Freedom [Edited : 29 Jan.]

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A/N:
Spoiler
Okay every year, we have this pooja(religious ceremony) at home when we pray to the Goddess of Learning and we start studying/doing anything new. And every year, I write a short piece of fiction. And this, year, I'm putting it up here. It's raw, and a very quick piece that I have written to keep up with the tradition.


~~


The water chattered across the rocks and sashayed along the banks. The trees were shrouded in a thick white blanket. They looked down at the small, pale figure huddled between the layers of a red saree.
The early morning mist sent shivers across her as it pressed against the tears dried on her face. Looking up, past the canopy, she read the sky. Perfect time, she thought. She scrubbed herself using a few fallen leaves and the stream water. The two hundred-rupee notes in her purse weren’t disturbed. She folded it back into her saree and headed east. Away from the woods.

The sight of tar made her happy. It was the only road laid with tar, the only one to the city. It was the road to her freedom. 

Her feet complained, but she knew she had to go on. She was sure the village chief would have sent a search party.
If they find me, they will take me back to my village. And I will have to get married to him.
If she had stayed, the villagers would've witnessed the biggest wedding ever. The Sangeet had been a colourful chaos, and nobody had missed the dancing and singing. She was given the best saree the villagers had ever seen. Of course, her father had pledged almost everything he owned as dowry. She knew if she had stayed, she would've been the most respected girl. But she didn't. Not wanting to be plastered with herbal paste, she took off before the Haldi.

She prayed to God for good luck as she continued.

The sun was now vertically above her head, and she decided to step into a village. It was quite a distance from her village and she was sure no one would recognize her. She stopped at the nearest rice stall and paid for a pot of food. The old woman, with hardly any hair left mechanical mixed the curry as she eyed the girl. She was always ready for some gossip.

Beti, that’s a nice saree. Your marriage saree, eh?” 
The young girl nodded. 
“What’s your name? Are you new to this village? Do you like chilli powder in your curry?” 
“Sita.” It was the first name that she could think of. "Chilli, okay." She didn’t want this old lady with her dark, inquisitive eyes prodding her with more questions. She didn’t meet the weary eyes, waiting for an answer. When she wouldn't answer, the old lady said, "Arey, look at you! You like spicy food and yet, you don't speak like you're tongue's on fire." She handed over the pot and Sita left the place.
Sitting on a moss covered rock, as she ate some of the rice and curry, her mind was working on her next move. She had to find a change of clothes. The red saree with its gold embroidery was too much of a give away. Thank God the woman didn’t ask any more questions.  
She looked around; the nearest house seemed to have no inhabitants. Another house, about ten minutes away, had a backyard where there were clothes left to dry.  
The violet skirt ended just above her ankles. She was still wearing the red blouse. A smile worked its way across her face as she threw the bundled up red saree in a pit. She wouldn't be coming back for it.


The tar was now cooling down; her feet glad. She released her single thick braid which was piled into a tight bun. An old, rickety red bus wheezed and sputtered down the road. It was crammed with people, all villagers hoping to reach the city and maybe strike a bit of fortune.  
The girl was tempted to flag the bus and get into it. She did have some cash, but what if there were people from her village? If they recognize me, I’d be forced to go back and live as a miserable housewife.
As evening set in, the skirt danced to the songs of the wind. She regretted disposing the saree. It would have served as a good blanket now. There was no chance of her reaching the city that night. I should keep going. I must reach the city, at least by day after. Though her head urged her to continue, her body didn’t listen. Her legs took her under a tree and they buckled. Her eyes shut.

When she got up again, it was bright. Oh dear. I slept for too long.
Sita gathered pot and her purse and with a fast, determined gait, she continued her journey




I didn’t have work today. I was sitting on a grassy mound or ‘the park’ as we liked to call it. The stars sparkled with all their might. I was named after them. Maybe my mother wanted me to shine as bright as the stars. Maybe she wanted me to reach for them. I loved my name. It is the only thing left that connects me with my mother. Maybe she’s one of those stars now. I hope she’s happy.  
Ma, even though I’ve to work like a slave, I’m fine. Don’t worry about me. I shall meet you in another sixty years.  
The lights of an aeroplane flickered in red and white. They spoilt the celestial beauty. They shouldn't disturb the peaceful stars. I counted dozens of them. It was clear night. So clear, that I noticed a slender figure moving down the road.  
It was a girl. I couldn’t see her face, but her hair! It was just like my mother’s. It was long and thick and swished from one side to the other as she trudged down the road.  
As she passed under a street light, I could read her face. She was sixteen at the most. She looked lost and tired. She was probably cold. Her blouse didn’t even cover her belly. I ran to met her. Her eyes were curious yet wary. She wasn’t sure if she could trust me.  
Behen, you look very tired.” 
She just stared. 
“Don’t be afraid. I’ll be your friend. I will help you. I’m Tara.” I smiled, hoping to get one in return. 
“Sita.” She was quick to reply. She had a distinct villagers’ accent. I gestured her to sit in ‘the park.’  
“Sita, which village are you from?”
She didn't say anything, but she accepted my invitation. She sat on the mound and leaned against a fence. Her eye lids were flitting up and down.

