Just Another Life

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Author's Note: This is probably the most cliché thing I've ever written, but I want it to be that way. Anyways. As the contest ends on the 23rd, I need some brutal, nit-picky reviews before then! Please!


The silence is almost tangible. I can feel my breath heaving in my chest, and my heart beating like a war drum, pounding out a rhythm of terror against my ribs.
My hands look milky blue-white in the moonlight, like the hands of someone dead. Shivering at the thought, I crouch down lower behind the lip of stone.

Massive trees arch high up above me, forming a cathedral of twilight. As the wind shifts their branches, the dappled pattern of light and shadows changes on the dusty earth.
My hiding spot is close to the trunk of a tree, behind an outcropping of stone in the clearing. I pray silently that my life will not end now - not tonight, please, not tonight.

She enters the clearing as silently as morning mist. Once again, I am struck by her beauty; the high white brow, sculptured lips, hair like a spill of ink. Her simple white gown whispers gently over her smooth, lanky limbs.

Then he comes. Not as inconspicuously, however. I hear the hissing rattle of death on his lips, smell his blood-and-iron reek. Risking a glance at his face, I see his eyes through the slits in his black oak mask.
They are the same as I remember - two slashes of glaring white nothingness; the hard ivory stare of the soulless Cørra.

I can remember the last time I'd seen him. He had been younger, but no less cruel. The fog of memory blotches my vision...

She looks shocked at his appearance. Her lovely cornflower eyes widen, and she clutches the branch of a nearby tree with trembling fingers. Through the slits in his mask, I see his cruel white lips curl upwards in an indulging smile.

A gasp escapes her perfect lips. I follow her gaze to the Cørra's belt, and see the glint of a dagger there. Horror flares in my chest. The silence wrenches in my stomach.

Suddenly, the clearing is illuminated with silvery brilliance. I look up and see the cold, blazing eye of a full moon. The Cørra smiles again.

With slow, deliberate steps, he begins to walk towards her. She turns to run, but stops at the sight of the forest; dark and menacing, shadows hissing between trunks choked with ivy. My heart constricts in agony for her.

She turns again, resolutely, a look of hard determination set on her face. The Cørra slinks closer, and I see his gloved hand flash to his belt. A split second later, the dagger is glinting between his fingers.

My heart is in my throat. I feel like a coward, but what can I do? The Cørra would destroy us both.

He moves in a blur of loose scraps of silk and dried blood. She draws in a sharp breath as he moves his weapon to her pale throat. Her pupils are dilated with terror, despite her efforts to stay calm. There is an odd crumpling sensation in my chest.

"I love you." His voice is as smooth and silky as satin.

The dagger bites deep.

* * * * * *

Dawn washes the sky in gold and lilac-rose. Birdsong twitters from trees whose tips have just been kissed by the sun.

She will never see this sunrise.

I kneel by her, my back bent in sorrow. Tears slide down my face, to land like melted diamond in the wilderness of her raven hair. A neat vertical slash in her pristine dress seeps crimson. It soaks into the linen, spreading like poppies.

The Cørra's cruel laughter still rings in my ears. This means nothing to him - just another life, what does it matter?
Last edited by Wolf on Mon Feb 25, 2008 1:00 am, edited 2 times in total.
everything i loved
became everything i lost.


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The present tense in this story is cool. You don't see many works like this because the present tense is sometimes distracting, but this is pretty good.

my heart pounding out a rhythm of terror against my ribs like a war drum.


That 'like a war drum' at the end bothers me. Perhaps something more like 'my heart beating like a war drum, pounding out a rhythm of terror against my ribs.' The simile at the end just seemed weak.

As the wind shifts their branches,


I know it's the tree's branches, but instead of saying 'their', consider 'the branches' or 'the tree's branches.' The 'their' almost makes it sound like they are the wind's branches. Stupid comment, I know, but you wanted brutal.

behind a peculiarly-shaped outcropping of stone in the clearing.


Is it important that it is peculiarly-shaped? Is that vital to the story? If not, I would just delete that reference. It doesn't really do anything.

Behind his mask, I see his cruel white lips curl upwards in an indulging smile.


How can the speaker 'see' behind a mask? Isn't the point of a mask to hide the face? Is the smile imagined? Make this a little more clear perhaps.

The silence wrenches in my stomach.


I did not understand this line at all. What did you mean by it?

The Cørra smiles again.


Again with the mask comment.


