Hello Felistia!
Here to review your poem as requested!
I did find this to be a very beautiful poem. You mention time a lot here, and how it can touch nature and the environment around us, whether it is over a long period of time like the gold grains slowly moving, or simply a second wherein an insect can chirrup. I think the diction and careful choice of words you applied to this poem as well made it as wonderful as it was. It was a very special touch that added to the imagery behind the poem and made it become all the more real and vivid to me as I read.
This poem is short and fairly perfect in itself so I don't have too much to say. One thing that I do have a little issue with is the rhythm in this poem. When I was reading it at times it felt like there was an awkward reading rhythm or that the sentences were too long.
In general you have a lot of long sentences as each line is fairly long. I would ask you to consider breaking them into shorter sentences, using enjambment to your advantage to put some focus on more words. Then you might even want to break it into two stanzas or not, depending on how you feel for it. I gave an example for the first three lines below:
Endless waves of sloping dunes
stretch beyond the horizon,
steadily rising and falling
on the ancient winds of time.
Millions of golden grains slowly shift
across the landscape.
This way we have the focus on the words like time, shift, falling... all things which kind of relate to your theme of time and how change happens as well. It also simply helps make it easier to read and makes it appear to be in more of a poetic format, so that when you read you are expecting there to be some sort of rhythm to it so you start reading it rhythmically as well. The syllables in each line are roughly similar too, which helps.
Now for upgrading your poem to the next step which could help all the more with the rhythm and how it reads. And that would be to throw in some literary devices, and especially in the case of this poem I could see assonance and alliteration, especially the latter, working well here. If you put in alliteration which you sometimes begin to do here but don't quite carry through, then it can just make the poem sound so beautiful. Usually a group of three pegs it as alliteration. So for example, taking the line 'just dead quiet and the shifting of the sands of time.' Now make the word quiet silence instead. Just the dead silence and the shifting sands of time. I took out the words 'of the' to make the alliteration more prominent by having the 's' words directly next to each other. They don't always have to be, as you can see from the word silence and its positioning. It's a very small change - only one word - but it makes a big difference while reading. See if there are other places in the poem where you can do it too, and make the whole poem come alive.
Because this is a short poem I don't think there is much more that I can say. Keep writing!
Deanie x
Points: 67548
Reviews: 1634
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