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Grimm 1.1

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A/N:
This is a collaborative project written by GoldFlame and I. It focuses on the Brothers Grimm, basically, and a ton of other stuff. But who writes novels in Author's Notes, anyway? To the chapter! ~P

We decided to alternate chapters, so Pomp wrote Chapter 1, which we broke down into two parts. I suggested some edits, and that's how it became what it is now. ^_^ ~GF

~i~

Walking by the bank of the lake was like struggling against a tidal wave of memories, of thoughts and words that had died long ago. They seemed to buzz in the silence, reminding Jacob of hours succumbed to dust and voices that had long since faded into nothingness ...

Sand slips from between your fingers, Jacob thought, plunging his hands into his pockets. And glass pierces through your veins. When it comes down to it, sand and glass are the same.

"'And history shall both break and bind you.'" The words trailed off his lips exactly as they'd first been said, forty years ago. He could remember every part of the speech so very clearly. It was as if the wind had whispered the words in his ears; but Jacob knew exactly who had spoken them. Although back then, he reasoned with himself, it had been a declaration of war combined with a warning ...

Closing his eyes, Jacob envisioned a battlefield, with bulging armies on either side of a mountain pass. Archers leading the ranks, some holding up silken tapestries--Jacob could see them all. The drums were pounding at his skull, thrumming and beating a strident tattoo. War cries. Raucous shouting. The snicker-snack of blades cutting through flesh.

It is not something that I wish to remember, Jacob thought tiredly, kneading his forehead with his knuckles. Squatting down by the stagnant waters, he shivered slightly. The night was cold but crisp, and the darkness dripped with undeniable nostalgia; it weighed down on his heart. He could feel it in the heavy, musky air that he breathed in and in the grass as it swayed gently in the wind. Jacob realized with a jolt that things hadn't changed from when he had left, and he couldn't help but feel glad. It was a relief to realize that not all memories died.

Looking up at the stars, Jacob saw them as mere pinpricks of light, like the kind you might see at the end of an unreachable tunnel. They seemed to shine lightyears away, but Jacob felt that if he raised his hand high enough ... he could ...

Jacob's pale hand flailed against the canvassed heavens, but all he caught was fistfuls of frigid winter air. No stars. No dusky stardust slipping down his brow and spreading through his hair. He sighed. Sometimes, it really did seem as if fairytales only existed in the imagination.

But you and Wilhelm changed that forever, the voices whispered.

Jacob ignored the voices, trying desperately not to think of his brother. Close the floodgates, Jacob. His thoughts poked at his mind. It won't help now, you know.

Jacob shook his head violently and pinched the bridge of his nose--hard. He hadn't come here to re-live the past; he'd come here to bury it, and to say good-bye. It was vital, vital that he didn't give in to the grief, or he'd end up opening the portal again.

The portal.

Looking at the murky, shallow lake with its opaque waters, it was impossible to imagine that it could house so many dark secrets. The trees were hunchbacked and homely, touching the lake's tranquil surface. Jacob closed his eyes and imagined the trees towering above him, clinging onto the sky with their bare branches. A sudden flash of violet against the cloudy ash-work. And a voice yelling out over the silence, calling to despair and lost hope--

"Tired?"

Jacob's eyes snapped open, and he frowned at the speckled heavens. The grass whispered--almost mournfully, he thought--as the newcomer sat down beside him; but Jacob didn't move, nor acknowledge his presence in any way. Even so, as the silence weighed down on them, Jacob was conscious of the fact that the man was laughing at him--with his words and with his eyes, even though he couldn't see them. After all, he had spent enough time with Rep when he was younger to know that the man was always--always--laughing at him. Whether it was weakness, stupidity or just "being there", he had always felt uneasy in his presence.

So it was now that he refused to utter a single word.

Rep sighed loudly. Jacob resisted the urge to sigh also, out of exasperation. He settled for just covering his face with his hands and laying his forehead against his knees.

