Asphyxiation

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Asphyxiation

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This is for school and its based rather strongly on two poems by Judith Beveridge ' Exsanguination' and 'Crew'. It is, just in case you are having a hard time its about the death of a sailor. Probably the longest poem I have ever written, I used enjambment so the stanzas might seem to be separated strangely. I really need help with this one. Thanks


Jack steering, throws back the engine, blood
black barracuda thrown down
back into the swarming allegiance of crazed fish. Sardines
we can always forgive, flooding their monotonous exposés
into the water . We can forgive him too, a man,
Jack, as he strips off, waist to neck, believe that he could
travel across this merciless latitude
on the sordid visa of salted flesh, the cut

muscles the ripple, then fade into the sound
of crashing symbols. Perhaps he felt safe
amongst the multitude of quivering fish. As his grinding physique
builds, then collapses, he cuts the cod into chunks, all
that gelatinous black blood wobbling like the jowls
of ageing men. Perhaps as he waited
for the storm the die down he might have imagined
an army of sliding salmon slipping

down the contours of his tortured flesh, like
beads of sweat down his curved serpentine back. Jack kept his
eyes on a line of decaying squalls surfing the whitecaps, while the
clouds tugged at each other like bull nosed tugs. At
first he would have only felt the jolt of the storm, the
weight of slimy fish sliding like
sloppy mud across a wet path. At first he only
heard the splash of water, the crash of the storm. He was

found, washed up by the dunes
hardest hit from the pent up stock pile of
thunder and Atlantic rain. So much water had slithered in. There was
no telling him not to open that exacerbated mouth. Men like
him knew their storms; those who bodies
drag away the darting schools of fish from the
ripping teeth of ravenous sharks. Yet,

how long had he spent waving
those mechanical arms, the scales of archerfish coming at him
with the force of a hundred chainsaws. His own
screams silenced by the longitudinal waves of water. But who
could have rode the seas the next day, to cut
up squid, pull them in like just like Jack, knowing that his
screams resonate though that tempestuous medium.
the sea. They farewelled him

with pier side shanties, prays coming in the form of
new regulations branded across their muscles, ripped arrow pierced
hearts, cross bowed skulls against black
flags and mermaid ridden anchors. As the
thunder built up into a column, as
the fish flooded the choleric sea like the
hair on the young man’s head. Legends sprung

on the back of his initials, repeated to the ears of haddock gutters and
hag fish slicers. No one wanted
their nets branded with those black and blue letters, not
even the men who dare fog out in fog
as thick as a stingrays hide, when the wind is a
fiend with a suction mouth and when cloud
is the hue of a squids ink. They know
what had taken him out

on that boat to fish that day. They know the feel
of the weight of the storm on thin mortal bones,
the haul of a catch worth more than a thousand hourglass memories.
They know their storms
They know that stricken, denounced face.
Stay gold, Ponyboy - S.E. Hinton




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Jennya wrote:
Jack steering, throws back the engine, blood
black barracuda thrown down
back into the swarming allegiance of crazed fish. Sardines
we can always forgive, flooding their monotonous exposés
into the water . We can forgive him too, a man,
Jack, as he strips off, waist to neck, believe that he could
travel across this merciless latitude
on the sordid visa of salted flesh, the cut

muscles the ripple, then fade into the sound
of crashing symbols. Perhaps he felt safe
amongst the multitude of quivering fish. As his grinding physique
builds, then collapses, he cuts the cod into chunks, all
that gelatinous black blood wobbling like the jowls
of ageing men. Perhaps as he waited
for the storm the die down he might have imagined
an army of sliding salmon slipping

down the contours of his tortured flesh, like
beads of sweat down his curved serpentine back. Jack kept his
eyes on a line of decaying squalls surfing the whitecaps, while the
clouds tugged at each other like bull nosed tugs. At
first he would have only felt the jolt of the storm, the
weight of slimy fish sliding like
sloppy mud across a wet path. At first he only
heard the splash of water, the crash of the storm. He was

