z

Young Writers Society



The Wolf, the Storm, and the Firebird

by jojo48


Dawn was one of Igy’s favorite times of day. Her other favorite time was dusk, because the one thing they both had in common was a fiery sun peeking over the horizon and painting the sky a violent orangey-pink. It just so happens that dawn is when Igy’s story begins, in a city named Caer Chan Adar, or, roughly translated, City of the Birds.

Adar, as was the more common name, was exotic, to say the least. It was carved into a mountain of silver-veined granite and progressed up and back with the natural lay of the mountain like grand steps up to heaven. Before it spread the forest Naemus until it met the distant horizon. This was the only defense the city needed, because Naemus was no ordinary forest. There was scarcely any underbrush so prey had no hiding place from predators, and the ancient trees were all nearly identical making it impossible to mark a path. No one venturing into Naemus was likely to return. No one except for the people of Adar.

The residents of the great city were not only used to the lay of the forest, but they didn’t even to pass through it. Flying was their main method of travel. Yes, the people of Adar were half bird. Completely human at first glance, but harboring the ability to transform into a bird at will. Every Adarian transformed into a different kind of bird, depending on their inward personality and outward appearance.

The bird people shifted (as the process was called) in their years of puberty. Adolescent boys and girls would wake up one day with a brand new sense of power and longing of flight, and the next thing they knew, they were flying out of their bedroom window.

Fourteen-year-old Igy was still waiting for that day.

As was becoming more and more common, this was the topic of conversation at breakfast that day.

“Igy, I knew a girl when I was your age that didn’t shift until she was 16!” Igy’s mom said.

“Wasn’t she the one who transformed into a crow with a crooked wing?” Igy retorted. Her mom was constantly trying to comfort her, but her parents couldn’t hide their worriedly whispered conversations when they thought she wasn’t listening.

Her mother, a jittery little meadowlark, was dissuaded by this remark but continued her pointless comforting. “Look, just don’t worry about this, Ignea. Everything’s going to be fine! There hasn’t been one Adarian who hasn’t shifted. I can’t imagine why you’d be the exception.”

“I’m starting to think I’m not even Adarian.”

“Igy…” her father called as she pushed away from the table and headed to the door. But despite her father’s marvelous attempt to reassure her, she was already out the door.

The city was much quieter than usual. It had been this way for the past month. A sickness was spreading through it at an alarming rate, and it had already claimed three lives. The healers were working night and day to find a cure, but no one had ever seen the disease before. The official story of how it originated was that it was brought by a strange merchant traveler from another country, but he left before he could be questioned. The king reassured the people that he had been told of a cure in a distant country, but the men sent to retrieve it had not returned yet. Fear and tension grew daily as the sickness slowly deteriorated nearly one tenth of the Adarians. This and her late shifting were the only things on her mind as she wandered over to her best friend Audra’s house.

Audra was also fourteen. She had short black hair and gray eyes that reminded you of a gathering storm. She too had not shifted and never would because she was adopted from some “far away country” her parents never spoke openly about. Igy’s case was much better than Audra’s. With Igy, there was a good chance of shifting even if it was frighteningly late. But Audra was a totally human girl in a city of half-bird people. She claimed that it was inhumane of her parents to do such a thing. It was like holding a bone in front of a dog, but only just out of reach.

Audra was in the garden when Igy approached. She attacked the weeds as if every individual one had a personal quarrel they needed to settle.

“I think pulling them up from the roots is much more effective than strangling them, Aud,” Igy said. Audra abandoned her gardening to join Igy on one of their strolls to the cliffs on the edge of the city.

“You wouldn’t believe how much of a moron Geren is! I just want to strangle the little parrot!” Audra growled. Thunder emphasized her anger in the distance.

“What did he do this time?”

“I was just watering the stupid flowers when he swoops down and starts screeching into my ear and pecking me in the arm about 20 times. Now I’m probably infested with some sort of freakish bird disease.”

“Wouldn’t it be awful if I was a parrot just like Geren?”

