Some Sort of Complication ~ Chapter One

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“There’s no clarity in conscience.” Daryl always ignored the beauty in thought, plunging straight to the core of anything we spoke on. I’d ask him about the devil, and he'd tell me he’s no Christian. I’d wonder at him, voicing the fears I have, and he’d return with this crap.

“Maybe not. But there’s a sense of... right. Isn’t there?” I hated the look on his face: Don’t be stupid, that look said, let’s be serious. He flicked his wrist, swirling the wine in his hand until it sloshed, reminding me that we had to be careful of the carpet. Every time we were in my room drinking, someone spilled on the carpet. I bit my lip, eyes on the golden floor beneath his glass, it needed a clean.

“Is that what they taught you at that posh school of yours?” I flinched; he never let that go. I had never intended to hurt him when I left to study, but it damaged him somehow. He would mention it when he thought I wouldn’t yell, when I wouldn’t cry. Sometimes I did both just to spite him.

“No, they taught me how to stand down tools like you. Get the fuck out of my room.” He wasn’t surprised. He never was.

“Mella, Mella, my lovely.” Daryl’s lips curved in a smirk. “You don’t want me to go.”

I didn’t. But he didn’t need me to concede the point; we both knew he was right. “You don’t know what I want, Daryl.” The smirk stayed set on his face as he touched the glass to his lips. I turned away and threw myself on my bed, carpet be damned. “I wanted to go away from you, so far away that even your letters couldn’t reach me properly.” Satisfaction came in the stiffening of his spine, and the way his hand arched from the wine.

“You’ve ruined the carpet, my love.” His voice was strained, I heard his glass tap onto my desk.

“You didn’t know that I hated you. For so long, Dar, my dear. And I’m so God damned glad that you know now. Because it means I don’t have to screw around with this crap anymore. “

“Mella, look at me.” I could almost hear the frown in his voice. I’d offended his senses; I didn’t need to lift my head from the mauve quilt to know it. “Mella.” It was like a warning shot.

“Get out of my room. Get the fuck out of my room.”

He left, not without staring at me for moments longer than was ever going to be comfortable, but he left. I didn’t expect him to, not that I expected him to stay... but he’s never actually left when I told him to. He does only live across the hall, but it’s always been hard to make distance.

I didn’t watch him but watched as the pale wood of my door shook in its frame, I heard the slam of the front door. His car started scant moments later and he was gone. Crying seemed like a good option. So did screaming. I did neither, staring at the only photo on my desk, sitting on the shelf above the half empty wine. Him and me on the lawn outside the veranda. We looked like fools together, all those years ago – it feels like twenty, though it’s only been four.
Light covered the picture; it had to be summer, the way the light pounded into the image, over us. The sky was a solid blue, without the gaps of clouds that kept sunburn away; neither of us wore a hat. I don’t remember the moment, or that I ever wore a sundress, let alone wore one with a wide sash. I do remember Dar’s blazer, the flippant pink of the inscription along the breast, “Property of Madame Mella”. He made it when we decided that neither of us could ever marry, we were too involved with each other.

Too involved... but never really. He’d never touched me more than in that photo, I’m sure. The casual arm slung around my waist, holding me close for the still image, was never there for anything more. I never loved him and he never pretended to love me, but we both thought we’d be together. I suppose you can get used to anything given time.

The glass was spotted with grime; I’d forgotten it was there. The frame was nothing but lacquered wood, the top sealed in dust. The rest of the room was similar, dusty and unused; even when I lived here, I hardly lived here.

At one, he’d not returned, and half an hour of moping was enough to drive me up the wall. There were rags in the bottom cupboard in the hall and window cleaner under the sink. When at boarding school, I found that late night cleaning distracted me, so I cleaned. At ten in the morning I stopped. The house, barring his room, was clean and he was still gone.

