Chapter 1 - The Man in Fine Attire

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if you enjoy reading this, here's an overture I composed for the story:
http://www.youtube.com/watch?v=iKY3jQfT-co

Above the high peaks of Greygoff Valley, the sun silently descended, exhaling it's red miasma before drifting into its impalpable abyss.
At the foot of the mountains, sheltered from the icy winter winds and predators lurking in the caves and crevasses dotting the cliff-like far side of the mountains, was the small town of Greygoff itself; small, insignificant homes, housing small, insignificant people living in this small, insignificant town.

The known land of the empire stretched for miles, in all directions, stopping only at the Great Wall, immaculately crafted with smooth black brick, shimmering in the exposing sun which brightened the harsh, dull desert of which the wall dammed; no one could ever say for sure what was over it, because no one had ever crossed it; it was too high even for a creature of the air to surpass.
Surrounded by vast oceans, the peninsula the empire controlled split into two realms, separated only by the Raven-Eye river, so named because of the large island dividing it into two streams and back again. The Zarphic Desert lay in the eastern side of the empire, sand whirled rapidly, water was scarce and few had ever crossed it; any who did were blocked by the Great Wall. Lush green grasslands and beautiful, monumental mountains surfaced the lavish domain of Largate on the western side of the Raven-Eye. The king's home and capital city, Reidoc, was situated almost in the immediate centre of Largate, his imperial grounds expanding many miles from the ample palace.

The unaided, tribal people, living in the heart of the Zarphic Desert had declared war against the empire in a desperate attempt at rebelling against the king's remorseless, absent-minded attitude towards the shanty-town city – Zekric. Even larger than the capital, Zekric stretched for hundreds of miles, homing thieves, outcasts and the 'unfortunate' who happened to be born there. All manner of dark creatures, artifacts, traders and their mobile carriage homes sprouted from Zekric.

Like the Empire around it, Greygoff was also split by the Raven-Eye river; one half of the town lay in Largate, the other in Zarphic. The town was linked by a small, light red cobbled bridge; just high enough to accommodate a small rowing boat.

A male, tall with short brown hair stood on this bridge, his rough hands leaning against the cracking, pink paint coating the stone wall. His name was Okrol, a working boy aged seventeen. As he did after most bad days, Okrol walked to his favourite spot in the town, the bridge to watch the Raven-Eye open up into the unknown ocean. Dolphins leaped and splashed playfully no less than a mile away from where he was standing and where the river mouth opened.
Only the top of the sun crept over the horizon now, Okrol watched it descend, his eyes tired after his hard unappreciated work at the blacksmith's shop in the south of town. Working for Jimmy the blacksmith was either hard or harder, even Okrol's muscled arms couldn’t take the pace required in the shop. Jimmy and his long grey hair tied back, was well over eighty years old and his arms nothing but skin and bone. Remnants of a once muscular figure sagged from the old blacksmith when his arms were outstretched; his jaw line had sunken by at least an inch in the last twenty years. For his age and size, Jimmy was genuinely fit, he could lift immense loads and carry them round the shop; Okrol struggled with such a task, and for his age, he was fit.
The moment the sun sank solemnly into the ocean, Okrol relieved the wall of the weight of his hand and made for the Largate side of the bridge, where his home and family were. Okrol's weathered boots squeaked quietly as he walked down the slightly sloping bridge, his plain brown shirt and matching jacket looking very dull in the warm, orange air. As usual, after a day at the shop, Okrol's sturdy dark brown trousers were full of oil and only what his mother called 'elbow grease' would get it off.

