Published April 14, 2011
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Hello there!
Here as promised.
So this is some kind of a dream, eh? I have to be honest, the sudden flow of the adjectives in the first line is distracting. I know you want to show us that he's dreaming, but the adjectives doesn't help in building the atmosphere and all. And since you're portraying her beauty, it could've been better if you had to describe her hair hanging around her shoulders in wavy locks. Her blue eyes twinkling. Something like of those. And the paragraph above is choppy. At first, your character is reminiscing the beauty of his lover then he suddenly cuts it, and focuses on his attempt of killing someone. I don't really know if the dreaming helps the chapter, I suggest slashing it out.
As much as possible, try not using adjectives or adverbs. You seem to "tell" everything around him. You want us to sympathize the dying woman, but there are no strong effects that got me. Especially that this is supposed to be a sad. I'm not sure because this is just a dream. Maybe even try telling to your readers Sargon's eyes all confused and all teary-eyed. That might help, yes? ^^
First of all, I don't like how you highlighted this one with orange. And I don't even know why you have done that. It's unnecessary and provides less focus to your readers. The color also is quite painful to the eye, it could've been purple or blue or something dark... Nonetheless, change it to black.
Remind you of the punctuations. When a dialog follows a speech tag (such as "he said" or "she said"), always end the dialog with a comma.
Hmm. I'm quite confused of this sentence. At first, Saso dropped on of lord Tearlach and now you tell us Tearlach is waiting for him? Oo
Hajar's general's what exactly?
~
I have to be pretty honest. Your story is confusing. It's hard for my average human brain to grasp all the scenes here. Needless to say, I didn't finish reading everything. I have only managed to read three-fourths of the story.
You don't treat your readers like this. It makes us think that you're not considering our limits, time and energy. And let's face the fact that reading and watching are two major different things.
I. First off, the first part has been flowing very well until I reached the next parts. It turned out to be choppy and you tend to skip and changed the characters. With that being said, it was really hard to comprehend every scene here, unless we have an Einstein IQ level. What I mean is that, there were very many characters popping out and everything moved all too sudden. You have spoon-fed us too much that it was hard to digest every scene and characters. I couldn't tell how they were connected with each other because you have failed to explain it here. And so, it was really hard to recognize the the main character... the center of the story.
II. Conflict there, here and everywhere. I don't know about this, but have you tried reading this once? How was it? Confusing? Awkward? Average? Misleading? There were many conflicts that it was hard for me which to concentrate on and find the solution. Plus, I get irritated of the sudden highlighted sentence in every character's point of view. It lessened the formality of this piece.
Next is your prose. You have the potential but your story seemed to be very busy with your characters, dialogs and conflict. And again, you tend to rely on adjectives and adverbs. As what others have said, two to three adverbs are just about right on a page. And it appeared to me as if you're in a hurry. I don't quite like it. Sometimes hurrying down the pace makes less room for details. Watch out for your spellings and awkward sentences too. Reread this piece again. Once your have stumbled on to something, find the error and fix it. Last but not the least, show not tell.
Overall, I didn't enjoy this, though don't get me wrong the idea is good. It's just with your style, the formatting and all. I apologize for being so harsh, but I think it's what's best and anyways, everything is based entirely on my opinions. It's all up to you whether you agree or not. Let me know if you have any questions. ^^
Keep writing,
Yuri
P.S I want to apologize also for the delay.
Hi! Sorry it took so long for me to stop by. School got in the way, and then I decided to wait 'til Review Day. xD

So this was very cool! It actually reminded me that I'm in the middle of reading a novel, which is about assassins. xD I should go finish it. It's really good. Anyway! I can tell you guys have a very cool idea by now and are having loads of fun writing it. There were a few things I wanted to point out. Forgive me if someone else already has.
The first paragraph, I think, can just go. It seemed rather useless and it had me zoned out by the second sentence. The dream/flashback/whatever is much more interesting to start with.
That aside, I noticed your description, of any at all, can get very heavy with detail. This can be very dangerous in the first chapter (or first part of the first chapter -- same thing!) since the reader wants to get to know at least one character by the end. If there isn't someone they can relate to or understand by the end like here, they're going to get bored and lose interest real fast. I know you said it's going to be complicated, but we don't want to get that mixed up with confusing. By the end we knew maybe 10 different characters, but we only met each of them so briefly. The reader gets lost as to who's who, and they're not going to want to continue reading if that's the first impression they get from the novel. We don't want to make the novel that kind of guessing game. It just takes the joy out of reading a story!
So knowing that, I'd choose just one or two characters to start with. Then slowly introduce new ones. The reader will better keep up with what's going on. They can remember so-and-so as the guy who gave the MC an apple after escaping his hanging. The best stories are the ones with characters to relate with right away. When the story contains a whole team of main characters, like what I'm guessing is going on here, you have to introduce them one-by-one on their own time. Don't just throw mini scenes of each one. We'll get confused as to what kind of fighter they are (or what color eyes they have?).
