Hey, Daisy.

4 posts
User avatar
Gender Female
Points 3420
Reviews 126
A shrill scream burst through the calm spring air as the sharp sound of a hand gun still rang. The silence that followed was deafening and eerie. A shot. A boy falling to the ground. A girl falling to her knees. Her tears of agony dropping to the pavement, mixing with the newly spilled blood. The sound of her cries exploded in the air and then subsided into racking sobs. Shakily, she reached her hand forward and touched the boy in front of her. Eyes darkening, her fingers gripped tightly to his shirt and she leaned over him.

“Why?” she whispered. “Why?”

As the tears continued to spill, her arms reached out and wrapped around the cold figure. Her sobs echoed through the empty afternoon and she buried her face in his neck. A weak hand caressed the back of her head and she lifted her eyes to meet his. A painful smile was plastered onto his face and silent tears flooded from his eyes.

“Aaron! Aaron, wait up!” Words from the past echoed in her mind as she brought her hand, gently, to his face.

“Hey!” she called when she finally reached him. The fall air was chill and the trees surrounding the small suburban town were changing into bright shades of reds and oranges. The brightness brought the illusion of fire and intensity through the thick forests.“Good morning!” Her words were followed by a bright smiled and she clasped her hands behind her back.

“'Morning.”

“What's with that?” she pouted, sticking her lips out and staring at him with puppy-dog eyes. Aaron rolled his eyes and walked faster. “Hey!”

Once again, she caught up, but the muscles in her legs were starting to ache. The sidewalk was uneven and her muscles twinged at the speed she was walking, over the ups and downs of the broken concrete.

“You know, you're kind of like a stalker.” He sighed and stopped walking. The stop was sudden, and the girl was past him by the time she realized he was not by her side any longer.

“A stalker?!” she screeched.

“Yes, exactly. I'm the new kid, so why is there suddenly a pretty girl following me everywhere I go?” He stared questioningly at her back, waiting until she explained her motives. The sharp 'chirp' of morning birds filled the crisp air while the girl hesitated. A few more seconds, and she turned on her heels, a large smile plastered on her face.

She giggled and cocked her head.

“What?”

She giggled again, and skipped over to him. “You just called me pretty!”

“... Yes, and I also called you a stalker, and implied that you were very strange. Is 'pretty' seriously the only thing you got out of that?”

Her face turned serious and her eyes narrowed, their golden brown hue darkening into a light chocolate. She lifted her hand and stuck up her pointer finger. “Of course! Because this means that you don't hate me! This is a chance!”

The way she said that was confident, like a thick tree standing tall in a storm, never swaying, not once. It was somewhat... endearing, and Aaron couldn't help but smile a little.

“Fine,” he sighed, and continued walking.

“Don't... cry,” he whispered in a raspy voice. The touch of Aaron's fingers on her face still brought comfort, even in his condition. “I might... not make it... but please... don't cry.”

More tears made their way down her cheeks and she roughly shook her head. “No... No, I can't let you die!” she sobbed, and buried her face deeper into his chest. Around them the world turned and went on. No one knew of this one insignificant person's pain, and no one cared. And with no regard to this girl's feelings, one random nobody had given pain to her most important person. A man who had a tough day at work, or had troubles at home-in his own life-had simply snapped, and shot Aaron, an innocent passerby, in the chest.

As Aaron walked with this girl after school, the sun was warm and bright. They had taken a detour in hopes that they could spend more time together in the nice spring day. The trees rustled by the side of the empty small-town road. A middle-aged man was sitting on a small bench with his head in his hands and payed no attention whilst the couple walked by.

"Hey!" he had shouted after they passed. He waited until the couple turned around and then pulled his gun. One shot, that's all it took in the small distance for the bullet to pierce Aaron's chest. Aaron fell to the ground and the man simply turned on his heels and walked calmly away. He hadn't known that this particular pair had no phone on them. He hadn't payed attention to the emptiness of the country road, and the impossibility of getting help. It had just been a coincidence that everything had piled against this victim when he had snapped and pulled his gun.

There was no rhyme or reason. A boy was now lying on the ground, the blood that had kept him alive for sixteen years now spilling over the hot earth. A girl who thought of this boy as a very important person, now clinging to his draining body. And all of this, simply because one man felt the need to disrupt someone else's life as well. He had thought “If my pathetic life is going by without anyone's notice, I should take someone with me.” A scholar or a painter, a business man or a McDonald's manager, he did not care. As long as he could subdue his own insignificant pain for a few seconds, he didn't care who he shot, as long as he took someone with him. And he did.

