Hey, Sarah! Welcome to YWS! Why not introduce yourself in the welcome area? =]
I will review this, but please bear in mind the 2:1 review:submission ratio in the YWS rules. You have already submitted two things, too, so get out there and start critiquing! If you've any questions about that, feel free to drop me a PM.
The wind pounded the windows to left of my bed, creating the illusion along with the moon that the small trees outside the window were actually giants about to take over the entire building.
This is awkward and strange.
1) Does wind "pound"? I felt that the image is kind of lost--a good contrast between the rain and wind would work well. How about whistling, or crying, even howling at the glass? I think it's more powerful and realistic.
2) I don't understand what the moon has to do with the wind on making trees look like giants? Describe the scene, throw us in there. Show us what's happening. Talk about the moonlight scattering across the chips of bark, and the long, skeletal fingers groping out into the dark like giants. Is the wind the voice of the trees? Does it shout commands? Is it fearful? Those are some ideas that will certainly help with the descriptions on creating atmosphere here.
I reached over to my bed side table, to discover it wasn’t there. Of course it wasn’t, I had forgotten, that I had moved it to the right of the bed. Yes, there it was. As I brushed my hand along the surface of the table I realised there was no glass of water to soothe my headache so I turned the lamp on.
This is a completely pointless bulge.
1) The only outcome of this is that a lamp was turned on. "I turned the lamp on." That was easy, yes?
2) You're wasting the reader's time by telling us pointless things like remembering that you moved the bedside table and that there was no water. The thing is, we don't care. You could talk about craving water to settle your headache, though, which is something I draw from this.
I so desperately wanted to leave behind from a few nights ago when my life and Olympic dreams changed forever.
This is a little long and winded. Firstly, rearrange the words to emphasise the defeat of dreams with more active imagery. "I desperately wanted to leave behind to two days ago, when my dreams crumbled and there I sat, the Olympics washed before my eyes." That's how I would phrase it. I'm interesting in the Olympics idea but I'm wondering whether it's too specific, and would better be placed in a subtle part of the sentence, because it's intriguing and necessary to hook readers.
It's now that I'll suggest changing the title. "Shattered Dreams" is so overdone. It frequents every other soppy angst poem, or song, or story. The Olympics makes an interesting story topic, and you don't see it everyday. Perhaps you should introduce it in the title.
Then it was the miniature earthquake, during which chairs went flying;
This transition is very bland indeed. It could be so much more exciting, and hook the reader into the story. But I'm not. I like the idea of it actually being pupils running around, so keep that, but describe it somewhat more. Not too much, just a tad.
My coach at the national youth athletic centre had always warned me of going out so close to a race that would determine the rest of my life as a professional athlete and maybe my place at the next Olympics.
Subtlety failure! Scatter it out. Reference it, but don't state it. Now, you see, this comes at the end of another long and essentially not that helpful paragraph. This is a short story, and as such, don't worry about talking of such things that we're all familiar with--most of your readers have experienced an end of term day. So throw in something new, interesting, and concerning of the plot, or give it a haircut.
Georgia and I gave up on getting high.
Getting drunk is not the same as getting high, which appears to be what you're implying.
Okay, it definitely improved as it went along, and I felt the emotion and character developing increasingly powerful as the story progressed. The accident happened quickly and that was well done, but, I think there could be improvements.
Firstly, it's a very typical story. I didn't expect anything other than a crash in which someone died and the main character couldn't go to the Olympics, so on that account, induce a little more surprise. One way would be she gets out unhurt, but then in her trauma she steps out in front of a car? That's an example.
As the car is driving, let us be the character more. Describe the fear, the worry, the pain and the agony more. Perhaps she lies there alone with the dead body for a long time, and we learn about her more that way?
Just a suggestion.
Commas
Spend some time working on them. If you want commas, go the whole way. Right now, you're puncturing sentences that need to be punctuated; you're listing long events with no breaks; you're chopping up a easy flow. I could list all the uses, but they wouldn't be that helpful. If you check around YWS you'll find some articles on the matter. Here's one:
http://www.youngwriterssociety.com/topic19162.html
Proofread!
Please? I noticed a lot of small grammar errors that I would have pointed out had there been fewer. But there were a lot. Things like "a" being missed "in" and small fragments that would be better as complete sentences.
I hope I've helped! PM me with any questions. Good work, just get editing, as it needs a lot of work. =)
Best
Blinky
Points: 13719
Reviews: 243
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