, Cherise when she is off-duty…that’s about it. There was never anyone else.

“So, what did you picture?” asks Pauline, as we turn around back to the restaurant.

“What?” I ask.

“When you pictured meeting a gorgeous girl,” she clarifies. And so she asks the question—or at least one of the questions that I have been dreading.

I stammer. “I-I-I—”

“Take your time,” Pauline soothes. I stare at her. I want to smile at how she seems to not view my speech impediment as a possible reason to antagonize me.

I take a deep breath before I speak again. “I pictured seeing a girl in an elegant Dior vintage dress—blue, green, red, black, grey, I don’t care—with her hair decorated with equal—if not more—elegance.”

“And what would happen after?” now I have sparked Pauline’s interest as a smile begins to build up in her lips.

I chuckle nervously. She doesn’t seem to be forcing any answers out of me, but at the same time, she does seem to enjoy hearing whatever I might say. “I really don’t know. I guess that’s the beauty of it.”

“You might get lucky one day.” We walk in silence for a while. I still don’t really have the right to say that I really know this girl, but I feel like I am getting to know her pretty well. We reach her car and she turns to me.

“I really have to be going now,” she says.

“When will I—” I blurt out.

“Time will tell.” Before she leaves she walks up to me and extends her hand. “It was nice to meet you—properly.”

I smile as I take her hand. “I think me standing in front a moving SUV robbed us of the word ‘proper’.” We share an awkward glance. Before I let go of her hand, something catches my eye—a faint scar running across three of her knuckles. I try to hide my stunned disbelief, but the scar seems vaguely familiar. How many scars does this girl have?

As she gets into her car, she stops and looks back at me. “By the way, your artwork unbelievable,” she leaves without another word, leaving me in stunned disbelief.

I eventually leave as well, thinking about when I am going to meet her again and about that scar. That scar was going to bother me for a while.

Comments & reviews · 2
Note: You are not logged in, but you can still leave a comment or review. Before it shows up, a moderator will need to approve your comment (this is only a safeguard against spambots). Leave your email if you would like to be notified when your message is approved.

User avatar
Gravity
Review
Gravity wrote a review · Fri Sep 04, 2015 2:47 am

Heya, Gravity here for a review!

So I have not read the rest of this novel but it's very interesting to me and I wanted to get it out of the greenroom. I thought this was very nicely written, I do have some things I wanted to bring up to fix potentially but I do think this is a great chapter.

I don't think your characters are right. I'm sorry, I could be wrong, but I have a lot of experience in this area. Every woman in my immediate family has been raped and yes, someone did try to take advantage of me as well. Thankfully, they weren't serious enough to actually "rape" me but they did try to force themselves on me. I wasn't even naked and it was traumatizing for me.

I don't think that a girl who was almost raped the night previously would be flirting with her rescuer the next day, especially if that person had seen her naked. This girl would be covering herself and she would be scared, maybe even blaming herself partially. I don't think she would've been just "a little shaken up" about it. When you're writing a novel that centers around something traumatizing like this, rape, assault, war, murder, etc. it's very important that you research the topic thoroughly and possibly even talk to someone who has experienced it for themselves if they are willing to share.

I also didn't think your male main character was a male at first. For whatever reason, I thought he was a female for a while. I think you need to try to profile your MC so that you can make his thoughts sound unique to him, and not only that, but to a guy. I thought the shyness was a bit forced with the stammering. When guys get shy, they don't normally show it that blatantly.

I'm sorry, I totally just ripped apart your characters. I don't want to be mean and please don't take this personally, I just felt that you need to characterize a bit more. I love your concept, you did a great job with that. The dialogue was well laid out very well and I thought it was funny about how the MC was bribed with food. You also did impeccably well technically, really no punctuation errors or spelling errors that I could see, you just need to work on making your characters deeper and more personal.

XOXO,
Gravity

Thank you for your comments and I please don't think that I would take your criticisms personally. You seem better at constructive criticism than some. There are some who are harsh just to be harsh. I get what you're saying about my characters. I understand your thoughts about my MC. You are not the first nor the last to be thrown off by his character.

I am sorry about your family. I have a friend who was raped as well and the company of her friends (myself included) really helped her power through her trauma. Everyone deals with trauma differently. Anyway, if you would like to read some more of this novel, I would love to hear your thoughts.

User avatar
Carlito
Review

Hello again! Same deal as last time :)

I sit on the dock, letting my bare toes brush the chilled surface of the water.

What dock?

I hear the boards thump a little, but I don’t turn around to see who might be approaching. It would most likely be one of four people—my mother, Ales, Halli, or Chad. Given the heavy footfalls, I safely assume that it is Chad.

The person stops and I hear shoes fall. No shoes, but I can still feel the approach. As the person enters my peripheral vision, I see that it is indeed Chad.