“Oh, Aaron!” she sang childishly as she made her way up the front porch steps. Aaron hid his discreet smile behind the book he had been reading. “Tada!”

A light brown paper bag was placed on his book and he was forced to set it down and look his disturbance in the eyes. It was a bad idea. She stared down at him with large, sparkling eyes and a bright smile. She was always so cheerful, especially around her friends. So much so that it was almost annoying.

“Well? Aren't 'cha going to open it?”

He heaved a sarcastic sigh and moved his forgotten book aside, taking the bag in his hands and slowly opening it. He smiled at the contents and looked up at the sparkling teenager.

“It's your favorite.”

“Thank you,” Aaron said warmly as he took the chocolate chip muffin out of the bag and scooted over to give her some room to sit. The swing rocked as she sat down next to him and wrapped her arms around her knees.

School had ended a few days before and they were in the stage of post-school-boredom. The warm breeze moved through the trees and rustled the bushes, sending calm sounds of nature through the air. Off in the distance, birds chirped quietly and children laughed, running around in excitement for their summer freedom. The serene silence continued for a few more minutes until it was broken by the questioning voice of the girl.

“How come every year goes by faster than the last?” The air moved swiftly past her face as the bench swing moved back and forth. Aaron's foot was dangling off the side and pushing the swing at a calming speed.

“Well... When you're five, one year is a twentieth of your life. When you're ten it's a fortieth... Twenty, it's an eightieth. It's because your perspective changes over the years.”

Aaron flipped through his book and munched on his muffin, barely hanging to their conversation. She closed her eyes and leaned her head back onto the armrest. It was amazing that they could talk so freely now, when only a few months ago, Aaron wouldn't have given her the time of day.

“You know,” she started after a long pause. “I think that... humans are at a disadvantage when it comes to life.”

He looked up at her over the top of his book. “Why do you say that?”

“Because. Humans may live longer, but I believe that we're more sensitive to 'The End' than other animals, such as dogs or cats. I can't exactly say, since I've never been a dog, but we seem to know more... and less. It's scary if you think about it, because, no matter if you're a scientist or a priest, no one knows what happens to you when you die.

“I think that... when it's a humans time to die, they're never exactly ready. Even if they're old and were expecting it, it's not like they're going to enjoy leaving behind everything that they knew. You'd think that... a humans ability to reason is an advancement that differentiates us from other animals. But if you think about it... it's actually, truly, a hindrance, and a pain. It's truly... truly scary.”

Her eyes opened and she picked her head up to look at Aaron's expression. He had set his book down once again and was leaning forward, staring intently at the girl before him. His expression was hard and sad, but it quickly softened and he reached his hand out to touch her cheek delicately.

“I think that... If you've spent your life well, no matter the amount of reason you posses, or how young you are, you will be able to leave your body behind gracefully. And that, in time, the ones you left behind will be able to do the same.”

She smiled and placed her hand on top of his. “Yeah. Maybe.”

The devastated girl squinted through her overflowing tears and clung to Aaron even more. She rested his head on her knees and stroked his hair, feeling the soft strands through her shaking fingers. She gasped for breath again and rested her forehead on top of his.

“Hey, Aaron, stay with me,” she begged in a desperate whisper. “You have to stay with me! You're my best friend! If you're gone then who will help me with my homework? Who will listen to me when I spout my crazy ideas?! With you gone, who will be there to swing with me in the summer and eat chocolate chip muffins with me?! You can't die! It's not fair!” She was shouting and crying and gasping for breath as she slowly began to lose her mind. This boy who she had only met a year before was now the biggest section of her heart, yet here he was, slowly bleeding to death in her arms.

Aaron's eyes were getting heavier and his breathing was getting shallower. He wasn't able to keep his eyes focused on the object of his affection that was crying in front of him, nor was he able to comfort her like he yearned to do. He gathered up the last of his strength and placed his hand on her cheek. Quickly, she grasped his hand and held it to her so it wouldn't fall away.

“Hey, Daisy... It's not... scary.” He smiled as comfortingly as he could. Her brown eyes closed tightly as she shook her head, refusing to accept what he was trying to say.

“No!” she screamed. She felt his fingers go limp and squeezed his hand tighter to her face. She watched as his eyes slowly closed and the muscles in his face relaxed. “Aaron! No! Come back to me,” she sobbed. “Please come back to me.”

“Hey, Daisy. You know what?”