The usual images flashed through my mind; downing absinthe at Rojas Cafe, jazz at the club, sex. They became less flashes and more day dreams, the later in the day it became. At two in the afternoon, I’d detailed the hallucinations from the alcohol, and danced every jive in all the slippery, jazz rich beats I knew of... and some I didn’t. The images of sex fascinated me, though. Lying at odd angles on my mattress, listening to the whirr of the washing machine, I immersed myself in it. They were languid and torturous in their simplicity. The women were beautiful, but plain, with red barrettes and pink heels, walking across the hardwood floors and kneeling over his lap. They didn’t speak, but performed each action with a sense of purpose and direction. Their faces delighted me, but in each fantasy, each slowly roaming hand, I never saw him, or felt him, or smelt him. He wasn’t there, somehow. So the sex ended in disappointment, much like every other experience I’d had with it. I wondered how he’d be, whether he’d make my body arch and sweat the way the women did. If his body could press so perfectly, conform to mine, that orgasm wouldn’t be a trial. Maybe I’d just had really bad lovers in the past but these fantasies were better than the real thing.

I was smoothing the quilt down on my bed when the click of the front door made me open my own, peeking at him. He looked fine, dressed just as he’d left with no ruffles or shadows. He’d slept sometime this morning, maybe he’d just gone to a hotel and slept. The skitter of his keys on the side table startled me, but he didn’t look up from his shoes. They tinged red where the leather met the carpet, creeping up over his heel and toes. Hand on his doorknob, he straightened for a moment, and I hid behind my door. He knew I was home; he’d just parked me in.

His shoulders slumped back and he went into his room, closing the door firmly. I flicked my door open and crept to his, listening against the paint. He didn’t turn on his music, and he made no noise at all until the swish of his blinds and window. With a small sigh I turned back to my own room. Flopping down on my bed, chin propped by my crossed arms, I stared at the photo on the desk.

Our smiles had been so real.
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Hi, Penguin. Saw that no one else had critiqued this story yet, so I thought I'd jump in. I hate it when I go a while without reviews. :)

So, the main character is believable.By all rights, she acts like a real person, which is usually a hard thing to do in a story like this. At least, it seems like that to me anyway.

Something is escaping me, though. Why did Mella want to get away from Daryl in the first place? I never did quite see where you explained that. Since them separating is what the story is all about, you might want to make this a little clearer.

This story does seem to lack some kind of resolution. Maybe I'm missing something. He came home, and she listened to him through the door. So? Give us something a little more than that. Regret, satisfaction, anything. Right now though, it seems a little emotionally sterile.

Anyway, it was a good story. I can't really help you out with a title, as I suck at them myself. But good luck with future endeavors, and again, great story.

P.S. I only now saw this is chapter one. So ignore my resolution bit, but do try to give us an emotion, please. :)
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Heeeeeysa Nee-chan!

Okay, so I don't really have anything new to add to what the person above me said. *feels uber lame* You did good with commas though! :D *sneaks away*
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Rose!

I liked the general idea of this story, but the specifics is a bit confusing.

Why? I don't much understand why she doesn't want Daryl there or why she does want him there but shoos him away. You explain the photo more than the conversation.

The story pretty much left loose ends that didn't really get tied together in the end. We left the reader hanging. We don't feel resolved by the time we're through.

I found myself zoning out here and there, though that may be due to my tiredness. xD I apologize for a nonhelpful critique.
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Thank you all for your comments! I lurve you dearly for them. ^^

I'd like to stress that this is only the first chapter, and there's more to come, and more already waiting for you to read. ;)

I'll see what I can do about the emotion and the conversation, obviously I need to add a bit more to explain that a little better, though it becomes clearer later.

Thank you once more!

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Hullo! Sorry this took so awful long in coming... I've an unbelievable load of school work this quarter... thus, my sudden little bit of activity in the forums, lol.

Onward!

“You don’t know what I want, Daryl, you never did. You didn’t know that I wanted to go away from you, so far away that even your letters couldn’t reach me properly.” Satisfaction came in the stiffening of his spine, and the way his hand arched from the wine. “You didn’t know that I hated you. For so long, Dar, my dear. And I’m so God damned glad that you know now. Because it means I don’t have to screw around with this crap anymore. So, Dar, get the fuck out.”


