042. Lost

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042. 'Lost'.
--


You can't fall in love with death there, a moment away, on the line.

It's like wiring up a broken bulb--and no broken heart works better than broken glass no matter how many wires you string through it.

Bellezza knew this because everyone in war had a broken heart. Just like every family had barbed wire around their windows and death in their painted glass--she knew. No matter how much wire, a lightbulb wouldn't blink broken.

Fretful, little Elysia had tried--bone fingers criss-cross-cross-hatched...and as the wire burnt, it burnt her skin. The bulb lay dead. And bone peaked through blood, black, wire's rings.

So some had shrapnel. So she guessed. Others had gotten shattered in the long nights where silence falls like a bomb. The little girls with pigtails and dirt under their nails got squishy, crooked hearts--like the pockets they dug through, the ribs and hips beneath quashed into day-old maggot flesh. And the young men fell in love with the dirt, with choked, gagging feelings in their gut or with the paine shin in their rifle barrels.

When Gaetano sauntered through, the streets were dusk-grey. Dust and sunset, brown and desert silence, tangled with a wind's hicc-ed breath. He sauntered in, wan face and lazy grin, and he'd got his heart all bent up into his shoulders. They stuck out from his uniform, lanky turned to bone. Yet flitting, abrupt, his hands talked--drew pictures in the air, and he didn't say anything unless you looked.

He said, I love you.

He might have said it to any girl.

Bellezza tore her skirt dashing through barbed wired gutters; and she lost her shoes in bloody mud, picking up a silver sliver here; an old bank note there. And she smiled like sunset--blazing, bloody, bright.

He might have said it to any girl. Oh, and he hadn't.

And she crushed heart, tinfoil, stringing wires through its hollows now, and whispers. Because she knew what love was.

To exchange hearts--it was only fair to make an even deal.
ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
-Lloyd Alexander




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I love you and everything but... uh... I didn't get this. I got confused with the abundant similes and I wasn't sure whether there was a war or not and did I mention I was confused? Then, as I was wondering which simile belonged to which, I wondered what was the point of this piece. So I think this might work as part of a larger piece, where you have an idea of what is going on and so the abstractness might possibly work for it. Otherwise, it's really confusing.
Ubi caritas est vera, Deus ibi est.

"The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the Master calls the butterfly." ~ Richard Bach

Moth and Myth <- My comic! :D




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Ha, I rather think you're think you're right, Snoink. Er, very much so in the area of similes and needing to be a larger idea. Somehow, it came out as scaffolding, I'm afraid... o.0 That would be five-thirty AM writing, characteristically.

Oy, thanks.








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ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
-Lloyd Alexander



You walk into this room at your own risk, because it leads to the future, not a future that will be but one that might be. This is not a new world, it is simply an extension of what began in the old one. It has patterned itself after every dictator who has ever planted the ripping imprint of a boot on the pages of history since the beginning of time. It has refinements, technological advances, and a more sophisticated approach to the destruction of human freedom. But like every one of the super states that preceded it, it has one iron rule: logic is an enemy and truth is a menace.
— Rod Serling