“Yes. We’d have to quarantine you. But you’d never become a parrot. You’re way too fun and smart-alecky for that.”

“I don’t know, I’ve got the bright red hair for it,” Igy looked down and added, “If I ever do shift.”

“Igy, stop moaning about that, okay? You’re just a little late. It’s not like you were adopted, like me,” Audra pointed out mournfully. She watched the people of Adar swoop in for a landing and warp into a human the moment before they touched the ground. Every bird was different, every one as graceful as the next.

They turned right and left the streets by a stone arch that led to the perilous cliffs on the edge of the city. Not many people knew about the cliffs, and those who did were too cautious to venture there. But Igy and Audra found peace in the green ocean below and the gentle winds that caressed the mountainside.

Igy was trapeze-walking along the outermost edge of the cliffs. She craved the rush of adrenaline the heights brought. Audra took no notice, as usual, and continued her ranting about her foster parents.

“I mean, if they’re going to steal me right from my own people to live with a completely different culture, they could at least tell me where I’m from. I’m really starting to think they kidnapped me. I think I can use my gray eyes as a hint since no one here has gray eyes…” Audra continued to no end as Igy half-listened, half-tracked the speed of the wind. It seemed to be growing stronger.

Then, just as Audra’s accusations grew to a higher pitch, a huge gust of wind sprouted from nowhere and knocked Igy’s balance completely off. She teetered on the edge for a few terrorizing seconds and fell head-first into the shadowy trees hundreds of feet below.

She just heard Audra’s inhuman scream ring through the storm-wrapped skies. It mixed in morbid harmony with her own as she thought of nothing but the impact her body would make with the ground. But in a hundredth of a second, a new feeling washed over her conscious and subconscious mind until it filled every part of her. Almost involuntarily, she lifted her arms and flapped. Immediately she turned from falling to flying parallel to the forest. Turning her head she saw beautiful, aerodynamic wings stretching to either side of her body. They were red, orange, and yellow all at the same time; they were fiery. She was flying! She’d shifted under extreme stress. She’d heard of that happening before. But now the question was, what was she? Her wings had to be at least three feet long. Definitely no little sparrow or meadowlark, like her mother. And she was a violent red. Then she remembered identification by bird calls. Ignea opened her straight, pointed beak and sang. She heard the noise come from her own mouth, and she felt her vocal cords vibrating, but surely that beautiful siren song wasn’t coming from her. Little Igy, the late blooming redhead, sang the most beautiful, melancholy song that could ever be beheld by the ears of mortals. The song of a phoenix.

Igy herself felt tears in her eyes, but still she refused to believe it. Me, a phoenix? Yeah right, she thought.

She could have flown for hours nonstop. The speed, the grace, and the exhilaration of it all were new to her entirely. But then she remembered Audra back on the cliff. She turned and began to gain altitude without even having to think about it. Soon she was alighting on the precipice next to a gaping Audra. She transformed for a second time. She felt herself growing taller and her wings shortening into arms until she was all human once again.

“Ignea… what… you… you look like a phoenix,” Audra managed to gasp.

“It’s good to know you’re glad I’m not dead.”

“No, no. I’m glad. Really glad. But… but you’re a phoenix. Even a human girl could figure that out with nine years of bird identification classes. But there hasn’t been a phoenix for, what? A hundred years?”

“And now we reach our problem. There’s no way I can be a phoenix. There has to be some explanation for this.”

“Well, but think about it Igy. Think about what we learned in class. You’re a really late shifter, you have wild red hair, you look exactly like a phoenix, and when you sang that song I just wanted to crawl up and start bawling. And it’s not impossible,”

“Just a one in a million chance,” Igy pointed out.

“Well someone has to be that one in a million.” This closed all argument on Igy’s part. Audra was perfectly right. “Come on,” she continued, “We have to tell your parents.”

“Okay, just don’t tell them I had to fall off a cliff to figure it out.”


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Thu Sep 03, 2009 8:14 am
Master_Yoda wrote a review...



