Switching viewpoint, person, AND tense?

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I usually write in first person, present tense or third person, past tense. I don't mix and match, and I've never thrown both in in one story for fear that it will get annoying, but now I'm writing something where I feel if I stay with one viewpoint, and one tense (first and present), I will want to bang my head against a wall.

As a reader, how much would a switch of tenses along with viewpoints and person bother you?
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Hard to say without reading an excerpt but it would also depend on how a writer is able to execute such a change.

All in all, it would probably be very confusing for the reader, thus they wouldn't finish your work.
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Garrison, I have to disagree with you.

I am a big fan of James Patterson's thrillers. In them, he switches it up a LOT. It will be risky to switch all those elements up, but it isn't impossible. Go and do what you like, then take a look at the big picture later.
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Well, as long as I can fallow what is happening in the story, it doesn't bother me at all.




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I agree with what deafwriter said. James Patterson's books are awesome and I love the suspense it builds up. At first, I was apprehensive of reading a book that switched between two voices. It was definitely scary since it might be confusing and disorienting. But when done well, it is actually very, very interesting read. I tried writing one too, after reading Patterson. Though a bit difficult, I managed to hang on. Although what I've done is nothing compared to Patterson's.
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As I said, it would depend on the writer on how they would be able to execute such a change.

I never said it was impossible.

I personally don't have the stamina, patience or skill to attempt it. If anyone else on YWS can, great!

*

Iya -

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The sadness drains through me rather than skating over my skin. It travels through every cell to reach the ground. I filter it yet strangely enough, I keep what was pure and it is the dirt that leaves.




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I read books that switch between two different people's view points and I'm not sure what pretense, I'm horrible at noticing those. But I've also ready one that was in the view point of a ton of people and I liked it. That's just me.
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I have read several books with viewpoint changes. Mostly I don't notice it (third person makes it rather easy to switch, even in the middle of a scene) and it's only when I go back and re-read a book that I notice any changes. In my mind, the better and more cleanly you can do a viewpoint switch, the better an author you are.

I have not read a book in first person where the viewpoint changes, so it would really depend on how well it is done. If you changed viewpoints in the middle of a scene then I probably would not be able to follow, but if you had some sort of break between viewpoints (* * *, ~<>~) then I'd probably be fine.

You also mention tense switch, that again would really depend on how well it's done. If there was some sort of indication that the tense was about to change again, then I'd probably be fine.
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I read a book that changed perspective between about five different characters. If you want to know what I'm talking about, read Voices of Hope. No, I don't think switching characters is a bad idea.



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