III
The rise and fall of my chest was its own melody in the grand concert of the universe. Beside me, an accompanying tune played in unison with mine. Together, we performed an air of a dream come true to the background of a primal, thundering chorus. Though our song would end, our music would continue forever.
After departing from Alexandria, Seth and I had granted ourselves an hour of respite on the jet before making the necessary arrangements to facilitate our exploit. He had handled the logistics, as usual, while I had focused on the details of our plan. We agreed that a helicopter was the only way to reach Victoria Falls after dark, since no bus or train would allow us to visit the attraction after night had fallen.
Upon landing in Zambia several hours later, we had booked into our hotel and visited the waterfall as soon as possible. Not only had it given me the freedom to express my wonder at the awesome sight as a regular tourist, but it had also allowed Seth and me to explore the area and inspect Livingstone Island for the most suitable area to land.
Our timing really was fortunate, as the light of the full moon made navigation infinitely easier than it would otherwise have been, even taking into account Seth’s impeccable skill in aviation. Landing without incident, we had quickly moved to the cliffside. Seth was anxious to have the final part of our plan be under way, but I had begged him to allow me to enjoy the vista. We’d spent almost two decades hunting the fountain, so surely one final delay wouldn’t hurt? Complaining about how he couldn’t bring himself to deny me anything, he’d relented.
And so I stood at the edge of the largest waterfall in the world and drank in the sound. The sight was certainly magnificent too, but I had imagined something akin to a ubiquitous spray filling the air, with a “moonbow” visible in the mist. Instead, the resounding white smoke was concentrated at the bottom of the gorge and hugged the other side of the chasm. I had observed every possible detail even so, for I wanted to etch the scene into my memory.
Once I was convinced I would never forget the stunning panorama, I had simply stepped back and closed my eyes. I let the Zambezi invade my senses until there was nothing else but the river. The water rushing past me was like the grandiose violin sections of a symphony orchestra, leading and guiding the other instruments. The torrent crashing below imitated the booming timpani and the boisterous brass winds, and if I listened closely, I could hear the occasional gurgling of water rising from the pools just before the drop, like cellos playing the bass on which the foundation of the melody rested.
The subtler elements of the aural experience I likened to the woodwinds. Softly hissing sprays of water were like the plaintive yet tranquil sounds of the clarinet and oboe, while sheets of false rain resembled the energetic bouncing of the bassoon. Impossibly serene streams of trickling water, unaffected by the passion all around it, mimicked my beloved flute.
Sometimes the aqueous orchestra slowed its pace ever so slightly, as if some divine conductor indicated a ritardando, but then it would accelerate and swell to a crescendo of unimaginable volume. And as if raised on a stage above it all, Seth and I played a duet with the sounds and rhythms of our heartbeats and expirations.
‘Are you ready?’ An uncertain quaver, almost inaudible above the powerful roar.
I filled my lungs to full capacity one final, happy time and blew out a steady breath. A fitting coda. ‘Yes.’ Opening my eyes and stepping forward, I raised the wand above the water and called, ‘Fountain of Youth, divine source of life-giving nectar, show us the way to your sanctified waters!’ A low rumbling briefly joined the harmonious thunder before subsiding. I grinned in delight.
‘One would think you, and not me, had almost exhausted your supply of honeyed words yesterday,’ Seth remarked sardonically.
I rebuked him with a glance. ‘There is no harm in showing respect where it’s due.’
He rolled his eyes, but made no further argument. We had each brought along a backpack full of exploration gear and emergency supplies, and though I personally thought Seth had taken the phrase “precautionary measure” to the extreme, I was nevertheless grateful to stash the wand away in a safe place. We lifted the backpacks above our heads and waded through the pools to reach the land just before main falls. As promised, a staircase protruded from the gorge.
Seth and I slung our packs over our shoulders and began the precarious descent. The “stairs” were really only pieces of rock jutting out of the side of the cliff. They were slippery and too narrow to be suitable footholds in some instances, but at least they were numerous.
The lower the crisscrossing staircase lead us, the more the waterfall’s spray became a problem. It obscured our vision and made gripping the cliff-face more difficult than it already was. ‘How much farther?’ I called, unwilling to risk looking down at Seth.
‘I think I see a ledge below me!’ A moment later, he confirmed it.
Seth waited for me to find firm footing on the ledge before continuing. I edged after him, keeping as close to the cliff as I could. Our perilous climb finally ended when we stepped onto a large, rocky outcropping normally hidden from view by the tremendous sheets of water. The entrance to a cave loomed before us.
‘Almost there,’ Seth said and clapped me on the shoulder.
