The Blue Sun-hat
I dislike cemeteries and I dislike graves and I dislike that anything so cheerful as a tree or flower should be there to taunt graves with the comparison of life. The worst thing about them is the seeming complacency of the flowers towards the grave. When I see them, I worry not only about their objectivity but also about mine. There are some days when it’s so sunny outside that the stones are too hot to sit on, and I feel guilty for almost forgetting why I’m sitting there.
If I forget, it’s almost as if she had never been there at all. Mom and I know that Katya has barged into my room and demanded that I paint her nails. I know that she had stolen my books and wrapped them up nicely to give to me on my birthday accompanied by a card that read, “I think you read these books all redy. If you have then read them again.” Had a plane passed over my sister wrapping the presents, the pilot would never know. But I knew these things, which even Katya would probably have forgotten had she lived longer.
It’s ironic how it happened, because my mom had always been paranoid about cancer. We never even had a microwave because, “Microwaves have free radicals,” and so it always took twice as long to prepare food. Occasionally Katya was so impatient that she’d eat pizza frozen whenever she could get away with it. She hid all of the wrappers in the hole between the refrigerator and the cabinet—her secret stash of trash, which we found much later.
I hated that the doctor seemed so calm when we’d visit her. I was calm, my mother was calm, and the damned doctor was always calm. When we asked the nurse if we could speak with the doctor, we’d always say “Please” and “Thank you,” as if social convention could negotiate a kind of diplomacy between life and death. She was diagnosed with Wilm’s Tumor, and although for a couple of months she was stable, eventually an abdominal mass started to form in her stomach.
In the hospital room, her growing belly made it seem she was pregnant, and I wondered if anyone else walking by had thought that a seven-year-old was pregnant. I wished that she had a baby rather than a tumor, but with the tumor growing lumpier and grayer with every stay, I couldn’t ignore it but couldn’t imagine having it myself, either. I didn’t consider my sister brave, because that would be implying she had had some kind of choice—but no one had asked her “Are you going to be a brave girl and have cancer, or just be a normal seven-year-old?” It was injustice, but she seemed content watching T.V. and eating pizza. I myself felt resigned to it as well, and I had thought it over so much I was more afraid that I wouldn’t feel anything when she died than I was afraid that she would die. I was always watching Katya for any sign that she was alarmed, but she seemed mostly unperturbed. Katya never stared listlessly out of her window, and she complained more about the hospital food than anything else.
We finally bought much begged-for pizza on a Friday morning. When we got there she was sleeping and it was bright outside. Without the T.V. on in her room, there was too much silence and everything seemed motionless. The first thing I did was strain to hear the rhythm of her breath, although I could hardly see her chest rising at all and her belly was still. We waited for the nurse on the night-shift to check on Katya, and Katya then ate the pizza but her eyes were sleepy and I knew that if I moved close enough she would have that mild smell of sleep on her children have. She wanted me to sing from The Sound of Music, and I hated to sing in front of the nurse and while the door to Katya’s room was open but of course I couldn’t say no. At first, Katya sang along loudly, but she began to look more and more sleepy and I sang softer because her eyes were fluttering and slowly closing. We watched her for a couple of minutes and I remember looking up at the clock, which pointed at 10:56 a.m. My mom and I walked down the carpeted hallway to the car, not talking.
For breakfast that morning I had a bagel with cream cheese, and I spread it carefully so that the butter knife made smooth ridges on the surface. My mom was sitting at the countertop eating an apple, and the remains of some tangerine peels sat in front of her. The curtains on our windows muffled the morning sunlight, and my mom said that bay windows would have been much prettier. The phone rang but no one bothered to pick it up.
“Hi, we’re not here right now. Please leave a message and we’ll get back to you as soon as possible. Beep!”
“Hi, this is Karen from the UCLA Medical Center. Please call Dr. Lyoubov at your earliest convenience. Thank you.”
We drove back to the hospital, both anxious but quiet. We were informed that unfortunately Katya had passed away at 11 a.m. this morning, and they were so sorry for our loss. I looked at the nurse, admiring her blue earrings and I said, “Thank you, bye” and I walked down to the car to wait for my mom.
She didn’t come for an hour, and I sat cross-legged on the asphalt, thinking that I had been singing to her only four minutes before she had died. I had forgotten to check the sound of breathing and the moving chest last night—I had forgotten to be alarmed every time she closed her eyes. I had imagined it happening so many times, that finally when it did happen I couldn’t imagine it had.
I remembered when we first found out about Katya, and how when we went on vacation to Hawaii I would look at her brushing her teeth and imagine that there was no one to leave flecks of toothpaste all over the mirror, and that no one would yell at me for ripping grass up, which I was doing at the moment. I would look at her sitting next to me on the sand with her glinting hair and devilish laugh and imagine that there was nothing but sand there, and every time I was alone I couldn’t stop crying.
She was only six years old at the time, still young enough to undress at the beach with perfect impunity, and I wanted to know how a six-year-old thought about death. I wanted to ask but I knew I shouldn’t. I was 14 years old and old enough to know it was selfish to ask her just to comfort myself. What if my question incited fear whereas previously there had been none?
