Why hello there! I think you've got an interesting plot here, some good descriptions and in general, a really nice story. You've done well in building the suspence and I liked the sense of inevetibility toward the end when the reader knows that he's going to burn her letter. That was good. I do have a few comments and suggestions for you though:
He could picture her hair, damp from the autumn rain, streaming down her shoulders to her waist in a river of crimson, tendrils snaking around her alabaster skin. A storm raged in her gray eyes, but her face was sad. Her lips parted to utter some curse or spell, bestow some punishment which he knew he deserved, but instead of words issuing from her mouth a single tear leaked from her tempest-colored eye and tumbled down her cheek.[This description is too much of the archaic. One or two of the cliche alabaster skin, fiery tendrils, storym eyes. Fine. I can just about manage but all three? It's just like urgh. You need to be more unique! This girl needs to be more than just a cliche perfect woman, she needs to be described in a way that the reader knows her. Is there anything defining about her face? A scar, a mole, a certain freckle pattern? Is her hair a certain length, a certain cut. Is there a way she hold herself, a habit she has? You really need to think about this because a description is often the first tie a reader has to a character. You describe a character from a distance and the reader will already be making opinions of them before they even open their mouth.]
You asked me my name, she said with the voice that was capableto travel of travelling through him as swift as any bullet, and it was nearly as painful. Beautiful and painful. It started the night you asked me my name. Do you remember?
It was the sound of her uncanny [How is it uncanny? What does it sound like?] voice breaking over his name that broke his icy veneer. His cigarette was hurled at the ground, and the night was shattered by his tortured cry.
Forgive me. Her breath was harsher than the arctic winds, but he felt the heat of her lapping against his back. He felt her intense gaze on [Would be better to have 'intense gaze on the back of his head as he stared...'] his head, turned away from her, as he stared into the night in this place were darkness was kept away by strange ever-burning lights.
Characterisation
Your MC is such an idiot. I liked that his inward thoughts were different to what he actually said and by the end I just wanted to strangle him. I hate when people do that, aren't true to themselves, don't admit their real feelings because they think they're protecting someone. It was a nice technique and made your character more real for me. However, I felt that the personality of the girl was too mild, too weak. There wasn't enough to her for me to find any interest in her dialogue which made the relationship feel very flat. I just found that she lacked the fire and passion of a last meeting, of a last attempt. Sure she might be resigned, they might both be, but there should have been those moments of it almost working out, of one of them almost giving in, starting to and then just making it worse. The trouble is that I had no doubts of what would happen. This was partly because you started with the burning of the letter (don't get rid of that though as I really liked it) but mostly because there just wasn't that chemistry. That's where your problem is. I'd have liked to see you pull the reader both ways nd give them false hopes before the inevetibility sets in.
Description
There's no feeling of setting here which would really help build the atmosphere so I'm going to link you to an article I worte because I'm lazy. It should give you a few pointers on how to make your writing more alive: here.
Overall, it was nicely done but a little work on the finer points wouldn't hurt.
Heather xxx
Points: 6235
Reviews: 2631
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