Rites for a Hero

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For Blink's Contest


Peace.
Quiet for the city, rest for the soldiers, a chance to breathe easily for the first time in ten years.
There was a time when she would have said she would pay anything for twelve days of peace. A time when she would even have followed that through. Now she had discovered though, that there were worse things than war.
Because, of course, it wasn’t peaceful and it wasn’t quiet. For nine days, wails had slithered down the streets, echoed up the walls. As a whole, the people took shivering breaths, spilt precious water as salty tears, gulped down sobs instead of food. Peace gave them food and drink.
Grief meant they didn’t need them.
In comparison, her son had barely cried at all. He had the first night his father hadn’t come home. Twenty one days ago. But for more than half that time, the city had only watched in horror, and she had too, as he was dragged around the walls, his head pulled along through the dirt and dust and ground still caked in blood and sweat.
To say the least, it hadn’t been pretty. But it felt as if she had spent all her weeping then. She was empty now, empty of tears to shed, empty of him. She could see the city women staring at her, wondering Why don’t you cry?
She had her reasons, she said to them silently. She was a princess, a leader, someone whom they had, in the past years, looked to for guidance and strength. Her husband had been the bravest, kindest, most noble man the city had ever seen. She was strong and he had known that, had loved and respected it. She did not need to cry anymore. The city did not need to see her cry again, not during the peace. Once the truce was over, he would be gone forever and the war would continue and then, perhaps, it would be time to cry, though she knew she wouldn’t then either.
On the other side of the walls, the pyre was set. At last. She wrapped her shawl around her, kissed her son’s head. The wind played with her as it danced over the camps from the sea, blew past her into the city. Her city. His city.
“Andromache? I think… I think they want you to come. If you’re ready, that is.”
She looked to see Helen, her blue eyes damp, biting a perfect lip. Some of her sisters in law had complained endlessly of Helen, but Andromache couldn’t help but feel sorry for her. She had no friends in the women of the city, the men lusted over her to madness, and Paris had grown bored of her, sick of the trouble his actions had caused. Weren’t they all sick of the consequences. But Helen herself, behind the gold hair and ridiculous beauty, tried. She tried so hard it made Andromache ashamed, because she had never had to try to be loved or included or listened to. To be admired, perhaps. Helen had no trouble at that. Somehow the two had become friends. Now, watching her husband’s funeral pyre, she nodded and linked arms with the most beautiful woman in the world and went down to it.
She was sometimes amazed at just how large his family was, how many different branches there were, but she herself clung to those most familiar- the children of Hecuba. There was Paris, his once handsome face drawn and ruined by what he had brought onto his city and now this last blow. Cassandra, her hair somewhat tamed but her eyes still wild, Polyxena, the perfect image of a good sister under a black shawl, her big eyes damp, her mouth pursed. They processed down the streets solemnly together, the keeners behind them.
“It’s foolish,” she heard one of the brothers behind her mutter, “that so much wood should be wasted. We shall need it when the Greeks come back.”
Unable to contain herself, she spun round, lifted one hand from beneath her mantle and pressed it against his chest. He stared, shocked, his black eyes (so like her husband’s) widening.
“You would not dare say that if he still lived,” she said darkly, aware that everybody had stopped to look at her. “You would not dare insult the greatest man who ever set foot in this city if he was here to listen to you. And you will not, ever again, in my presence.”
He obeyed.
“It is huge,” Helen breathed, looked upwards to where the pyre teetered over them.
“It’s perfect,” she replied, shutting her eyes, imagining the only thing that could be more perfect than this final honour to him- his never needing the honour at all.
“Andromache.” Paris came up behind them, put a hand on each of their shoulders. “Do you want a moment, or shall we light it?”
She took a deep breath, breathed in everything that had been her husband. Not only the warrior, the hero, the man that some people called a god. But the way he looked when he had just woken up, the special laughs he reserved, one for her, one for their son. Even the smell of his feet after a hard day in battle almost appealed to her now.
There he was, with a coin in his mouth for the ferryman, lying on the largest funeral pyre she had ever seen. That any of them have. Fit for a king, even one who was never crowned.
“I’m ready,” she told Paris.
The flames licked the wood, tasting it, before devouring it, multiplying and climbing. The keeners continued. Dark fell. Somebody put her son in her arms, her sisters in law sat around her, the city heaved behind them.
She suddenly noticed something else. There, on the other side of the pyre, was a row of people. People whom she could name now as easily as her own family. Huge Ajax, whose girdle her husband was still wearing, his head bowed. Wiry Odysseus, his eyes roaming over the Trojans, over the walls, then back to the pyre. With a gasp for Helen, she saw Menelaus, whose eyes were fixed intently on the golden haired woman.
And there, a little in front of them all, still as arrogant as he ever had been, almost glowing in the dark. He looked different with no armour to speak of, a clean tunic, his hair combed, his sandals carefully laced.
Achilles met her eye.
Had it been any other time, any other place, she would have dropped her son, gone and hit him. She would have screamed and shouted at him, pulled at his hair, gouged at his eyes. For how dare he? How dare he kill the greatest man in all of Troy, the best father, the most wonderful husband the world had ever seen? Who was he, to do such a terrible thing?
But it was a truce. Tomorrow they would bury the ashes. The day after they would fight. Vengeance would be delivered. Glancing around, she could see it in the eyes of her people. Her family. They had lost too many. He would pay- whether by Deiphobus’ sword or Helenus’ spear or Paris’ arrow.
But not tonight. She looked back at the golden warrior once more, and for a moment, she thought they understood one another. She thought she saw guilt, perhaps grief, in that gaze. A sense of foreboding, of his own death. He seemed to realise he would repay this debt he owed to Troy, to Andromache.
For now, though, she stayed still, hugged her son tight. It was for another day, another time. Another world. One more world before the Underworld where, perhaps, she might see him once again.
She cast her eyes away from the Greek, and instead turned them upwards to where the flames crackled and burst, sent the smell of woodsmoke to mingle in that of sweat and unwashed bodies. She watched the figure- so small now compared to how large he seemed in life as he gave orders and grins- as they at last reached him, tugged at his finery. He had always hated that tunic, she thought.
And then, to the amazement of all, she smiled, just a little bit, as the stars shone and the city cried and the fire consumed all that was left of Prince Hector.
--
Roots taken from the end of Homer's Iliad.
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010




