It’s dark, the heat isn’t working, and the woman’s toes have gone numb. A gray sweater hangs loosely across her shoulders, the hem frayed and bottom two buttons missing. There’s a hole in the sleeve of her right arm. With hands clad in woolen mittens, the woman grips the steering wheel, trying to steady her shaking hands. It doesn’t work and her fingers tip tap against the silence of the night. Swirling gray clouds form and then vanish with each small breath she takes.
The clock on the dashboard reads 11:46, but it's broken and has said the same thing for weeks. Last the woman checked her calendar, it was January 3rd, but that was at least two days ago. She doesn’t have much of a need for that date these days, and even less of one for the time. In fact, she wouldn’t even have known it was Christmas if not for the flyer left on her door the day after the big day. “Stop in for our post-Christmas sales!” it read in bold red lettering. She threw it in the trash.
As the woman thinks about it now, she realizes it had been a white Christmas. Two feet of snow on the ground, enveloping the whole world in pure white. Most would call it beautiful, but the woman thought of it only as an inconvenience. She hasn’t owed a pair of waterproof boots in years and even the short trek from the door to her car had left her feet soaked through. She hates the feeling of wet socks.
The woman watches the scenery blur by out of the corner of her eye as she drives. The freeway is deserted, as it has been for the past two hours, and woods shelter the road on either side. The trees are bare, like stick people tangled in their own limbs, and though she’s driving the woman turns her head to weave her eyes in and out of the empty space between trunks.
The snow from Christmas has almost vanished by now. All that remains are towering mountains on the side of the road, speckled with the browns and grays of passing traffic. The woman decides she likes snow better when it’s tainted and not so picturesque and perfect. She determined a long time ago that perfection unsettles her. She doesn’t like to think about why.
In truth, the woman prefers not to think about anything meaningful at all. She allows her mind to wander however it likes, only putting an end to its travels when it uncovers a secret she has tried so very hard to protect. Things are easier that way.
Miles later, the clock still reads 11:46. The woman should be tired, but, as always, she isn’t. She doesn’t get tired anymore, not after the hundreds of sleepless nights that haunt her past. If anything, the dead of the night is the only time she’s really alive. The still, the quiet, and the nothingness leave her with a numbness that she relishes more than anything. At times like this, one could almost call her content. Almost, but not quite.
It starts to snow. The snowflakes dance in and out of view, crisscrossing through the beams of light emitted by the cars headlights. They dot the windshield like little freckles, and the woman reaches to turn on the windshield wipers, but stops. Nothing should interrupt the placidity of the dark night. She watches silently as the snowflakes cover more and more of her view, until the real world seems like only a bad dream.
Snow, she decides, is not bad at all. It covers the scars you wish to hide and paints you a new world.
For the first time that night the woman’s hands cease to shake. She releases the steering wheel from here firm grip, and wiggles her fingers. Drawing her sweater around her small body, she slowly reclines into her seat, like she’s afraid leaning too far with break the spell and return her to the world she came from. A world she never wants to return to.
She’s found it, she thinks, the place where nothing matters. Staring into the white nothingness, her lips turn up at the corners, and the wrinkles in her forehead become just a bit less pronounced.
The woman smiles for the first time in four years, and it’s the most amazing feeling she’s ever experienced.
But then she remembers. She remembers and her lips turn down and her forehead creases and she curses herself for being so unbelievably stupid. How many times had he told her not to give up? Not to forget, no matter what? Now’s she’s failed, and she’s sorry, so sorry.
The woman knows she must leave this land where the sky is white and her emotions are numb. Where her pain is gone and her problems drift away like litter on the sidewalk. She knows she can’t give in now, not after the years of torture she’s already had to endure to prevent this. So she lifts her head and reaches for the steering wheel again. It’s hard, so astonishingly hard, but she grips ones hand around the wheel and stretches towards the windshield wiper button with the other.
She presses it and looks up to see the wipers begin to struggle against the layer of snow that has gathered atop her windshield. She has enough time to scold herself again for her mistake before it happens. A crash, a bang, a crunch, and then quiet. So much quiet, and were it minutes, even seconds earlier, the woman would have been pleased. She would have been content to lay there and let the still wrap around her, take away her troubles and tuck her into bed.
The quiet suffocates her now, clawing at her neck and around her limbs, an invisible beast not unlike the one she’s be combating nearly her whole life.
She wants it gone more than anything she’s ever wanted and so she fights the hardest she has ever fought.
She wants to scream, to cry, to do anything that will break the awful spell, but whenever she tries to shout nothing happens. And she can’t breathe, can’t breathe, and she’s trapped by this monster that’s been latched onto her for ages. Her heart screams so loud she’s sure even he can hear it, but it’s still so, so quiet.
And then a whisper, barely more than a breath, escapes her lips.
“Stop.”
That one word, that one syllable, is all it takes to ignite her. Hope bursts through her body and the claws around her neck become cotton not iron, the hold the world has on her becoming as flimsy and the sweater wrapped around her shoulders.
The words pour out now, an incoherent mess that sounds like nothing to a bystander but means everything to the woman. “Stop, I’m sorry, my fault, it’s better, I’m sorry, let go, I did it, I’m sorry”. With each and every word, the woman crawls out of the grave she’s been digging for herself every day for years, and into the world she now wants to belong to.