Yes, it's 2:30 am, I'm tired as heck, and I just got off writing two essays in response to two of the ten Teaching questions, so perhaps it's just me (which, you know, is more than a slight possibility at the moment, lol :P ) But it took me a couple read-throughs to get she was fed up with him and wanted him out... which, now that I read it again, seems obvious. I would say to add a bit more description of her tone/emotions/whatever, but I think you did a decent job with that, and it's just my brain being dead. I'm thinking that if I knew a bit more of the characters first and their situation, it would have help my sleep-deprived self out, but I'm pretty sure explanation will come as the story goes on, so I'm not so worried about that, either. Critting as I go here, giving thoughts along the way.

Light covers the photo; it had to be summer, the way the light pounded into the image, into us. The sky was a solid blue, without the gaps of clouds that kept sunburn away; neither of us wore a hat. I don’t remember the moment, or that I ever wore a sundress, let alone wore one with a wide brimmed hat. I do remember Dar’s blazer, the flippant pink of the inscription along the breast “Property of Madame Mella” he’d made that when we decided that neither of us could ever marry, we were too involved with each other.


^^ Nice. Like the imagery, especially that first line. Very poetic.

At one, he’d not returned, and half an hour of moping was enough to drive me up the wall. There were rags in the bottom cupboard in the hall and window cleaner under the sink. When at boarding school, I found that late night cleaning distracted me, so I cleaned. At ten in the morning, while the sunlight that slipped through the leaves looked like the sun in the photograph, I stopped. The house, barring his room, was clean and he had not returned.


Confused me a bit. Flashback? That would make a bit more sense -- she seemed pretty clear about him getting out of her room. But if it is a flashback, perhaps make the transition smoother. Bang! We're in the now. Bang! We're in the past. Bound to make you a little dizzy. ;)

The usual images flashed through my mind; downing absinthe at Rojas Cafe, jazz at the club, sex. They became less flashes and more day dreams, the later in the day it was.


Again, good imagery. Has a lazy feel to it (as opposed to an angry/frantic/paniced feel). That whole paragraph was exceptionally well done. Extra kudos!

That paragraph to the end was wonderfully done, but it wasn't until the last line that it became clear-ish that it was a flashback. Maybe change how you word the tense, if it was a flash back, instead of 'was' use 'had been', etc. But if it wasn't a flashback (which I'm now second guessing myself into thinking) then perhaps clear it up? She sounded mad at the beginning, told him he didn't know how much she hated him, but she was glad he knew it now, told him to get the fuck out, and he slams the door. Then she's waiting for him to come back...?

My mind can't hold a single topic for more than a minute right now, so I'ma gonna give you this, then prolly revise it some next time I get the chance (and when I've all my brain cells working.)

Until then... make what you can of this? XD Sorry I wasn't of much aid. Probably most of the confussion is my own fault, but in case it's not, there you go. ^^ :)
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Very well done, PA ^^

There's not much I can add, really, I hate to make a judgment before I've read the later parts (which I shall do of course) but well done with the characterization. The main character's actions and thoughts were quite natural, except of course the whole hallucination thing, but I assume that's because it's not meant to be ><

It seems an interesting set up... she loves him, but says she doesn't want him around? and he never loved her at all? Hmmm... why?
I guess I'll just keep reading. I didn't spot any grammar mistakes, so you're all good there. I actually enjoyed reading this, like I was reading a story for the fun of it, not to pick out points and make judgments. I think that's a good thing ^^
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Penguin! Hello!

So, I read this, and I liked it. It wasn't my favorite, but it was alright. I've never been one for break up stories. >.<

Anyway.

I didn’t. But he didn’t need to know that, though I suppose he did already. “You don’t know what I want, Daryl, you never did. You didn’t know that I wanted to go away from you, so far away that even your letters couldn’t reach me properly.” Satisfaction came in the stiffening of his spine, and the way his hand arched from the wine. “You didn’t know that I hated you. For so long, Dar, my dear. And I’m so God damned glad that you know now. Because it means I don’t have to screw around with this crap anymore. So, Dar, get the fuck out.”


^ (I loved this paragraph. It had all of the right juicy heat that we want from a heated conversation like this. Good job!)

So, I'm going to echo all of the other critics. Why doesn't she want him with her? I think, before you move on to the next couple chapters, you should directly insert why she's mad at him. Is it just because of his ignorance? That can be frustrating, yes, but not to the verge of saying, "Get the freak out of my room!". See what I'm saying? Eh... probably not.

