Catch Me (prologue)

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Layla had always been loved. Though she never married, never even got into a relationship, she had the hearts of two men—both completely different from each other. While she was alive they did all they could to protect her and keep her safe. When they could no longer do so, one of them begged her to renounce her beliefs so that he could protect her longer. The other killed her quietly and quickly, giving her the mercy that those who wanted her dead would never grant.
But Layla’s death wasn’t the important thing—it was inevitable. It is her life that will be told—must be told.
There was something about Layla that touched everyone. It didn’t matter what race or religion they were. It didn’t matter where they lived or what kind of car they drove. Layla had a gift, something that few people possess: she had the power to be, the power to see, the power to give and inspire. Being in her presence made people lose themselves a little bit: they couldn’t talk to her too long without feeling a certain tightness in their chest, a sort of breathlessness that was unique and pleasant.
People—men and women—found yourself fascinated by the way her hands moved when she spoke, or the way her dark eyes flickered everywhere at once, absorbing everything. The light that touched the dark skin of her neck and cheek seemed to glow with warmth and cling to her, as though it never wanted to let go. Suddenly, every single person in the room was hanging onto her every word, taking in the way a small line would form on her forehead when she was deep in thought, the way she’d bite her lower lip or suddenly smile so brightly, or the way her mouth and eyes tightened when she was angry or sad.
Captivating.
Layla had trouble shutting her mouth, knowing when an argument was too small to pursue or when the price was too high. Sometimes she overreacted and got angry. She thought about things other didn’t—when she saw someone on the street she’d often speculate about them: were they happy? She hoped so, she hoped that they had all the joy life could give them. What was their story? What were their struggles? She wanted to know, and she wanted to help them heal. Every single person has a story, she’d often say. Every single person has a grievance, a secret place in themselves where they can be alone and think about all that has happened to them.
She’d been hurt, badly. When she’d healed from that hurt, she’d bent her will towards helping others heal their own hurt. Layla never believed that she really could help, but everyone else around her knew that even her presence was soothing. She was like a flowing river—someone could take a dip and come out feeling cleaner, purified, stronger. Children would spot her in a train or in a crowded room and come towards her, wanting to talk or play or just stare.
They weren’t staring at Layla’s physical self. She wasn’t a beautiful woman, though she wasn’t ugly by any means. Her hair was dark and long, falling straight halfway down her back. Her jaw had a hint of square-ness to it, and she held herself like a fighter—always ready to move suddenly in any direction. There was grace in the way she held herself in stillness and in movement, and at the sight of her one’s heart might start moving faster and one would feel that tightness of the chest, as though they too were ready to run.
Most heroes have heroes of their own. Layla didn’t. So many people admired and respected her—considered her their role model. But the one time she’d been asked who she admired, who her role model was, she’d had no answer. “The thing about role models is that they can disappoint so easily.” She’d told the woman who’d asked her.
“You admire someone and you respect them, and being around them makes you want to be a better person. But then you find out that maybe they aren’t that amazing, maybe they’re really just another person with regrets and crushed dreams and maybe even a few dreams that they’d crushed for others.” She’d shrugged and given the woman a sad smile.
“I’ll be my own hero. I’ll imagine someone I’d love to meet, someone I’d love to be friends with. Someone kind and funny, who can be serious but knows how to have a good time. Someone smart who you can confide in and know that they’ll never judge you. Someone I could trust. And then I’ll become that person—I’ll work to make myself kinder, I’ll work on learning how to forgive even when you can’t forget, I’ll correct myself every time I start to judge someone before really knowing them. But of course, I could never be someone’s hero, either. I’d disappoint them, in the end. After all, I’m only human: I have regrets, I’ve hurt others, and I’ve been hurt. That’s not someone’s idea of a hero.”
And yet she was.
Every time she was in the room with someone, Layla made them feel like they were bathing in silver light. After she died, those who had known her thought of her often. And then they’d feel that odd, pleasantly breathless feeling in their chest again. But this story starts far before this, in a preschool classroom.

