Warning: This work has been rated 16+ for mature content.
Note: This is for a Halloween newspaper contest, where I was commissioned to write the death of a Canadian trapper who wandered too far away from the French fort Ouiatenon in 1750 Indiana. It is unfortunately short, because I am only allowed to write a two-page story. Critiques and feedback are encouraged; I want to win!
~
Le diable au clair de lune
My breath is white as it tears from my mouth, but sweat glows on my chest, neck, and face. “You’ll make a beautiful coat,” I whisper, the words bringing me confidence as I corner the anxious stag between two stands of trees. My numb hands fiercely grip a wire snare. The beast stares at me with black eyes. Its fur is silver amid the cobalt autumn air, the bows of its pale antlers are branches of ivory.
Fear, brewed with the thrill of the hunt, writhes in the pit of my gut. The blush of life from Ouiatenon is no longer tangible and I am revisited by native skin-walker legends and tales of the devil in the wilderness. I am frightened at the thought of how far I’ve followed the stag into foreign land. Nonetheless, my pride is a callous that dulls the throb of terror and the sharpness of the frigid wind. I cannot return to the fort empty-handed, not without the pelt that will yield so much coin.
In the blaze of the fat amber moon, I see a rusted leghold trap almost entirely concealed beneath fiery fallen leaves. Its iron is rusted—surely it has been here for years, abandoned by a hunter long ago. Keeping my eyes on the deer, I step around it. Losing a foot out here would be the death of me.
The hart trembles as I creep towards it—I can hear its lush pulse in the thin, icy air. Tightening my grip around the wire, I ready myself to loop the snare around the animal’s neck. It watches me with an odd, dark serenity. A malicious pleasure. Surely, I’m going mad from the cold. The tension is finally severed and the stag’s knees suddenly buckle. It falls upon the leaves, its great head and antlers scourging the dirt. For a moment, I’m convinced it has been shot. I hastily scan the bruised expanse of woods, but only stillness meets my eyes.
Breathless, I turn back to the deer to see it has been consumed with terrible convulsions. Its skin crawls over its crackling, popping bones, and its belly begins to swell. I am rooted to the ground, confusion and queer fascination urging me to see what is to be conceived from this nativity.
To my horror, its gut bursts apart and a vile stench possesses the woods. From the carcass, a spout of black blood is expelled, sweeping over the leaves like a shadow. Bile clings to my tongue and I stumble backward only to hear the telltale sound of iron snapping shut. The jaws of the leghold trap slice through the leather of my boot and my leg is ridden with raw, hideous pain. A ragged yell claws its way up my throat and I crouch to free my foot. Blood spills over the trap, painting red my fingers that tremble with iciness and desperation. I yank on the trap, only to find that it is anchored to a birch with chains.
I lift my frantic gaze to see two dark, twitching hands emerge from the deer’s hide. They draw back the covers of skin and are followed by a head, neck, and shoulders.
Oh my God, oh my God, oh my God!
Indeed the foul hands of insanity construct this vision of a monstrosity slithering out from a stag and sprawling over the ground. I behold it entangled in the hart’s entrails and every remaining scrap of courage forsakes me. The abomination that rises from the mess of the deer’s corpse is a man only in form. He is tall, reedy, his dripping skin as black as pitch. His blistering eyes are alight with hell and his lipless mouth splits apart to reveal a fearsome, jagged grin.
“Someone! Help!” The hoarse, tattered words are swallowed by the forest and I am mocked by the echoes of a man crying to be saved. I clench my teeth and pull on the trap, prepared to rip my foot from my body if it costs me my life. The devil is naked, shuddering with a sinister glee. The moonlight paints his insidious leer a blazing copper. In a guttural voice, he moans, “You will make a beautiful coat.” But I scream, if only to avoid hearing those terrible words.
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When the deer was imploding it reminded me of that movie called the Pet Detective or something with Ace Ventura coming out of the rhino's butt. This didn't scare me, but it was gross. I like the part of the maidservant's warning, very mysterious.