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Stella! First off, good luck with the contest!

Peace.
Quiet for the city, rest for the soldiers, a chance to breathe easily for the first time in ten years.

I really liked this beginning. But I think it would look better if you put- Peace: quiet for the city... I'm not really sure how that would work out but since the second part (it's not really a sentence) describes peace I think it'd be a good idea to maybe format it like that.

She was a princess.

I'm all for strong princesses. But the way you worded the paragraph with this sentence in it was odd. I saw the princess thing and thought that she was weak and that maybe her son was going to have to comfort her. (wait how old is the son?) This image works well with the brave and noble description of the husband but strong and unwilling to cry aren't really ways I would personally describe a princess who would have everything handed to them (a stereotypical princess).

The wind played with her as it danced over the camps from the sea, blew past her into the city.

This is such a weird sentence...I think you should add in hair or skirt after the first her because the wind played with her sounds odd and I don't think that's what you meant. Oh and I'm not 100% positive but I think sisters in law should be hyphenated.
Some of her sisters in law had complained endlessly of Helen,

Okay, you say this right after a bit of dialogue. But I have no clue who Helen is and I'm not sure if Helen was the one who said the dialogue. I'm going to assume she was but it seems a little random to be describing her unless we know she said it. :wink:

Tomorrow they would bury the body.

I pointed this out to you already and you explained it but I just thought I'd mention it again. Change body to ashes ;) Since they are burning the body.