"Ignoring me now, are we?" Rep said quietly, but his voice rang like a gong in the silence. "That's never helped before, Grimm, and it won't help now."

"What do you want, Rep?" Jacob said, rather harshly. He really didn't want to deal with this right now. Or ever, he thought, scowling. Nevertheless, he turned around so he was facing the other man. Rep smirked, although Jacob thought it looked more like a grimace, stretched tightly across his pale skin. His dark hair fell into his eyes and his silk suit rustled as he settled himself more comfortably on the grass.

Reapers, Jacob thought bitterly. Always dressed as if to dine with Death himself.

Comments & reviews · 6
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IcyFlame
Review

Not sure who to address this review to seeing as you've done the piece together... hmmm xD

I wonder if you've seen The Brother's Grimm? The film with Matt Damon and Heath Ledger? It's not the greatest of films but it may help you in terms of research. Just a thought.

I really like this writing style; it's simple in the way that it almost reads like a fairy tale which I think is pretty clever considering it reflects who you're writing about. I think most of my nitpicks have already been picked up on so I'll just settle for giving you my overall thoughts.

The description in this piece was just about right - I don't have to go on about show not tell which has been the most repeated comment in most of my reviews lately - and it flowed very well. There were a couple of occasions where I felt like you repeated things a little too much, for example Jacob's name in a certain paragraph which could in places be replaced with 'he' just because it would read better and there was a point where I was overwhelmed by semi colons but scrolling down I see that's already been covered in a review!

I feel very redundant in all of this but I like the way you've set up the characters and I'm definitely intrigued by the premise. I look forward to seeing more of this at some point!
Icy The original flame

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Deanie
Comment

This is so good!
I am going to keep D: I have no comments!

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RoyalHighness
Comment

I LOVE THIS.
KEEP ME UPDATED.
THAT IS ALL.

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TimmyJake
Review

I am totally with Silverlock. You are two of the best writers on YWS, and I just love both of your styles. I couldn't resist popping in when I say that Pompadour had written something, and then when I notices that it was both of you, I nearly died.

I. love. this. story. already. and. it. has. just. started.

Hmm... Should I address this review to Pompadour or Goldflame--or both of you? :P

Your style was just like I always remember Pompadour style. Flowing so beautifully--not stagnant like the lake you so expertly describe here. Thought was evenly spread out in this as well--not dominating the story or being too subtle for me to take notice.

And the description!

Silverlock was right when he said to watch the description. Too much can detract from your story, but I think you have just the right amount here. Enough to give me a perfect image, but still leaving it up to me to create the image inside my mind. It was like a painting, and you told me what to paint, but still allowed me to use the paintbrush to make the image. And some people just fill the page with words that don't add much to the story or the scene--but not you. Every word meant something, added something. Built up where the last word left off to create that vivid scene. I think you found the perfect balance with description.


that if he raised his hand high enough


When you have a few words directly after each other beginning with the same letter, its called illiteracy. Like I wrote something a little while back that was like, The glistening legs of his golden. If it is intentional, and adds something to the story(like repetition does--not redundancy), then you could keep it. Something that looks purposeful. But here it looks accidental, and out of place.

You have to forgive me... I have nothing more to nitpick than these little things that aren't really anything--and probably aren't.

It is not something that I wish to remember, Jacob thought tiredly--forcefully,


Okay, so this is a teensy nitpick--just like the one before. I understand why you did the second italics--to emphasize that word and pull it out. But when you have that thought so close to it, italicized so closely, it makes it seem like its part of the thought, and not a descriptive word.

Jacob's eyes snapped open, and he frowned at the speckled heavens. The grass whispered--almost mournfully, Jacob thought--as the newcomer sat down beside him; but Jacob didn't move, nor acknowledge his presence in any way. Even so, as the silence weighed down on them, Jacob was


I am not going to pull out the entire paragraph here, but my nitpick applies to the entire thing. Throughout this entire paragraph, you have a lot of tags. You have a Jacob here, and a Jacob there. Here a Jacob, there a Jacob. Everywhere a Jacob, Jacob.

