I'd say that the first two are actually haikus! From what I understand, the thing that can make a haiku effective is having some kind of twist or unexpected direction in the last line that separates it from the first two and gives the first part a different shade, which you definitely do with the first poem and the last. The middle is just a run-on of descriptions, really. A list of what you've heard. I love the phrase "crisp tongue of frost", but you might wanna save it for another, more meaningful poem.
Let's look at the poems with movement. The first, for me, moves because the first two lines are vivid and full of heat, but the rain dampens not only the vermilion but also that heat (though you only mentioning it dampening color). It's gorgeous, the idea of this moment in wind, the rain hanging over the scene, not quite fallen in my mind, but it's present in the future.
The only thing I'd ask you to contemplate about the first haiku would be this:
heated air
Heated air seems very sterile and scientific when written on its own. I know you mean that hot air rises, so it lifts the leaves up and over your head, and that image is strong, but I wonder if you can find a phrasing that keeps the word "heat" and doesn't sound quite so much like it comes from science class, just 'cause we're out in the world of nature and don't need images of the classroom shooting at us.
The last poem is very good, as well. The idea that they are not coming back to life is very strong in what you've written. For this poem (AND for your other ones, please), you need to work on your punctuation. I say, unless you have a specific reason in not doing so, take line breaks out, punctuate it like it's prose, and then put the line breaks back in.
Anyway, lovely poems. PM me if you have questions, please.
Good luck and keep writing!
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