"Sita, you are very tired. Are your parents here? If no, then, come. You can sleep at my place." I hope I sounded gentle. I didn't want her alone in the city. She reminded me of myself when I was her age - young, lost, scared.
After about five minutes, she looked up, into my eyes. For a moment, I wanted to hug her. She reminded me of my sister, I lost. And my mother along with her. The lorry driver didn't notice them, it seemed.
There were tears. In my eyes as well as hers.
She placed a hand on mine. Sometimes, even without conversations you can become friends. And this is one of those instances.

She silently followed me as I walked back to my little house. A single-room house with a tin roof. The mat wouldn't be enough for the two of us, but it would have to do.
As I was about to lie down, a little voice quivered out of her mouth.
"Thanks."
"Don't worry. We'll talk over it tomorrow," I said.

“No. It pains me to not talk about it. See, I was supposed to get married. To the village-chief’s son. He is old and over forty years. I ran away. I need a place to stay now.” 
"Can I stay here with you?” Sita asked. 
“You’ll have to work and pay the rent. It will be difficult otherwise.” 
“I-I’ll work. Can you tell me where I can work?” She asked. Her eyes were fixed to a spot on the ground. They were forcing back the tears. 
“Sure, I can help you find some money. I’ll take you to my master tomorrow morning.” I said. I knew the drill. More recruits means I would climb the ladder that would one day take me to the stars. But I felt extremely guilty of getting her to work. I didn't want her to get into the red-light district.
She looked apprehensive. "What work is it?” 
I looked at her. She was waiting for a reply. 
“You have to seduce men. Satisfy them." 

She looked at me in horror. I couldn't tell her anything else. I wanted to live a better life too even if it meant selling young girls to my master. I turned over to sleep.


*

I wake up to find Sita gone. She had left a pot with some rice and curry. I didn't want to report her to Master. I would say I found the pot on the road. I would make sure when Master doesn't get suspicious when he comes to check on me.
I prayed to the stars, now invisible.
Please keep her safe.

*

Sita cleans tables at a restaurant now.
She had used the spare money to get to the market street and had walked into a small restaurant and asked the owner for a job. The lady, obliged and assigned her to the cleaning crew.

She looked on as the people poured in for breakfast. She was content.
It may not be much. But I am free.

~~

Thanks for reading. ^^
Also,
Sangeet - a traditional singing/dancing ceremony prior to actual marriage ceremony.
Haldi - a ceremony where the bride and groom are cleanse using a paste made of turmeric and other herbs.
I hope I managed to get these across without going into a detailed lecture.
~
Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know.
- Ian McEwan in Atonement

sachi: influencing others since GOD KNOWS WHEN.





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hmmm........

This makes me wonder a little bit.



#FF0080 ">The water chattered and danced across the rocks. It sashayed along the banks and swirled around with joy. The trees were shrouded in a thick white blanket. They looked down at the small, pale figure huddled between the layers of a red saree.
this whole thing confused me so you may need to revise it


The early morning mist tickled her skin, sending her shivers. She got up in an instant, scanning the area. Looking up, past the canopy, she read the sky. It was extremely early in the morning. Perfect time, she thought. She knew she had to leave as soon as possible. She scrubbed herself using a few fallen leaves and the stream water. The two hundred-rupee notes in her purse weren’t disturbed. Ignoring the ache in her feet, she started walking out of the forest.
The sight of tar made her happy. It was the only road laid with tar, the only one to the city. It was the road to her freedom.