Sorry, couldn't resist putting a tune to it. :D

So I think too many instances of his name in that paragraph. Try alternative tags! Like, He or something. Sorry--not very many ideas for alternatives. My brain isn't working today.

and rubbed at his forehead with his knuckles


The word that I bolded changes the entire action to something that I don't think you intended... Did he rub at his forehead, or did he rub his forehead? That teensy word changes everything entirely.


So is this fan-fiction, then? The way that dragonphoenix words his review, it almost makes it sound so... If that is true, are there any copyrights on it? That would really be terrible for you if it did have a copyright. But the story is really old, so you can probably use it and still be able to publish it, right? :) Cuz this is totally good enough to publish, and I can tell that the storyline is going to be beep! amazing.

Juss sayin. ;)

Keep it going! I am going to take a peak at the next part!
~Darth Timmyjake

It's author-fiction? XD We're basing it off the lives of the Brothers' Grimm, in which case it is a kind of fan-fiction, I guess. Sorry it's just so confusing.
Thanks for the review!

Not a problem. :P

Okayyy... So kinda like Percy Jackson, then? Sorta? Maybe?

Ah, not exactly. We had to conduct a bit of research on history and stuff, because we're writing about real people. Of course, the whole fantastical part didn't really happen in which case we should prolly add a disclaimer. :)

Ohhhh... So true story, then? That is even more awesome! :P

True-ish. We're incorporating a bit of fantasy because we couldn't resist.

*whispers to Timmy* I'm a girl XD

O_o And I just called you a guy...

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Snowery
Review
Snowery wrote a review · Sun Jun 22, 2014 1:34 am

Pompy! Goldy! Gosh, two of my favourite people in one work?! How could I resist this! :D


Main Points

Walking by the bank of the lake


There were some lovely descriptions here, and in the subsequent paragraphs. Your imagery throughout the entire thing was generally wonderful. You really have a way with words :) Do take caution though, because sometime too much imagery can detract from the story, in that the reader spends so much time trying to keep up with the pretty words and imagining all the metaphors and similes that they can suddenly find themselves lost, or realise that they haven't grasped the main point of the story. This did happen too me a couple of times where I had to reread the sentences a couple of times in order to understand the point that it was trying to convey. Imagery is a wonderful (one of my favourites to read ad write) but use it with caution and not a too heavy hand. This is just cautionary stuff though, I'm not saying that you went too over with this one :D

It is not something that I wish to remember,


This felt to me a little too "stating the obvious" for me. Maybe phrase it slightly differently? We get from his previous emotions that he's not happy with these regurgitating memories and here it feels very much like spoon feeding. This is just a personal opinion though and it's not really a big deal :)


Jacob realized with a jolt that things hadn't changed from when he had left,


You've spent about five paragraphs telling us how painful his memories are and how he's holding back all these heavy emotions and "with a jolt" he realises that things have't changed and now he feels glad? There's no elaboration after that on Jacob's apparent gladness and the mood quickly shifts back to sombre once Rep enters the scene. I felt that the whole thing was way too sudden and abrupt. I couldn't feel his gladness as much as I felt all his other emotions. It felt like it was thrown in and then forgotten about. I also feel that it runs out of sync with the rest of the story which had been running so descriptively and detailed; this just felt a little like a hollow tree. know I'm going on about it forever but it was quite jarring to read.

Close the floodgates, Jacob,...It won't help now, Jacob


The repetition of Jacob within such close vicinity disrupted the flow. I suggest removing the second one.

if he raised his hand high enough ... he could ...


I thought that this was brilliant! Fantastic! I loved it, and how it said so much without saying much at all. I also think that this is a beautiful example of showing and not telling. I just- argh! Loved it. Wonderful stuff.