What I'm trying to say here is rewrite the first half of this chapter, because it doesn't work too well. At all. But don't you dare touch the second half.

The latter half of the story was incredible. I loved it. Everything flowed nicely, we got all of the right juice out of it, and it was all good.

So, what I would do is listen to those other critiques and do what they tell you in the first half. I didn't like that half nearly as much as the latter half.

But anyway. Great job!

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Daryl always ignored the beauty in thought, plunging straight to the core of anything we spoke on. I ask him about the devil, and he tells me he’s no Christian.


It might just be my tiredness speaking here, because no one else seemed to see this, but there seems to be a tense clash there. Shouldn't it be:

Daryl always ignores the beauty in thought, plunging straight to the core of anything we speak on. I ask him about the devil and he tells me he's no Christian.

“You don’t know what I want, Daryl, you never did. You didn’t know that I wanted to go away from you, so far away that even your letters couldn’t reach me properly.” Satisfaction came in the stiffening of his spine, and the way his hand arched from the wine. “You didn’t know that I hated you. For so long, Dar, my dear. And I’m so God damned glad that you know now. Because it means I don’t have to screw around with this crap anymore. So, Dar, get the fuck out.”


This is crap. Delete it. A random moment, a spiteful outpouring without context, an incident that exists not because its something the character wants to say, but more because you wanted him to leave and thus have your reflective, passive, second half. It jars, its so obviously not meant to be here that it doesn't so much stick out like a sore thumb, as it does bash you over the head with a mountain. A mountain!

Everything flows smoothly up to: “No, they taught me how to stand down tools like you. Get the fuck out of my room.”

A good reaction, because we know its uncalled for, we know that she doesn't mean, and we know he knows that. Thus, you, the writer are aware that normally he won't go. And that leaves you without a second half, so you expanded on said sentence until it contained enough hurtful words that he would indeed leave. Problem is, its you interfering with the characters normal interaction.

Daryl - he seems to be one of those naturally superior bastards, someone intelligent, and quick and arrogant. Someone who will do the unexpected - unlike Mella, who doesn't seem that way at all. My suggestion then is this - "No, the taught me how to stand down tool like. Get the fuck out of my room."

What happens now? When she and he both know she doesn't mean it? He does the unexpected. He leaves. This to me is the only natural thing that can happen, every other way is forced.

At ten in the morning, while the sunlight that slipped through the leaves looked like the sun in the photograph, I stopped.


Ick. What a horrific sentence. Just mangled beyond belief, you must revise it.

*

See what happens when you ask me to critique something, at so late a stage in the semester? Nothing nice. I stand by what I said though. It was well written for the most part, bar a few hiccups, otherwise I suggest you broaden the actions in the chapter. For each reflection, mention what she's cleaning - bathroom, kitchen, etc - spacing it out like that will make it easier to digest and seem less like nothing happens.

Cheers
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Sexy Sadie! Tangent! Etc.!

Okay, so you gave me this link a long time ago, and I didn't read it, but! I read it now. So yay! :)

There's a bunch of lovely moments in here. Some of the descriptions (the photograph, the jazz scene) are so voluptuous that it becomes erotic, and that's just gorgeous. You've always had a lovely way with words. :) My favorite part is when Dar gets back actually... the well slept comment. It fits him weirdly and it gives us a clearer idea who he is.

Dar>> Seems to be an asshole, but he's also cuddly at the same time, in a weird way. That is, although he seems to be an asshole, he also seems lost, and that softens the edges for me a bit. Wait... that might not make sense. Well, he seems so decisive and quick on understanding the situation that he seems to be afraid to think. And why? Because he seems to be afraid that if he stops and thinks, something terrible will happen, or at least that's the drift I am getting. And it's not that he's not smart and doesn't think... it's more like the Captain Beatty sort of way, if that makes any sense. He's thought and he is unimpressed with emotions and the like, so he abandons it completely for more "serious" things. When Mella throws him out, essentially, he leaves because she wants him out, but he loses no sleep over it because he only responds to what happens in the physical sense. Even though he isn't "home" he doesn't care because he's lost and he has no home, essentially. While she, living at her home, is torn emotionally away so that her home is not home at all.