Hey Jojo :)

I'm Yoda and will be your reviewer for the moment. :)

Firstly, I must comment on what an interesting read this was. You have a great premise for this story, so you need to make sure you don't squander its potential. I'm going to go through the story and comment on certain aspects that I think might be improved etc.

:arrow: The premise of the story: I'm not sure whether you've heard the term Mary-Sue. If you haven't, a Mary-Sue is what we talk about when we refer to a character who is flawless. When a character becomes special, they no longer interest the reader as such. When you tell a story about a character, the reader, subconsciously in most cases, wants to see them develop. They need to feel the pain of the character, as well as whatever accomplishments the character feels.

The point I'm essentially making, is while the premise of the story is good, we still don't feel anything for your character. We don't feel a surge of triumph when she finally transforms because she is at this stage nothing to us. Jim Butcher does it best in his Codex Alera series. His main character is the weakest character in the whole book, so we need to watch him struggle against every challenge and in fact become one with him. You've got none of that grip on us at this stage, and would be far better off letting us suffer not knowing whether your character would transform.

One tip I'd give to this is to suggest a known occurrence of rare people who don't transform because of some reason or another. They should be very rare, and often persecuted. You need to heighten the anxiety we feel for Igy if this is to work. :)

:arrow: On the point raised about your characters' lack of body actions: As a writer it is your job to keep us, your audience, as engrossed in the story as you possibly can. There are two main ways to make sure that your characters have credibility. The first has been suggested above. If you give your characters body actions to accompany their dialogue, we can often get a better perspective of them. The second way is far more effective in my opinion, but it's also a little harder to pull off: make every piece of dialogue so emotive that we can work out what their body actions would be for ourselves. This doesn't mean replacing "said"s with "exclaimed"s or the like. It means taking the actual dialogue and filtering it down to only the most interesting dialogue. The rest can be described in prose, and need not be said at all. If you can do this, we'll truly start to feel your characters.

:arrow: The Showing vs. Telling thing: I like the perspective that you hold as a narrator. You're distant from the story and are telling it like a true tale should be told. I'd suggest adding a lot more of this great prose between dialogue as that is what distinguishes you as a good writer. interspersing your dialogue with prose helps us stay focused and take in what you've just told us rather than being flooded by a one-shot flurry of dialogue.

:arrow: Setting: We need a lot more of this. You've described the broad picture, but actual details closer to where each event takes place are sorely lacking. What can they see around them? What noises are common? Is there an urban smell of bread being baked? We need to know this to be transported into your world completely.

I think that's about it. :) Keep writing. You're doing great. Just remember, characters who are too powerful aren't interesting and create plot holes. You're also going to need to give us some hints as to where you're planning on taking this story. You know, it's somewhat lacking drive.

Have a great one! :)




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Thu Sep 03, 2009 3:15 am
MeadowLark wrote a review...



Hi there! I'm Meadow, and it's been a long time since i reviewed anything so sorry if I'm not helpful

Dawn was one of Igy’s favorite times of day.Her other favorite time was dusk, because the one thing they both had in common was a fiery sun peeking over the horizon and painting the sky a violent orangey-pink.



The bolded part there, it made me think "Who really cares?" Perhaps you should strive for a more exciting beginning. The underlined part: Igy and dusk have a fiery sun in common? Perhaps you should put "the one thing dawn and dusk both had in common" or something as to not confuse your reader

It just so happens that dawn is when Igy’s story begins, in a city named Caer Chan Adar, or, roughly translated, City of the Birds.



This part sounds a little...telly and such. It may just be the bolded part there I like it, but perhaps you could find a way to spice it up a bit.

Adar, as was the more common name, was exotic, to say the least
.


I got slightly confused at this part. At first I thought it was a person until the next sentence. Perhaps you should mention in this sentence that it is a city or village.

It was carved into a mountain of silver-veined granite and progressed up and back with the natural lay of the mountain like grand steps up to heaven. Before it spread the forest Naemus until it met the distant horizon.



