Hello hello and happy RevMo! I apologize that I haven't read the previous chapters of this piece, so I'll be looking at this as a part of a greater whole.
This is a very intriguing chapter. I can tell you've spent some time setting up this plot and thinking about what clues you're going to give us when. That's awesome. This chapter does a really nice job building suspense - we have this new predicament (Serena didn't make it home) and a new challenge because no one seems to know where she is or how to help. I don't know Serena because I'm coming into this story late, but I feel nervous for her. I hope they're able to figure something out, but this chapter also has a bit of a helpless tone. Like Serena is gone and it will be next to impossible to get her back.
The writing itself is good. I appreciated that you set the stage and showed us what was happening in the scene rather than telling. I thought it was really nice that you included action and description and how this MC is feeling as he's talking to Maria on the phone. Not only does it make it feel more authentic, but it also creates an atmosphere and adds to the suspense.
I thought this paragraph could be expanded:
I felt the hair standing up on the back of my neck. I had been too quick to dismiss what had happened and there wasn’t much I could do about it now. I felt ashamed; I told Maria that the blow to my head had considerably rendered me powerless and I couldn’t have started to look for her friend in the morning. I wasn’t going to tell her how my instincts had failed me and how badly I had needed to sleep in order to sober up. Maria’s hopes were dangling by a thin thread and the last thing I needed was her trust in me to hang in the same manner.
This is a pretty short chapter, and short chapters are fine, but you should use every bit of space you have. You've been showing really nicely up until now and then this paragraph has more telling. I want to see what he says to her rather than an explanation of what he said to her. The inner monologue is great though. I love that you're showing us what and how he thinks.
Little did I know, it also was the last pair I would ever use.
This is a bit of a pet peeve of mine, but I don't like this kind of obvious foreshadowing that something is coming. Either he's about to enter a gross life of never changing his underwear, he's going to start going commando for some reason, or he's going to die. No matter what, this type of foreshadowing spoils the surprise because now we're expecting something major to happen. I would rather feel the suspense building (as you've been doing in this chapter) and then have my mind blown when something unexpected happens.
I rolled up the collar of my jacket and slid in through the packed sidewalk.
I thought the ending was a little abrupt. What exactly is he doing right now? It's too early for him to go meet Maria (unless it's going to take him a super long time to get there). Is he going to look for clues? Why is he leaving, where is he going, and what's his plan? I think some inner monologue action or some introspection here would work nice. You're good at that, so show us what the character's motivation and plan is before you close the chapter out.
Overall, intriguing idea and good writing! I don't normally read suspense, but if you're looking for more readers or if you would like me to read more of the story, just let me know and I'd be happy to do so! And please let me know if you have any questions or if anything I said was confusing!
Points: 32055
Reviews: 1162
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