We produced our flashlights and boldly strode into the bowels of the earth. The cave initially seemed immense, but soon narrowed into what was barely a slit, forcing us to shove our backpacks past us to continue. The narrow passage extended for what seemed like forever, and as the thundering grew distant, I found myself wondering how the Sphinx could possibly fit through it. My leg got stuck at some point and I panicked, but once Seth had calmed me down a bit, I managed to pull it free.
When we reached the passage’s end at last, my relief turned to awe. The cavern itself was of moderate size, but its beauty lay in the galaxy of glow-worms that covered its walls and ceiling. Tiny gossamers hung from the delicate cocoons, each a fragile piece of art. I spread my arms before me and studied my hands, as if I expected the soft cyan light to become tangible.
‘Ross…’
Seth’s disappointed tone woke me from my reverie. I looked up and felt my heart break to see my friend so crestfallen. When I followed his gaze, I understood why.
By virtue of being called the Fountain of Youth, I had expected something akin to a small spring. Instead, when I went to Seth’s side and looked down, I saw a pool twice as deep as I was tall. The dimensions made the utter lack of any water even more depressing.
‘It must need a trigger,’ I said thoughtfully.
‘What do you mean?’ Seth asked, daring to hope.
I unslung my backpack and knelt down, placing it beside me. ‘It’s a perfect oval, with sides equally smooth all around. And look at the rim; it’s rounded and raised just above the cave floor, as if to prevent water from spilling out. The water can’t drip from the ceiling or anything like that, since this cavern is dry and at room temperature, which shouldn’t be possible. None of this is natural, so we shouldn’t assume it functions through ordinary means.’
‘So it has some sort of mechanism we need to activate?’
‘I don’t know,’ I said, bending forward to examine the sides. ‘Probably. But look at this. The stone shaping the pool is different from the surrounding rock. It’s… sparkling slightly? It looks like a thin layer of dense, grey coating.’ After rubbing it to no effect, I rummaged in my pack for a multi-purpose tool. Finding it, I attempted to chisel away some of the covering. ‘If this is what I think it is, I’ll—’
I felt Seth’s hand on my back. Before I could wonder why, I tumbled forward, my head hitting the inside of the basin as I fell. I threw my arms in front of me and clenched my eyes shut just as I hit the bottom, striking it with a heavy thud that expelled all breath from my lungs. Gasping for air, I tried to make sense of what had just happened. Seth’s hand… Had he pushed me? No, that couldn’t be possible. He wouldn’t kill me now just to ensure I didn’t stop him from revealing the fountain’s location to the world.
A burning sensation abruptly intruded into my thoughts. My eyes fluttered open and I looked at my left arm, which had softened my head’s impact. The light was too dim to make it out properly, but scratch marks scored the area just above my wrist. If the sides were smooth, how had I gotten those?
The building pressure in my chest drew my gaze to my other arm, which was folded beneath me. Terror seized me as I realised I still gripped the tool in my fist. The chisel was buried in my chest, wedged between two ribs. Unthinkingly, I pulled it out and immediately regretted my decision. Blood poured forth in a continuous stream.
‘Ross, you damned fool!’ Seth shrieked, flipping me onto my back and immediately pressing both hands against the wound. I flinched and stared at him blankly. ‘Why did you have to pull it out?! You never pull an embedded object from a puncture wound!’
I tossed the tool aside and raised my head to look at the damage it had caused. Of course, Seth’s hands blocked it, and all I saw was my blood flowing between his fingers and staining his ring. ‘What happened?’ I asked, bewildered.
‘You leaned over too far and fell!’ he cried, tears of anguish streaking his cheeks. ‘I tried to grab your shirt, but I couldn’t get a proper hold, and your arm slipped out of my grasp. I lost my balance and fell in after you.’ He wept freely.
I lowered my head and stared at the glowing ceiling. How could our lifelong adventure end in tragedy? ‘I think my lung’s collapsed.’ I coughed up blood, unintentionally proving my suspicion.
Between sobs, Seth said, ‘I know! Blood will pool before spreading to your other lung, after… after…’
I coughed again, wincing as searing pain racked my body. ‘After which I’ll either bleed to death, or drown in my own blood.’ At that, he wept more vehemently. I grimaced, but then a sound caught my attention. ‘Seth… is the fountain reacting?’ The cavern had been quiet before then, the waterfall a distant memory, but I heard the unmistakeable sound of trickling water.
His head jerked up. ‘Yes! Water is bubbling from the stone bottom itself! But it’s on the other side of the pool… why?’