At that moment we were sitting on hot sand and trying to spare our faces in a tent of Katya’s creation. Two boogie boards, two beach chairs, and six white towels were enough to spare us from the unforgiving sun. I was trying to read a book, and although I knew the words in front of me were English, I didn’t understand any of it. She was considering me carefully and I was sure that at six she was much more shrewd than I had been.
“Katya.”
“What?”
I hoped that I wouldn’t alarm her.
“What do you think happens when you die?”
Katya smiled but her eyebrows creased and finally came the obvious answer.
“Well, you die.”
“No, but I mean what happens?” I wasn’t going to go any farther if she didn’t understand what I meant, but when I looked at her honeyed eyes I knew she did. She whimpered, pulling her blue sun-hat over her face, and I had to turn away because I had no hat to cover mine. [/pre][/pre]
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Wow.
I hadn’t read something that interesting in a while.
Let me introduce myself, my name is Dianne! Pleasure to meet you Iroizen!
Anyway, let me just say that this first chapter is really good.
The way that you keep going back and forth between how serious the dilemma is and how untroubled Katya was is wonderfully written.
Although, most of the time when you switched between the later past and the more recent past, it’s confusing in the way you wrote it. After I read it the second time I admit that I understood it better than the first time I read it.
The ending almost made me cry. Mainly because any death is seriously heartbreaking to me, but the way you approached the subject with the MC’s descriptions and thoughts was absolutely on point. Death is a situation many people have experienced in some way and you wrote a great way of describing exactly what most of those people felt.
You’re a great writer, Iroizen, I hope you post more of this so I can read it.
dianne
Thank you and you're welcome.
Hey, thanks for replying! Yea, sorry about the paragraphing...when I copied and pasted onto here, for some reason the format got messed up, and my computer wouldn't let me indent. I don't know why.
To Starlight88: I'm not sure how forums work and if you'll ever see my reply, but I agree with you...I think my story is missing something, and it is getting to know my character better. I did want her to seem detached as a defense mechanism, but you're right in saying I could provide more detail on the detachedness, since that is a central part of the story.
Thanks!
Death is a tough subject to tackle, whether it's by means of writing fiction or dealing with it in real life. In order to write a compelling story about death, it must be treated in the same manner as someone who has experienced such an event, even if the writer never knew anyone who died. Exploring death and the occurrences that surround the incident must be handled cautiously, because of the terrific sensitivity of the subject. Writing about death, as well as life, should not just tell a story of the protagonist's feelings and events, but the story and subject must be inquired into in great depth in order for the author and reader to learn and create ideas about death. These ideas can also be expressed and created by going into substantial depth with the feelings and thoughts of the characters. People read because they want to learn, even if it's the snotty, rich, superficial, and seemingly unintelligent party girl at the back of the classroom who always reads fashion magazines. Even people who read tabloids do so for the entertainment of being "informed" (assuming the reader knows what they're reading is fake). Look at yourself, reading my stupid little comment, because you want to learn how to develop stronger writing skills. You are reading because you want to learn and you are already processing and developing ideas. But remember, a story isn't just preaching and teaching, the best stories (including movies and shows) revolve around character, not just plot and action, because the character's decisions are what lead one thing to the next.

In having said that, I thought, on a personal note, your story was very good. Mizz-Iceberg had the right idea by mentioning the splendid flow of the piece and respectable amount of life you give to emotions. Yes, Loose was also correct in you're story's conventions (and while majorly important and unimaginably worthless without it [INDENT!], form is always second to the life an author gives to his/her story). Now, while I don't want to sound flaky or degrading, I thought there were some things you could expand on. It seems that when the protagonist was told her sister died, she came off as detached. I know it was a defense mechanism, but I felt you somehow did not take the time to describe it in fair detail. You can still give a profound and colorful description of the character's feelings (even if she's detached) and the mood and atmosphere the character is surrounded by (the look of the nurse and her earrings, the smell of the hospital, things about the hospital the protagonist never noticed before, the feeling inside the protagonist's stomach and what was going through her head, additional and vivid details of how the protagonist and other characters behaved, etc.) Part of writing is knowing how to teach, and if you want your audience to learn and understand your work, then giving a fair, substantial, and fruitful amount of information to work with is key. Not only that, but knowing how to teach is not just throwing out information at your audience, but being able to explore the subject at hand on a personal level. Again, I thought you did a very worthy job and I think it would be a first-rate idea if you took this story and really gave it some astounding detail and thought-provoking ideas in order to expand on it--but you don't have to do that if you don't feel like it.
Jeeze, could your opening sentence drag on any longer? Fix it if you want your readers awake for the rest of the story.
Also, paragraphs are a good idea, too.
Wow. This is beautiful. I found the emotions very vivid and the whole piece flowed very nicely.
" I myself felt resigned to it as well, and I had thought it over so much I was more afraid that I wouldn’t feel anything when she died than I was afraid that she would die. "
I found this sentence kinda wordy and I also noticed that you didn't put in comma's in a lot of places where they were needed. It's makes it complicated read and comprehend what you're trying to say.
So read over your writing and put in the comma's where they are needed. I also think it would be easier on the eyes if you spaced out your paragraphs.
Other than that this story was wonderful.
happy Writing!
-icy.