“... I love you.”
Last edited by Mickixoxo on Tue Jun 21, 2011 8:43 pm, edited 3 times in total.
If there's a 50/50 chance of getting something wrong go for it anyway because there is also a 50/50 chance of getting it right

I became insane, with long intervals of horrible sanity. ~Edgar Allen Poe




User avatar
Gender Female
Points 2109
Reviews 18
Wow, what a powerful story! I really liked it, but there are some things I noticed that could use tweaking.

Light rain droplets pattered on the dark pavement; each speck of water enriching the ground. As the rain became heavier and deeper puddles arose, the drifting water touched upon another liquid. With the continuous falling of the rain, it became tainted and stained; seeping into the puddles of deep red, and intertwining with the dark substance. The transparent puddles were saturated and darkened as the blood spilled over the ground


I found this first paragraph to be really confusing. When I finished it I kind of got what you were aiming for -- it seems like you had this image in your head, but had some trouble realizing it in writing. I think you shouldn't wait to spring it on the reader what this mystery liquid is until the last minute, and just immediately say that it's blood from the get go.

Her tears of agony dropping to the pavement


You'd do better to leave out the bolded phrase. This is telling not showing, and the reader can already guess why she'd be crying.

she roughly shook her head.


I would put "roughly" at the end of the sentence. The way you placed it here, it sounds more like you mean "approximately" as opposed to "vigorously."

The sound of her cries exploded in the night


I love imagery this invokes. This is a very fresh description, and I like how it reflects the gunshot that you mentioned earlier. Just beautiful :)

Shakily, she reached her hand forward and touched the boy in front of her. Eyes darkening, her fingers gripped tightly to his soaking shirt and she leaned over him.


You need to be a little more aware of sentence structure -- these two sentences read very much the same structurally, and they're right next to each other. It comes off as repetitive.

The fall air was chill and the trees surrounding the small suburban town were changing into bright shades of reds and oranges.


Something about this reads kind of awkwardly to me. Maybe it would be better if you were more specific about the fact that it's leaves changing colors? I also think that you could leave out the word "bright." It kind of bogs down an already pretty long sentence.

The brightness brought the illusion of fire and intensity through the thick forests.


This one I'm not really sure about. You could leave it, but it kind of feels like telling where it would be easy to show. I think it would be a much more striking image in the reader's mind if you went into more depth with your description of how the leaves on the tress mimic fire, and just drop this line completely.

Her words were followed by a bright smiled and she clasped her hands behind her back
.

You don't need to say the first part of this. You can just have the line of dialogue and follow it with, "She smiled."

she pouted, sticking her lips out


This is redundant, since you're just describing just what pouting is.

He hadn't known that this particular pair had no phone on them. He hadn't payed attention to the emptiness of the country road, and the impossibility of getting help. It had just been a coincidence that everything had piled against this victim when he had snapped and pulled his gun.


I don't really get the significance of this paragraph. If the gunshots are the doing of a guy who "snapped," can't we just assume that he wouldn't care or pay attention about any of these details? I know that you were using this to show what exactly Aaron and Daisy's situation is, but instead it made me stop to think about why the guy with the gun would consider any of these things. Also you might want to consider why a crazy guy with a gun would go out in the country and just shoot these two people. It makes it seem like he wasn't so much a crazy guy with a gun, so much as a hitman because he's going out of the way just to shoot these two.

I think there were also a few other times where you would add descriptive words to an action that were unnecessary, and also telling not showing. I'll give you one of these examples:

she begged in a desperate whisper.


You don't need to say desperate -- we already get that she's begging, so she has to be desperate. I'd even suggest though simply saying "she whispered," because what she's saying is a plea. I pointed out a couple others in my above critique. You just need to be more aware of how much the actions of your characters say, with out telling the reader what these actions mean. Does that make any sense? haha

I have to say though that this piece was really effecting and visceral. I was really glad that you didn't feel like you had to describe Aaron and Daisy's physical appearances too much. Authors do this way too much and more often than not it comes in the form of purple prose. I also like that you didn't overplay Daisy and Aaron's budding romance. It felt very natural and easy. If you just fix the things I pointed out, this would be a truly breathtaking story :)




User avatar
Gender Female
Points 9697
Reviews 3900
Rawr!

Okay, so I did a video critique on it. Yup.

Link is here: http://www.youtube.com/watch?v=PA_TT3FkCxU

Anyway, the other comment I have is that there are a lot of words that are misspelled that aren't misspelled. Kind of like this. So, just go through and see if you catch these nasty buggers! And "heals" should be "heels." ;)

Nice story! :D

EDIT:

Okay, a summary (BECAUSE I LOVE YOU!)