We see that Mella seems to be a reasonable girl who, although sometimes a bit overemotional, also has a grasp. And, even though she's overemotional, she tends to hide these away, possibly to seem more serious to Dar (although I'm not sure exactly how close their mental relationship is). She tends to hide away and not speak her mind, so when she does, people tend to ignore her because she isn't very used to speaking, I suppose. She's also lost, but at least she knows it. She wants more but only has a vague idea on how to get there.

Just two things I want to ask/comment on.

#1: What is there relationship? I mean, I thought they didn't live together and then he has a room, and I just didn't expect that. Whether they're living together in the same house or same apartment... I don't know. Maybe it's me being naive, but I would like you to mention somewhere in the story why they seem to be living together and such. :)

I didn’t. But he didn’t need to know that, though I suppose he did already. “You don’t know what I want, Daryl, you never did. You didn’t know that I wanted to go away from you, so far away that even your letters couldn’t reach me properly.” Satisfaction came in the stiffening of his spine, and the way his hand arched from the wine. “You didn’t know that I hated you. For so long, Dar, my dear. And I’m so God damned glad that you know now. Because it means I don’t have to screw around with this crap anymore. So, Dar, get the fuck out.”


This seems to warrant a little bit more introduction. I also want to see more of Dar's reactions. ^^

Anyway, that's what I think. So yay?
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Hey, Pengy. ^_^ You're the first commenter, so thank you. :P I'll get into this now. Excuse me if I seem a bit harsh. I blame sleep deprivation. You already know how much I love this from when I read the document and my ravings over it, so i'll just get into the critique. :)

The look on his face told me that he thought I was being silly again.


This sentence is a bit tell-y. Of course, it's the introduction, so that's to be expected. We'll get to know the characters better soon, so it should fade.

“Is that what they taught you, Mella? At that posh school of yours?”


This would read better as one sentence: "Is that what they taught you at that posh school of yours?"

Satisfaction came in the stiffening of his spine, and the way his hand arched from the wine.


Is that the first time you mentioned the wine? I think it may be, although I may have just missed it. If it is the first, it's a bit abrupt. Describe the scene a little more at the beginning, maybe?

He does only live across the hall,


:lol: That was good.

I watched him slam my door, watched as the pale wood shook in its frame, then heard the slam and shudder of the front door.


Repetition of "slam" and "door." "Door" may be unavoidable, but you could sustitute the second "slam" for something better, I think.

His car started scant moments later, and he was gone.


The comma isn't necessary here.

I did neither, just sat, staring at that one photo on the desk.


Awkward wording. Maybe: "Instead I just sat, staring at the photo on the desk"?

the way the light pounded into the image, into us.


I can't quite pinpoint what's wrong with this part, but something seems awkward.

I don’t remember the moment, or that I ever wore a sundress, let alone wore one with a wide brimmed hat.


The repetition of "wore" makes it awkward.

I do remember Dar’s blazer, the flippant pink of the inscription along the breast “Property of Madame Mella” he’d made that when we decided that neither of us could ever marry, we were too involved with each other.


Looong sentence. Perhaps start another after "Madame Mella"?

He’d never touched me more than in that photo, I’m sure, the casual arm slung around my waist, holding me close for the still image, but never anything more.


I think it'd flow better if you ended the sentence after "I'm sure." Then again, the chapter itself does have a lot of these sort of sentences, so it may be a conscious decision on your part. Keep it consistent if it is. I can't remember if you keep it up in later chapters.

The glass in the frame was spotted with grime


Get rid of "in the frame." You use "frame" again in the next sentence and we know what you're talking about here.

The rest of the room was similar, dusty and unused, even when I lived here, I hardly lived here.


>.< I feel like I'm attacking your style here, but I think the second comma would be more appropriate as a period or a colon.

At one, he’d not returned,
The house, barring his room, was clean and he had not returned.


Your wording's a bit similar here.

really bad lovers in the past... but these fantasies were better than the real thing, mostly.


Two adverbs close together. Which one do you love more? :P I think "really" is better here. I must add, I love this paragraph. That says something about my state of mind, I expect, but the wording is perfect.

His shoulders slumped back and his went into his room


Should the second "his" be a "he"?