Okrol arrived home some minutes later under the graceful light of the moon, whose reflection danced calmly in the Raven-Eye river which was quite visible from Okrol's family home, a small fraction up the mountain that bestowed part of Greygoff valley.
Okrol let himself in through the gate that Jimmy had taught him to make and continued towards the front door. On the dusty old wooden door was a single piece of slate, connected to the wood by a hinge. Okrol lifted the slate and rapped it against a blank piece of wood. Okrol's mother answered the knocking, emitting him in.
“How was your day, son?” his mother, Kel asked.
“Hard,” he replied closing the wooden door with a slight thud.
“And Jimmy, how was he with you after last week?” she asked inquisitively.
“Same as always, he moaned for hours bringing up disasters from his past; obviously I played a big part in the more recent ones. But he's OK,” said Okrol, remembering last week's catastrophe with the oil and newly finished metal, causing the whole batch to be remade.
Okrol opened the door to the small sitting area. There was his father, sitting in his usual seat, talking to a man Okrol had never seen before.
“Ah, Okrol. Glad you're back,” said his father, grinning nervously.
“Thank you father, glad to finally be back,” Okrol said smiling, subtly turning his head towards the stranger, wearing fine attire and sitting in Okrol's seat. Okrol took him to be a businessman of some kind.

There was just enough time for the stranger to look at Okrol smiling, before his and his father's face became suddenly fear-stricken; then everything went black. The last thing Okrol saw was his father and the man stand, swords raised.
Last edited by thatboy on Sun May 22, 2011 11:59 am, edited 2 times in total.
It's not what life makes of you;
But what you make of life.




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Let me ask you one question, before you read this brief review. Are you joking? Do you seriously believe this piece needs to be reviewed?
I loved it and I'm going to say this as an introduction to the review, because I only found insignificant mistakes that could easily be corrected in five minutes. Your description is not breath-taking, but breath-giving. You have the sort of style that might encourage a gloomy writer to become joyful and go back to his writing.
I managed to see the houses clearly and I saw how tall the wall was. I loved how flexible, yet sophisticated your words were. Honestly, I haven't read a so good excerpt for a very long time.

I did enjoy it much. Now! With the review!

...was the small town of Greygoff itself; small, insignificant homes, housing small, insignificant people living in this small, insignificant town.

you said 'small' about four times in this phrase. You might need to pick different words.

it was too high even for a creature of the air to surpass.

That was a beautiful line, even though it was very simple. I voiced, 'Wow!' when I read it.

the peninsula the empire controlled was split into two realms

Using 'split' instead of 'was split', I think, would be better. It's simpler and more flexible that way.

All manner of dark creatures, artefacts, traders and their mobile carriage homes sprouted from Zekric.

Artifacts, instead of artefacts.

A male, tall with short brown hair stood on this bridge...

Start a new paragraph here.

The moment the sun sank solemnly into the ocean, Okrol re-leaved

Did you mean 'left'?

the graceful light of the moon, who's reflection...

Whose, instead of who's.

...................
I haven't found anymore than those and I'm a very harsh critic. Thank you for letting us read this. It's beautiful, that's how I describe it.
I'm back to my YWS after months of disappearance, hoping that I'd gain the immunity of books and quills against the harmful realism of our world.

In case this made no sense, I'm just saying that I'm happy I'm back!




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Hi there! I haven't been active in a really long time, and I just saw your message. So, while I don't know whether you even remember asking for a review, here I am! :D Sorry for the delay.

Right off the bat, I want to say that your writing is very good--grammatically, you have few problems, and I liked your description. However, the mechanics can only get you so far. I'll try to explain what I mean.

A male, tall with short brown hair stood on this bridge, his rough hands leaning against the cracking, pink paint coating the stone wall. His name was Okrol, a working boy aged seventeen. As he did after most bad days,


As far as I can tell, your story starts here. I do mean this literally--delete almost everything before it.

ALL of the rest before that is pure info dropping. Now, it might work for you, and some authors have made this kind of opening work. But when I saw it I immediately went "ugh, Tolkein. Now I'm gonna have to read pages and pages of descriptions that I don't care about before getting to the story. Skimming time!"

Ok, so that's not exactly what I thought, but you get the idea. The point is that we won't care about the geographic and economic details until we have some story threads to attach them to. Sure, it's good that you have these details at all, (I love to read stories that their authors actually care about) but you don't need to hit us in the face with them until we're attached to the story. Of course you will need some details to orient us, but keep it to a minnimum. By minimum, I mean one or two lines per paragraph of character action, if that makes sense.