Basically, the pieces are all put in place, but the setting is a bit weird and out of place... why would they be there in the first place? It seems like you are using this scene to have a set up of things to come. Things might be even more tragic and awful if you used a scene which was more typical of a place that the teenagers would be at.

Also, don't be afraid to have a less ominous scene, if that helps the characters be more believable. Sometimes, what can be the most awful thing of all about grief is that life continues to go on just as normal and yet you've just had a big piece of your life ripped out.

And look! You don't get an impromptu driving tip that directly relates to organic chemistry! Awesome, right? XD
Ubi caritas est vera, Deus ibi est.

"The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the Master calls the butterfly." ~ Richard Bach

Moth and Myth <- My comic! :D




User avatar
Gender None specified
Points 92255
Reviews 1748
Hello, and thank you for entering my contest, "The Little Things."

I really like the way you move between flashback and present-day in this story, letting the reader get to know Aaron and Daisy without telling. The scenes are very well done. Personally, I'd like to see a couple more of them - I'm curious how Daisy went from being "kind of like a stalker" to being "the object of his affection."

I also felt the little moments were handled very well, both the ending and the moment where Aaron tells Daisy that dying isn't scary. After the abruptness and drama of the beginning, the last two lines are a beautiful contrast. Also, when Aaron says it's not scary - since you introduced Daisy's fear of dying early on, this becomes a lovely moment that makes the reader give a sad sort of smile. However, this moment was introduced a little awkwardly. I mean, Daisy gives Aaron a chocolate chip muffin and then starts randomly talking about death. This would feel more natural if someone close to her has just died, if one of their classmates recently got hit by a drunk driver, etc.

Also, the circumstances under which Aaron dies are sort of bizarre. First of all: Is the road a small-town road or a country road? You used both terms, and here's the thing: If it's a nice day in a small town, there will be at least a few people around, for sure. A country road is more likely to be deserted, but there would not be a bench on a country road, and the killer probably wouldn't have been there in the first place.

Also, there's the killer himself and the reason he killed Aaron. I don't buy it. A lot of murders ARE spur-of-the-moment, but they're crimes of passion, directed at someone who has hurt or betrayed them. The main people who kill strangers are serial killers, who are generally psychopaths killing for the rush. (Yes. They kill for the adrenaline, or even a feeling of sexual pleasure. Scary, right?) Otherwise, people who kill at random are generally young people, high school- or college-aged, suffering from depression or severe anger issues, who snap from pressure or shoot up their school in order to attract attention. The thought is not, "at least someone's going down with me," it's "I can't believe he/she did this to me," "I can't let him/her get away with this/reveal my secret," or something along the lines of making people notice them (followed by severe guilt on an inability to face jail, hence the people in this group shooting up a very public place with lots of witnesses and then committing suicide).

For future reference, check out the attachment to see how the forensics teacher at a high school I observed identifies serial killers.

The only other problem with this is that some of your phrases are superfluous. Consider changing these:

Her tears of agony dropping to the pavement, mixing with the newly spilled blood.
Her boyfriend was just shot, and tears are usually "of agony," so you don't need to tell us this.

And:

The warm breeze moved through the trees and rustled the bushes, sending calm sounds of nature through the air.
Duh.

And:

He wasn't able to keep his eyes focused on the object of his affection that was girl crying in front of him, nor was he able to comfort her like he yearned to do.
In regards to the first part of the sentence, we already know that she's the object of his affection, there's no need to reiterate it, plus (if I wanted to go all feminist or deconstructionist or both on this) it makes her a "non-person" - she is his "object" (though I know that's not how you meant it), and it just reads awkwardly. In regards to the second part - he may be unable to comfort her, but he's still TRYING, at least, so it sounds silly to say he's not able to comfort her and then a paragraph later say that he smiled comfortingly. See?

Other than the lapses of believability, this was a good story. You're a good writer. If you can come up with circumstances that are a little more realistic, you'll have it. I know you want Aaron and Daisy to be alone for this scene, but don't be afraid to have some witnesses. Aside from adding to the believability, this can add to the desperate tenor of the scene - imagine: People trying to pull Daisy off Aaron so the paramedics can get through, but in vain; people grabbing the killer or explaining to the police or crying over their own fallen loved ones (maybe the guy snaps and shoots up the area), yet Daisy still only sees Aaron. Go with it. You can do something great here.

~Blue
Attachments
serial killers.png
Okay, he was joking. But I think you get the picture.
serial killers.png (27.98 KiB) Viewed 105 times



If I'm going to burn, it might as well be bright.
— Frank Zhang