I flicked my door open, and crept to his, listening against the paint.


Omit the first comma.

I stared at the photo on the desk, our smiles had been so real.


I think "Our smiles had been so real" would have a lot more im pact in its own sentence and paragraph. As it is, it's quite powerful, but if you emphasise it, it'll be even better.

And that's all. Well, you already know what I think of your characters. Even your less likeable characters have a way with words that are endearing, so I can't hate Daryl. Mella is incredible, of course. I don't need to comment about fleshing them out more. You showed a lot of them in a short-ish piece and I know that they're fleshed out more as the story goes by.

Of course, you know that as always, everything is just a suggestion. It'd be hard to improve on this too much. The parts where I've suggested a change in the sentence structure are the most dubious, I believe. That is up to you.

Thanks for a good read. :)

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“There’s no clarity in conscience.” Daryl always ignored the beauty in thought, plunging straight to the core of anything we spoke on. I ask him about the devil, and he tells me he’s no Christian. I wonder at him, voicing the fears I have, and he returns with this crap. [Your tenses are a touch muddled. I think it should read 'Daryl always ignored the beauty in thought, plunging straight to the core of anything we spoke on. I'd ask him about the devil, and he'd tell me he’s no Christian. I'd wonder at him, voicing the fears I have, and he returns with this crap.']

“Maybe not. But there’s a sense of... right. Isn’t there?” The look on his face told me that he thought I was being silly again. Don’t be stupid, that look said, let’s be serious.

“Is that what they taught you, Mella? At that posh school of yours?” I flinched; he never let that go, that I’d left him to study. Study abroad no less. He would mention it when he thought I wouldn’t yell, when I wouldn’t cry. Sometimes I did both. Just to spite him.

“No, they taught me how to stand down tools like you. Get the fuck out of my room.” He wasn’t surprised. He never was. [What a strange persona you have here, uncertain and questioning in one sense and yet firm and fierce in another. I like her already.]

“Mella, Mella, my lovely.” Daryl’s lips curved in a smirk. “You don’t want me to go.”

I didn’t. But he didn’t need to know that, though I suppose he did already. “You don’t know what I want, Daryl, you never did. You didn’t know that I wanted to go away from you, so far away that even your letters couldn’t reach me properly.” Satisfaction came in the stiffening of his spine, and the way his hand arched from the wine. “You didn’t know that I hated you. For so long, Dar, my dear. And I’m so God damned glad that you know now. Because it means I don’t have to screw around with this crap anymore. So, Dar, get the fuck out.”

He left, not without staring at me for moments longer than was ever going to be comfortable, but he left. I didn’t expect him to, not that I expected him to stay... but he’s never actually left when I told him to. He does only live across the hall, but it’s always been so hard to make distance.

I watched him slam my door, watched as the pale wood shook in its frame, then heard the slam and shudder of the front door. His car started scant moments later, and he was gone. Crying seemed like a good option. So did screaming. I did neither, just sat, staring at that one photo on the desk. Him and me on the lawn outside the veranda. We looked like fools together, all those years ago – it feels like twenty, though we’ve only been here after there for perhaps another four. [This was unnecessarily wordy. I'd suggest a full stop after 'twenty' and then something simple like 'It's been four.']

Light [s]covers[/s] covered [I know it sounds a touch awkward but this is in past tense so do try to be consistent.] the photo; it had to be summer, the way the light pounded into the image, into us. The sky was a solid blue, without the gaps of clouds that kept sunburn away; neither of us wore a hat. I don’t remember the moment, or that I ever wore a sun-dress, let alone wore one with a wide brimmed hat. [You just said that neither of you wore hats so why the mention of one now? This is a little confusing...] I do remember Dar’s blazer, the flippant pink of the inscription along the breast [Comma here.] “Property of Madame Mella” [I'd suggest starting a new sentence here and then changing 'he'd' to He.] he’d made that when we decided that neither of us could ever marry, we were too involved with each other.

Too involved... but never really. He’d never touched me more than in that photo, I’m sure, the casual arm slung around my waist, holding me close for the still image, but never anything more. I never loved him and he never pretended to love me, but we both thought we’d be together. I suppose you can get used to anything given time.