‘It must be deeper on that side,’ I mumbled, suddenly very tired. ‘I think it…’ Blood filled my throat beyond my capacity to swallow it, sending me into a fit of more violent coughing. When it subsided, my entire body ached and it felt like I hadn’t cleared my throat at all. ‘I think it needed a blood sacrifice.’
Scowling in disgust and agony, Seth said, ‘Yes, your blood is seeping into the stone. Is… is this what the Sphinx meant when she said there were things she couldn’t tell us?’
I didn’t know what to say. Along with my blood, the fountain was probably absorbing the very essence of my life. ‘Ask her.’
Seth’s face contorted and his tears flowed anew. ‘No, we’ll ask her! You just need to hold on a while longer. The water is almost here.’
Even while dying, I knew he was lying. ‘Won’t…’ I struggled to finish my sentence. It took all of my willpower to add, ‘…reach in time.’
His voice broke completely. ‘No, it will! It will! Don’t say that!’ I wanted to respond, to reassure him, but speaking any further was simply beyond my abilities. I had too little energy. My eyelids drooped. He pressed down with more force. ‘No, Ross, stay!’ he moaned. ‘Stay! Don’t leave me! I didn’t mean what I said on the plane. Please, don’t leave! You can read everything I’ve ever written for you!’
His words echoed in my head. My breathing grew shallower with every passing second. I didn’t even have the strength to cough out the blood filling my lungs.
He disappeared from my field of vision. So. He finally accepted I was gone. But then… why were his arms beneath me? I groaned as he pulled me backwards. I wanted him to stop.
‘There!’ he shouted, unceremoniously dropping me and flipping me onto my stomach. Water splashed against my face. ‘Drink! For all the love in the world, Ross, drink!’
I vaguely understood what he said and touched my lips against the water. It felt cool. I took a sip.
‘Yes, that’s it!’ Seth encouraged, lying with his arms beneath him and his face next to mine. ‘Another!’
His words spurred me on, so I took another sip. Nothing had ever felt as invigorating. ‘Sweet…’
Tears of joy mingled with tears of sorrow on his face. His voice a little less unstable, he urged me, ‘That’s right! Go on!’
I did, and after a few more sips, I drew my arms closer and cupped the water near my mouth. I drank on and on, yet still, I never felt full, and still, the water came. I gradually felt my strength return — my blood stopped flowing, my lungs could inflate to their full volume again, and my flesh mended. At some point, Seth rose shakily and stepped back to give me some space. He watched in silence as I continued to drink from the fountain’s bubbling water.
For an eternity I lay there, swallowing mouthful after mouthful of the admittedly delicious water. Only when all pain had been driven from my body, did I dare to stop. It was then that I noticed the grey stone had dissolved to reveal the transparent, glittering true floor. My intuition had been correct; the Fountain of Youth was made from diamond after all. I would have whooped for joy had I not just been pulled back from the brink of death.
‘Ross…?’
I pulled my knees underneath me and propped myself up on my arms. Though it felt like lead, I lifted my head and gazed at Seth. His one arm hugged his chest, while the hand of the other covered his mouth. My lips parted in a pathetic smile. ‘I stayed.’
He remained perfectly still, as if I was an illusion that could be shattered by even the slightest of movements. After a while, he very slowly lowered his hand from his mouth. ‘You’re… not leaving?’
I shook my head. ‘Not ever.’
He walked backwards, away from me and the water, until his back came up against the fountain’s edge. There, he stopped and sank down, sitting with his back against the side and resting his head against his knees. To my alarm, he wept softly.
I pushed myself to my feet and staggered towards him. I caught myself against the side and quickly turned around, collapsing into a sitting position on his left. He leaned closer to me and I put my arms around him, cradling him as he cried onto my shoulder. Neither of us minded the blood or water soaking our clothes.
‘I thought I’d lost you.’
Hoping to cheer him up, I searched my thoughts for something witty. In the end, I went with, ‘Of all the things you could say, you chose something as unoriginal as that?’
He laughed weakly and laced the fingers of his left hand with those of my right. ‘I’ll have all the time in the world to impress you with fancy words later.’
I scoffed. ‘Only one of us is immortal at the moment.’
‘Both our backpacks are still up there, and the sides are too high and smooth for us to climb out on our own. We’ll have to wait for the water to rise before we can get out, so there’s no rush.’ He drew my hand closer and held it in both of his after pulling his left hand free. ‘I haven’t decided yet anyway.’
Frowning, I asked, ‘What do you mean you “haven’t decided yet”? What possible reason could you have for turning down the—?’
‘You.’ He straightened and looked me in the eyes. ‘I didn’t mean to fall in love with you. When I went through high school, I looked at girls just as eagerly as you and most of the other boys. But you know what circumstances at home were like, and nobody wanted to date the unhappy rich kid. Even my “friends” eventually deserted me until only you remained. And I was so self-absorbed, I didn’t stop to consider that you needed a friend too.’