I never really addressed what I meant by detail heavy. xD This refers to describing characters' appearances in a few sentences rather than just getting right into the action. Especially in the first chapter (first paragraphs even), the reader's going to forget 'cause they don't know who this person is anyway. Just saying they have a pale face is boring. I have a pale face. whoopie? But if you describe it by saying her lack of activity in the sun is shown by the whiteness of her skin or something like that, it gives much more to relate to.
When you say to read this like a script, that immediately set off alerts for me. Should this be written as a script then? Do we want a movie script out of this rather than a novel? 'Cause you're right! I think this would be a reeeally cool movie. Writing it as a novel will be a very different style you'll want to adapt to though. Unless this can be less confusing with all the jumping around, perhaps consider writing it as a script. Also remember that color-coding the thoughts would probably be extra money when publishing. Not sure the publisher would be happy with color print. xD
Besides that and the grammar errors that can easily be edited with another read through, I think your idea is really neat. I hope you figure things out and clean up this chapter. For me, the first chapter is so hard and annoying to write. xD So hopefully you'll think of something.
Keep writing!
Jabber, the One and Only!
First off, let me say thank you for the wonderful reviews that you have left on my stories. They are much appreciated. I absolutely love this story. It's wonderfully written. I love how you can take 5-10 lines and evoke a strong sense of familiarity with the characters. Ah, the characters. That would be my only suggestion. Maybe introduce us to them throughout the story. You don't always have to introduce every character the first time around. Let some of them pop in and out. If I had a quiz over who was what I would fail. The fact that it jumps around isn't the problem, that part I like. It's just that when it does jump, it's never the same person (usually), and it leaves the reader with the same feeling they might get if they skipped the first half of the Quantum Physics lecture and tried to make sense of what was going on.
Other than that, I love the imagery and ideas that you put forth in this story. I know that you plan on keeping it up, and that's a good thing. I like your writing style very much.
Clinical.
Yo yo yo, Stella here!
First things first... this is insanely long. Maybe not on a Word Document, but on YWS, this is insanely long. Which isn't a bad thing, but you might want to cut down future parts if you want people to read them all.
I. NITPICKS
I'm big into openings. This isn't the most exciting opening ever. Try and make it something original, something that drags us in. Looking out the window, describing the floor and falling asleep because your life is so boring isn't really very exciting, is it?
Show, don't tell.
I'm against omniscience. If this is from his point of view, how could he see his eyes?
I see someone else mentioned the Daleks. Yeah. It's a bit of a funny name to anybody at all familiar with Doctor Who- which is a surprising number.
Who did?
To me, this sounds like it's actually made of chocolate.
There should be a comma after calm- also, are you okay with using okay in a fantasy setting?
Alright. Before anything, read this. It's a very useful article on dialogue punctuation which you need to revise, it seems. Then try to clear up your grammar.
II. INFORMATION OVERLOAD
Okay, I think that by now you've probably got this vibe. There's too much going on here. It felt like the montage of killing the Jedis in Revenge of the Sith (sorry, I've been on a Star Wars marathon all week). All the different characters turning on each other and everything. And it would be a great opening if this was a film. But it's not, and literature's different, and when we start reading a book and there's a million different names in them, well, we freak. We put the book down. We just think it's "that book with all the names."
What I think you need to do is streamline it. So they've all got rings, and someone is behind killing them all or setting them on each other. And that's a great idea! But I don't think this is the way to do it. You need to focus on your protagonist and how this affects them. If you have more than one protagonist, fine, but in the first chapter, I think it's easier for your reader if you stick to one. Let's say all their friends/peers/enemies/allies are being picked off one by one. Firstly, how are they hearing about it? How's it affecting them? What are they going to do about it? Make your intro concentrated so that we can focus better on it.
III. OVERALL
Your concept is great, I'm just worried about the presentation!
Hope I helped, drop me a note if you need anything!
-Stella x
Hmmm....I wonder about people sometimes. Some people have pointed out that narrowing down the scope and only introducing characters as the plot requires it would be better. I agree but... how on earth would anyone but the writers know what the plot needed? Just asking...
Yes, the scope is broad, confusing, complicated, difficult to follow, intriguing, overwhelming and just plain out of the ordinary! What is wrong with being confused for a change? Many books start off stale uncomplicated and flat out boring! Keep in mind this is the FIRST chapter. There will be more to come, in fact there is already more on this site to read. Perhaps the plot and scope will cease to be confusing as the story goes on? Perhaps not? How would anyone but the writers know? Has anyone here ever read a good mystery novel, (rhetorical question)? They usually start out very confusing...at least the ones I read, and think are good, start out confusing.
Be thoughtful, and think outside the box. I read some interesting connections between the multiple characters; names that appeared twice or more, people that thought about or mentioned other people. There seems to be allot of things going on in this story. Read it twice...you will catch more of what is going on. (Now who wants a book that is only good for reading through once? Give me a book that is fun to read over and over again any day!)
A summery of what I think; New, exciting, different, complicated, confusing (I like this), in-depth, well thought out, out of the box, random (again I like this), intriguing, dark, better than Vampires (sorry just way to much blood sucking going around these days), powerful, and thought provoking (I have to think while I read! I have to remember! Hurray! I get to use my mind!)
The above is just my opinion. Everyone is entitled to have one.
Keep Writing!
