I suspect my ex
would know better what to do—
But we are alone, we three.
I, who
has scarcely unpacked more than a life’s worth
of souvenirs in this new, unfamiliar kitchen
and they—well, who can say?
This is so unclear. Why are you talking about souvenirs? Obviously it stands for something, but what? What was the point of this deviation in such a dangerous moment?
The line breaks get a bit awkward. I'm not sure why you wanted everything to have three-line stanzas, as usually the sentances drag between. There is no rhythm, at least not a dectectable one, and so I see no need for it.
Otherwise, you express a lot here. It's all very arresting.
