Published July 5, 2011
I found a dirt-crusted liquor bottle in my basement when I was twelve; that was the day it all started.
The first things I put in it were a few coins, a piece of purple ribbon I‘d stolen from a crush, and the pins that once held up my locomotive poster.
Simple things, inconsequential, careless even; then, it hadn’t mattered what I put in my bottle, just that I had to keep filling it. It was all so easy then.
As I headed into high school, things started getting harder - or so I had thought. I didn’t realize how black-and-white my life had been. I added more and more to my little bottle; a strip of paper with my locker combination; one of the laces that’d ripped from my cleats; a piece of hard candy my sister’d brought back from China; the pin I got when I lettered in basketball; a tube of strawberry chap stick that belonged to my first kiss - all the things I had thought were important, even though they weren’t.
As I ran into adulthood, much too unprepared, the donations grew morbid: the key to my car that’d been stolen from my driveway; ashes from my parent’s house that‘d gotten burned down; a wilted rose from my fiancé’s bouquet when I was left at the alter; a previously lit cigarette for each time I tried to quit smoking.
Sure, good happened too, but I can’t remember what - all I put in my bottle were cries of help, laments to the struggles I endured; all I could focus on was the darkness. I couldn’t see the secret light that tried to filter in.
Through those years, it didn’t seem like my bottle would ever reach the top - which was a good thing? My old days not cased in the bottle were my infant years, my childhood - the years where there wasn’t really any meaning in anything, the years I was just sort of there, just sort of hopping from place to place. And if my life before the bottle was so pointless, then what would it be beyond the bottle? I closed off my mind from those thoughts that crept up in the dead of night when all I could do was write a hopeless little story - I just kept filling my bottle, half-believing that the world would die away before I could finish.
But just a week ago, I’d mixed in one final element - the title of my manuscript torn from the cover page - and corked it. Who would have thought the story I used to distract myself from the prospect of closing the bottle would be the last piece of my life to enter it?
The strange thing is, when I stopped my bottle, it didn’t feel like the end - at least, not the end of everything. More like the end of an era, a horrible, pitiful, hope-wrenched era that clouded the sky and rained acid on rolling hills. I looked at my bottle and wanted so badly to take it and fling at out my third-story window, to see it smash against the concrete alley below. But I couldn’t, because like it or not, my bottle was my past - and it led to my future; my much brighter future.
It’s what’s led me to now, to the loading dock of flight 132, on my way to meet with my recently-signed editor - my only carry-on an old glass liquor bottle I still can’t believe they let me bring on board.
I walk back to row fourteen, just a hair behind first class. So close to success, and yet… not there yet. I may never get there. I situate myself in the aisle seat, glad the flight’s a late one and most of the seats are vacant.
The flight takes off and I sit quietly, listening to the overwhelming white noise of the plane; the propellers, the engine, the baby in the back, the black-and-white movie in the front. I pick up my bottle and stare into it - into the sad, hollow years I’ve somehow managed to escape from. Maybe now I’ll get somewhere - now that I’ve published a book, now that I can afford to move upstate - now that I can afford to move on.
A passenger leans over from the seat across from me. “Excuse me, but what exactly is that?” he asks.
“It’s…” I trail off. I think about that. Really, it’s a lot of things; near the bottom is innocent hope and a future, which grows dimmer and dimmer as the layers build up until it reaches a peak of desolation; it’s full of heartache and unnecessary trouble, lost love and misunderstandings; depression and triumph and falling repeatedly; and at the very top, just a smidge of - perhaps - a success to come. Perhaps.
“It's nothing much, I guess,” I say. “It’s just the life of a writer.”
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As I started to read this, the narrator says that it all began with an old liquor bottle. An alcoholic writer's story, I thought, Good, but not original. Sometimes, I really do love when I'm wrong. That first sentence is a dangerous one, I think. It leads into your story well, yes, but the reader might think that he/she is just going to read another pity-fueled story of a hopeless writer.
Beyond the first sentence, I've got no critiques to offer that haven't already been mentioned. What I can say is that I enjoyed the story, and that you did an excellent job of making the main character easy to relate to. Keep up the good work!
~TheManintheHat
I love this story. It's just so real, and I love how you got all of this complex stuff to fit in a short story!I think it's incredible!
This is really something else, I would love to read 300 pages filled with this story.
This is absolutely amazing! That's all I have to say.
This is awesome! It was really interesting to read the whole time through- I never really got bored or confused. I love the ending, and basically the whole thing.
This isn't going to help you at all, but oh well. Great story... keep writing!
Hey there-
This story reeled me in from the first paragraph, and didn't disappoint throughout. It really made me think a lot about my life, and how I can relate.
I especially liked the ending
Firstly, you have a very strong ending. When writing closing the story can be the toughest part but I liked what you did involving the dialogue between the main character and the passenger.
Perhaps this would make the flow more smooth, "The first things I put in inside were a few coins, a piece of purple ribbon I‘d stolen from a crush, and the pins that once held up my locomotive poster."
Another aspect that rather surprised me was the liberal use of contractions. Usually the tolerance is pretty low for formal writing projects but even when it comes to writing something less formal, the use of "sister'd" is unorthodox. By all means feel free to break out of the mould as it makes your piece unique but always make sure that you are aware when you use a contraction to avoid including them out of habit to shorten using the entire two words.
Aside from the that, perhaps a capital on "flight 132" is called for as it falls into the category of person, place, or thing. Best of luck on your entry and keep on writing. Look forward to additional works.
Sincerely,
Elitehusky
Hey there UV!
I read the original version of this earlier today, and I can really see the improvements you've made to the piece after reading this version too.
I like how you seem to have added in more of a background to the bottle. We also now get to see the MC's relationship with the bottle and what it means to them. The fact that it holds good and bad memories - some that will have helped the MC grow and some that will have hindered them.
The only thing I think needs to be changed is this -
'14' should be written as 'fourteen'
Also, with this part, I don't think the part after 'bottle' is needed. It's pointing out the obvious too much as it's clear that he's wondering what's in it as that's why he asks the MC about it.
I also like that you added in more about the MC's background in writing. In the original version, he just mentions that he adds the first page of the manuscript, but here we get to see that he's just published his first book so the whole putting a part of the manuscript in the bottle has more of a meaning to it.
I hope this helps!
Sorry it's so short, but I think you've done a great job, leaving me with little to say.
You should definitely enter this into the competition
xDudettex