found, washed up by the dunes
hardest hit from the pent up stock pile of
thunder and Atlantic rain. So much water had slithered in. There was
no telling him not to open that exacerbated mouth. Men like
him knew their storms; those who bodies
drag away the darting schools of fish from the
ripping teeth of ravenous sharks. Yet,

how long had he spent waving
those mechanical arms, the scales of archerfish coming at him
with the force of a hundred chainsaws. His own
screams silenced by the longitudinal waves of water. But who
could have rode the seas the next day, to cut
up squid, pull them in like just like Jack, knowing that his
screams resonate though that tempestuous medium.
the sea. They farewelled him

with pier side shanties, prays coming in the form of
new regulations branded across their muscles, ripped arrow pierced
hearts, (color contrast?)cross bowed skulls against black
flags and mermaid ridden anchors. As the
thunder built up into a column, as
the fish flooded the choleric sea like the
hair on the young man’s head. Legends sprung

on the back of his initials, repeated to the ears of haddock gutters and
hag fish slicers. No one wanted
their nets branded with those black and blue letters, not
even the men who dare fog out in fog
as thick as a stingrays hide, when the wind is a
fiend with a suction mouth and when cloud
is the hue of a squids ink. They know
what had taken him out

on that boat to fish that day. They know the feel
of the weight of the storm on thin mortal bones,
the haul of a catch worth more than a thousand hourglass memories.
They know their storms (punctuation?)
They know that stricken, denounced face.


Errors/Negatives (red and bold):

- A space before your period.
- No comma between "muscles" and "the ripple"
- I think instead of "the" you meant "to"
- I personally didn't understand what you meant by "bull nosed tugs," and didn't like the repeated use of the word tug.
- "who bodies" needs possession, like "whose"
- "the sea." is a sentence but lacks capitalization.
- "prays coming" I think you meant "prayers"
- You mention the skull against black flags and I feel like there would be more contrast if you describe the color of both things, like the white skulls against the black flags. A minor suggestion, it depends on the effect you're trying to create, but contrast came to mind when I read it.
- I was confused when you described men fogging out in fog.
- It seems like a period should be placed at the end of the second to last line, after "storms"

Your poem was a very gripping one, and really a good example of narration through poetry. I liked the way the narrator felt like a seasoned storyteller that was telling me this tale of a mythically grand person who was also very human. Your enjambment worked well for me in pacing my eyes and placing emphasis well, almost like tides in the poem that come and crash, then recede. Parts of the poem felt to drag a bit and hide behind more distinguished sections, but this isn't a huge problem. Your overall tone was very consistent and fitting. I liked all the sea jargon and descriptions, like

travel across this merciless latitude
on the sordid visa of salted flesh,


or very visceral descriptions (adding to the character of this harsh seascape full of mortals),

As his grinding physique
builds, then collapses, he cuts the cod into chunks, all
that gelatinous black blood wobbling like the jowls
of ageing men.


The ending was strong and conclusive, without trying too hard to be significant. (Some people put a special secret or answer to a riddle as their ending, or leave some very vague question).

Great poem! Good luck with the grade. :)

EDIT: Looking back at the title, it doesn't seem to fit the poem too well. I would consider changing it. Just a thought.
"The most incomprehensible thing about the world is that it is comprehensible." — Einstein




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All I can say I loved the first review. Magnificent.




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Oh well... Inkwell kinda managed to say all that needed to be said about punctuation and grammar errors so all I've got left to say what that I LOVED the imagery in this piece, and the content and the story and... well, there was alot to like in this poem!

I must agree to what Inkwell said about these 2 lines, magnificent!

"travel across this merciless latitude
on the sordid visa of salted flesh, the cut"

Very Nice - Good Luck & Keep Writing

// Demoness
"Some say the world will end in fire;
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice." - Robert Frost



I wonder if people felt the freedom in our culture to love louder, if they'd be quicker to say "I miss you" when the absence of someone is felt instead of just thinking it.
— soundofmind