I started speaking, saying, ‘Seth, you know I…’ but trailed off when he shook his head and lowered his gaze to look at my hand, which he still held.
‘I took you for granted. I was selfish.’
‘You were depressed.’
He looked back to me again. ‘After we graduated, you chose to study geology and history instead of music. I mocked you for pursuing a childish fantasy so passionately. It proves just how little I really knew about you.’
‘But you changed that!’ I protested. ‘You even offered to share an apartment with me.’
Seth nodded, but grimaced in shame. ‘I did that to get away from home.’ He shifted his gaze to the rapidly growing pool of water and squeezed my hand. ‘But you’re right. After I moved in with you, it’s as if I discovered for the first time what a charming, excitable, empathetic person you were.’ His eyes turned sad. ‘I loved being around you. And then… I realised I loved you.’
I squirmed. Seth misinterpreted my confusion for discomfort and let go of my hand, also removing my arm from around him. ‘Why didn’t you say anything?’ I asked, trying to save the moment.
He played with his ring. ‘Why would you be interested?’ he asked quietly.
I cast my eyes about in frustration before focusing on him again. ‘You just said I wasn’t like everybody else! If I’ve always stuck by your side, what would make you think I wouldn’t be interested?’
‘I… don’t know.’ Seth wrung his hands. ‘I didn’t want to risk losing you. You’ve always had this romantic idea of love, and I didn’t think I would fit that.’ He looked me in the eyes. ‘I just wanted to be close to you, even if we were only friends. It’s why I agreed to help you search for the fountain when you asked me.’
I waved my hand at the cavern. ‘Look around you, Seth. We’re at the Fountain of Youth. And whether you meant to tell me or not, I know how you feel about me now. So why would you suddenly change your mind?’
‘I’m ashamed, all right?!’ he shouted, his eyes glistening. Turning away, he added, ‘Even my name mocks me. I can live like this for the rest of my life, but not for the rest of time.’
Folding my arms across my chest, I replied, ‘No, I don’t accept that answer. You don’t get to make my choices for me.’
‘…What are you saying?’ he asked, silent tears rolling down his face.
My expression softened and I embraced him. ‘I’m saying that if I had known before the Sphinx’s trial, I would have stayed with you in the stormy ocean.’
His breathing accelerated for a few seconds, but then he calmed and tentatively rested his head on my shoulder. The fountain’s water finally having reached us, he reached out to touch it and marvelled at the floor’s sparkling transformation. ‘Diamond represents love.’
I felt my expression break into a grin. ‘You should scribble something about it,’ I teased. ‘And speaking of which, didn’t you say earlier that I could read everything you’ve ever written?’
Seth snorted, and though I could see he tried hard not to, he grinned along. ‘I remember phrasing it differently.’ He hesitated, but then sighed resignedly and smiled. ‘…But yes, Ross, I suppose you may. And I’ll write for you as much as you like.’
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
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YOU TRICKED ME
HOW DARE YOU
(now, granted, my original assumption was that Ross had a crush on Seth, rather than the reverse, but Ross admits his feelings for Seth later on, so)
Here I am for the final part! Apologies for being a bit late - I got lazy, and I was also a bit nervous to see how this'd be resolved, because I could've sworn hearing about a bloody and tragic ending somewhere. And this is certainly bloody (haha bad time to mention I have a lot of visceral reactions to blood), but not tragic. Which, y'know, after all this hard work and effort they spent getting to this point, feels awesome. Even the bloodshed is purely accidental, brought about by gem nerd's failing to remember his physics 101 and fluid mechanics 101. His suspicion that Seth has intentionally pushed him into the basin disconcerts me a bit, I will admit? Seth might have wanted to publicize the discovery and spread the fountain's waters around the world, but The Sphinx made it clear that desire, which was impossible, was overridden by a willingness to follow Ross. Besides, as Seth repeatedly demonstrates throughout the story, he cares a lot for Ross. I suppose I can chalk that up to lingering doubts and worries as Ross realizes his dreams. Gem nerd has everything and everyone he ever wanted in one place - what would be more ironic than the person he loves taking away everything he's dreamed for?
But yesssss you sank and then rebuilt my Seth/Ross ship, so now I both enjoy this and hate you for it (yes, I'm being sarcastic.
And that's about it! I know I took my sweet time reading/reviewing, and I regret that, because this story is great! It's emotional, detailed, twisting, and fun. I will admit that the switch in perspective - from Seth to gem nerd - tripped me up at the start, as did the shift from past to past perfect tense - but I quickly adapted and really started enjoying this wonderful conclusion. Well done!