Hi, everyone! Thanks for reading, and hopefully commenting :P This is a story idea I suddenly came up with and just had to write down, and I'd LOVE any feedback--feel free to tear this to pieces. --Caitlin
'I didn't know that I could ever forgive him for everything he'd done to me. Now that I looked back on it, that he'd put a child through such torment seemed even worse. But right now, it wasn't him I was forgiving or thanking. It wasn't even about him.
I was forgiving myself.' -Speak Into Silence




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I really like this! It sets up a very interesting story and makes me want to know more! The only error I noticed was
People—men and women—found yourself fascinated by the way her hands moved when she spoke,

I think it should be "themselves", not "yourself". Otherwise you're suddenly changing from third person to second person.

Ok, this is just a matter of preference, but I generally dislike prologues. I love the characters and the story that are in this, but I feel like you're explaining too much, and spoiling the ending a little bit. I would always prefer to be shown than told; show me about Layla by starting in her life, instead of just describing her. I like things to start in the action, and to find out about characters throughout their lives, not before hand. Of course, that's just me, and I still enjoyed this heaps, so if you like setting things up with prologues then don't change it. :D

-pigeon
Reader, what are you doing?





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Hey Caitlin! This is a great start. :)

Got a few suggestions for you, and a few notes on grammar and word choice. Here we go:

Layla had always been loved. Though she never married, never even got into a relationship, This is awkwardly worded. I would suggest saying "never even been in a relationship". she had the hearts of two men—both completely different from each other. While she was alive they did all they could to protect her and keep her safe. When they could no longer do so, one of them begged her to renounce her beliefs so that he could protect her longer. The other killed her quietly and quickly, giving her the mercy that those who wanted her dead would never grant.

But Layla’s death wasn’t the important thing—it was inevitable. It is her life that will be told—must be told. While using dashes is fine, and can be effective, you do it a lot. I'd recommend limiting this, as it makes the sentences flow less smoothly. Using commas as an alternative might be a good idea.

There was something about Layla that touched everyone. It didn’t matter what race or religion they were. It didn’t matter where they lived or what kind of car they drove. Layla had a gift, something that few people possess: she had the power to be, the power to see, the power to give and inspire. Being in her presence made people lose themselves a little bit; they couldn’t talk to her too long without feeling a certain tightness in their chest, a sort of breathlessness that was unique and pleasant.

People—men and women—found yourself (themselves?) fascinated by the way her hands moved when she spoke, or the way her dark eyes flickered everywhere at once, absorbing everything. The light that touched the dark skin of her neck and cheek seemed to glow with warmth and cling to her, as though it never wanted to let go. Suddenly, every single person in the room was hanging onto her every word, taking in the way a small line would form on her forehead when she was deep in thought, the way she’d bite her lower lip or suddenly smile so brightly, or the way her mouth and eyes tightened when she was angry or sad.

Captivating.

Layla had trouble shutting her mouth, knowing when an argument was too small to pursue or when the price was too high. Sometimes she overreacted and got angry. She thought about things other didn’t—when she saw someone on the street she’d often speculate about them: were they happy? She hoped so, she hoped that they had all the joy life could give them. What was their story? What were their struggles? She wanted to know, and she wanted to help them heal. Every single person has a story, she’d often say. Every single person has a grievance, a secret place in themselves where they can be alone and think about all that has happened to them.

She’d been hurt, badly. When she’d healed from that hurt, she’d bent her will towards helping others heal their own hurt. Layla never believed that she really could help, but everyone else around her knew that even her presence was soothing. She was like a flowing river—someone could take a dip and come out feeling cleaner, purified, stronger. Children would spot her in a train or in a crowded room and come towards her, wanting to talk or play or just stare.