Tears stream down her face as she reaches into her pocket, grasps her cell phone, and dials the three numbers that will be the start of her new life. When the person on the other side answers, the woman has only enough energy to whisper “I did it,” before the phone slips for her hands and tumbles out of view.
The woman doesn’t know what she will do now, doesn’t know where to begin to rebuild the mess of a life she is leading. Really, she barely knows anything at all. The only thing she is sure of is that she is never, ever going back to that dark and lonely place she once thought was where she belonged.
The woman sighs and reclines into her seat again. This time, however, it does not signify the end of a life, but rather the start of a whole new one.
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Hey there
,
I think I understand what you'e doing with this piece. It's raw and emotional and it does a good job of addressing common feelings people experience, though not usually so strongly. That's not to say exaggerating the feelings to get them across is a bad thing, of course, and it really worked in this. The woman is relatable as well as interesting and unique in her struggles.
Speaking of her struggles, it would've been nice to learn what they were specifically, but I get the suspense thing too. Everything's a balance.
I liked the broken clock and the woman's loss of a sense of time, forgetting about Christmas, because it passes her sort of floating/emptiness feelings on to the reader and makes him/her really think about what's going on in the woman's mind.
The end was good, not so heavy like the rest of the piece, and personally I always appreciate a victorious end. The woman obviously has things she'll need to work through, but beating suicidal thoughts is tough, so her transition from someone who's given up into a fighter is especially uplifting.
Keep it up, this is great!
Hello!

), or what she looks like... Was the guy she mentioned an X-boyfriend...? A brother...? Heck, for all I know he could have been the president!
That was an interesting ending I suppose. I found it very easy to understand what your character was feeling, there's a lo of emotion in the way you describe her- so good job with that!
So your writing here has a lot of descriptions... like a lot of descriptions. It's great if people can see what's in what you're trying to say, but too much of one thing is a bad thing. There's definitely too much description in this- I don't think that there was much of anything else! I can understand though, why you did that... there's really not too much else to write about in a story like this right? Right AND wrong. I think a way that would make this piece more interesting and easier to read is if you wrote this in the first person, rather than second.
In first person you would be in the head of 'the woman' and you'd have a lot more to write about besides the scenery. You also wouldn't have to tell us about her thoughts, because she'd be thinking them.
That's just my thoughts though.
The other thing I thought could improve is that it would be nice to know who this lady is. All we know is that she's had a hard run with life ( no idea why ) and she doesn't smile very often. We don't know her name, her age ( is she 80, or 30?
I'd just like to know a little more about the characters that I'm reading about.
It's a very interesting plot, I have to say... in a way it's almost inspiring. Keep it up my friend! See you around!
-Socks
First--overall, I did enjoy this. Thank you for your post: it is quite good though in the beginning, the description seemed so vague that I pictured the woman lying dead somewhere--until you wrote that she gripped the steering wheel. I know this sort of vagueness is common, but I think that it's unhelpful to any story. However, I find your description of her emotional progression to be amazing. In fact, it sounds rather like feelings that I've had of giving up. I really appreciate the progress she makes in her mind about not giving up and leaving the indifference that has caused her so much trouble. What you wrote about her mind and emotions was excellent. I think you have a great introduction. But it would help if you were more concrete in the very beginning. Again, it's good though. I feel that calling her just a woman so much does create some awkwardness, but if you don't want to name her, of course, going without names can be better than having them sometimes. In this case, I think your not revealing her identity forced me to focus on her inner changes and not too much on outside things. Additionally, I like how you were vague at the end, with the phrase "and dials the three numbers that will be the start of her new life." It was clever, I think, to do that. Although being elusive can be problematic, here you used it well!--though, at first, I didn't understand the three-number reference. To me, this whole writing sounded like the introduction of something; and thus I think that your secrecy is properly done. Also, at the end, I couldn't tell whether she had crashed into something or not. Therefore, maybe you could have written more details about how it all ends. Altogether though, I think this was well-written. Thanks. I hope you have success in all your writing.
Hi mixofs, and welcome to YWS! Here to review your story~
So I think the ending of the piece really brings it up loads.... not that it's the happiest ending but it sort of ties the whole thing together. When I was reading it I was thinking, 'I wonder what the point is here', but then yeah, the ending was really good! I also think you use some powerful imagery towards the end to describe how the woman is feeling.
When I first started to read this, I wasn't really a fan of you referring to the character as 'the woman' and 'she'. As I read on, it started to read better, however, there are still problems with this. Because you've done this, it means that most sentences have to start with 'she' which is quite boring, so I think you need to mix up the structures of your sentences a bit.
Also, because of this, there aren't really many points where we see how the woman is feeling. There is a bit at the end, but I think that there should be more of how she is feeling, before revealing at the end that she's committed a crime. To be honest, when I was reading this, it was kind of boring, but I think showing how she feels might intrigue the readers in a bit more.
Lastly, I'd like to see some more details about the setting and stuff, I think it would add more substance to the story rather than what the woman is doing. Maybe you could describe a bit more the places she is driving past, and how they make her feel, or the noises her car is making. That sounds a bit weird, but I think it would be good for building up an atmosphere.
Overall, I really liked this, but mostly because of the ending. Try varying the content of your story, like adding more descriptions and thoughts. I hope this review helped, feel free to PM me with any questions or if you'd like another review on anything.
Keep writing,
~ArcticMonkey x