Anyway, this was really interesting. I liked your style. It was a little cliche, but you said that was how it was supposed to be.

The story could use a little fleshing out. What are these characters here for? What is there relationship to one another. I get a bit of a love triangle, if that term could be used here, but not much else. I don't really know what is going on.

But your language is really nice and your descriptions wonderful. You have some great imagery in here. *thumbs up*

Good luck,

~GryphonFledgling
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This is a very moving piece, strange really. I just find present tense very catchy (although I would never use it!). You have brilliant talent and I can't find enough faults to bother you with them. I didn' unserstand this though

The Cørra smiles again.


Good luck, super writing!
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1. Someone who believes their behaviour is right.
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Hey Ayra :D Well I did promise that I'm going to be harsher on you. Let's start this trend with this piece shall we?

The silence is almost tangible.


I was thinking over this sentence a couple of times. At first, I thought it sounded a bit cliche-ish, but after much thought, the only problem with this sentence is that it tells rather than shows. This can be a more captivating opening sentence if you actually show how the silence is almost tangible, using the five senses and the use of descriptions to portray this.

I can feel my breath heaving in my chest, and my heart pounding out a rhythm of terror against my ribs like a war drum.


There is a bit of inconsistency here. When you are using a simile, you have to ensure that it is relevant with the content that it is in, and/or it is consistent with the content. How is a war drum represent terror? Since it is rather loosely placed in the sentence, it also weakened the strength and meaning of the sentence.

My hands look milky blue-white in the moonlight. Like the hands of someone dead


1. Show how the main character's hands were milky blue-white in the moonlight. Don't just tell us that.

2. You can combine these two sentences together to allow a more clean read.

Horror flares in my chest. The silence wrenches in my stomach.


Needs more development and elaboration. The use of a metaphoric description like this is rather poorly executed if there isn't much this description can be related to.

The Cørra's cruel laughter still rings in my ears. This means nothing to him - just another life, what does it matter?


A weak ending paragraph. Can you honestly say that it meant nothing to him? He did say "I love you" to the girl, which shows that he had some sort of contact with the girl. There must be a motive as to why he would kill her. You can't just say that it meant nothing to him...

Even if the guy didn't know her, there is obviously a motive as to why he even bothers to kill her.

Overall impressions:

This piece needs more development. (not sure if it is possible if there is a word limit in the contest).

First of all, who is the Corra? This was never explained. What reasons is there for the main character and the girl to be afraid of her, other than the fact that they were in potential to being murdered? Why is this? How is this? The motivations of your characters is thin to non existent.

This also goes for your "angelic female" character. Why was her appearance "angelic"? Why was here arrival heralded an aura of brilliance? Who was she? Again, this is not explained and touched on.

The above points was mainly the reason as to why your character development was lacking.

Your descriptions are ok in my opinion, but rather shallow. There needs to be more elaboration on the description and how it fits with the story and the situation. Descriptions and imagery don't mean much if they don't share a link with the plot itself and the situation.

In the end though, this isn't really cliche. It's how you've executed the piece that makes it seem cliche-ish. The lack of explanation and elaboration just makes this piece paper thin in substance.

Andy.
Last edited by Squall on Sun Jan 20, 2008 5:10 pm, edited 1 time in total.
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nice death scene but why the the guy not at least try to stand up for the girl
i havent seen the competion but this is nicecly written and I saw nothing else besides a few things that the others mentioned
overall 8.9 out of 10
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Thank-you so much everyone for the comments!

Yeah... I realize that I kind of posted this without thinking about it before, and, well, I shouldn't have. I don't think I'll stand a chance in the contest, but oh well!
Even though I kind of hate this piece, I am going to be editing it, and maybe I'll end up liking it when I'm done?

Thanks again,
Camille :D
everything i loved
became everything i lost.


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wow this is unique
Hey look at this...I think its good..Tell me what you think of it.
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Sorry this post is way too late, but i'm posting this anyway.

I thought this was a great death scene, and was really gripping. lol wish i could write like that.

But anyway i hope you won the competition cuz i thoguth this piece deserved to win. Not much else to say really so keep on writting.




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I liked this, I didn't understand it all from lack of description. Andy mostly caught everything. It's quite confusing and somethings never fully understood. Like it's not too cliche, but what exactly is the Corra? Why does it need a special 'c'. Who's looking a girl or boy? It's great you managed present tense. Overall it's pretty good just not enough explained and bit too much telling than showing.

Good luck
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