P.S.: I started listening to Beethoven's 5th after reading the opening. It fit rather nicely. xD
I was snickering so badly this entire time! I obviously knew Seth was in love with Ross, but it was hilarious to see you keep focusing on Ross as the one with a crush. Thank you for making my day!

Oh, yes, the original ended with blood and tragedy! You were right to be concerned, since Buggie had been very concerned when reading this for the first time. One of the most significant changes in my goals for each iteration of the short story is how I want it to end: for this one, I specifically wanted the kind of ending I'd naturally write, which is happy (but with lots of suffering along the way). Oof, but sorry about the blood. I get quesy by injuries in real life, but in writing, I can deal with them just fine, so be warned for future pieces - I am likely to describe injuries and death in detail. As for Ross' confusion, that's exactly what it is. In the original version, Seth had pushed Ross, but here, Ross was confused and his brain jumped to conclusions for him, even if they're obviously incorrect. I also wanted to make the reader slightly confused there, since Ross was temporarily an unreliable narrator.
The Seth/Ross ship is definitely sailing into happier waters! To be honest, I tried very hard to keep it under wraps while still hinting at it sufficiently for the reader to look back and go, "Arrrgh, it was so obvious!" (yet no, it wasn't). I'm happy and relieved I got to edit the ending and produce what it is now, since I am greatly satisfied with the end result. It took Ross almost dying to get Seth to admit to his feelings, and though Ross wasn't interested in Seth before, since neither of them are technically into males, he's too romantic to disagree. (I mean, these two are perfect for each other, come on! *reveals own romantic side*) I'm happy you enjoyed it as much as I'd hoped you would.
Pssh, no worries about taking forever to review it! You got there eventually, and it took me pleasantly by surprise, which is just as great as if you had reviewed it shortly after it was published. The perspective shifts are actually a defining feature of the original work, but I think I did it more justice this time around. As an interesting note, the second and third parts were in third person limited, allowing for a transition between the two protagonists. Not to blow my own horn, but a year or so from now, you should reread the story and enjoy its complexity from a different point of view.
Thank you for your time and feedback, as always! And to have my work compared to Beethoven's most famous and popular (and skillful, depending on subjective opinion) is awesome!
Better late than never, right?
ANYWAYS. I first want to say that AHAHAHA I SOOO CALLED IT: when I read the first chapter months ago, I remember thinking, "This is totally going to be a romance short story, but Hunter isn't a romance dude, and the genre isn't romance. Still, there is tooootally going to be a ship between Ross and Seth, I just know it." I WAS RIGHT.
(lol numbering stuff 'cause I know you'll reply to this)
I feel like the beginning was more of a "go go go!" vibe, so I suggest sloweing down just a tiny bit and adding some sentences of detail. You know how I love sensory details; adding them about the mood or flight can make a difference to natural flow. For example, here are some changes I would make, which are in bold:
Goodness, that was hard to do since I had to match your style. o_e But yeah, it's the little details such as these that make the story have a much more natural flow. I hope this helps and can aid as a guideline for future revisions!
My whole review will pretty much echo Buggie's review and more, but I specifically want to bring up her first point again: the scene with the river was fabulous, but just a tad
extraoverdone. Four paragraphs about a river is a bit excessive, BUT IT'S BEAUTIFUL. like. the descriptions are 10/10. I've been in a symphony myself so I can feel the power of your words and see the words come to life, but a reader who has no music background is probs going to go, "Man, 2 MANY WURDS."I know, I know, I know -- "CARINA YOU MAKE NO SENSE. You told me in point #1 that I should add more detail, and now you're saying I have too much detail??" Here's a very bad analogy: imagine you're eating an apple. You take a bite, you chew for several seconds, and then you swallow. For point #1 (plane scene), it's like you took only 1 second to chew before swallowing. For point #2 (river scene), it's like you took 1 minute to chew before swallowing. (It seems like every time I think of an analogy of writing, it always relates to food. >_>)
Point is, you need balance. And sometimes, that balance is dependent on the scene; some scenes require more detail than others. I was going to comb through the scenes but ;_; it's hard to pick what details to scrap. It's all so good! ...just, yeah, a little extra. xD
If you were going to edit parts of it out, don't leave this out, 'cause I love the flow (hah, cuz it's a river) of the words:
JUST. SO PERFECT.
