I woke up with a start. Logically, the first thing that should have alarmed me was the sound of something clawing at the door. Instead, what caught my attention was the overwhelming smell of wet dog and copper.
I didn’t know how long I’d been asleep. I had waited up for Colton for a while, should he resurface from his room. But he never did. The door cracked and splintered, but not until it gave way did I finally realize something was breaking in. Something big.
I scoured the room until I saw it. It took me a while to understand what I was looking at, because the thing was black as tar and nearly indistinguishable in the dark.
The only thing that gave it away was the moonlight. When the rays swept over it, it glistened like an oil slick. It prowled closer with predatory focus, and when it did the sheen rippled over its form.
The sight was deadening, like it had reached into my head and silenced every thought. For what felt like eternity I could only stare. When my eyes finally adjusted enough to meet the creature’s, it paused. Though the phantom seemed the embodiment of twilight, its eyes were piercing. They were blue.
Because I assumed I was dreaming, I gambled to break the contact and let my eyes skim over the creature. It had a strong build, with broad shoulders and a prominent ribcage in between. Its hind legs were powerful, and behind them sat a bushy tail.
It was impossible to tell what covered the thing. Its soft silhouette seemed to hint at some sort of fur or fuzz, but it looked so unnaturally sleek it must have been something closer to amphibian skin.
From somewhere in the room came a low rumbling, and it took me far too long to realize the thing was growling. It crouched lower, and I only barely managed to throw myself out of bed before it pounced.
Any drowsiness, and any notion that this was just a tired delusion, was violently knocked out of me when something sharp dug its way in between my ribs. It was the corner of the nightstand I had collided with in the fall, and it left me winded on my back.
The monster turned its head toward me, and its neck was too pliable for something with a common spine. I didn’t have time to regain my breath before it bared its teeth and lunged again. Rolling out of the way I avoided the attack by the skin of my teeth, and hurried to my feet. I scrambled out of the room, but tripped over the tattered door.
Thick wooden splinters dug into my ankles and shins, piercing my muscle and tickling my bones. The pain was paralyzing at first, but the creature was still hot on my tail.
I grabbed my legs to wrench them off the remains of the door, but several fragments were lodged too deep and broke off instead of letting go of the flesh. Others were so jagged that it felt as though I might as well have been sawing off my feet.
While dragging myself away, I was granted some time to regain my bearings, because the creature was too thick and too wild to slip through the hole it had made.
I tried to stand, but putting weight on my legs caused the thick wooden shards to shift and dig further into my legs, and I could barely get a few steps in before falling back to the ground in agony.
I had only made it to the middle of the main area when the creature got free. As soon as I got there, I had to duck behind the couch because the creature lunged across the room. It missed me by a hair, nearly crashing into the kitchen cupboards.
It turned back to me with a furious snarl, but I hauled myself back up with the help of a chair by the dining table.
The thing raised its head to its full height, and seeing my opportunity I gritted my teeth and lifted the chair. For one terrifying moment I thought my very bones might snap, and leave me helpless on the floor.
I pushed the thought away, bit down until I felt like my teeth might crack, and jammed the chair at the creature’s exposed neck. After the endeavor I immediately collapsed to the floor again, but my efforts were not in vain. The creature fell backwards as well, and thrashed lividly on the floor while letting out choking, wheezing sounds.
Standing up, once again with the help of another chair, I dared to turn my back on it while it was stunned. I grabbed a knife off the table with a trembling hand, the handle was cold. I swallowed, and willed my lungs to take in air.
My mind was impossibly loud and incredibly quiet at the same time. Millions of thoughts were rushing through my head, but all too fast for me to grasp. Instead I could only feel them rushing by, leaving me with nothing but the vagueness of their wake.
Truly, I wanted nothing more than to run away, but I wouldn’t get lucky again. In my state I wouldn’t make it two steps out of the door before the creature caught up to me, and ripped my head off.
Had you asked me in that moment, I might not have remembered my name.
I gathered what courage I could, with adrenaline numbing both pain and rational thinking, and threw myself at the creature. I landed on its exposed stomach, and clung to its ribcage. It thrashed harder, trying to throw me off, but I dug my fingers into its bloody skin and held onto one of its ribs.
The skin that had perplexed me so much just a little while ago split like paper under my fingers. Dragging myself up to the base of its neck, I raised the knife over my head. I tried to stab it in the eye, but just in time it rolled us over.
One of its hind paws landed on my left knee, and I heard it crunch and snap. I screamed, but it didn’t deter the creature. It was just about to bury its teeth in my face when I closed my eyes and slashed blindly at its throat.
All I could think was that the neck seemed like a weak point, and that if I was lucky I might hit something vital. Its blood rained down on my face, and got into my eyes even though they were shut tight. It felt like burning acid, and the pain made me drop the knife.
My attack seemed to deal enough damage, though, because the creature leapt off of me. By its screaming I could track it to jump over the couch, either to lick its wounds or come up with a new stratagem.
