Belladonna

by ma97

Belladonna. It's a beautiful name, caressing one's tongue like velvety silk on naked skin. Belladonna means "beautiful woman" in Italian, but here, in America, it is a plant. A sprawling, awkward plant with brittle branches that crack under the slightest breeze. Its one asset is its crimson berries that, when pierced by your teeth, erupt in a lava of heavenly juice. I know because I ate one once, although I was promptly made to throw it up. Strange, isn't it, that such a beautiful name is given to the deadliest variety of nightshade?

"Belladonna!" Maria calls. My sister is a large, stately woman who carries herself with a dignified air; an air that is dispelled when she opens her mouth and you see sparse, decaying teeth, or when you look down to a single, twisted foot that drags limply behind her. She is a large woman, but not a fat one. Instead, her wrinkled honey-brown skin clings loosely to her large stature, giving her a slightly emaciated look.

She doesn't eat enough for the simple reason that she can't. Neither of us can. Instead, we get by on watery pea soup with rock-hard bread that sticks going down. Every day for the past two weeks. Our minimum-wage jobs normally would have been able to afford us a more comfortable lifestyle, but my medicine sucks away our life. My medicine for my disease. Schizophrenia. My medicine that every day is tucked away in my cheek cavity to later swirl down the toilet drain.

"Belladonna!" Maria calls again. She is large, but her voice is soft as silk. In contrast, I am tiny- like a stick of dynamite. My voice is shrill; it slices through the air like a knife. Maria is hobbling towards me now, ready to watch as I "take" a minute orange pill which is soon deposited in the folds of my dress to dispose of later.

We are sitting in the factory now, wrapping shoes and placing them in respective boxes. Again. And again. And again. It is monotonous, lonely work, but it is paying work. And that is good enough. Maria is tucked away in another isolated corner of the factory, and so I sit alone, with nothing but the shrill whir of the machines and my own thoughts to keep me company. And then, he comes. G comes.

He is like a snake, gliding towards me, leaning forward, forward... I can smell the danger in his breath. See the venom in his eyes. And he smiles- a dangerous, terrifying, paradoxical smile that chills every last bone in my body. But nothing, nothing is as dangerous, terrifying, bone-chilling as the next phrase he utters...

I received my first vision when I was fifteen. I was young, naive, and not yet tainted by the world. We, my family, were still in Mexico, still whole. I was working the fields that day, and it was a hot day, the type of day in which you lose all sense of reality, anything to escape the severe oppression of the heat.

Yet, I lost more than reality that day- I lost my innocence, my family, my future. Because of him: G, who told me to run away from home with Maria, to stop taking the pills, to betray my family. I remember I was in the fields that hot day, and I was working, and for the first of many terrifying times, he came to me.

We are back in the church now, eating. I am trying to do anything, anything to get my mind off G's order. My hand is white from gripping the knife for so long- I have been turning it over and over and over in my palm for the past two hours. There is a gnawing pain in my gut, slowly rising, threatening to burst in a swell of emotion. I know the pain will do nothing but increase if I ignore him. And yet, I can't do it. I look over to her, and I can't. I get up to throw the remnants of my food away- I cannot focus on eating- and I suddenly jostle Maria, spilling the only food she would eat that day on the floor.

She looks up at me, and her eyes... The look in those beady black eyes, a look of pure annoyance, disgust, hatred, does it. I finally give in to G, to the pain that has been harassing me all day. I plunge the knife into her back, and she takes a final gasp of air, and she is gone. My sister is gone.

Comments & reviews · 3
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User avatar
Rascalover
Review

Hey,
Welcome to YWS! During my review I nit-pick on grammar, so if I seem I am being harsh don't be afraid it's only in love. I also want to encourage you to keep reviewing others work and to keep writing. Now on to the meat of your review:

Belladonna. It's a beautiful name, caressing one's tongue like velvety silk on naked skin. Belladonna means "beautiful woman" in Italian, but here, in America, it is a plant. A sprawling, awkward plant with brittle branches that crack under the slightest breeze. Its one asset is its crimson berries that, when pierced by your teeth, erupt in a lava of heavenly juice. I know because I ate one once, although I was promptly made to throw it up. Strange, isn't it, that such a beautiful name is given to the deadliest variety of nightshade?

This is a beautiful first paragrapgh. It shows description and shows us a picture and doesn't tell us one. Bravo!

She doesn't eat enough for the simple reason that she can't.

How is she a large woman if she doesn't get enough to eat?

Every day for the past two weeks.

This fragment disrupts the flow of your story. Add a verb to make this a complete sentence.

My medicine that every day is tucked away in my cheek cavity to later swirl down the toilet drain.

I love your style of writing. You create beautiful sentences.

In contrast, I am tiny- like a stick of dynamite.

The - after tiny should be a comma.