I like how you describe where this town is placed on the mountain. It's quite unique. But...the last part where you first mention the forest needs to be worked on. Maybe add "into" into it

No one except for the people of Adar

.

Either take this sentence out, revise it or add it on later because it really throws off what you had going in the paragraph with all the description.


The bird people shifted (as the process was called) in their years of puberty
.


Take out the brackets. Rewrite the sentence to incorporate that specific part into it so you have no need for them


“Igy, I knew a girl when I was your age that didn’t shift until she was 16!” Igy’s mom said.


Give the mother some action. Is she working in the kitchen washing dishes or making breakfast? Or is she pointing with her fork?


Her mother, a jittery little meadowlark, was dissuaded by this remark but continued her pointless comforting.


I just had to quote this! Jittery little meadowlark haha!

A sickness was spreading through it at an alarming rate, and it had already claimed three lives.


The Avian Flu??? So sorry, I'm a joker. Just ignore this one.

This and her late shifting were the only things on her mind as she wandered over to her best friend Audra’s house.


Nix "over" as it really isn't needed.

“I think pulling them up from the roots is much more effective than strangling them, Aud,” Igy said.


Give her some body actions! How is she standing? What's the tone of her voice??

Audra abandoned her gardening to join Igy on one of their strolls to the cliffs on the edge of the city.


What? Audra has no smart ass comeback? Give it a little humour here!

“You wouldn’t believe how much of a moron Geren is! I just want to strangle the little parrot!” Audra growled. Thunder emphasized her anger in the distance.


Try adding "along with her twisting her hands ," after distance or something.

Me, a phoenix? Yeah right, she thought.


Put her thoughts into italics.

“Ignea… what… you… you look like a phoenix,” Audra managed to gasp.


Gasp out seems better. Also, give her some body actions!

~~~~~~~~

Oookkay! Firstly, you are defiantly going to have to give your characters more bodily actions when they are talking. It gives them more realistic and just gives them more.

Secondly, I agree with Lorrilrakest. I think Igy did shift way too early in the story. You should maybe put it off till a little later. I like how you did it. It was exciting. But, it's your story.

Great description and that!

Happy Writing!

Meadow




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Thu Sep 03, 2009 12:19 am
Lorrilrakest. wrote a review...



I was so absorbed in the story half-way through that I forgot to be looking for mistakes and inconsistencies. But hey, I suppose it's a good thing.

I'm not sure if this is part of a novel or a short story or what, but, I'm understanding it's some form of longer story because there's a whole world you can explore. If so, I really do think that Igy shifted too early in the story. I was liking the wait, because I wanted to experience Igy's anticipation too. I wasn't as frustrated as Igy seeing as though she shifted in the early paragraphs.

But it's definitely a unique and beautiful world to create, I must compliment you.

Have you ever read Vampire Academy by Richelle Mead? Well i'm actually reading it right now, and it has a similar line (a vampire girl has not specialised in a magic element yet, her friend will never specialise because she's a different species, then she does specialise and it's an element that no-one has heard of for centuries).
It's very similar, but also tweaked in such a way that it's still intriguing.

I guess i'd advise you to work on the Shifting Phase. I wasn't expecting the suprise shift, and I was knocked off guard for a bit wondering what was happening. I'd make the process slower and let the reader involve themself with it. Let them read every word and understand it. It was a bit too fast for my liking, and so I couldn't understand what was happening until you blatantly said "She was flying!".
Oh and also, please change the word "flapped". It sounds so ugly and dull.

Overall it was an incredible story and I am excited for the following bits.

(P.S Why is she called Igy? A very odd name :))




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Wed Sep 02, 2009 11:51 pm
Talulahbelle wrote a review...



I love this story (I'm all into birds right now)! Umm...I noticed only a few things...
The conversation. There are times when you get into just he said she said. Try putting more actions in. What are they doing as they say this? Fidgeting or brushing a hair away or something? See it in your mind's eye.
And I would suggest finding a species name or using Adarians instead of half-bird people. It throws off your flow.
But overall I really like it and would like to see more!





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