No matter how much I wiped at my eyes, though, I couldn’t get the blood out of them. It was almost sticky, and my tears could only somewhat rinse it out. It stained everything a deep red and, coupled with the poor light of the cabin at night, it left me with only parts of my vision.
I could almost make out the creature’s tail behind the couch, but everything was so clouded it might as well have been its head. My head was spinning, I never liked being blind.
With the help of a table leg I reoriented myself and crawled backwards toward the kitchen. The creature seemed placated for now, but I knew better than to relax until it was dead. I thought I could at least find a bigger knife, and maybe have time to wash my eyes. Surely the water was back by now?
But before I could turn the tap on, the creature growled and lunged again. Relentless, like Lucas. I threw myself out of the way, trying what I could to spare my injured knee from the impact, and it crashed into the cupboards. It knocked down plates and cutlery with a loud racket, and shrieked when shards of porcelain and the teeth of forks dug into its hands. But it refused to be discouraged.
I hardly had time to crawl over to the fireplace, feeling around for the fire striker, before it had gotten over its affliction and prepared to attack again. I scraped the metal against itself and by the grace of God, or whatever other divine being was watching over me in that moment, a piece of kindling caught on immediately.
The light from the fire was blinding at first, but I believe the blood coating my pupils might have saved me from any permanent damage. Fire spread quickly among the scorched logs and I reached into the fireplace to grab it.
My hand charred, but I held fast, pulling the largest piece of wood out.
Just as the creature was about to descend on me, I rolled over on my back and held the log out toward it like a stake.
It recoiled immediately, so blindsided it threw itself back with no regard for exposing its stomach once again. It wailed furiously, but didn’t attempt to strike again. I continued to hold the flame out toward it, until it was squirming on the floor, hissing and screeching.
The sound was deafening, but I was so relieved at having something to shield me I was shaking. For fear of dropping the log, and lighting the whole cabin on fire, I continued to approach the creature with a determination to put an end to this.
When I finally came too close it stood again. With no other choice it screamed, then dashed out of the cabin, throwing the door open and disappearing into the snow.
End of chapter
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hello again noridori!
I think this is very exciting for an action scene, and I do believe the strongest element is the creature’s presence. I love the visual contradiction of the monster: black as tar, oil-slick sheen, blue eyes, fur / fuzz / amphibian skin ambiguity, etc. That uncertainty makes it feel uncanny rather than just a big scary wolf thing, and the fact that the narrator is disoriented helps sell the horror. You also do a good job making the fight feel desperate instead of cool. I think people tend to fall into that habit when writing fights, trying to make them too aesthetic.
HOWEVER, the pacing is a little front-heavy. The description of the creature before the attack is atmospheric, but because the narrator wakes to something actively breaking in, the amount of observation they manage before the first pounce feels stretched. In horror / action, you can absolutely slow time through fear, but some of the anatomical description could be threaded into the fight instead of placed before it - for example, the narrator might not fully register the ribcage, tail, skin texture, and eyes all at once; they might notice the ribcage when clinging to it, or the tail when it whips behind the couch. Something like that! That would keep the opening sequence feeling cohesive while still preserving the creature’s vividness.
For realism, I think the injuries are where the chapter needs the most calibration. Splinters "piercing my muscle and tickling my bones," a possibly shattered knee, acid-like blood in the eyes, a charred hand, then somehow continued crawling / fighting is intense -> maybe TOO intense if the narrator is meant to remain functional for this long. Adrenaline can do a lot, but not everything. The knee crunch especially is a major injury; after that, standing or coordinated movement becomes much harder to believe. This does not mean you need to reduce the violence, but you may want to choose one or two major disabling injuries and let the rest be more superficial.
^ Though, since this is fiction, you don't have to worry that much about the exact medical realism. It's nice to consider though!
Pacing-wise, I would also suggest condensing some of the paragraph breaks. During the middle of the fight, I think the short paragraphs make the writing feel choppy / too abrupt. Let some actions run together when everyone is panicking, then you can embrace the shorter paragraphs for moments where tensions are higher. I think it's hard to get a sense what's happening when everything is broken into a new "thought," like there will be new ideas brought in when you should be continuing the previous idea. Just let it all happen!
Overall, though, this is very solid for your first time writing an action scene! I really enjoy the sense of pressure on everyone here. I'll be back!
best,
cocteau
thank you so much for great advice! also this is sort of a spoiler(?) but he's meant to have an old knee injury i struggled to fit here and i think i'll try to clarify either in the next chapter or future chapters. so, the creature doesn't step on his knee hard enough to shatter it, rather sort of sprain an already weakened knee. do you have any tips on how i could fit that context into this chapter, or is it fine to leave for later chapters?
also the blood isn't meant to be acidic, just feel like it because eyes are sensitive, that's why it doesn't burn his face. i should probably have done some research though because i just found out blood wouldn't actually burn... hmm, i'll ponder on this...
thank you for the great feedback, especially on pacing!
