Variations on a Hospital Bed

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Thomas sat down at the antiquated wooden desk. His father blew the dust off the attic-smell ridden piece, and joyfully handed the family heirloom to Thomas the day he started the eighth grade. “Not every eighth grader is a renowned poet,” his father would boast to his colleagues. Doctor Edward Latham was his name. Doctor, what a strange title for someone who grows nauseous at the very sight of hospital reception, Thomas thought. Edward taught English at Elkin Community College and was deeply proud of his son’s aspirations to become the next award-winning poet. After Thomas’s mother passed, Edward invested as much time as he could in his son’s interest—taking him to class or poetry readings in the city. Thomas immersed himself in the art, winning the “Young Poets” prize in a county-wide contest for a composition entitled Torn Hosiery. It was about a memory he held from his mother—a light, comedic piece, before she got sick.

Thomas felt the rough edges of the desk. It looked severely worn, with several scratches, pot holes, and discolorations, as if many ponderous fellows before him had sat at this very desk to compose their own verse. Under the tabletop he felt the gummy textures that had probably been solidified for decades. He glanced at the underside, somewhat hoping it had been inscribed with life’s only truths—perhaps the disparaging reality that all the worldly goals are simple, infantile, and meaningless. There was nothing more, however, than the tar-like gum spots and inappropriate etchings, most likely conceived (disappointingly) from the mind of a boy his age.

“So. What do you think, sport?” Edward said eagerly.

“Well—,” Thomas said tensely, looking a bit confused.

“Well what? This is where your old man started writing.” He patted his son’s meager back, enough to startle him.

“Well, I mean—its left-handed and everything—but that’s fine.” Thomas acted out positions in which he could sit in order to still write with his dominant hand.

A long, arduous sigh crept from within his father’s chest. “Sorry Thomas, I didn’t even think of that.” He sighed again, pathetically, looking out the window eying the neighbor transgress his cluttered yard. He was coming home to a wife and a son, a real, complete family, Edward thought. He was overcome with that homesick feeling he had grown so accustomed to.

He had considered briefly, returning to his old, friendly habit of drinking. Annabelle had demanded sobriety when she became pregnant. Edward chuckled even now, recalling his wife's constant mood swings, the contemptuous yelling during pregnancy. To his amazement, she could turn on a dime and he would find himself encapsulated by the same softness--a gentle, demure side that had attracted Edward to the point of proposal their junior year of college.

Married life was difficult at first. They both worried it was rushed due to the unplanned pregnancy, which they informed Thomas of just a few years previous. He took it surprisingly well. Thomas had always been so mature, above average, and shockingly to his teachers, well read. Edward and Thomas were in the process of writing. They sat at their respective desks on most Saturday afternoons.

"What should we entitle this, Thomas?"

"Variations on a Hospital Bed."

"Variations. I like that Thomas. It’s perfect."

They decided to compile poems about Thomas's mother, as a memoir of the months they spent beside Annabelle, watching her deteriorate before their eyes. Edward's therapist had the idea when Annabelle died and Thomas was secluding himself from his father. "Why don't you express yourselves, together, you know, talk about your feelings, write them down. After all, that is what you both enjoy," he said. With Edward's connections in publishing, he knew it would be a great motivator for his son, who longed to see his own work in print.

Edward watched idly as the young man wrote. What a joy and honor to have such a son, he thought. The loss of Annabelle had compelled father and son to staleness. Laughter was a novelty, and humor was of the outside world. Edward attempted at unmasking the boy's softer side, but made no advances. He was ridden with guilt.

"Museum of Natural History,” Thomas said without looking up.

"What?" Edward asked, confused.

"Mom used to take me there—when I was younger."

"Do—you want to go there?" he said, eager with hope of a final breakthrough with his son. Even death itself is not enough to stand in the way of our relationship, he thought.

"I'll grab my coat and we can—"

"I would prefer to go alone," Thomas mumbled.

Defeated, Edward slumped in his seat as his son passed through the front door on the lower level of the failing apartment. Edward rose and stepped quickly to the window, his last effort.

“Thomas, Thomas,” he said conclusively, “You need some money, wait there.”

He turned to jog downstairs when he froze. The yelp of the dog and squealing brakes would be embedded in his mind in the ensuing hours. Peripherally, he saw the blurred bodies gathering in the reflection of the mirror. Trembling, he put one foot after another as he crept down the stairs, his weight on the banister. He opened the door and the daylight fell on his face, everything blank until his eyes adjusted. Smoke rose from the vents of the bus. Passengers stood in a round, some on their phones. The blood pooled around Thomas’s head. A man knelt beside him, declared his demise; still, no tears. A limping dog approached Edward with apologetic eyes.

“Your son saved our dog,” the neighbor said.

“A dog? A dog. So that is it,” Edward murmured, in shock. His hands coursed through his hair as he dropped to his knees in the center of the round.

A memoir of a woman’s death sat, unmoving on the desk upstairs.

It was October. The cool winds began to carry the dry, curling leaves off the trees.