The glass in the frame was spotted with grime; I’d forgotten it was there. The frame was nothing but lacquered wood, the top sealed in dust. The rest of the room was similar, dusty and unused, even when I lived here, I hardly lived here.

At one, he’d not returned, and half an hour of moping was enough to drive me up the wall. There were rags in the bottom cupboard in the hall and window cleaner under the sink. When at boarding school, I found that late night cleaning distracted me, so I cleaned. At ten in the morning, while the sunlight that slipped through the leaves looked like the sun in the photograph, I stopped. The house, barring his room, was clean and he had not returned.

The usual images flashed through my mind; downing absinthe at Rojas Cafe, jazz at the club, sex. They became less flashes and more day dreams, the later in the day it was. At two in the afternoon, I’d detailed the hallucinations from the alcohol, and danced every jive and slippery jazz induced dance I knew of... and some I didn’t. The sex fascinated me, though. Lying at odd angles on my mattress, listening to the whirr of the washing machine, I immersed myself in it. They were languid and torturous in their simplicity. The women were beautiful, but plain, with red barrettes and pink heels, walking across the hardwood floors and kneeling over his lap. They didn’t speak, but performed each action with a sense of purpose and direction. Their faces delighted me, but in each fantasy, each slowly roaming hand, I never saw him, or felt him, or smelt him. He wasn’t there, somehow. So the sex ended in disappointment, much like every other experience I’d had with it. I wondered how he’d be, whether he’d make my body arch and sweat the way the women did. If his body could press so perfectly, conform to mine, that orgasm wouldn’t be a trial. Maybe I’d just had really bad lovers in the past... but these fantasies were better than the real thing, mostly. [An absolutely exquisite paragraph my dear. Just thought I'd give you a big thumbs up.]

I was smoothing the quilt down on my bed when the click of the front door made me open my own. [Own... door? You mean the door of his flat, right? But maybe make that a little clearer?] He looked fine, dressed just as he’d left with no ruffles or shadows. He’d slept sometime this morning... maybe he’d just gone to a hotel and slept. The skitter of his keys on the side table startled me, but he didn’t look up from his shoes. They tinged red where the leather met the carpet, creeping up over his heel and toes. His hand on his doorknob, he straightened for a moment, and I hid behind my door. He knew I was home; he’d just parked me in, though I’d not heard his car at all.

His shoulders slumped back and [s]his[/s] he went into his room, closing the door behind him. I flicked my door open, and crept to his, listening against the paint. He didn’t turn on his music, and he made no noise at all until the swish of his blinds being pulled open, and his window lifted. With a small sigh I turned back.

Flopping down on my bed, chin propped by my crossed arms, I stared at the photo on the desk, [Semi colon would work well here.] our smiles had been so real.


[Well what can I say? This is well written dear and very intriguing, I already love the view I have of the narrator but what I would suggest is a tad bit more description. When you have it, it's absolutely wonderful but the photo is a chance for you to slot in little details like eye colour or the jut of a sharp chin or something particular that stands out: does one of them have a rather large nose or a dimpled smile?

Other than that, I've not much advice to give. I think you could be a little more aware of the wider aspects of senses at the beginning, while Dar is there so that it would contrast with the absence of him later, in her fantasies. For example, there's a mention of wine so does she smell the alcohol on his breath? Or perhaps pretzels: maybe they're eating snacks too? Can she feel the warmth of his body? Are they sitting close? Because there's not much mention of setting in that first part and I presume they're in a lounge area, opposite each other or something but possible they're side to side and just turn to look at each other or shoot glances from the corner of their eyes? I'd really like to know?

But good work and I look forward to chapter two,

Heather xx]
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PenguinAttack wrote:“There’s no clarity in conscience.”
damn good opening line.

neither of us wore a hat. I don’t remember the moment, or that I ever wore a sundress, let alone wore one with a wide brimmed hat.
did you wear one or not?

The usual images flashed through my mind; downing absinthe at Rojas Cafe, jazz at the club, sex.
yay, absinthe reference!

They tinged red where the leather met the carpet, creeping up over his heel and toes.


this is an interesting image... so I'm guessing they share a house or apartment but aren't, and never have been partners.



I would rather die of passion than of boredom.
— Émile Zola