Soo, fight scenes are kinda my bread and butter so I am looking forward to yours :3

“ The door cracked and splintered, but not until it gave way” Okay, since the former few lines are abt your MC reflecting, this sentence here shook me out of the story. Maybe make it its own paragraph so it’s clearly separated from him reminiscing?
You repeat “thing” twice in close succession which is also a bit flow breaking—especially since once you use it to describe the future star of the action sequence and then, to denote the detail that gives it away.
When it “prowled closer”, that’s also when I was missing a description of its general shape. How many legs, if it is more dog or cat or octopus like. Just… something more than “thing that’s oily in the moonlight”—basically “prowl” set a cat-like expectation in my head?
Ohh neat description: “ its neck was too pliable for something with a common spine”
Hmmm if he can trip over the door, that implies that the door has left its hinges and is now living, sad and broken, on the ground. So why exactly can’t the creature follow through? Also you say it is hot on his tail but then he has time to struggle with the splinters (and I guess it’s possible, maybe even normal, that the door breaks away into such a debilitating obstacle that leaves real wounds on your MC but it these kinda injuries still feel kinda extreme to me?) and then you describe that the creature cant even fit easily through the hole of its creation. And I’m asking myself “what hole? Did MC really crawl through that hole too? What is going on?” XD
“It turned back to me with a furious snarl, but I hauled myself back up” Not sure how these two sentences are linked? Why “but”? It’s not like getting to his feet has any bearing on the creature turning to him.
F-from lifting the chair? “For one terrifying moment I thought my very bones might snap, “ or because of the injuries the door caused he’s afraid the additional weight and momentum are gonna give his legs the rest?
Okay, here: “jammed the chair at the creature’s exposed neck.”
So what you described is: creature lifts head. Guy struggles with chair, and struggles and struggles and apparently creature just watches and then bam, neck strike. I know what you meant was that the chair struggle was brief but a herculean effort and he swiftly while the neck’s still repositioning itself brings the chair around. But, that’s the thing about action sequences in writing, you have less lee-way in how long actions feel. So because you have him thinking abt bones snapping, him thinking he will be helpless, him pushing the thought away, him biting until his teeth might crack and THEN the chair slamming—it feels like A LOT of time has passed, to the reader and we’re left wondering: and that thing is just watching?
I also think that even without the narration getting in the way, lifting the chair and slamming it down is a move with a rather long wind-up. Why is lifting the neck so paralysing that the creature cannot make its own move?
Also why does he throw himself onto the creature? Does it have claws or teeth, you never mentioned that? How long? Are they in the way and… why then is throwing himself ONTO it and not stab stab stabbing the way to go to handle this situation? XD
Oh oh: “got into my eyes even though they were shut tight” O__O
How can he tell that the blood stained red? It kinda feels like he barely opened his eyes and its like super dark, right?
I do like that he IMMEDIATELY thinks abt how to fix the most pressing problem, the vision and that he has the clarity of mind to remember that the water had been OFF but that it should be unfrozen by now!
Relentless like… who?
Hmm if the sudden appearance of the fire barely discouraged the creature why is it so much more affected by the bit of burning wood? “It recoiled immediately, so blindsided it threw itself back“
Well well well that certainly was an action scene! I was very entertained!
Pacing: I feel like your MC spend a bit too much time crawling somewhere. It slowed down the action, mainly because especially in the beginning you didn’t really handicap your creature all that much. Especially because you handwave that with “oh it didn’t fit through the door” or smthing. I also feel like, MC getting critically injured by the door feels more like a solution seeking a problem, as if these two weird, for me illogical decisions necessitate each other: the creature needs to be slowed down bc the MC got injured by the door and the MC got injured by the door because the creature’s stuck inside…
Realism: It is certainly realistic that a broken door is such an obstacle. I would probably break my neck trying to rush over it too. It’s just a question of if you want that realism in your story or if it is okay to move past that? (I though the bedside table did way more damage until you started to go into more door damage details…)
I like that the creature needs to breathe and that the MC got it in the neck and shut it down with that for a moment.
That the fire chased it away is convenient but works very well –I guess MC, being a pragmatic, figured that this is like a wild animal and wild animals are afraid of fire.
Spacing: What do you mean by that? O_O
Over all very exciting!
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relentless like lucas, from the prologue! (yeah i know that line should probably be cut...) anyway, thank you so much for reviewing! this is all great feedback!
firstly about the door. it's not really that it has been knocked off the hinges so much as that the creature has torn an actual hole in it, almost like jack torrance! so when gabriel (narrator) trips over it, he trips over the jagged bottom part of the door which digs into his legs. the same with the monster, in the beginning it slips inside, but while chasing him, it's thrashing too hard to get through the hole it made.
and the idea is that he shuts his eyes tight to slash at the creature and after it gets off of him he opens them again, but the blood is coating his eyes and obscuring his vision (though not entirely).
about asking for feedback on spacing i mostly meant if you can follow the characters through the scene physically, or if they might as well be floating in space...
thanks again for reviewing, your perspective is always super helpful!