It was vital, vital


I loved this too! :D

A sudden flash of violet


These few sentences confused me. I wasn't sure if he was seeing them or remembering them...? I figured as I read on that he must be remembering them, if so then I strongly suggest that you put this in italics because it was disorientating to read. If I'm wrong that means I'm even more confused :/

I felt overall that this was wonderfully written and I enjoyed reading it. You do well with setting up atmosphere and intrigue. It's early days but i feel you set up Jacob fairly well too, and you do a great job at portraying his angst and his internal battles. I do wish though that you'd given us a little more environment to work with. Is the lake surrounded by woods, or flat grasslands? Just a small mention of that sort of thing. Well done on a great job so far! :)

Looking back I realised how harsh this review was :/ Blame my exams ^.^ I'll try and be nicer in the next one XD Keep it up and happy writing! :) :)

Silverlock

Knight Dragon, here to review!

Oi, that opener. I know you're probably trying to go for an effect, but with all those things linked together like that, I'm just waiting for it to end. It feels a little long. Like, maybe break the list in half and make it two sentences? I dunno. That's just how it felt.
And the second sentence, you have a semi-colon that felt reeeeally weird. Now I know why Kurt Vonnegut said what he did. I can't decide if it really fits or not, or whether it's technically correct or not. It's really riding a fine line and I'm not sure which way it topples. Very irritating, and very distracting from the story. You might want to change it out for a comma.

I LOVE the fact that you used italics for the thoughts, but (and I really don't like using that but) having the thought continued on the other side made it feel like it mentally dangled a little bit. You could easily make that first part a whole sentence, put a comma after the inner-thought tag, and then make "Glass...." onwards its own sentence. It makes it feel a little stronger, less fragmented.

He could remember every part of the speech so very clearly; it was as if the wind had whispered the words in his ears; but Jacob knew exactly who had spoken them.

All those semi-colons are screaming at me that those are all complete sentences needing periods. I'm not totally against using semi-colons, but I do think that scarcity with them is a lot better than plentiful, accurate usage. It just feels like, "Oh, I could have made those sentences, but they just feel so much better strung together, don't you think?"

Closing his eyes,...cutting through flesh."

That was a really good paragraph.

...like the kind you might see at the end of a tunnel except that you know you'll never reach the end.

That's a pretty long comparison, and a third of the way through I'm wondering why it's still going on, almost like the tunnel's end you never reach. You could compact it (and get rid of the "you"s), by saying something like, "like the end of an unreachable tunnel." Does that feel better?

Close the floodgates, Jacob, his thoughts poked at his mind.

You should probably use a period after "Jacob" and capitalize "his." I understand how thoughts can poke, but as a spoken tag that doesn't work. You can't really "poke" words when you speak them.

Jacob shook his head violently, and rubbed at his forehead with his knuckles.

Minor stylistic thing. The flow could be better if you added "then" after that and, or just substituted then for and.

or just the sheer fact that most people refer to as "being there"

That's an awkward phrasing. It stumbles a little, and it took a couple rereadings to figure out what you were trying to say. You could get rid of "that most people refer to as" and replace it with "of his" and I think that might solve the problem. Try experimenting a little bit with that to find what you like (and what best expresses your sentiment).

Ooh, a smirk. <-Article with a word of caution about that.

I feel like that was completely negative. Honestly, I like the concept of having an author fanfic. You have an interesting setup, and I'm just a little curious (Good job, self-analyzer, good job. *shakes head in exasperation) to see where this is going. I'm wondering what Rep's function is. "Portal" is mentioned, and "Rep" is often a short form of "representative," so maybe a mystical messenger for the Grimm brothers' fairytales? That's my leaning, calling it now. :)

Hope this helps!



The best speculative fiction peels your mind and shows you the familiar from a direction you have not looked in before
— Neil Gaiman