The sun was now vertically above her head, as she decided to step into a village. She stopped at the nearest rice stall and paid for a pot of food. The old woman, with hardly any hair left, was bent over, getting the curry ready. She was always ready for gossip.
“Beti, that’s a nice saree. Your marriage saree, eh?”
The young girl nodded.
“What’s your name? Are you new to this village?”
“Sita.” It was the first name that she could think of. She didn’t want this old lady with her dark, inquisitive eyes prodding her with more questions. She didn’t meet the weary eyes, waiting for an answer. The old lady handed her the pot and Sita left the place. Sitting on a moss covered rock, as she ate some of the rice and curry, her mind was working on her next move. She had to find a change of clothes. The red saree with its gold embroidery was too much of a give away. Thank God the woman didn’t ask any more questions.
She looked around; the nearest house seemed to have no inhabitants. Another house, about ten minutes away, had a backyard where there were clothes left to dry.

T#FF0000 ">he violet skirt ended just above her ankles. She was still wearing the red blouse. A smile played across her face as she threw the bundled up red saree in a pit.

ok this really has no point. it adds nothing to the story
The tar was cooling down; her feet glad. #FF0040 ">Her single thick braid was piled into a tight bun. An old, rickety red bus wheezed and sputtered down the road. It was crammed with people, all villagers hoping to reach the city and maybe strike a bit of fortune.
well this is random!

The girl was tempted to flag the bus and get into it. She did have some cash, but what if there were people from her village? If they recognize me, I’d be forced to go back and live a miserable life.#FF0040 ">maybe you could add something here like she is remembering and then she forces the memories out of her head

As evening set in, #FF0040 ">the skirt danced to the songs of the wind. She regretted disposing the saree. It would have served as a good blanket now. There was no chance of her reaching the city that night. I should keep going. I must reach the city, at least by day after. Though her head urged her to continue, her body didn’t listen. Her eyes shut.
[b]her skirt [/b]
W#FF0000 ">hen she got up again, it was still night. She ate a few handfuls of rice. Feeling much better, she continued the long walk. No more wasting time.

when she [b]woke again[/b]
*

#FF0000 ">I didn’t have work today. I was sitting on a grassy mound or ‘the park’ as we liked to call it. The stars sparkled with all their m ight.I was named after them. Maybe my mother wanted me to shine as bright as the stars. Maybe she wanted me to reach for them. I loved my name. It is the only thing left that connects me with my mother. Maybe she’s one of those stars now. I hope she’s happy.
Ma, even though I’ve to work like a slave, I’m fine. Don’t worry about me. I shall meet you in another sixty years.
The lights of an aeroplane flickered in red and white. They spoilt the celestial beauty. They shouldn't disturb the peaceful stars. I counted dozens of them. It was clear night. So clear, that I noticed a slender figure moving down the road.

what on earth?? this story is really random :)

#FF0080 ">It was a girl. I couldn’t see her face, but her hair! It was just like my mother’s. It was long and thick and swished from one side to the other as she trudged down the road.
As she passed under a street light, I could read her face. She was fifteen at the most. She looked lost and tired. She was probably cold. Her blouse didn’t even cover her belly. I ran to met her. Her eyes were curious yet wary. She wasn’t sure if she could trust me.

what on earth??? there is no transition :)
“Behen, you look very tired.”
She just stared.
“Don’t be afraid. I’ll be your friend. I’m Tara.”
“Sita.” She was quick to reply. She had a distinct villagers’ accent. I gestured her to sit in ‘the park.’
“Sita, you’re from a village right?” I waited. I knew she’d talk in a while
After about five minutes, she looked up, into my eyes. There were tears. “I need help. I was supposed to get married. To the village-chief’s son. He was old. Forty two years. I need a place to stay now.”
There, I figured as much. I pointed to a building. “See, that’s where I live with a friend.”
“Can I stay there too?”
“You’ll have to work and pay the rent like the rest of us.”
“I-I’ll work. Can you tell me where I can work?”
“Sure, I can help you find some money. I’ll take you to my master tomorrow morning.”
She looked relieved. “Thank you. What work is it?”
I looked at her. She was waiting for a reply.
“You have to seduce men. Satisfy them."


overall really random and that will confuse people including me:)
sorry if i was harsh :)

~sonny
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these tornadoes are for you


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Hey, Lava.

So, I really liked this piece. It had a very interesting premise and I liked your word choice and pace throughout. For something so short we really get to feel what Sita is going through. I thought the scene with the old woman was well done, too.

However, the piece feels much too calm. You spend three paragraphs describing the setting before you really introduce us to the conflict. She's got a lot at stake if she gets caught, because she's not free yet, after all! If you introduce us to the conflict earlier, it will latch on to us. Then, when you describe the village and the tar road, we'll still get to appreciate the beauty without the presence of the conflict ever really leaving us.

