“Honey… are you sure you want to go?”
“Yes, I ar’dy told you!”
The adorable girl had her jaw stuck out in the perfect measure of her stubbornness. Her mother was torn between laughing and crying. Why was she being so stupid? Of course she could go… no use being silly about it, after all.
“Well, do try and have fun, dear.” Why was she adopting this horribly worried voice? No matter…better to just drop her off quick--maybe she could still catch the judges’ decision (that Simon was quite the charmer).
The youth’s face radiated joy as the slam of the car door was lost amid the bass of thunder--the first sign of a summer-storm. As the taillights bled into the June heat, Ellende ripped through the heavy air. She imagined that each point of grass was a wicked spring, determined to launch her up…out--all the way to the moon. So she skipped, using their fragrant buoyancy against them, slinging herself forward, faster, with each bound; the satisfyingly elastic resistance whipping back in perfect time with her heartbeat. Her lips began to crack from the force of smiling, she was going so fast, she’d surely die from this manic exhilaration, when--
“Careful there, dear. You wouldn’t want to trip." The voice had a lyrical quality about it, and Ellende began to feel pleasantly drowsy as she listened.
“Come along, now… we’ll just nip you over here to be with all your little friends.” The lady’s words subtly sped up as she uttered them, fitting in perfect rhythm with the child’s heartbeat.
“Yes, Miss Prost,” Ellende sang dutifully.
She skipped to keep up, much to the bemused twinkle-of-a-laugh that belonged to the hostess.
The cloud cover formed a crystalline shell over the lawn, and at once they burst into falling mist. Paper tablecloths drank in this moisture, and archaic truths were spilling, spelling across their thin fronts. And thus the party began.
“More sherbet, dear? My… you do look silly in those hats,” always accompanied by that light, ringing chuckle. There was a piñata (though soggy, the candy inside was sticky-sweet). The beast was hammered to the metronome of heartbeat (or heartbreak?). Vivacity is no means for survival, and it just echoes the colors; the brutally soft music in a life’s end. It was such a silly animal.
From the side yard came the greatest sight yet: a great rotund kiddy pool, over-inflated and violently pink. A hose is snaked out, and slowly the weight of water stills the ludicrous thing.
Dr. House was still muttering from the set at Ellende’s home when the storm proper was unleashed. In her mind, it was all contained in the crystalline cloud-cage that even now enveloped them. Indeed, it seemed as if those licks of light were much too close to accompany the bass of thunder that paired them. But worse still was the waiting; that pause between the bolt and the boom. It was in one of those mute periods that they all streaked inside, seeking shelter from silence and storm.
But Ellende stayed. She refused to leave without getting her turn in the nonsensical pool. It sat there, like some tomb of licorice, just waiting to reverse the norm. But it was that haunting thrill that so enticed her, and thus the youth slid over the lip of the plasticized wheel, and into the crystalline hubcap itself. The rain blending with her prickling tears, diluting their salty bite, the little girl, stopping to see for the first time, realized the world was a much wi[l]der place then she thought. Gravity’s no fun, she noted sourly. It stuck this pool, an’ in time it’ll stick me. Her anger was filtered through defiant surprise as the glass slide aside, and the hostess approached her charge.
“Honey, come inside. You shouldn’t be in that wretched thing. You’ll likely catch cold, or worse yet shiver through some lightn’in,”
Ellende’s glower faltered as Miss Prost neared, looking inexplicably wetter then the little girl. She was at the rim of the pink atrocity, and reaching forward. Suddenly Ellende had the very strong urge to take the woman’s hand; after all, why shouldn’t she? But Gravity took things in its own miserable course, and the grass-points conspired to send Miss Prost, shrieking, to the bottom of the ridiculous bowl with a bounce. She came up, sputtering and spiteful.
“It’s silly, really,” the child offered helplessly. “Us being out here an’ all”.