“Fine, then I guess you are going to have to endure my guesswork.”

Oh, crap, I say to myself as Chad sits down beside me. “So we’re all sitting around the table eating wonderful food and talking about whatnot and you tune out the way you do sometimes, which I totally understand.” I always appreciated how understanding Chad is of my introverted personality. “You gaze around, taking in the emotions and body language of the people around us, as I’ve seen you do on several occasions, and your eyes land on a newcomer. Brunette, long legs, big brown doe eyes, Moonspell T-shirt, right? You see this girl and either you found her very beautiful or very terrifying. Either way, it made you want to burst out of the building as quickly as you could without looking back. Am I on the right track?”

I wasn't a fan of this because this is information we already know because it just happened int he last chapter. We don't need Chad's interpretation of it. You could go with a simple "Does this have something to do with that girl the walked in? [Maybe a description of her]" (Prettier than that though) :)
And then if you change that you might have to alter some of the following dialogue.

I think I can smell Chad’s excitement.

What?

“Well, that is something that you are not going to hear from her; it’s not her story to tell. Plus I am not ready to share my woes.” I decide to shift gears. “Now, talking about this girl, I don’t know how to approach her.”

Good to know that there's some sort of back story involved with his anxiety about girls.
This transition is weird though. Maybe there's a pause or an action and then go right into "I don't know how to..."

“How come?” it’s really making my sense of guilt rise at how conversational Chad is being. Not to mention the vote of encouragement that I hear under his tone. I answer in the only way I could,

“I did not exactly meet her in the most ideal of circumstances.”

Why. Is. He. Guilty?
Awkwardly worded. Read it out loud. Also, "I answer..." should be a new paragraph and subsequent dialogue should be in the same paragraph.

“Hmm, a lot of big words there,” Chad teases. I’ve always had a habit of sounding a little precocious in my speech—not that I meant to; I have just always had an easy time incorporating new terms, or ways of speaking, into my speech. “Why wasn’t it the ‘most ideal of circumstances’?”


Chad just whistles. “Wow, that’s—that’s something. For how long?”

I moan as I lay down. “For most guys, seeing a girl without her clothes on is like a dream come true. And to answer your question, long enough to know that she has very faint scar on the inside of her upper left thigh. My guess it was from a bicycle accident. I don’t know.”

“Be careful what you wish for, buddy,” Chad pats my knee affectionately.

Why does it matter how long he saw her naked? This sounds a little voyeristic to me... (Also, Kieran was threatening to put a video of the guy on top of her on the internet, thus putting a video of her being naked on the internet... Why was that okay but him seeing her and accepting a hug that she initiated not okay?)
He was looking at her that closely to notice a scar on her upper thigh and develop a theory about it?
And Chad's last comment doesn't make sense to me.

I laugh in spite of myself. “Tell that to my fourteen-year-old self.”

What? I thought he was about to be a senior in high school?

“Mm, okay, do you have a DeLorean I can borrow?”

What? Problem solved, moving along to talking about expensive cars? This is a weird transition to me.

Chad shrugs. “I don’t know; maybe she just thinks I’m a great kisser.” He makes a single kissing motion with his lips. I elbow him. “I take it back; I can tell you why I married her, but you’re asking me what you should be asking your sister.” We sit in silence for a minute or two.

I'm not sure why this random tangent in the conversation is necessary. Cut from the DeLorean dialogue to here. "Tell that to my 14..." immediately followed by "I'll make you a deal."

I prop myself up on my elbows.

I thought he was sitting on a dock. How do you prop yourself up on your elbows when you're already sitting?

“Before or after she castrates me for touching a naked girl?”


...

How can he be so placid about this? I’m having a teenage crisis and I’m wishing that I would at least have been wearing a wedding ring when I saw a girl—preferably the woman I was wedded to—without so much as fancy lingerie on. Talk about life not going according to plan.[/quote]

Wait. It’s all Ales’ fault! She made me go to that stupid end-of-summer party. I don’t have to be angry at fate; Ales is the one who should be feeling my infuriation.

New paragraph at "wait". Also, if I remember correctly, he ended up deciding to go on his own (although she did really want him to). And "infuriation" is not a word.

“I know I haven’t had any dessert yet,” now we’re both communicating her native tongue.

Excellent. Love the use of italics to differentiate the Italian.

I rub small circles in my eyes as I try to bury my building frustration. “I love your dessert menu as well as all of your other menus that don’t involve alcoholic beverages.” It’s no use trying to hide anything from this Italian American, so I opt for the truth. “I just need to distance myself from that brunette that joined my table.”

Awkward dialogue. Also, I mentioned this in a previous chapter, but I'll say it again. We already know Ales and her mother are Italian American. You don't have to keep referring to them as that.