Overall I enjoyed this. Even though I haven't read The Iliad I thought that it was very interesting and you did a good job of incorporating things from the story (like the war) that I knew about and added to the story. Good luck with the contest and I hope this helped.
~peanut~
There is a light in you, a Vision in the making with sorrow enough to extinguish the stars. I can help you.
~And The Light Fades


The people down here are our zombies, who should be dead or not exist but do.
~Away From What We Started


P.S Got YWS?




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I don't have much to say about this that hasn't already been said. First of all, good luck with the contest. Second of all, I hope you win. And third of all, this was completely amazing. Very gripping.

And then, to the amazement of all, she smiled, just a little bit, as the stars shone and the city cried and the fire consumed all that was left of Prince Hector.

That part was my favorite. It really expressed emotion and surprised me. This was great. There's not much left to say about it.

:D
Writing's a socially acceptable form of schizophrenia E.L. Doctorow
I've always believed that writing advertisements is the second most profitable form of writing. The first is ransom notes Philip Dusenberry
I'm so clever that I don't understand a single word of what I'm saying Oscar Wilde




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Um.... wow. I'm too much in awe to say much of anything. I was so surprised to find out that this was about Greek mythology though! (I didn't read the contest link until afterward.) Suffice to say, this is fantastic. Your prose is wonderfully fluid, with a perfectly solemn pace, and you capture the emotion of the situation just BEAUTIFULLY. It just felt so real for me.

There's only one thing I would have mentioned - the "She was a princess" line - and that's already been touched upon. Besides which, I don't think you'd have much control over that ("queen" might sound better but if she's not a queen you can't really call her one), so it doesn't matter a lot.

Keep up the fantastic work, and good luck with this contest!! (Though I'm sure you won't need it :) )

~Pan




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Hello Stella!

Some of her sisters in law had complained endlessly of Helen, but Andromache couldn’t help but feel sorry for her. She had no friends in the women of the city, the men lusted over her to madness, and Paris had grown bored of her, sick of the trouble his actions had caused. Weren’t they all sick of the consequences. But Helen herself, behind the gold hair and ridiculous beauty, tried. She tried so hard it made Andromache ashamed, because she had never had to try to be loved or included or listened to. To be admired, perhaps. Helen had no trouble at that. Somehow the two had become friends. Now, watching her husband’s funeral pyre, she nodded and linked arms with the most beautiful woman in the world and went down to it.


This paragraph got me confused momentarily. Because Helen is often the only remembered woman of the Iliad, and your MC is unnamed (something I like, only here it's confusing), it's hard to tell who "she" is in here on the first, and even on the second read I was a bit confused. This paragraph also doesn't show up that much later in the story, but I'm wondering how much I mind that. It's a nod towards the myth, which is nice, but none of the points in here about Helen show up again. But it provides some characterization for Andromache, so it's not too bad.

To fix the confusing bit, I'd start the paragraph differently. If you start it with the MC giving some acknowledgement towards Helen, and a nod that she's ready, before going into explaining their relationship.

*

Past that iffy paragraph... you had a few confusing bits when you start introducing the other characters, but they're not really glaring issues. I think if you clear up the Helen/Andromache confusion above, then it'll be a lot clearer who the viewpoint character is. And, it's part of the myth, so it's an important detail.

I like this, for the most part. There's just this ripple in the story that doesn't seem completely right. I think it's how the beginning laments don't really continue in with the rest of the story. Half-way through, the story goes from focusing on one character's reactions to the death to focusing on a city's reaction to the death, with the character's reactions pretty much forgotten. I find it a bit jarring. The end also didn't feel completely finished, possibly because it's the first time you focus on Andromache's reaction to the death after not mentioning it since Helen came for her.

Still, this was really clean to read. The story flowed along smoothly, and I liked the way you put some focus on a pretty unknown character in the Iliad (at least, I didn't know much about her. Possibly those more well-versed in myth would). I just think there could be a little more focus on Andromache's reaction in the middle of the story, but past that it's a solid story.

Hope this helped! PM me if you have any questions or comments.

~Rosey
A writer is a world trapped in a person— Victor Hugo

Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.



I would be a terrible novel protagonist.
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