They weren’t staring at Layla’s physical self. She wasn’t a beautiful woman, though she wasn’t ugly by any means. Her hair was dark and long, falling straight halfway down her back. This is a bit awkward. Decide whether you want her hair to fall straight down her back, or halfway. Her jaw had a hint of squareness (no need for a dash here) to it, and she held herself like a fighter—always ready to move suddenly in any direction. There was grace in the way she held herself in stillness and in movement, and at the sight of her one’s heart might start moving faster and one would feel that tightness of the chest, as though they too were ready to run.

Most heroes have heroes of their own. Layla didn’t. So many people admired and respected her—considered her their role model. But the one time she’d been asked who she admired, who her role model was, she’d had no answer. “The thing about role models is that they can disappoint so easily,she’d told the woman who’d asked her.

“You admire someone and you respect them, and being around them makes you want to be a better person. But then you find out that maybe they aren’t that amazing, maybe they’re really just another person with regrets and crushed dreams and maybe even a few dreams that they’d crushed for others.” She’d shrugged and given the woman a sad smile.

“I’ll be my own hero. I’ll imagine someone I’d love to meet, someone I’d love to be friends with. Someone kind and funny, who can be serious but knows how to have a good time. Someone smart who you can confide in and know that they’ll never judge you. Someone I could trust. And then I’ll become that person—I’ll work to make myself kinder, I’ll work on learning how to forgive even when you can’t forget, I’ll correct myself every time I start to judge someone before really knowing them. But of course, I could never be someone’s hero, either. I’d disappoint them, in the end. After all, I’m only human: I have regrets, I’ve hurt others, and I’ve been hurt. That’s not someone’s idea of a hero.”

And yet she was.

Every time she was in the room with someone, Layla made them feel like they were bathing in silver light. After she died, those who had known her thought of her often. And then they’d feel that odd, pleasantly breathless feeling in their chest again. But this story starts far before this, in a preschool classroom.


Other things...

    ~I can see a cliche potentially happening here, something that's the pitfall of a lot of good writing: the Mary Sue. Essentially, your protagonist is in danger of turning into the "flawless" girl - a character that may even admittedly have flaws, but in the reality of the character she lacks depth and ultimately does and says everything right. This kind of protagonist is unrealistic and often becomes unlikeable. I would definitely try to avoid letting her fall into this category if I were you. The world has enough Mary Sue's.

    ~There is a lot of information revealed here, and to me it seems more like a first chapter than a prologue. You may want to consider cutting it down or just changing what you call it.

That's all. Hope I helped a little. This could turn into a wonderful story! :) Keep up the writing!

-Shadow
"He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which."
~Douglas Adams




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Hey there! So keep in mind throughout this review that I am completely opposed to prologues, exceptions on very rare occasions. Yours isn't an exception.

What I mean by that is this was very plot-less, and very boring, but most of all it is unnecessary! You could fit all of these things in to your story. What I mean by this is you can show us all the things this girl does, by telling us things that she does, incidents in her life, instead of just telling us the things in a few paragraphs. It will make the story a whole lot more interesting, and will allow the reader to think for him/herself whether this character is positive or negative, without you telling them which one it is. It's not a good idea to tell your readers straight out that a character is good, because every mind is different. The things you say about Layla could be absolutely disgusting to people other than you. As the author, you cannot be incredibly biased with your characters.

One more thing on the bad side, this basically sounded like a speech one would give at the funeral for this girl. I don't like it very much. Maybe if you turned it into an actual speech? Like the prologue is someone talking about her death? I don't know, that seems like it would be more interesting.

On a completely different subject, I think the idea as a whole sounds interesting. One of your sentences, where you talk about one of the men in love with her killed her? That was a big jaw dropper for me. But, that was about the only thing that interested me in this piece.

Bottom line: I think you have a cool idea, and I would love to read about it and find out how you're going to go about this story. I don't like the prologue part, and think you give too much away about your main character throughout it.

Good luck! If you have any questions or comments, PM me. Also, if you post more, I would love to read it. You are a good writer! Your voice is one that I would love to read all of the time.

Keep writing,

Classy.



It's crazy how your life can be twisted upside down inside out and around and you can get sushi from safeway still looking like a normal person
— starchild314