I dunno why, but this gave me a giant smirk. I'm just imagining their faces, looking down at the empty basin, and be all like, "....wat da heck"
This was my favorite paragraph, hands down. The natural flow of words here were perfect, and I found myself reading each following sentence faster and faster due to the nature of events. The sensory/emotional/"fluff" details I talked about in #1 were all here. gud job, especially for a pivoting moment.
Not gonna lie, at this moment I thought this was all a lie and Seth was backstabbing him. Can you imagine that?! Like cry fake tears and cry over his death, then be like,
"
So, we find out that Seth was panicking over Ross's bleeding body. He might watch his best friend die, which we can all assume is incredibly traumatizing. Imagine you were in Seth's place. What do you feel? ...Take that feeling and put it into words. That's how I want you to write this part. It might be easier to show instead of tell, so here's how I would incorporate feelings in Seth's panicky moment:
...or something like that. Apologies if this is terrible or I made Seth seem like a weenie. xD But I really think you should crank the desperation up by three factors. I mean, if your best friend/lover was dying in front of your eyes, wouldn't you be crazy desperate to save them, even though you have no idea what to do and time's ticking and you'll blame yourself forever if you do nothing or let them die but you need to do something but have no idea and you're lost lost lost and panicking and wHaT Do yoU dO???? Yep, totally went abstract poetry on you there with that run-on sentence, but I want you to capture that panic and desperation and put it into words.
When Ross feels his life fading away, I also want you to capture that moment. Try it out! I want more details about what it feels like to die. (Wow, that sounded morbid lol.) You may need to do a little research, but a couple suggestions do come to mind. Was he scared? Did he resist? How did it feel when he closed his eyes and accepted his death? Did he feel regret? Pain? What about his heart -- was it beating faster and louder? Did each heart beat echo in his ears, and seemed to inch him closer and closer to death? Take the time to imagine what it was like if you were in his position, and don't tell me -- show me. Make me feel his pain. A connection from the character to the reader are the best kinds of stories.
Not gonna lie, I can tell you're not a romance writer. XD Some parts felt like it was unable to portray it's maximum emotional value. Like Buggie said, I think it's because there was excess dialogue in some places that it felt a wee bit clunky. I agree that the explanation of how Seth fell in love with Ross can be weaved in earlier, even if it's subtle. Or perhaps just shortened. I know you edited it, and what you have now is 1000x better than a monologue, but still. Time is precious, and in real life, their precious moment would be better suited by being glad they're both alive and having outbursts of emotions. Maybe you shouldn't get rid of the explanation, but rather edit it so it flows even more naturally. By offsetting his explanation of their history with emotional/sensory details, it will feel less clunky.
Also, this scene in particular was a bit on the cheesy side:
Don't get me wrong, it was cute <3 but you could definitely do better, realistically-speaking. If I were Seth, I would immediately give Ross a bear hug after he said, "I stayed." He'd want to embrace him very tightly to not lose him again. He'd want to make him feel what he felt as he saw him dying before his eyes: not panic or desperation, but love -- the love that poured out when he realized the one and only person that cared for him seemed to be leaving him alone. Tears would undoubtedly be streaming down his face still, but his sobs would not be one of sadness; they'd be sobs of relief, and sobs of happiness. This moment is just as important as Ross accepting his death or Seth seeing Ross dying. Capture it and write the emotions. I believe in u!!
But speaking of romantic parts...
D'AWWWWWWWWW <3
And that should be it! The ending was happy indeed, but it bothers me that you ended the story before Seth could drink the water. xD GOSH DANG IT HUNTER, WHAT IF SOMETHING HAPPENED AND SETH COULDN'T GROW UP OLD WITH ROSS?!?!?
This story was definitely worth the ride, and was surprisingly very sweet. <3 I hope my suggestions help, and please do let me know if you revise the revision! :p
Better late than never indeed! And that is a wonderful reaction, from an author's point of view.

, but I'll see how I can make Seth's despair and desperation more pronounced.
Although you're right in that I'm not a "romance dude", I am definitely a romantic at heart. Credit to you for predicting the outcome, though! And here I thought I was being subtle. (Where are Discord's emoticons when you need them? The :thinking: one would work excellently here.)
Aww, that's so nice of you! Because yes, I am currently responding. XD
1. Oh, that definitely helps! I've decided not to edit the version on YWS, but once I get back to the short story, I'll definitely edit in Word. I am delighted with the way it is already, so in the future, I'll just need to apply the changes. I can assure you that I'll be cutting a lot of detail dumps and spreading the descriptions more evenly throughout the parts.
2. You make total sense, actually, and I believe Buggie was telling me the same thing. *sighs* I'll have to take my high school Afrikaans teacher's advice and be brave with the editing scissors. Thanks for pointing out that line, though! It helps if I know what kind of descriptions the readers enjoy most. (Also, that pun. XD)
3. That's interesting. I was hoping to convey a feeling of being appalled instead, unless you mean that's just how you interpreted it. Because yes, they are very much, "Err... what?"
