Hi 90skid!
I'm back!
Wow - there were some technical things that were wrong with this chapter, but there weren't too many. Also, I found the letter in this chapter to be the best thing about it. I mean, it can't be easy to write an emotional suicide note. And even though we know Matt isn't telling the whole truth (this death was inflicted upon him even though he managed to accept his fate) it stills with emotion and makes me sad seeing him. He wasn't even one of the main characters, but I feel like here we got to know him a lot more and what life means to him. He has a lot of deep thoughts about death which you also put in the chapter, and it makes me wonder what Elizabeth may be facing in the future. She just saw a good friend die, and even though it's not part of her training, it is one more step towards hardening her so that she is ready to be an assassin. And now even she feels prepared herself. I think this story is just about to get a whole lot more focused on the original mission and Elizabeth is going to start going through quite a lot of character development as well.
I do not talk throughout dinner. The others glance at my impassive face as I slide into a spot and help myself to fish and chips.
I know this is what she feels like doing, so should she really be entitled to doing it? I think it would be wrong for her to act guilty before she commits the crime, because then after she does it, who will they all suspect? Her, of course! I know that the woman instructing her to do this never really gave her any guidelines or anything, but I assumed that she would be smart enough to know this. Elizabeth shouldn't be giving herself away when the game hasn't even begun! But you do need to show she feels gloomy about committing this crime. So in my idea, you could make her act normal but then tell her about her inner thoughts, and what she really feels like doing at the moment. But explain why she can't act that way right now. Show how her movements are actually calculated and precise - just like an assassins should be as well.
I would savour the sweetness of it but, today, it tastes like ash.
No comma needed after the 'but'. You already knew I was going to pull out one case like this though There are some other places where the but has a comma afterwards and it isn't really needed, as well as some where there is a comma after a 'that' and it isn't needed either. Beware of those commas! I hope to see less of them in the chapters you have posted since my feedback ^.^
When Charles shouts at Elizabeth to stop and she talks to him about when she should be killing Matt, they aren't being very discrete at all! For all they know, anyone could've just overheard their conversation. Make sure you show them checking for people around them, or slipping into a side room that is more private, or even standing so close to each other that when they whisper no one but themselves can hear it. Either way, them screaming across the cafeteria or in a hallway is a bit no no. It just doesn't happen when it comes to business like this.
that is the kind of love which only exists in the fables my mother used to tell us by the fireside on those bleak winters nights all those many many years ago.
I think that putting the word 'only' in there is contradicting. I mean, you just said that Matt and Scarlet have that kind of love, which implies it does exist, and not only in those fables. So I would get rid of the word 'only' and possibly replace it with 'usually.' You don't really have to replace that word with anything if you don't want to. Cutting it would also be fine.
He breaths in deeply,
I don't hold this nitpick against you because it is one that I see a lot on YWS. But I think you mean breathe instead of breath. To breathe is the verb, the actual action you do of breathing. Which is what Matt is doing. But a breath is the name of the thing (the air that whooshes in) when you breathe. I hope this isn't too confusing and you understand this ^^
Also, another idea would be to put everything that is written in the letter in italics? It was just a bit sudden to be reading the letter and no longer the narrative. I just think that showing the difference there between narrative to letter by changing the font a little bit might be nice and easy for the reader to quickly realise a change is occuring.
Also, Elizabeth just saw her friend die! Where is her emotions! She should be a rollercoaster ride right now. She wasn't the one who pushed him over the edge, but she witnessed it and didn't do a single thing to stop him. Maybe she feels happy about the fact that he really committed suicide, which means she didn't have to get her hands dirty and really kill her best friend, but more so let him do it. Maybe she still feels like she killed him in a way, and is racked with sadness. She could even feel happy at first and then guilty at being happy because it doesn't change the fact that her friend is dead! So just make sure we see some more emotion in here. I know, you put a lot of it into the letter, but when it comes to heavy chapters like this, the whole thing needs to be dotted with lots of emotion.
I shall miss your laugh, your smile and the way in which you never failed to make me laugh and smile
There's some repetition of smile and laugh here. I won't go on about it because you might've done it on purpose, but it would be nicer if there is something different there, just for the sake of showing you have a wide vocabulary and all.
Another thing I really liked about this chapter was the way that Elizabeth didn't trust herself near the edge because she is likely to want to fall, end it all, and fly just like Matt did. That distrust right here is perfect. We need more emotions like this everywhere in the chapter. I am looking forward to seeing the next chapter and see how his friends take hearing about his death.
Deanie x
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