I try to speak, but my words stumble over each other. “I-I-I—nice to m-meet you.” Again. Officially. Oh, dear God, I thought my stammering days were behind me. I briefly glance at Ales and she furtively makes an inhale-exhale gesture, reminding me to just breathe and take my time.

Liked this. Good character development.

I cock my head. “That’s all you had to intrude upon my family for? To thank me?” Ales’ eyes widen with anger. Pauline simply looks aghast.

*palm/head* Tone? Why would he say that? Is this nerves?

but my hands shake with anger.

I do my best to not let what I have to say come out as a shout. “Well, you gave me my sketchbook, now you can leave.”

I'm. So. Confused. Why is he being so rude?! What did she ever do to him? Again, tone might be helpful here. And internal thoughts. He went from nervous to pissed off in 2 seconds? Really? What's his deal? I start to like him and then he pulls another jerk move like this with no warning or explanation...

I roll my eyes. “That was my sketchbook; she probably would have felt the same if I had her diary overnight.”

“Don’t make me come over there and slap you,” my mother hisses. “Walk away from this table. Right now.” I glower. “And don’t come back until you have spoken to that girl.”

Rolling my eyes at Kieran while also wanting to give the mom a giant high five :p

If my privileges, or even my body parts, weren’t on the line, I would remind her that my imagination usually ends up on paper, canvas, or in a woman’s wardrobe.

What? This is tangential. You don't need it.

I assume she realizes that I am standing my ground as she comes to an abrupt stop less that a car-length away from me. I gaze into her brown eyes that are slightly shadowed by the windshield. She lifts her hands from the wheel and gestures to the side, prompting me to get out of the way. I stand firm. Glaring at me, she backs up and finds herself an empty parking space. A minute later she reappears and walks up to me.

I'm surprised she doesn't run him over! :p

Is she observing me like an art critic? No two critics observe the exact same way and Pauline’s expression, while not terribly reminiscent of professionalism, is threatening to make me feel a little unsteady.

Awkward and a little tangential. Probably don't need.

“It’s okay; there are things that I have that I wouldn’t be okay with someone else seeing.” A moment of silence passes between us as I nod my understanding. Eventually, I choose to change the subject.

She forgives him just like that? He barely explains why he was so rude to her.

I smile. “In case you were wondering, the fact that you had no clothes on had very little to do with my running off so quickly.”

I just hit my forehead again. What a weird/awkward thing to say.

Pauline laughs, making me feel worse. “Do you know how to talk to girls?”

Thanks Pauline! :p

My face hardens and I roll my eyes. “I hate questions like that; it’s generalization at its most hideous. It’s like me asking you if you know how to talk to boys. I know how to talk to women, that doesn’t mean that I know how to talk to you.”

“That last sentence doesn’t make any sense,” Pauline frowns.

We start walking and I try to clarify. “What I mean is that I generally know how to speak to women. I can speak to a woman who wants a wedding dress or some other kind of formal dress made for her. I can even socialize with women without struggle. I know how to speak to my mother, my sister, Ales Neri and her mother. But for some reason, with you my mind goes blank in terms of finding the right words.”

His manner of speaking is so awkward and formal to me. Read this out loud and see if you think it sounds natural.

some like an aggressive approaching

I think you meant "approach"

Of course, for some that is hormones and wanting to get inside my panties before they even know my favorite color, but I don’t feel like they have to make an elaborate approach, especially if it means that they have to make a façade of themselves.”

I thought her dialogue was pretty natural until this. I don't know any high school girls that talk this way.

“Do you want to go swimming?” I ask.

He's just going to ditch his friends and family and go swimming? I thought he was trying to catch up with his sister and brother-in-law...

I don’t necessarily consider myself an outstanding swimmer, but I do feel a small prick on my pride seeing Pauline swim better than me.

They go from planning on swimming to actually swimming in two seconds.

“Fair enough,” she says. She checks her watch. “Oh, boy, I better get home before my Dad calls a searching party.” She gets up and gathers her clothes.

That was abrupt...


My two major overall comment/suggestions:
1. Read this out loud. I think it might help some of the awkward phrasing and the awkward dialogue to hear it out loud.
2. Start paying attention to how people speak. The dialogue just doesn't sound natural to me. Sit in the food court of the mall and listen to teenagers talk if you have to, but I think getting the dialogue down will really help the story.

I think the plot has promise and it's an interesting story with interesting layers (which is great! Sometimes getting the plot figured out is the hardest part!). I also think the big picture stuff is making more sense - hence why I've been focusing the sentence and paragraph level things. I think reading out loud could really help your writing overall, as well as lots of reading and trial by error :)

Let me know if you have any questions or if anything I said was confusing! I'd be happy to continue reading as you post more. Let me know if you want me to! :)



"While we may come from different places and speak in different tongues, our hearts beat as one."
— Albus Dumbledore