4. Thanks! I achieved the effect I wanted, so, yeah. Again, thanks! *cheers*
5. Haha, even in the original short story, where Seth did kill Ross, he felt remorse (though I'm not sure I handled the execution well). I just wrote from the heart this time, so nah, no actual backstabbing.
6. Aww, I thought I had done that sufficiently. The details you added are just a smidge excessive, I'm not gonna lie
7. My stance here is pretty much the same as for the previous point. I thought I had depicted this sufficiently, but I guess not. I'll need to think intensely on this one when I choose to edit the short story again.
8. *raises hands* Guilty on all counts of cheesiness and lack of experience in romantic writing. XD
Don't worry, Seth does drink the water! D: Jokes aside, I'm relieved and delighted you enjoyed the story. But to be sure, when you say it was "sweet", you mean that in the good way and are not saying it was "saccharine" or the like?
I'll be happy to let you know if I ever edit this or publish another revision! The only problem is that I already used the title as it is, with "(Extended)" added, and with "(Revised)" added. I wouldn't know what else to call it! XD
Again, thank you for your lovely reviews. People can say what they like about writers writing for themselves, because even though it's true, support from the readers makes it infinitely easier to continue writing.
Yay, Seth drinks the water and doesn't stay mortal! lol.
but take it as an extreme example of setting the mood and building the 'omg' anticipation.
But xD yep, I meant sentimental sweet, like, "Awww, I'm glad that blind puppy got rescued and lives in a loving home. MY HEART. IT'S SO HAPPY." Or perhaps I ate some bagels with a side helping of Black and White for breakfast, and found it sweeter than my grandma's homemade cookies? :thinking:
1, 2, 5, 7 'cause they're all the same type of responses lol: Glad I can help! As we all know, I'm just a wee old reviewer who reads other words and is all like, "Baaah humbug, this can be better, listen to my opinion!!!!" But it's entirely your story and you have the beautiful freedom of choosing whatever details you think will make the best story ever, so I encourage you to follow what you think is right, even if my advice isn't incorporated! Since this story incorporates a smidge of romance, I think I'm drilling you a lot with the emotional/sensory details because it's those kinds of fluff that really bring a character to life. And romantic stories are veeery character-driven instead of plot-driven. (Like, does anything huge ever really happen besides lovey-dovey scenes/drama in all of the Nicholas Sparks novels? :p) I secretly love writing/reading romance stuff (but ironically not really a romantic at heart, so I guess we're opposites LOL) so these are based on my own literary experiences. I know you like researching and reading, so here's an article I pulled from a google search that could be helpful, which also compares fight scenes from romantic scenes, lol. Not sure if it will be helpful, but basically, you want to build anticipation. You're right, I probably was a bit extra with my bolded suggestions
3: No no, you did that scene just well! I think my imagination went wild, which is good, since it meant you set the scene up well. :3
5. WHAT. Now this is an interesting change. The weird part is, I love unsuspecting twists and would probably low-key enjoy Seth's backstabbing. :p But I also enjoy sweet happy endings so hey everyone is happy. (And so are your characters.) What's next in the revision's revision -- they all die?!
All-in-all, thanks again for the wonderful read. Even if my advice is more like, "Hmmm, interesting perspective, but naaaaw,"(which is TOTALLY fine!) then I hope I give you the inspiration to continually perfect the story or write anything else. <3
Okay, phew. That's good to know. XD

That article was indeed useful! I'm planning on writing a fanfiction
and finishing it, for once - though it won't be done anytime soonthis winter, so if there's any opportunity to write romance, I'll use it as practice. Even if you weren't going to ask me to, I'll tag you anyway.Oh, but nobody will die in the next revision. The story will remain as it is, but I'll rewrite the parts I think are necessary.
The more advice I get, the more I know on what I need to focus. So again, thanks for the reviews! ^_^
OH MY GODASDFNFMFM
[review pending]
Aww, thank you! <3

1.1 I probably shan't write descriptions as detailed as these in my novels, but as with the previous three times, I'm delighted you loved them! I loved writing them, so I'm pleased the enjoyment is shared. And thank you for the compliment! (Honestly, you probably wouldn't want to live in my worlds, since suffering isn't exactly scarce. XD)
1.2 In the original short story, Ross did, in fact, die. Had I done that here, I imagine it would have been far more touching. Your relief is greatly valued.