Comments & reviews · 5
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foxfire
Review
foxfire wrote a review · Tue Dec 08, 2009 1:21 am

Comment: Interesting story but… you’re simply telling us various information round it. Not of it is ll true but there was not enough stuff in the actual narrative that enabled the reader to feel the needed emotion. What kind of mood are you implying? That is the first thing…sad, joyous, anger or contemplation…

Okay…the poetry stuff was good in the attic but the events that happened at the attic are limited. Try to show us that they are working together by writing that the father wrote the first words of the poem and that the boy is trying to think but is not concentrating for he is looking out of the window which leads us to the second part of the story: the fire. Basically, try to show us the background through items around the attic and what they feel. When the boy wrote about the title and saying it, describe his tone in relation to the mother. ‘“Variation of a hospital bed” his words were deep as he held tight on the pencil at the paper’s surface.’ That way, we can see that he is remembering something important and about the life thing. Instead of telling us about it, show it through the narrative or the character’s emotions.

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markvd
Comment

Thank you, your comments are very helpful.

User avatar
JabberHut
Review

Hi there!

This is such a sad story. Sweet and sad all the same. Poor Dad's losing family left and right here.

First off, there's some major Point-of-view switching in this piece. It's confusing to follow. First we're in Thomas' head, and then we're in Dad's, and somehow we end up in a third person PoV, then we're back to Dad--well, you get the point. Pick a PoV and tell the entire story from that angle. It'll smooth out so many kinks in your story presently.

Thomas' character needs some work. He sounds like a stuck-up teenager rather than a well-loved student. The way he keeps talking to his dad seems contradictory to how he treats his teachers. I don't really like it. I know he's going through a tough time, but so is Dad. Is he a good kid or not? Do his teachers love his personality or is it really just because he's good in school? Basically, I didn't really care that he died in the end, and we don't want that!

Speaking of people dying, you did alright in describing the mom. You did this mostly from Dad's perspective though, so keep that in mind when editing the PoV. I still didn't much care that she was dead, but I cared for her way more than Thomas. The one character I really connected with was the dad 'cause his son keeps ignoring him. Poor guy.

Listen to Blink when it comes to description.

This is a great start! I hope you make the edits and such. You'd have a gem!

Keep writing!

Jabber, the One and Only!

User avatar
Blink
Review
Blink wrote a review · Mon Dec 07, 2009 7:15 pm

Hey, Mark!

Let me just... do some reviewing for you.

Purple Prose

You might have heard about this before - at some parts, you have real trouble with bloating up your sentences, so that the reader is scavenging around looking for the bones. You've fed them too much. Now it's time to put your sentences on diets.

(Not to self: never use a metaphor again.)

Basically, there are way too many adjectives and adverbs in here. They're not necessary. Don't fall into the habit of thinking that description is about the number of ways you can say something in. It's not. Try using more similes and metaphors, or reworking the sentence syntaxes. For example: "Thomas sat down at the antiquated wooden desk. His father blew the dust off the attic-smell ridden piece, and joyfully handed the family heirloom."

Antiquated - if you remove this, we'll still work it out. You've stated that dust had to be blown off, so it's clearly old. Get rid of the "attic-smell ridden" thing. It sounds clumsy and is kind of unnecessary. What do attics smell like, anyway? Are they dusty? Well, you've got that. Perhaps they get on your chest or smell quite stale. Oh, and an heirloom is usually related to a family in some way. Possibly, possibly...

Let me know if you've got any questions on purple prose - when it comes to revising this, do me a favour and remove every single adjective and adverb. Then see how it sounds. Too light? Too vague? Then you may a few - but minimise them. Perhaps just one a sentence.

The Content

Thomas sat down at the antiquated wooden desk. His father blew the dust off the attic-smell ridden piece, and joyfully handed the family heirloom to Thomas the day he started the eighth grade. “Not every eighth grader is a renowned poet,” his father would boast to his colleagues. Doctor Edward Latham was his name. Doctor, what a strange title for someone who grows nauseous at the very sight of hospital reception, Thomas thought.

I'm having a number of problems digesting this. We're introduced to too many unfinished ideas that I just can't understand it all. The scene is set with Thomas sitting at a desk. Then his dad gives him a family heirloom - at first, I thought this was the desk because of the way you phrased it - so why is that there? And then we're told that this happened in eighth grade, and then we go straight to a quote...

There's too much. I really feel like there needs to be a paragraph before all of this to introduce the story, create the setting, and then if there needs to be a flashback, there'll be a much clearer direction to the piece.

That's pretty much my conclusion, actually. Your grammar's fine, your writing style certainly picks up and it's interesting to read. There was a sense of emotion to the piece but I couldn't feel it. The direction just isn't there. This needs to be expanded - it's like a novella crammed into a thousand words. Spend some time lengthening it and really getting to know your characters. Please, please do that. There's a excellent premise here and I'd hate to see its potential wasted.

So yes! Excellent work, but develop the story. If I don't know the character, and I don't understand him, and I don't know who the main character is, then I can't want anything to happen and I'll feel so apathetic. As a writer, you can't afford to have that!

Let me know if you've any questions.

Best
Blinky



they say money can't buy happiness, but what they don't realize is that money *can* buy novelty socks.
— blueca