Persuasive Writing with Inigo Montoya

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For those who are not familiar with "The Princess Bride," it is a good movie complete with plenty of fight scenes, a bit of romance, and everything you'd want in a movie. Well... the soundtrack could be better, but I'm not complaining.

In it, there is one persistant swordsman who is out to kill a particular man. Finally, when he faces him, the swordsman keeps repeating, “My name is Inigo Montoya, you killed my father, prepare to die.” Then, with a spring in his step, he lunges for the kill. The other guy steps back, blocking his attack, but Inigo is persistant. After a while, Inigo parries and (admittedly) is almost killed, but just when it seems like all hope is lost, he comes back again! With a killing stroke, the bad guy lays dead and Inigo Montoya is victorious.

So... what does this have to do with persuasive writing?

Let's outline it again.

Introduction: “My name is Inigo Montoya, you killed my father, prepare to die.”

Inigo says what he wants quite directly. He tells the bad guy who he is, why he is fighting him, and what he's going to do with him. A perfect thesis! So, when coming up with your thesis, think of these three questions.

Who are you? Why are you writing? What do you want your words to do?

This is your thesis.

Body: Strike him!

Inigo Montoya isn't just all talk. He also is going to do something. He strikes the bad guy several times -- right where it hurts. And, right as the battle is going on, Inigo keeps on repeating, “My name is Inigo Montoya, you killed my father, prepare to die.”

In the case of persuasive writing, you're going to go against an idea or something else that you disagree with, in one form or another. So, just like Inigo, strike your opposition where it hurts. Give details, facts, information, that can cripple your opposition in one form of another. And remember... while this battle is on, don't forget your thesis statement.

Defense: Parry!

Inigo didn't just strike! Right after he was injured, to the point where he was almost crippled, he began defending himself. In a sword fight, the way you defend yourself is by blocking off the opposition's attacks.

In this case, if you talk to much on your side, people are going to begin to doubt you -- a crippling blow! So instead, defend yourself against your opposition's flashiest attacks.

Conclusion: The Killing Blow!

Finally, Inigo wins. Stronger now than ever, he slays his opponent. But before he kills him, he says once more, “My name is Inigo Montoya, you killed my father, prepare to die.”

Conclude it. By all your arguments, you have come out stronger than ever. Now, remember your thesis and end the paper.


Good luck...
Ubi caritas est vera, Deus ibi est.

"The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the Master calls the butterfly." ~ Richard Bach

Moth and Myth <- My comic! :D




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*laughs* That, my dear, is awesome. Yes, I definitely think I'm going to use this for my next English paper.

Thanks!
"A poet in love is best encouraged in both capacities or neither." ~ Jane Austen, Emma.




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That is really cool! I never would have thought to draw that parallel... although I doubt I'm gonna forget this any time soon. Thanks!
The robbed that smiles, steals something from the thief. ~William Shakespeare, Othello
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:shock:
Wow.
That is awesome.
I will definitely be keeping this in mind!
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Woho! Princess Bride rocks--you can even use it for writing tutorials! :)
"In a sort of ghastly simplicity we remove the organ and demand the function...We laugh at honour and are shocked to find traitors in our midst. We castrate and bid the geldings be fruitful." ~C.S. Lewis



For a short space of time I remained at the window watching the pallid lightnings that played above Mont Blanc and listening to the rushing of the Arve, which pursued its noise way beneath. The same lulling sounds acted as a lullaby to my too keen sensations; when I placed my head upon my pillow, sleep crept over me; I felt it as it came and blessed the giver of oblivion.
— Mary Shelley, Frankenstein