~FW~
Paul here!
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My view is pretty much the same as everyone else's. I would introduce maybe three or four characters in this first chapter, but more than that and it becomes a little confusing. Each character should be introduced doing something unique to their personality, and having SO MANY characters bogs it down and makes it difficult to remember which one is which.
It feels like you're on the verge of writing an epic here, which is great and I applaud your scope. Take other epics, like The Stand, Lord of the Rings, Harry Potter, and they all introduce characters as the plot requires it, not all at once. Focus on one character, then two, then three, and build on that until you have your full cast ready to go. Keep the cast small at first, then expand it as the story expands. Here, there are so many characters thrown at us and we have so little time to get to know them that it's hard to keep them straight in my head, much less care about them. Sargon's snippet was by far the best, and I felt that even he deserved a bigger introduction than he got.
(As a funny little aside, I would definitely recommend changing the name of the Dalek character. I don't know if you watch Doctor Who but..http://en.wikipedia.org/wiki/Dalek Yeah
There is an incredibly good story here, but it's so hard to follow as it is that it's almost impossible to fully enjoy. The concept of the rings intrigue me, and I'd definitely like to know more about Sargon. All the makings of a good fantasy are here: you're writing is commendable, your world intriguing, and your title difficult to pronounce. Everything is in place, you just need to be more narrow with this first chapter.
Anyway, that's all I got. Keep writing! I'm off to Part 2! (eventually
I am writing it with my best friend, we each have characters, yes chapter 1-3 are a little chaotic But this is necessary for you to get a general idea of each character, they come together in ep 3 and they all need eachother, once I get around to posting more of it this will become clear, we can't introduce them gradually since it would take more than 6 books to fill.
I read some of it, kjr5horses. In one of your replies to this, you mentioned having written 55 pages in 4 weeks- WOW! How the heck did you do that?! At most, 4 weeks could only ever get me about twenty pages.
Anyway, I thought it was great... but then I noticed a serious calamity: there were way too many viewpoints. This, my friend, is why you have so many pages. Narrow your story down! Try to introduce the other characters as tangents from the main plot, instead of frivolously handing out story-lines. If you don't narrow Vrasses down, it'll be too broad.
As it is now, I simply can't enjoy it. To be honest, I'd rather just sit down with a good 'ol sci-fi/fantasy that only has a few characters. Make one person as the viewpoint, and every other character as essential asides.
Why am I saying this? To hurt your feelings? No. I'm saying this because I've fallen into this trap before. Don't overload your novel, or you'll end up with a 400-page clunky manuscript with nowhere to go but backwards. Instead, hone in on one guy, and make him profound and entertaining and fully-descripted.
That way, people can get attached to him, instead of barraged by bazillions of other characters. It'll be hard, but it'll make the novel better!
_______________________________________________________________________________________________________
"Words will fail you."
Okay main conflict? Which one? My friend and I are writing this....its...so complex, you won't know the meaning of the word after this is finished! lol...
Expenses? That does not mater, the colors are the colors of their rings, it makes it easier to read once they all...come together...
To be honest we don't even know what is going to happen next! If we make an idea...the characters decide to make their own plans! To be honest this story is writing itself...
Hi! I edited your post so that it was in "story" mode instead of "normal" mode. That way, now you have paragraphs! So, hopefully you'll get more reviews other than, "put this in paragraphs!"

Okay! So... wow. I think this may be partly because of sleep deprivation and such, but I was soooooo confused throughout. It felt like you just dumped a lot of names, and a bunch of random scenes, so it kind reminded me of one of those music videos that flips scenes every couple of seconds. I think you can limit the amount of perspectives you are showing and yet still have have a really powerful story. Kind of like you don't HAVE To put chips and chocolate and mayonnaise on a burger. You can, of course, but a little can go a long way.
In any case, the most important thing that I can see is that somebody wants to kill... somebody else. And the guy is willing to hire someone else. And then there are random rings that indicate a secret society? That might be a good thing to mention! But that's the main conflict. So don't be afraid to emphasize this main conflict! It's always better to start simple and then get complex. Kind of like in the Iliad... Homer doesn't start off with tons of different viewpoints. He starts with Achilles' rage, explained, and then, after you get a sense of what's at stake (the Trojan war, the different sides, etc.,) he starts going from viewpoint to viewpoint, so everything makes sense!
Basically? Let us understand the main conflict and THEN start introducing all the characters.
Also... I have to mention this because my eyes kind of tweaked out... all the colors were awful and distracting and sometimes unreadable. I don't know why you did this... but... if you ever want to get this published, they will make you put it in black and white (since colored text is four times more expensive to print). So, see if you can convey your message without having to rely on this colored text! It's really hard to read right now.
Anyway, just a couple of thoughts! Hope that helps.
Yes it is spaced out on the Word Document, it would not let me on YWS it said that it was too long when I did that.
Thank you! My friend and I have been working on it for 4 weeks we have over 55 pages and are currently working on Episode 6! Will post more!
I think you need to space your paragraphs and dialogues so you can follow it without losing your spot. Also I say good story and can't wait to read more, Good luck and Happy Writing!!!
Soulkana<3