The scene with Tara, though, is a bit confusing. The cut from the first scene to this is choppy, as drama pointed out. Where is the park she's in? Is this a flashback or does it jump ahead? Also, the lack of dialogue tags in the exchange between Tara and Sita make it a bit confusing as to who is saying what. Try to slow things down a bit and make sure the reader knows what's going on, basically.

As I said earlier, though, this is really great. Sorry I couldn't be of more help to you--I really did enjoy this a lot. PM me if you have any questions!

-Elinor x

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This story was very interesting, considering you based it on something in your real life. Description and dialogue flowed fairly well, and there we're just a few sentence mishaps here and there. But just revising it a little more and re-reading it would easily fix any problems. Over all, it was an interesting read, with a slight twist that made me think when I finished reading it. Great job.




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Teehee! The different aspects of this story are strange to me, being an American. I forgot that arranged marriages still happened... and the idea that the chief's son would marry the girl seems strange!

Anyway, a bit of a twist! Trading one slavery for another. Poor girl... she really doesn't have any choice! But, at the same time, this story seems largely unfinished. You had her run away in the beginning (which was fine) and then there was this twist. But, the open, ambiguous ending here doesn't really work because you haven't used the rule of three. Something else needs to happen.

Also, I think it would be good to let the betrothed girl decide, to some extent, what is going to happen. She needs to be a little more out there. I mean, she's already come this far -- is she just going to sit back and let whatever happen happen? Probably not! She has a little money. She might choose to go a little further.

But yeah. I like this story! But it needs a little more.
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Interesting tradition! Now for the crit:

The water chattered and danced across the rocks. It sashayed along the banks and swirled around with joy. The trees were shrouded in a thick white blanket. They looked down at the small, pale figure huddled between the layers of a red saree.


Be careful about using this type of personification. Sometimes it can get heavy-handed and seem out of place or rather as purplish. Also, if you're trying to set a mood right now, you're making it feel happy-go-lucky. I'm not sure I like the contrast of nature being happy and our character being small and huddled.

The sight of tar made her happy. It was the only road laid with tar, the only one to the city. It was the road to her freedom.


I think this would be an appropriate time to let us know what she is running from. I don't think it does any good to keep that information from us till much later. It may add a small bit of intrigue to have it wait so long, but it fails to give us any conflict, which really cuts down on the tension. I feel like there's not much going on but a woman walking around. I think telling us why she needs freedom would anchor us to what is an otherwise "floaty" story right now. The old woman asking about a marriage saree has much more potential to be dramatic if we know she's escaped a marriage.

The tar was cooling down; her feet glad. Her single thick braid was piled into a tight bun. An old, rickety red bus wheezed and sputtered down the road. It was crammed with people, all villagers hoping to reach the city and maybe strike a bit of fortune.


I rather like this passage, giving us a little bit outside the girl's own perspective.

When she got up again, it was still night. She ate a few handfuls of rice. Feeling much better, she continued the long walk. No more wasting time.


Not exactly sure this is doing a whole lot for your characterization.

I didn’t have work today. I was sitting on a grassy mound or ‘the park’ as we liked to call it. The stars sparkled with all their might. I was named after them. Maybe my mother wanted me to shine as bright as the stars. Maybe she wanted me to reach for them. I loved my name. It is the only thing left that connects me with my mother. Maybe she’s one of those stars now. I hope she’s happy.


I don't think I like the POV switch here from third to first. Switching character POVs is fine, but I think you should remain consistent from third person to third person. I'm curious to know if there is a reason we don't get to know this character's name right away. The whole talk of the stars and her mother is lovely and I'm glad you keep returning to it later.

It was a girl. I couldn’t see her face, but her hair! It was just like my mother’s:. It was long and thick and swished from one side to the other as she trudged down the road.


I really like this part. I think it is a great way to introduce the two characters while bringing us back to the second character's love for her mother.

After about five minutes, she looked up, into my eyes. There were tears. “I need help. I was supposed to get married. To the village-chief’s son. He was old. Forty two years. I need a place to stay now.”


I think we need a little bit more dialogue before Sita just admits to this. If she is not trusting, then she would likely hide that info until Tara coaxes it out of her. Adding the five minutes doesn't do it justice; there needs to be more dialogue between the two.

She looked relieved. “Thank you. What work is it?”

I looked at her. She was waiting for a reply.

“You have to seduce men. Satisfy them."


Okay, this is a really interesting twist, but you're going to need to continue the story. It seems really hokey if you just end it there with that statement. We need to know Sita's reaction to some extent, and then Tara's reaction to that reaction. Without that, there is just this ending that seems to go for sensationalism and no content. It's a moral without the moralizing.