Again. And again. And again.

I don't think writing this, this way is going to create the effect you want. As a grammar freak it jumps me right out of the story because it's alot of fragments, and it starts some of those fragments with conjunctions. You might want to rewrite it a different way, and see if it works better.

It is monotonous, lonely work, but it is paying work. And that is good enough.

Never start a sentence with a conjunction because it triggers a fragment instead of a complete sentence; that's because a comma followed by a conjunction combines two complete sentences, so when the first sentence simple isn't there and a conjunction is starting the sentence it appears as a fragment. To fix this replace the period after work with a semi-colon and take out the word and all together. There are other ways to fix this, but this is the way I saw best fit to keep the same meaning.

And then, he comes. G comes.

Take out the and at the beginning of this sentence it isn't needed. also, is his name G or is that a nickname?

He is like a snake, gliding towards me, leaning forward, forward...

Personally, I am not a fan of using ... during description or setting of your story. It works best in dialogue. I'm not saying you can't use it here; I'm just saying I don't think it is necessary.

I can smell the danger in his breath. See the venom in his eyes. And he smiles- a dangerous, terrifying, paradoxical smile that chills every last bone in my body.

This should all be one sentence to avoid fragments. Replace the period after breath with a comma and lower case the s in see. Then replace the period after eyes with a comma and lower case the a in and. There is no need to the - after smiles, taske it out.

But nothing, nothing is as dangerous, terrifying, bone-chilling as the next phrase he utters...

In dire cases or unavoidable cases you can start a sentence with a conjunction, but only after rearranging the sentence a hundred times to see if it can fit another way. If you must have this conjunction at the beginning of the sentence just add a comma after it. (if I didn't tell you before conjunction consist of: For, And, Nor, But, Or, Yet, So)

Yet, I lost more than reality that day- I lost my innocence, my family, my future.

The conjunction works here because you have a comma after it. Also, the - after day should be a :

Because of him: G, who told me to run away from home with Maria, to stop taking the pills, to betray my family.

Because is another one of those words that shouldn't be used to begin a sentence. My suggestion would be to combine this with the sentence above or rearrange it, so that you don't have to have the because at the beginning of the sentence.

My hand is white from gripping the knife for so long- I have been turning it over and over and over in my palm for the past two hours.

The - should be a semi-colon (;). You use - alot, try not to.

And yet, I can't do it.

Take away the and; it is not needed.

I get up to throw the remnants of my food away- I cannot focus on eating- and I suddenly jostle Maria, spilling the only food she would eat that day on the floor.

The - should both be commas because I cannot focus on eating is a break in the sentence.

Overall I love your style of writing, but I am a little confused as to if the ending is still in her flash back or in present time. If you have any questions or need another review feel free to ask. :)

Have a great day,
Tiffany

User avatar
lilymoore
Review

Hey there, ma97, and welcome to YWS! *tosses around the Welcome confetti!*
First off, you should definitely party on over to the Welcome Mat and introduce yourself! You don’t have to or anything but, yeah, you can if you want. :mrgreen:

Anyways, reviewing, right, there was a reason I came here, wasn’t there?

A few nitpicks!

My sister is a large, stately woman that carries herself with a dignified air;


“That” says you are talking about a thing. “who” means you are talking about a person.

Instead, we get by on watery pea soup with rock-hard bread that sticks coming down.


The bread isn’t really coming down, it’s going down.

I plunge the knife in her back, …


I don’t think there’s a really rule about this but “into” sounds a bit cleaner here than just “in.”

Some more comments!!!

You have a great start with this short story but there’s some coherency lacking because there are some key details that have been excluded. For instance:

-- What happened to Maria that her foot is twisted?
-- You vaguely describe her hallucinations, what you called a vision, but some details would be nice.
-- Is the first paragraph meant to be told from your point of view or Belladonna’s point of view? (Just as a side note, it would almost be rather interesting and a little more compelling, if that first paragraph was talking about Belladonna, not “I.”
-- When did she suddenly have a knife in her hand at the end? It comes very out of the blue and you’re kind of left just wondering “Huh?”

But all in all, I think you have a wonderful idea started you just need to thrown in a bit more detail to really smooth it out. You also did a wonderful job of describing Maria which is wonderful. But the description of G (and the meaning behind him/it being called G) are still very vague so in balance, things are a little off.

I liked the way you used Belladonna, the plant, to start this off. I used the plant Hemlock to start a story a while back. It was meant to be a novel but I never wrote any more. Anyways, I thik it’s great that you’ve used that bit of botany to start a story so, yay! And welcome again!

If you have any questions, you can leave a message on my wall (found by just clicking on my username to the left) or send me a PM by clicking that little PM icon, also on the left.

~lilymoore



Be steadfast as a tower that doth not bend its stately summit to the tempest’s shock.
— Dante Alighieri