What's your page/word count limit?
Two pages double-spaced.
I agree with Jager on pretty much everything but the title. I like the title. But I agree this was bogged down by big words and extra description. I want to feel like I'm there, not just watching it on TV. What is Jacques feeling? Is it cold? Does the sharp, warm smell of wood smoke mixed with tobacco linger? What does it feel like in the pit of his stomach when a branch snaps, or his heart skips a few beats when a leaf brushes his arm? Good luck!
All of these things are aspects I want to add! But I don't have the space to do it.
So take out more of the description of the surroundings and replace it with the internal sensations.
I'd consider this much less horror, more a hunter story with a splash of unexpected gore in the end. If you want horror, you're going to need to pry your way into the hunter's head and get out the way he thinks. Horror is about putting the reader as close to the beast as you can get him, and your third person approach hinders this inevitably. I'm not saying the gore isn't welcome--it is; however, your approach is just disappointing. You'll want every sense to be overwhelmed by this devil. Not just sight, not just sound, but smell. Smell is powerful stuff when it comes to gore. If you can work it in without breaking your flow, you'll be golden.
Regarding your general language, it's a bit much. The piece would benefit from toning down the extraneous descriptions about things that don't matter (make a list--you'll see them), and placing minimalist details on the matters that will put the reader on the edge of his seat. Your snaps, crunches, cracks, movements, brushes, every time the hunter's skin is nicked by a thorn, every ache and thought of impending fear. Those are the things that need attention. Not the moon, not the lodge or the other hunters. Feel free to describe the deer he's hunting, but don't dedicate an entire paragraph to it.
Your end result will pass as horror for a school newspaper because they won't be picky like we are. Just make it better for the sake of being a better writer.
ETA: Fix the title. It's pretentious.
This isn't for a school newspaper... it's for a local city paper. D:
A lot of the details I feel like I need both for a rustic tone, a historical setting, foreshadowing (the Virgin/skin-walker legend), and a sense of irony.
Do you think if I purge this of unnecessary details, I'll have the room to really make this an awesome piece? I seriously cannot add anything else or I will surpass my page limit.
Haha and the title. I have no attachment to it; the theme was French, so I slapped that onto the piece for .
*slapped that onto the piece.
*I feel like I need, all for the sake of a rustic tone...
(Sorry for the typo's! I must be scatterbrained this evening.)
Saw your request, and figured, why not?
What you have here is good, and if you want to keep it that way, that's totally fine. It works really well.
But you say this is for a Halloween story. I'm assuming that it's supposed to be kind of creepy, right?
Like I said, the content is good. But what if you did something like this:
The devil lurks in the wilderness,
The warnings of a maidservant colored Jacques’ thoughts as he plodded through the blue twilight woods. She had spoken while brandishing a carved figure of the Virgin. Jacques tried to suppress that superstition as he vainly pursued an elusive hart.
I don't know. It can go either way. Your call.
In most stories, the main characters' thoughts are put in italics to distinguish them from the rest of the story. Not all authors do this, but I like seeing it.
The reader (meaning me) kind of understands what you are saying here, but the meaning isn't all that clear. I think that you should consider re-writing this portion of the sentence, and switching out, "let alone," for something similar.
If you don't place, I will honestly be surprised. This is an amazing work of literature, and my only true complaint is that is had to be so short.
But, maybe you can expand it later on.
The language that you used created this wonderful imagery, and in complete honesty this is one of my favorite horror pieces. And I usually don't watch or read horror. Ever.
I love how you repeated the line about the coat. It gives the story a hint of perfect irony.
There were a few suggestions that I couldn't help but make, but if you like it the way that it is, that's perfectly fine.
Knight of Reviewing only here to help.
All of your suggestions are mechanics I normally use in a regular story. However, due to my two-page limit, I had to keep it dense and short. :/
Oh well.