A pallid arm thrust forth, and seized Ellende in a vice grip; the woman's fingertips pinching just behind the ears. Now it was her turn to sputter, and any hint of defiancy leaked out of her face for the first time in her short, sweet life. Running down her throat, it mixed with her choking breath, and again was that laugh like the sparkle of a bell. The rain pierced the little girl's eyes, and it bled their color down her cheek. A trace of green against the white, that flowed all the way down to join skin pigments in the water below. Projectile blood joined the mixing colors of the boisterous pool, and the youth fell upon her knees. As a grimace contorted Miss Prost’s etched face, (set as stone against the horror), a flash of lightning lit the scene for the voiceless smirks watching at the window. Leaning into her efforts, focusing the whole of herself on the back of the wench’s neck, the mistress guided Ellende’s face past the film at the water's edge, into the spectrum and silence below. A crystalline end, and the world missed a beat and one more heart slowed. The cloud cover drifted apart, and a bleached body (stained with the pigments washed from her skin and eyes) padded against the pink ground. It was a silly thing, the elasticized bounds of life amidst death.
“Well come along then, children. There’s still cake to be had,” and all the while, with that ringing mirth; a laugh like tinkle of a bell.
_________________________
author's note: I'm sticking with poetry from now on ![]()
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It was interesting. I did enjoy it though a bit lost here and there. I'm not 100% as to what happened. Either I missed details or you did. You have nice descriptions but you could trim them down. You dont need everything to be described to the letter and you dont have to metaphor everything either. Your metaphors are wonderful(You write poetry of course they are!) But sometimes you can be direct.
Over all a nice piece. And dont constrain yourself to Poetry. This is a lovely piece. And everything I said is just my humble opinion.
Brought to you by the CCF
...*Disclamer* These are all my opinions I am not an expert so this may sound weird (if thats the case just ignore it) and I haven't read any of the other critiques so I apologize if this has already been said...
Already I'm uber confused.
you missed the word "the" and you only need one -
Ellende is who/what exactly?
way too many symbols there, replace the elipses with "and" maybe and again you only need one -. Or simply omit "up…out".
At this point I'm confused again, who are you talking about? At first I thought it was the mom person but now it seems like the daughter person.
Ahh the run ons!
Who's voice is it? Lady's? Mans? Not supposed to be there? Or should it be there?
That should be one paragraph.
So far its seeming not like as still of a read as it actually is, the anticipation is enraging! (That's good)
They're out doors, shouldn't rain be bad? Especially for little kids? You're not supposed start a sentence with "and" but writers are allowed to do that occasionally. "Thus" there is a fish out of water, the rest of the wording doesn't... support, the word "thus".
Again, they're little and outside in the rain? Even in June that is kinda bad. What do their hats look like? What's always accompanied?
try...
"though it was soggy, and the candy inside it was sticky, but still sweet"
What kind of piñata?
What's it hammered to?
Omit that, just get rid of it.
you changed tenses.
Whats the set?
What is that?
There you go with the "thus" again.
What's up with that?
. What does she mean?
What? A girl just died (I think) and somebodies offering the other kids cake? If its just to distract them say that they were saying that just to distract them, and the whole part about her dying is kind of confusing, did she die?
Anyways, in a whole it was good, just work on the things I said and don't stick to poetry just because you think you're no good at this. (You are)
ok, thanks a whole friggin' lot Claw. I did some fairly major edits, but I still need to cut out about 250 words.
Okay, well, you know I was cruel because I loved you!
Actually, I have some good things to say. But first, you talked to much about the stupid bell, and I hate crystalline.
Good! Some of the sentences nearing the end actually weren't so bad, and I had a spark of genius that I'll mention later. The death scene its self was a tad confusing in places... I wasn't entirely sure what was going on, but I loved "body padded against the pink ground." Honestly, I hate your wordiness with a passion, but some of it wasn't so bad. It reminded me of Nabokov at times, which is good because I love Nabokov. He has this way of being poetic and wordy, and it works. That's the thing about Russians, the do wordiness really good. I've only read Lolita, Pale Fire and about 170 pages or Ada or Ardor, but I suggest you pick something up by him. Lolita might be considered his best, but he's got a beauty to his writing that it is all good. You might enjoy reading it, and you might find that you've got a style like his waiting to jump out of you.
Sure, I hacked it up, but in the end I was positive, right?
Well, first thing I noticed (and I don't know if it's just me), it's incredibly wordy. So much, I can't concentrate on what's happening in the story and I'm trying to keep up with all these words packed into a paragraph. It's almost like you're using way too many words to describe a simple scene or action.
There's a period missing there.
Tablecloths?
I also noticed you used the word "crystalline" a lot, and it kind of bothered me.
It sounds really interesting, and you seem to have a good grasp on what you're writing, but sadly I can't concentrate on it because of all the words. I'm still confused at what happened at the end.