Hi Brig! Love that you are always pushing the bounds of art / literature so lets get into it!
A piece of punctuation can certainly pack a lot of meaning - the literary piece that comes to my mind is the play "w;t" which sort of rests on the idea of a semi-colon and is really beautiful if you're looking for more work in this genre. Or just the idea of semi-colons in general being claimed by communities of having a symbolic and identity-maker value rather than merely being punctuation (while at the same time not ceasing to be punctuation).
One of my first thoughts when checking out this piece was that I'm going to have to add it to the Big Book of Records next time I update it for shortest lit piece.
Now as far as interpretation - I really like the idea that literature and art are not firm binaries and I like that this piece absolutely pushes that. A period as a piece of art - may be interpreted from a literary standpoint like a poem (& still be art) or from an aesthetic standpoint as a black circle, or from a symbolic standpoint, and effectively because you've posted it through the lit-work section, labeled as art on yws rather than in the art forums this piece is able to slide through all three back and forth without being in one specific box. The ease that it occupies different genres of mediums at the same time I think opens up conversation for a reader/viewer of how they might view other pieces of conventional art as poetry and conventional poems as art because there is flexibility at even the minute level of grammatical marks.
Interpretively I'd say that this piece has the most value symbolically - I would interpret it's meaning to be that absence isn't silence - but even a full-stop is symbolic and meaningful, artful etc. I think the piece is also purposely supposed to make the person wonder "am I seeing something intentional here, or what" the reader/viewer is forced to give the artist the benefit of the doubt in order to receive and interpret it, and that moment of question is an interactive and exciting moment as a reader/viewer. It reminds me of when people in that one art gallery gathered around like a fire-extinguisher unsure if it'd been left intentionally as art, or if it was part of the infrastructure. Here your piece weeds out who the people who are willing to see art in everything, and those who are suspicious / skeptical of all and can't enjoy or consume art that is unconventional.
Critiques? No, not really. I think it would have been maybe humorous to have set the genre as something other than "general" like maybe "narrative" but at the same time I think leaving this very plain without extra commentary or author's notes allowed the full range of opportunity for interpretation.
Thanks for always posting interesting things. Would love to hear any of your own intentions / interpretations too.
Keep creating (always!)
alliyah
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