I really do suggest adding to this story. There is good substance, I just think it could use a little more to flatten out the edges and make it more meaningful. It was a nice read!
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*Bumps*

I've edited it and hope you can take a look at this.
~
Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know.
- Ian McEwan in Atonement

sachi: influencing others since GOD KNOWS WHEN.





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Alright, so, This was actually well written. I enjoyed it. It made me smile, then ending, becuase it was optimistic, but not in a totally happy/fake optimistic way. It seems you left some room for doubt about Sita, Instead of forcing on the reader that 'everything will be okay', and I really enjoyed that.

If you do happen to edit, I would suggest is to add some physical descriptions to the other characters, such as the woman who wanted to take Sita in and the first woman who she meets.

I would also suggest to add more about her back story, just because you have the reader wondering. Why is she running away? (You do mention she doesn't want to get married, but is there a specific reason?)

Overall-
I'm impressed. You have a really well written piece. I don't say this much, but you are a really good writer.

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Hey Lava!

So, as a thank you for reviewing my story, I thought I'd take a shot at reviewing this for you :)

I didn't find anything wrong with it in grammar sense, but I couldn't help noticing that it was a little choppy. That's not to say it didn't have flow - some parts read well and had brilliant flow, but some parts just seemed to come out of no-where and didn't keep the story flowing.

E.g -

The tar was now cooling down; her feet glad. She released her single thick braid which was piled into a tight bun. An old, rickety red bus wheezed and sputtered down the road. It was crammed with people, all villagers hoping to reach the city and maybe strike a bit of fortune.


I think it would help if you started a new paragraph when you talk about the bus and maybe add in how the bus passes her. Otherwise it just seems like the bus isn't connected to her and her story.

'An old, rickety red bus wheezes past her, spluttering down the road she is walking.'

It's just a suggestion :)

Also, I agree with the other reviewers when they said that in some parts of the story she doesn't seem bothered that she could be caught and taken back to her village to be married off. The thought of an arranged marriage to a man she doesn't like should keep her on her toes at all times. It should make her weary, from constantly checking her surroundings. Worried that she will be recognised. Frightened of being caught. Put yourself in her positon and use the emotions you feel to make her journey a rollercoaster ride; not literally of course :P Of course you don't have to make every second of the story about how she's feeling, it'll just help the reader to feel for her more.

I liked the part where she met Tara and we find out she was moments from being sold to a sex trafficker. I was glad she escaped :)

I did think it was well written though and I enjoyed reading about a character who lives within a totally different culture than me.

Thanks for the review and I hope I've helped a little!

xDudettex
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Hey Lava, here I am to review!

Okay, so first off I think this is a really good, touching story. It started out a bit slow for me; you used a lot of terms I'm not familiar with, although I think I had a pretty good idea what they meant before I saw the spoiler at the bottom. Still, I'm the kind of person who likes a sense of completeness, so if there's some way you could integrate their exact meaning into the story without using so much inference, I'd personally like that.

I felt like the story really began picking up pace once you got to Tara's POV. That's when I felt a sense of personableness, more of a connection to her. Perhaps it's only because it's written in first person, but anyway I still felt more interested in Tara and wanting to know what's going on with her.

I was really surprised by the twist about Tara's occupation; I wasn't expecting it, and it truly did seem like Sita was going from one form of captivity to a worse one. I guess that was another thing I had a bit of a problem with; you end that section by Tara with her going to sleep after meeting Sita, and then the next section starts with Sita disappearing. I don't know what the time frame between those parts is, though I'm guessing from the fact that she doesn't want to have to tell Master that Sita started working for him. I don't know, maybe it's just me, but I felt like it was a huge leap forward without any definite info telling me so.

The last section about Sita also confused me at first. I thought Tara was telling what she knew about Sita, but since you put Sita's direct thoughts there, I'm guessing that it's switched to third person, Sita's POV. However, I really like that last section; I love the knowledge that she's doing alright (although now I want Tara to be free, too!) and I love the last lines. So don't change or cut that part out!

Overall, I guess my main concern about this piece is the fact that you switch POVs and leave some confusion. I mean, the story itself is great, real, and emotional, but perhaps the style in which you tell it could be different somehow -- I just feel like it's got so much potential, but it's somewhat hampered and hidden by the confusion caused by the switches and such, and that people might not read it through because the beginning is a little slow. That's just my opinion, though, I get very picky when it comes to stories.

Well, I hope this review helps, and I'm sorry if I sound too harsh. I really did enjoy reading your story, so thank you for posting! Keep up the great work. :D
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