That was the biggest issue I found with this chapter. Secondly, I sometimes found the sheer flowery-ness of your prose a little overwhelming.

Example:
Okrol arrived home some minutes later under the graceful light of the moon, whose reflection danced calmly in the Raven-Eye river which was quite visible from Okrol's family home, a small fraction up the mountain that bestowed part of Greygoff valley.


Now that I'm thinking about it, the real thing that as bothering me is your distinct case of adjective/adverb itis. I hate adverbs. People (especially middle school English teachers) will tell you to use lots and lots of descriptive terms to give readers a clear picture. This is not a good idea.

Take Twilight. I dunno if you've read it, but one of the most annoying things is the way the author describes Edward. She literally spends pages describing him with words straight out of the thesaurus. I try to limit myself to no more than one per paragraph, when editing. Adjectives aren't so bad, as long as they blend into the sentence, but you have to be careful. Adjectives are not precise, and the easiest way of getting away with being very descriptive is being precise.

Anyway, I wasn't planning on going on such an anti-adverb rant, but the truth is, it is best to avoid them where possible. Some writers can get away with using lots of them, and it can be fun to make your writing purple, but your readers will thank you for understatement.

Secondly, using big words does not make your writing seem more mature or better. I'm not trying to suggest that you were doing so to give that effect, but take the example I just quoted. "a small fraction up the mountain that bestowed..." First of all, it doesn't make sense. Secondly, you could just use simpler words that don't jolt us out of the story.

Oh, and details! You have an odd problem here: sometimes you have uneeded information that just gets in the way/is awkward:

Okrol let himself in through the gate that Jimmy had taught him to make and continued towards the front door


(The part about Jimmy sticks out too much)

And sometimes it jumps around so that we barely have any info about what's going on:


Okrol took him to be a businessman of some kind.



Why? Other than his clothes, how does he know? As is, this sentence is dull and invites skimming.

There was just enough time for the stranger to look at Okrol smiling, before his and his father's face became suddenly fear-stricken; then everything went black. The last thing Okrol saw was his father and the man stand, swords raised.


I hate the word suddenly. Just saying. Anyway, this parargaph is moving extremely quickly--I'd like to see it developed more.

Lastly, dialogue tags: you don't have that much dialogue in this piece, but I'm already noticing a bit of awkwardness in the way you're tagging it. Understatement is key here--we should be able to figure out who's talking by the way it's said (or what is said). When we can't, tags are in order, but for the most part, it's better to let the dialogue speak for itself. (no pun intended).

I'm out of time! Anyway, I hope this review doesn't sound too harsh, because I genuinely think that this novel has potential and I'd like to see it reach that potential. I hope this review helps, and wish you luck as you continue the crazy novel writing/editing adventure. I look forward to reading more about this Okrol. ;)

See you around! Let me know if you ever need a review or anything.

Lupis




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Hey thatboy! Thanks so much for entering the First Chapter Contest! Here’s a quick review for entering!

First off, I’d like to say this does an excellent job of setting the scene. You give a nice representation of what the world is like without completely dumping a mountain of information on the reader. There were a few places where the “big words” were a little bit too much and could have been substituted by simpler words and worked just as fine. Just be careful with the fancier words, despite what it may seem they can get overdone ;)

I don’t have any nitpicks, and the only other thing is the chapter feels almost too cut-short. While it’s good to leave a chapter with a hook that makes the reader want to continue on, it seems like more should have gone on in this chapter before it ended.

With the amount of pure telling and description, even though it wasn’t overbearing it feels like it ought to be more balanced with showing/action occurring with the main character. When I finished the chapter, I was left disappointed more than I wanted to read more (if that makes sense). Of course, chapter length is ultimately up to what feels right for you and I haven’t read on to know if it actually makes more sense for this to be cut here where it is.

Overall, good job! I enjoyed reading this, and find the world intriguing. If there had been more character interaction, I’m sure the characters could have had a factor in my desire to read on but as it is I’m not yet invested in who they are.

Thanks again for entering!

Keep writing!

-Lauren-
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A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.
— Roald Dahl