1.3 I... This... *explodes from praise overload* Honestly, I'm glad you gushed about their relationship. As an author, I obviously love sincere praise, but seeing you mention those things specifically is good affirmation that the continuous depictions are indeed being noticed by the readers. (And seeing someone this excited about my writing also excites me, so I had to tone it down to give an intelligible response. XD) Seriously, though, thank you for your enthusiasm. I wrote this for myself, but responses like yours and Buggie's give me hope to continue writing.
2.1 Oh, Seth's part, namely section I, was in first person too. I think it might have been so long ago that you had forgotten, though. See, the idea was to present Seth's section in first person, the following section in third person (since it focuses on neither/both of them), and Ross' section in first person as well. What you described there is what happened in the original short story, which I did keep in mind when revising it.
I am incredibly grateful myself that you have found this short story. You provided not only an unbiased opinion, but also unexpected encouragement. Thank you for your cheerful dedication!
Good luck with your future endeavours, and one final time, thank you for taking the time to read what I so tenderly exposed to the world. ^_^
~ Hunter
Forgive my French:
Holy Actual Hecking S-H-I-you-know-the-rest. This is so much happier than the one I remember reading! I'm crying. Ohmigod.
Anyways
Technical Comments:
1. You have taken musical simile to a new level. I love it because duh, music but I hate it because Ross is so ridiculously extra about it.
2. This comment straddles the line between technical and plot-related, but there's so much plot to dissect that I'm going to put it here.
You could probably snip out a lot of Seth's dialogue about why he never told Ross he loved him. One, because it'd be more effective if all of that had been alluded to more (or more strongly) in the earlier parts of the story, and two, because I think you could achieve a greater sense of universality by not specifying as much.
Though that second opinion may just be because of my own romantic experiences (or lack thereof).
Plot, Characterization, and Misc. Items:
Okay, time for me to freak out more.
1. I love it I love it I love it. Oh my god, Hunter, this took such a different turn from what I remembered happening in the previous iteration, and it caught me so off guard and I promise I actually started tearing up at the "I didn't mean to fall in love with you" line.
2. This is also kind of cheesy, now that I think about it. Has my tendency towards happy endings been influencing you? I don't personally have a problem with cheesy happy endings, but as far as "serious literature" goes, tamping down the happiness may help you get more recognition for like... complexity or some other "classic literature" hurdle. Idk. I also think that labeling things as "classic" is elitist BS, so pick your poison I guess.
3. Idk how I feel about the way perspective changes through this piece? I think it's effective for the purpose of your narrative (the romantic reveal works so well because of it) but it's also a little distracting. Additionally, I'd be interested in experiencing Seth's personal growth through his own eyes.
Uhh... that's all that I can think of off the top of my head? We can discuss more when I'm out of class tomorrow, since I'll probably have some brilliant epiphany while I sleep.
I loved it! I'm still going to kick your butt for Best Short!
-Buggie <3
For posterity: discussion continued in private.

*cheers* Ah, Buggie, I am so glad you loved the short story! And I'm just as glad you're emotional, even if it's only because of the way the previous one ended. Seeing a reaction like that is <3.
1.1 I'm sorry! It's the first time I've ever used musical descriptions like that, so it was a completely new experience. At least it fits with the general trend of long, generously detailed descriptions. XD
1.2 As you well know, I took this advice to heart and already edited the final conversation. It's now actually a conversation, not a monologue, and I removed much of the stuff Ross would already know, as well as have him react to what Seth says. I also included many little actions during the conversation. In a way, I applied all the advice you've given me here and previously and applied it. I think you'll be pleased with the result as it is now.
2.1 As the writer, I'm over the moon with the response this section has received! I'm also suprised that Seth's line "I didn%u2019t mean to fall in love with you." has both you and Alice gushing. Surprised, but delighted!
2.2 I love treating my characters with happy endings as much as I seem to torment them with suffering. So no, it's definitely not you rubbing off on me. XD Having said that, "cheesy" isn't the impression I had wanted to give, but the previous ending (before I edited this section) definitely fell into that. Does it still? (Tortwag doesn't think so, but he's only read the edited version.)
2.3 That's something I'll definitely keep in mind in future. The idea was always that the focus would go from Seth to neither to Ross, but I'm surprised the opening with Seth endeared him to the readers so much that you all wanted to see more of him in the following sections. I see that as a massive compliment to my characterisation, but also a concern for future works. Hmm, I guess I'll need to be careful not to make readers be more interested in one character than another.
Again, thank you so much for reviewing this so shortly after I published it! It meant the world to me, and I'm overjoyed you liked it so much. And you advice was invaluable.
Haha, you wish! But yes, let the competition be challenging.